Under the editorship of the late Robert Nemiroff, with a provocative and thoughtful introduction by preeminent African-American scholar Margaret B. Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.

The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision.

Now, with this landmark edition of Lorraine Hansberry's original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago—and the society—that surround and shape them.

Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form—a profound and powerful film.

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In her brilliant debut collection of poetry, Diamond Sharp navigates questions of mental health, grief, and joy through her speaker’s sardonic and playful imagination.

Diamond Sharp’s Super Sad Black Girl is a love letter to her hometown of Chicago, where the speaker finds solace and community with her literary idols in hopes of answering the question: What does it look like when Black women are free? 

Lorraine Hansberry and Gwendolyn Brooks appear throughout these poems, counseling the speaker as she navigates her own depression and exploratory questions about the “Other Side,” as do Sandra Bland, Rekia Boyd, and other Black women who have been murdered by police. 

Sharp’s poetry is self-assured, playful, and imaginative, reminiscent of Langston Hughes with its precision and brevity. The book explores purgatorial, in-between spaces that the speaker occupies as she struggles to find a place and time where she can live safely and freely. With her skillful use of repetition, particularly in her series of concrete poems, lines and voices echo across the book so the reader, too, feels suspended within Sharp’s lyric moments. Super Sad Black Girl is a compassionate and ethereal depiction of mental illness from a promising and powerful poet.

Celebrate the release of No Sense in Wishing with Lawrence Burney!

EVENT DEETS

When: Friday July 10 @ 6 PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to grab your copy of No Sense In Wishing, support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories 

ABOUT THE BOOK

A personal and analytical essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

There are moments in our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression. These moments inform how we understand the world, and ourselves, moving forward.

In a time when music is spurring Black Americans’ connection with Africans on the Continent, culture critic Lawrence Burney takes us on a journey from the streets of Baltimore to the concert halls of Lagos, reminisces on seeing his mother perform as the opening act of a Gil Scott-Heron show when he was a child, and sits at a Maryland crab feast with family, assessing how the Black people in his home state have historically improvised paths for their liberation. Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, this “powerful collection of essays” (Rolling Stone) is like an album that hits all the right notes, from a promising writer on the rise.

ABOUT THE AUTHOR

Lawrence Burney is a writer, editor, critic, and the founder of True Laurels, an independent magazine covering Baltimore’s music and culture scene. His work has appeared in publications such as New York Magazine, GQ, Washington Post and Pitchfork. He has also worked as an editor at The Fader, a staff writer at VICE, and an editor/reporter at The Baltimore Banner. His first book, No Sense in Wishing, a collection of essays, was published in July 2025 via Atria Books. His second book, Sing Back To Me, will also be published by Atria Books. Follow him on Instagram and X @TrueLaurels.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard.

Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.

Two homicide detectives track a brazen killer who's dropping bodies at historical Philadelphia landmarks in this action-packed crime thriller.

Two homicide detectives track a brazen killer who's dropping bodies at historical Philadelphia landmarks in this action-packed crime thriller.

"Marc did a great job setting the table. Looking forward to the next course." -K'WAN, national bestselling author of Animal

"Avery delivers a heart-stopping thriller. Giuseppe "Discipline" Cain is a one-man crime wave." -Dennis Tafoya, author of Dope Thief, an Apple+ TV series

"Discipline is everything you want in a buddy cop story. Gritty, action-packed, clever, and funny." -Delaware Today Magazine

"Has Netflix series written all over it." -Philadelphia Magazine

Giuseppe "Discipline" Cain is a cold-hearted, calculated, and resentful murderer who turns Philadelphia into his own personal killing ground. As the death toll rises, city officials and the police department clamor to calm the fears of the citizens about this brazen serial killer. When an elected official's family member is found dead, no one in the city is safe.

