2019, Texas Library Association's Maverick Graphic Novel Reading List
Amazon Book Review's Best Comics & Graphic Novels of 2018
NPR's Best Books of 2018
Newsweek's Best Comic Books of 2018
The Advocate's Best LGBTQ Graphic Novels of 2018
Book Riot's Best Comics of 2018
Autostraddle's 50 of the Best LGBT Books of 2018

When Hazel Johnson and Mari McCray met at church bingo in 1963, it was love at first sight. Forced apart by their families and society, Hazel and Mari both married young men and had families. Decades later, now in their mid-'60s, Hazel and Mari reunite again at a church bingo hall. Realizing their love for each other is still alive, what these grandmothers do next takes absolute strength and courage.

This Jackpot Edition contains over SIXTY PAGES of bonus material, including the talents of MARGUERITE BENNETT (Batwoman) and newcomer BEVERLY JOHNSON, SHAWN PRYOR (Cash and Carrie) and PAULINA GANUCHEAU (Zodiac Starforce), award-winning historical romance author ALYSSA COLE's comics writing debut with SHAE BEAGLE (MOONSTRUCK), GAIL SIMONE (CROSSWIND) and MARGAUX SALTEL (Superfreaks), and AMANDA DEIBERT (Wonder Woman '77) and CAT STAGGS (CROSSWIND), with illustrations from MEGAN HUTCHINSON (ROCKSTARS) and ARIELA KRISTANTINA (InSeXts). Plus a sneak peek of BINGO LOVE, VOL. 2: DEAR DIARY, with an afterword from GABBY RIVERA (America).

Percival Everett meets Sinners in this gripping, haunting novel of history, rebellion, and the unpredictable nature of truth

When antiquarian Malcolm Washington is sent to a decaying plantation home on Johns Island, South Carolina, his mission is simple: authenticate and acquire a shackle rumored to have been used on Denmark Vesey, the legendary leader of a thwarted slave rebellion. But the task proves far more complicated than Malcolm could have imagined. The shackle’s owner, the enigmatic Mrs. Manigault—the last white woman on the island—is having second thoughts about selling her inheritance.

What begins as a professional assessment quickly spirals into a tense battle of wits, as Mrs. Manigault insists on telling the “story” behind the shackle, one she was told as a child, which grows more fantastical at every turn. Each part of the tale is both a weapon and a test, crafted to manipulate, conceal, and ultimately reveal the buried truths of the past. Trapped between Mrs. Manigault’s manipulative storytelling and his own complicated motivations, Malcolm must come face-to-face with his own past.

Sweeping, suspenseful, and acidly funny, The Inheritance blends contemporary Southern Gothic and literary mystery to delve into the heart of America’s unresolved past, where the search for the truth uncovers secrets both liberating and terrifying.

From Marlon James, author of the Booker Prize–winning A Brief History of Seven Killings: a propulsive novel about the murder of a gay man in 1980s Jamaica and its tragic consequences

In 1988, eight men in Kingston, Jamaica, begin rehearsals for a play. The men are strangers to one another and each has a different reason for being involved. But they all share one inescapable truth: All of them are gay―a “battyman” in Jamaican argot―and all of them must contend with the dangers that such a truth lays bare.

One night a mob savagely attacks them, killing one of the men. For the survivors, their recovery is as much emotional as it is physical. As their bodies heal, each man grapples with the violence, the hatred, and the rage that the attack made plain. Some try to ignore what the attack has unearthed, while others double down on retribution.

In The Disappearers, Marlon James has written a riveting and deeply human story of men forced to make compromises to survive what the society they live in demands. It is both a dramatic page-turner and an unflinching exploration of queer life in Jamaica during the 1980s and 1990s.

“I'm obsessed.” —Ali Hazelwood

"I never wanted [it] to end...Stunning." —Lyla Sage

What my eyes are showing me can’t be possible. Can’t be real. Because if they are, then I have to accept that Julian Conrad has been alive for a very long time.

Too long to be human.

A stay-up-all-night, smart, spicy romance following a doctor who finds herself falling for an alluring, much-younger man with a deadly secret

Sean’s not in the market for love. The only female, let alone Black, interventional cardiologist at her hospital, she’s watched too many of her male colleagues divorce their first wives to marry younger models—and then there’s the abusive relationship she’s spent the better part of her early 30s healing from. Her passions are reserved for her best friend, her goddaughter, and her job.

Then she meets Julian. Brooding, beautiful and eleven years her junior. In short: A bad idea.

Julian pursues her in a way that sets off alarm bells in her mind, but she finds herself unable to resist their undeniable chemistry—even starts fantasizing about him in dreams that feel altogether too real. They also have a lot in common despite their age gap. So, to hell with it: If men can date younger, why can’t she? But the more Sean gets to know him, the more impossible Julian seems: He has a depth and sorrow to him that’s beyond his years, and sometimes there’s a look in his eyes that’s less than human, and leaves her feeling more like prey. Plus, Sean herself has been exhibiting odd symptoms—memory lapses, a lack of restraint that's unlike her, persistent exhaustion—that all trace back to Julian, making Sean feel more than a little afraid. Who—or what—is she falling, irrevocably, in love with?

Extraordinarily transfixing, suspenseful, and addictive, Die for Me is nothing short of a seduction.

A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view • From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?

Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

A novel about the extraordinary partnership between First Lady Eleanor Roosevelt and civil rights activist Mary McLeod Bethune—an unlikely friendship that changed the world, from the New York Times bestselling authors of the Good Morning America Book Club pick The Personal Librarian.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance. Initially drawn together because of their shared belief in women’s rights and the power of education, Mary and Eleanor become fast friends confiding their secrets, hopes and dreams—and holding each other’s hands through tragedy and triumph.

