From Emmy, Grammy, Oscar, and Tony winner Viola Davis and New York Times-bestselling publisher, editor, and author Lavaille Lavette comes an action-packed series filled with humor, heart, and undercover hijinks!

Discovering your grandma is a spy is easy. The hard part is proving it…and staying alive in the process.

When Jazzlyn discovers that her estranged grandmother is moving in, she's beyond frustrated. Being 13-years old is hard enough with an annoying brother and an overbearing mother ― and now she must deal with a grandma who is taking over her bedroom?!

Jazz has better things to do like hanging out with her best friend, getting stellar grades, and of course, finding the perfect dress – and the perfect date – for the Sadie Hawkins dance. She has big goals and doesn’t need grandma cramping her style.

Before long, Jazz starts to notice peculiar things Grandma does like sneaking out at night and popping up as a substitute phys ed teacher at school. Her instincts tell her that Grandma Mae is up to something, and she decides to prove it. One night, Jazz follows her grandmother into the city and the adventure begins. Caught up in a world of high speed car chases, a ninja fight in an alley, a kidnapping at the school dance, and mysterious money transfers, can Jazz prove her grandma is a spy?

As for Mae, laying low isn’t exactly her strong suit, and, she discovers, neither is playing a grandma. Keeping her nosy granddaughter in the dark is child’s play. But an old nemesis has returned and is on the hunt for Mae’s whereabouts. Can she keep her family safe and separate from her secret life… before it’s too late?

Learn about the remarkable work of costume designers, toy makers, and architects in award-winning author Tonya Bolden and illustrator David Wilkerson’s exciting new graphic novel series about some of the most fascinating Black lives in history

Ann Lowe (fashion designer). Ed Welburn (automotive designer). Ruth E. Carter (costume designer). These aren’t names that many people learn about in school, but they’re some of the greatest designers that people should know about―and they join the ranks of toy designers, architects, and graphic designers celebrated in Icons of Design.

Each faced challenges as they rose to the top of their professions, but they didn’t back down. They kept creating and experimenting and learning, and they made significant contributions in each of their fields!

Black Lives is a new graphic novel series from award-winning author Tonya Bolden and illustrator David Wilkerson that celebrates the lives of Black innovators and legends and helps bring lesser-known histories to life.

Dive in to an exciting nonfiction graphic novel series about some of the greatest Black lives in history!

This fun and accessible graphic novel for middle grade readers brings to light the lives of great but lesser-known Black scientists. Great Minds of Science is a kid-friendly introduction to some of the greatest scientists in history—doctors, engineers, mathematicians, and biologists.

Each of them faced challenges as they rose to the top of their professions, but they didn’t back down. They kept experimenting and questioning and learning, and they made significant contributions in each of their scientific fields.

Black Lives is the new graphic novel series from award-winning author Tonya Bolden and illustrator David Wilkerson that celebrates the lives of Black innovators and legends and helps bring these histories to life.

Celebrate the lives and contributions of Black scientists throughout history with the inspiring Great Minds of Science.

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture.

Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

ICONS traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gave each model in the Off-WhiteTM c/o Nike collection its own unique touch. His deconstructive vocabulary is reflected in the Swiss binding, which showcases an open spine and discloses the production of the book.

The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

Marlene loves three things: books, her cool Tía Ruby, and hanging out with her best friend Camila. But according to her mother, Paola, the only thing she needs to focus on is school and "growing up." That means straightening her hair every weekend so she can have "presentable," "good hair."

But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tia Ruby, she slowly starts a journey to learn to appreciate and proudly wear her curly hair.

Series streaming now on Disney+, with executive producers including NBA great LeBron James!

Kwame Alexander’s New York Times bestseller and Newbery Medal–winning The Crossover is vividly brought to life as a graphic novel with stunning illustrations by star talent Dawud Anyabwile.

New York Times Bestseller · Newbery Medal Winner · Coretta Scott King Honor Award · 2015 YALSA Top Ten Best Fiction for Young Adults · 2015 YALSA Quick Picks for Reluctant Young Adult Readers · Publishers Weekly Best Book · School Library Journal Best Book · Kirkus Best Book

“A beautifully measured novel of life and line.” —New York Times Book Review

The Crossover is now a graphic novel!