Detective Aaden Bravo is a highly decorated officer with a legendary clearance rate. Detective Christian Bennett is flashy, reckless, and a serial womanizer. After Christian's transfer to the Philadelphia Police Department's homicide division, these two starkly contrasting officers are forced to work together. Despite their disdain for each other, Aaden and Christian's skill sets complement each other. While Aaden is all about the job and Christian is all about the women, their next case is all about survival.

Will they succumb to the pressure of maintaining their partnership, or can they cast aside their differences and stay alive long enough to bring Discipline to justice?

The beloved novel about a New York City girlhood that heralded a renaissance in Black women’s literature, with a new foreword by Nicole Dennis-Benn, the bestselling author of Patsy and Here Comes the Sun

One of The New York Times Magazine’s 25 Most Significant New York City Novels from the Last 100 Years

A Penguin Classic

Selina Boyce comes of age in 1940s New York as the daughter of two immigrants from Barbados: a free-spirited father she adores and who dreams of returning to his Caribbean island home, and a disciplined, hardworking mother she admires and who is determined to purchase their Brooklyn brownstone. When her father comes into an unexpected inheritance, Selina is torn between his nostalgia for the past and her mother’s ambition for the future, all while negotiating racism, sexuality, Depression-era poverty, and the competing values of African Americans and her West Indian immigrant community.

First published in 1959, Brown Girl, Brownstones opened a window into the rich inner life of Black women and today ranks with A Tree Grows in Brooklyn as one of the great New York City novels. With her autobiographical debut, Paule Marshall paved the way for Toni Morrison, Alice Walker, Audre Lorde, June Jordan, and Maya Angelou—and took her place in the American literary canon.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This lyrical celebration of Juneteenth, deeply rooted in Black American history, spans centuries and reverberates loudly and proudly today.

After 300 years of forced bondage;
hands bound, descendants of Africa
picked up their souls—all that they owned—
leaving shackles where they fell on the ground,
headed for the nearest resting place to be found.

Deeply emotional, evocative free verse by poet and activist Sojourner Kincaid Rolle traces the solemnity and celebration of Juneteenth from its 1865 origins in Galveston, Texas to contemporary observances all over the United States. This is an ode to the strength of Black Americans and a call to remember and honor a holiday whose importance reverberates far beyond the borders of Texas.

Three years ago, I decided to have my first one-night stand. The plan was simple: research how to do it and meet a man at the bar before nerves playing with my guts got the best of me. I wanted to ring in the new year between a stranger's legs. Someone with good hygiene and exceptional tensile strength to take the edge off of studying mechanical engineering.

Then he walked in.

I'd heard whispers about "a night with Knight," tales of toe cramps and matted hair. Antonio is the biggest player and not the man to relieve me of my pent-up tension. His thick thighs, veiny forearms, and charming smile promised a trip to the hospital.

I shouldn't have followed him back to his condo, but I did.

Dinner turned into a kiss, and that kiss led to accidental humping. That's how we ended up in the emergency room. He had a broken nose, and my wig was stuck on his watch.

Three years and a PhD later, Antonio has cemented himself in my life as my best friend. Moving to the city where my sister lives-and where he plays professional rugby-wasn't a big deal at first. But everything changed when we hugged. His cologne surrounded me, and his eyes stayed locked on mine.

Our friendship is platonic, ironclad after the one-night stand gone wrong. So why can't I shake the feeling that we've barely scratched the surface?

The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America.

Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues?

Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.

From one of our most distinguished historians comes a groundbreaking new examination of the myths and realities of the period after the Civil War.

Drawing on a wide range of long-neglected documents, Eric Foner places a new emphasis on black experiences and roles during the era. We see African Americans as active agents in overthrowing slavery, in shaping Reconstruction, and creating a legacy long obscured and misunderstood. He compellingly refutes long-standing misconceptions of Reconstruction, and shows how the failures of the time sowed the seeds of the Civil Rights struggles of the 1950s and 60s. Richly illustrated and movingly written, this is an illuminating and essential addition to our understanding of this momentous era.