When Franklin Delano Roosevelt is elected president, the two women begin to collaborate more closely, particularly as Eleanor moves toward her own agenda separate from FDR, a consequence of the devastating discovery of her husband’s secret love affair. Eleanor becomes a controversial First Lady for her outspokenness, particularly on civil rights. And when she receives threats because of her strong ties to Mary, it only fuels the women’s desire to fight together for justice and equality.

This is the story of two different, yet equally formidable, passionate, and committed women, and the way in which their singular friendship helped form the foundation for the modern civil rights movement.

Story Locale: Washington, D.C., Mid-20th Century - A novel about the extraordinary partnership between First Lady Eleanor Roosevelt and civil rights activist Mary McLeod Bethune—an unlikely friendship that changed the world, from the New York Times bestselling authors of the Good Morning America Book Club pick The Personal Librarian.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance. Initially drawn together because of their shared belief in women’s rights and the power of education, Mary and Eleanor become fast friends confiding their secrets, hopes and dreams—and holding each other’s hands through tragedy and triumph.

When Franklin Delano Roosevelt is elected president, the two women begin to collaborate more closely, particularly as Eleanor moves toward her own agenda separate from FDR, a consequence of the devastating discovery of her husband’s secret love affair. Eleanor becomes a controversial First Lady for her outspokenness, particularly on civil rights. And when she receives threats because of her strong ties to Mary, it only fuels the women’s desire to fight together for justice and equality.

This is the story of two different, yet equally formidable, passionate, and committed women, and the way in which their singular friendship helped form the foundation for the modern civil rights movement.

From the bestselling author of Everything Inside comes a vivid, timely story, moving from Haiti to Brooklyn to Miami, of a woman whose sense of self and family are called into question when she gets caught in a random act of violence one sunny Florida day.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami, after she hears the terrifying sounds of gunfire while shopping for her daughter’s first-ever cell phone; she takes shelter in a restaurant called Oasis, cowering with fellow shoppers and diners, each praying to their respective gods.

Once she’s safely home, Magnolia hides the fact that she was at the mall shooting from everyone close to her. But given her life back, she begins to see it all clearly, and as if for the first time—what the extraordinary bond she has with her daughter, Zoë, really means to her, and what Zoë may feel in return; what the nearly broken relationship she has with her partner, Harrison, has cost her, despite his love for her and their daughter; why her mentally troubled mother—whose unraveling patterns Magnolia worries she’s spiraling toward herself—might be so ghost-haunted; what the source of her father’s pain, and his reason for seeking solace in the arms of a mistress, really is. As Magnolia struggles through the labyrinth of her past, she must also come to terms with the losses sustained that traumatic day, losses that we all bear witness to all too often in our troubling times.

Can love, can family, protect us from harm? Does optimism or fear win out in one’s heart, one’s soul? Which side will win out for Magnolia—and where does she really belong? Pulled between these questions, and her beloved, high-stakes choices and worlds—Miami or Haiti, single or married, mortal or ghost, before or after—Magnolia is one of the most compelling characters that Danticat has ever created—a narrator who is "yon pati koukouy, part firefly": shimmering, flitting between choices, drawn to the light yet emitting her own.

Taking its title from the Creole word for mourning, Dèy is a profoundly warm and moving novel about the importance of sharing grief and leave-taking, but also of the ties of family—takeout dinners around a table, fresh dirt on a plant’s roots in the garden, swimming together in the azure seas. As Magnolia questions whether all has not yet been lost, Dèy celebrates the complexity of life in a brave and striking novel that is one of Danticat’s most powerful and deeply affecting works yet, told with a signature “unfaltering voice and evocative beauty” (The Boston Globe).

They're making an album. Not love. (Yet.)

Bishop's album is a disaster, and the only person who can fix it is Shiloh Ellis, the woman she ghosted four years ago.

Shiloh's the best producer in the business now. Button-downs sharp, studio pristine, boundaries ironclad. She doesn't do chaos, second chances, or Bishop. But when she hears that dying demo, she knows exactly what's missing: the raw honesty they used to create together. Before the fame. Before Bishop left without a word.

Four months to salvage the record. Two masculine-of-center women who used to finish each other's sentences, now barely able to tolerate sharing studio air. Bishop's all swagger and deflection. Shiloh's all logic, control, and precision. But in the booth, with nowhere left to hide, the music demands the truth they've been avoiding.

The album's coming together. So is everything they buried.

Some love you have to earn back-one track at a time.

A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones.

When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pelligrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe.

With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. 
 
While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation.
 
Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

From an award-winning poet praised for his “rhapsodic, rigorous” work (The New Yorker) comes an immersive meditation on kindship, collectivity, and environmental thought

We (The People of The United States) is a book-length poem made to the measure of the modern world. Composed of 55 sections, it features a breathtaking range of characters and concerns: The Beach Boys, Gwendolyn Brooks, the invention of the typewriter, Zora Neale Hurston, Sun Ra, life on Mars, Robert Frost, experimental physics, The Jackson 5. Throughout the collection, Bennett summons Virgil’s Georgics as a lens through which to not only tell the story of his family, but a much larger one about the “form of the American mind,” our relationship to the natural world, and the pursuit of a dignified, abundant life. Published the year of the nation’s 250th anniversary, it is a collection that is right on time. One that calls us, as Langston Hughes once did, toward a future America that is not yet here, “and yet must be.”