This thirtieth-anniversary edition of June Jordan’s foundational poetry program guidebook features a foreword by Hanif Abdurraqib and a new preface from Samiya Bashir.

If you want to know how to teach poetry―in a university, a high school, at a nature preserve, in a hospital, or in your living room―read this book.

June Jordan's Poetry for the People details how to build a grassroots poetry program through a collection of strategies, sample student work, course descriptions, and a step-by-step guide to organizing and promoting readings, alongside original writing from Adrienne Rich, Joy Harjo, Ntozake Shange, and Cornelius Eady.

Now with a guide to teaching ethically in the digital age, this easy-to-use, timely reference is perfect for teachers of poetry at any level and in any group setting.

*Ships in 7-10 business days*

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

*ships in 7-10 business days

“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review

Celebrate the release BLK MKT Vintage with Jannah Handy & Kiyanna Stewart!

EVENT DEETS

When: Thursday, October 24 @ 7 PM 

Where: Eldorado Ballroom (2310 Elgin Street, HTX, 77004)

How:  RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

This event is in partnership with Project Row Houses!

ABOUT THE BOOK

This one-of-a-kind treasure trove of Black cultural ephemera, from the entrepreneurs behind the vintage shop BLK MKT Vintage, expands on their mission to curate vintage objects that tell Black stories and celebrate the contributions Black people have made to our American consciousness.
 
Jannah Handy and Kiyanna Stewart have spent years scouring piles, stacks, bookshelves, and dilapidated boxes in search of themselves and their history, Black history. Through their Brooklyn brick-and-mortar BLK MKT Vintage and online shop, they have uncovered tens of thousands of items including vintage literature, vinyl records, clothing, art, decor, furniture and more.
 
BLK MKT Vintage: Reclaiming Objects and Curiosities That Tell Black Stories invites readers into Handy and Stewart’s work and partnership as they pick, collect, curate, design, and reimagine futures for the objects of the past. Brimming with more than 300 photographs of vintage pieces of ephemera, the book is a beautiful, ephemeral object itself calling to mind a scrapbook or family album that has a surprise on every page whether that’s 1972 celluloid pins from Shirley Chisholm’s presidential campaign, early 1800’s hand-drawn maps of the African continent, or 1920’s bound yearbooks from various HBCUs. The book also explores the various concepts that ground Handy and Stewart’s work; interviews with Black archivists, artists, memory workers and collectors – including a foreword from Spike Lee; a look into their private collection of thousands of items they have discovered over the years; an explanation of the different players in the antiques and vintage world; and tips and tricks on how to begin your own collection and curate physical spaces that reflect your identity and experience. 

ABOUT THE AUTHOR

Jannah Handy and Kiyanna Stewart are the co-founders of BLK MKT Vintage, an online vintage/antique concept shop that specializes in collectibles and curiosities, representing the richness of black history and lived experience. Their passion for material culture and found objects has led them to interior design projects, personal sourcing, set design, prop rental, museum loans and other curatorial projects in media/entertainment, education, the arts & philanthropy. Jannah has a background in business and education, with a B.A. in Economics from Smith College, and a M.Ed. in Higher Education from UMASS, Amherst. Kiyanna has a background in fashion & education, with a B.A. in Journalism & Africana Studies and a M.A. in Women's Studies, all from Rutgers University

ABOUT THE CONVERSATION PARTNER

Amarie Gipson is a Houston-born writer, cultural worker and founder of The Reading Room HTX. She has held curatorial positions at various art institutions, including The Studio Museum in Harlem, the Art Institute of Chicago, and the Museum of Fine Arts, Houston. Independently, her writing has been published in ARTS.BLACK, Artforum, ArtNews, ESSENCE, Oxford American and many others. As a DJ, Gipson has made a significant impact on her hometown through PHYSICAL THERAPY, a dance party and 7,000+ person community founded to foreground safety and togetherness in Houston's underground music/nightlife scene. She is the former Arts & Culture editor of Houstonia Magazine and currently the Houston Editor-At-Large for Burnaway, an Atlanta-based arts criticism publication focusing on the American South and the Caribbean. Advancing a new model for librarianship and public institution building, The Reading Room is increasing access to cultural history through literature and programming. It is a community-centered tribute to Black genius in the South and beyond.

A deeply moving poetry collection about grief, love, and the heavens and hells we create on earth, from the New York Times bestselling author of There’s Always This Year

Your heartbreak may one day grow wide as a desert
where nothing survives, but consider this: elsewhere, a child drowns in wonder

After the publication of two award-winning essay collections, Hanif Abdurraqib makes his long-awaited return to poetry to mine the aftermath of a spiritual crisis: What if life after this one is heavenless? How might I live differently if I can find small heavens on this flawed, faulty earth?

In poems of illuminating curiosity, Abdurraqib turns his attention to the sublime beauty in ordinary life. From the man who lifts his window shade for a crying baby on an airplane, to the grandmother who makes and unmakes her absent grandson’s bed every morning, to his friend’s young daughter who decides to devote herself to a newfound love of ants, Abdurraqib attends to life’s simple pleasures—while also refusing to ignore the hells that we have created on earth.

Through I’m Always Looking Up And You’re Jumping, master poet Hanif Abdurraqib crafts a devastating yet uplifting reflection of the essential contradictions that come with the experience of being human—the immense pain and suffering we feel and inflict upon others and the overwhelming goodness that exists within all of us.

A reissue of Greg Tate's classic, out-of-print collection of essays, with a new introduction by Hanif Abdurraqib and a new foreword by Questlove.

From one of the most original, creative, and provocative culture critics comes an eye-opening collection of essays and tales about American music and culture.

Under the guise of writing about a single subject, Greg Tate’s essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics―from the rise of hip-hop; the art of Jean-Michel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans― Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny.

In every piece of this collection, Tate offers informed insight into where America is going and why.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

A meditation on the private and public fault lines which divide American society.

In Civil Wars, June Jordan's battleground is the intersection of private and public reality, which she explores through a blending of personal reflection and political analysis. From journal entries on the line between poetry and politics and a discussion of language and power in "White" versus "Black" English, to First Amendment issues, children's rights, Black studies, American violence, and sexuality, Jordan documents the very personal ways in which she meshes with the social issues of modern-day life in this country.