One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

An amateur online sleuth must enlist the help of a jaded PI to clear her name while taking down a shady tech start-up in this exhilarating romantic suspense novel.

Fiona Addai is ready to set her plan in motion. To honor the anniversary of her brother’s death, she’s going to steal back his brilliant invention from the ruthless corporation that stole and claimed it as their own. As a famed Reddit detective known as @Princess_PI, Fiona has used her online connections and sleuthing skills to time every step down to the minute. But with one disastrous misstep, instead of getting justice, Fiona finds herself accused of murder.

Maurice Bennett is no stranger to insomnia. These days, he’s not losing sleep over the cases he’s solving—but running from the one he couldn’t. Instead, he’s been settling for small-time scandals that don’t stir up the guilt he’s buried. But when he spots Fiona Addai at the center of a murder investigation, something clicks. And for the first time in a long while, Maurice feels that old spark of intrigue.

However, Fiona is not the helpless damsel she appears to be. Sure, she needs Maurice’s help to clear her name, but she’s got conditions of her own: she wants a crash course in real-world detective work. Maurice isn’t exactly thrilled. With every late-night stakeout and tension-filled interrogation, their partnership, rife with tension and unexpected chemistry, unravels a dangerous web of corporate crime and familial secrets. To bring the real killer to light, they'll need to trust each other and that might be the most dangerous gamble of all.

It’s Nikki Maxwell’s birthday!! Will it be a blast or a bust? Find out in Nikki’s newest diary, the thirteenth installment in the #1 New York Times blockbuster bestselling Dork Diaries series!

Nikki and her BFFs Chloe and Zoey have been planning a birthday party of epic proportions! There’s just one problem—Nikki’s mom says no way to the budget they need to make it happen. Nikki’s ready to call the whole thing off, but some surprising twists might take that decision out of her hands, and help comes from the person Nikki would least expect. One way or another, this will be a birthday that Nikki will never forget!

Nikki Maxwell’s diary enters her bratty little sister’s clutches in this sixteenth installment of the #1 New York Times bestselling Dork Diaries series!

It’s almost time for school to start again, and Nikki is a little worried—but, as always, she has her BFFS to help. Only, it turns out her friends need Nikki’s help. Nikki quickly gets overwhelmed and even starts feeling sick…which is when her little sister, Brianna, takes her chance to steal Nikki’s diary! How much damage can Brianna do before Nikki is back on her feet?

A powerful and innovative debut collection—the first in the new Polaris Poetry Series—that captures the rhythms of Black girlhood as it navigates the spaces between city and southern roots.

Through poems rooted in Hoodoo spirituality and the author’s Gullah Geechee heritage, Shakeema Smalls’s Sweetwater Mass uncovers ways of knowing that transcend physical and temporal barriers, boldly addressing the lived realities of racism, classism, and economic struggle while simultaneously journeying toward joy and transcendence. Drawing on her identity as a Black, queer woman and her family lineage, the “red birds / of the ancestral arcana,” Smalls writes from a place of resistance—against capitalism and systems of oppression—and in search of higher spiritual truths. Smalls’s work finds lineage in the voices of Sonia Sanchez, Lucille Clifton, Joy KMT, and Nikky Finney, while offering something wholly unique that broadens conversations about systemic violence, poverty, and the complexities of Black girlhood. As she grapples with the intersections of gender, race, class, and resilience, Smalls weaves breath, brevity, and stream of consciousness into poems that hold space for both grief and growth.

The Polaris Poetry Series is edited by Cynthia Manick and features collections of Afrofuturistic and Afrofuturism-adjacent poetry. The series is a dedicated home for this innovative poetic style and for amplifying the voices of Black poets. Sweetwater Mass is the first in the series.

*Ships in 7-10 Business Days*

Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.
Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors

Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.

Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns.

Join us for a montly children's storytime at Kindred Stories. Each Story time will celebrate a special book and be read by a wondertful community mementer. IT also includes a story time. 

Featured Book: Daisy Helps With The Dress 

Featured Reader: Antonia Adams 

EVENT DEETS

When: Saturday, September 26 @ 11 AM CST 

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your spot and let us know you are coming.

ABOUT DAISY HELPS WITH THE DRESS 

When Daisy tries to help with her cousin’s wedding, her misguided assists almost ruin the big day, until she finds a way to pull the dress—and her family—together in this charming picture book by award-winning author Olugbemisola Rhuday-Perkovich.

Daisy loves helping her family and she knows the best kind of helpers never wait to be asked. That’s why she doesn’t ask before adding finishing touches to her family’s special reused, re-tried, remixed things, like a leftover broccoli topping for Auntie Fontie’s cakes or a good bath for Nana DJ’s “back-in-the-day, rusty, dusty” vintage albums—much to their chagrin.

But what Daisy wants most is to help give her cousin Simone’s recycled wedding dress a little razzle dazzle. She knows just what the vintage dress needs: a little glitter here, a few stickers there to give the dress some flair.

But Daisy’s cousin Simone and the rest of the family are not so happy with her decorations. Can Daisy make things right and help find Simone a new re-lived, re-loved wedding dress?

Finalist, Los Angeles Times Book Prize for Poetry

Love Child’s Hotbed of Occasional Poetry is a twenty-first-century paean to the sterling love songs humming throughout four hundred years of black American life. National Book Award winner Nikky Finney’s fifth collection contains lighthouse poems, narrative hotbeds, and treasured artifacts—copper coins struck from a new matrix for poetry, one that testifies from the witness stand and punctuates the occasional lyric within a new language of “docu-poetry.”
 
The ancestors arise and fly, and the black female body is the “insurgent sensualist,” hunted but fighting to live and love in the ways it wants and knows best: “I loved being / a black girl but had not yet learned / to play dead . . .”
 
The tenderness of a father’s handwritten notes shadows the collection like a ghost, while the treasured, not-for-sale interiority of a black girl’s fountainhead takes over every page. “One yellaw gal with an all-black tongue has gone missing.” Finney has composed a new black spiritual, and one of the great voices of our time again stamps her singular sound into the new day.

Following the tradition of Nikky Finney, Krista Franklin, and Morgan Parker, Good Dress documents the extravagant beauty of Black relationships, language, and community.

In her debut poetry collection, Brittany Rogers explores the audacity of Black Detroit, Black womanhood, class, luxury and materialism, and matrilineage. A nontraditional coming-of-age, Good Dress witnesses a speaker coming into her own autonomy and selfhood as a young adult, reflecting on formative experiences.

With care and incandescent energy, the poems engage with memory, time, interiority, and community. The collection also nudges tenderly toward curiosity: What does it mean to belong to a person, to a city? Can intimacy and romance be found outside the heteronormative confines of partnership? And in what ways can the pursuit of pleasure be an anchor that returns us to ourselves?