“With a bolt of lightning on my kicks . . . The court is SIZZLING. My sweat is DRIZZLING. Stop all that quivering. ’Cuz tonight I’m delivering,” raps twelve-year-old Josh Bell. Thanks to their dad, he and his twin brother, Jordan, are kings on the court. But Josh has more than basketball in his blood—he’s got mad beats, too, which help him find his rhythm when it’s all on the line.

See the Bell family in a whole new light through Dawud Anyabwile’s dynamic illustrations as the brothers’ winning season unfolds, and the world as they know it begins to change.

From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

Virgil Abloh's iconic rise to the top of the fashion industry embodied a groundbreaking transformation of the relationship between who we are and what we wear.

Abloh's appointment as head of menswear for Louis Vuitton in 2018 shocked the fashion inudstry, as he became the first Black designer to serve as artistic director in the brand's 164-year history. But as Pulitzer Prize–winning culture critic Robin Givhan reveals, Abloh's story encompasses so much more than his own journey.

Using Abloh's surprising path to the top of the luxury establishment, Givhan unfolds the larger story of how the cloistered, exclusive fashion world faced a revolution from below in the form of streetwear and designers unafraid to storm the gates—how their notions of what was luxury simultaneously anticipated and upended consumer preferences, and how a simple T-shirt held as much cultural power as a haute couture gown. As Givhan relays, Abloh rose during a time of existential angst for a fashion inudstry trying to make sense of its responsibilities to a diverse audience and the challenges of selling status to a generation of consumers who fetishized sneakers and prioritized comfort. How that moment came to be—how someone like Abloh, who had no formal training in patternmaking or tailoring, could come to symbolize and embody the industry's way forward—is the story at the heart of this book.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

What can you do with ten black dots? First published in 1968, Donald Crews’s bestselling classic is now a board book and just the right size and shape for its ideal audience—the very curious youngest readers. Ten Black Dots is a counting book, a book of simple rhymes, and a book of everyday objects. It’s a preschool masterpiece by the creator of such award winners as Freight Train and Truck.

A twisty and prescient new thriller in the #1 New York Times bestselling Avery Keene series, by nationally renowned author and leader Stacey Abrams, Coded Justice follows Avery down a dark rabbit hole into the breathtaking—and dangerous—use of AI in the medical industry.

Avery Keene is back! The fan-favorite former Supreme Court clerk has finally gone out on her own, securing a prestigious position at a high-end law firm in Washington, D.C., where she is about to earn real money and get her life in order after a tumultuous run working as a clerk on the Supreme Court. With her reputation preceding her, Avery is quickly tasked at her new job with becoming a corporate internal investigator. Her new client is Camasca—a mega-tech firm that's on the forefront of developing a new integrated AI system poised to revolutionize the medical industry, particularly by delivering vastly improved health care to veterans. The AI potential is breathtaking, but some disturbing anomalies have plagued Camasca in early testing—including the mysterious death of a Camasca engineer. Avery and her colleagues, Jared, Ling, and Noah, find themselves on a journey to determine whether the anomalies are mere technical glitches, or something much more concerning. Full of twists, behind-the-scenes financial machinations, and the continued blossoming of Avery and her vibrant cast of friends, Coded Justice finds Stacey Abrams' riveting series to be in full swing.

Isaiah

I had my chance at a family and it was stolen from me.

I was told I was a joke, so that’s just what I’ll be.

But then she gives me news that turns my whole life upside down. Nina Williams is my second chance at a family and she might just be the missing key to my heart. I just need to prove to her I’m not the joke I pretend to be.

Nina

After the loss of my parents, I’m all my brother and sister have. I’m trying to piece my family back together.

I wasn’t ready to start a family of my own.

One night with Isaiah Cole changed all my plans. He’s nothing like I thought he was and I feel happy in his arms.

But happiness isn’t built to last.

When Isaiah has a chance to complete the family he always dreamed of, will the family I never knew I wanted be left behind?

*Ships in 7-10 Business Days*

In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Khalil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpakwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.