The success of John Henrik Clarke's American Negro Short Stories, first published in 1966, affirmed the vitality and importance of black fiction. Now this expanded edition of that best-selling book, with a new title, offers the reader thirty-one stories included in the original―from Charles W. Chesnutt and Paul Laurence Dunbar in the late nineteenth century to the rich and productive work of the Harlem Renaissance: writers like Zora Neale Hurston, Langston Hughes, and Richard Wright; the World War II accomplishments of Chester Himes, Frank Yerby, and many others; and the later fiction of James Baldwin, Paule Marshall, and LeRoi Jones (Imamu Amiri Baraka). Seven additional contributions round out a century of great stories with the work of Maya Angelou, Toni Cade Bambara, Eugenia Collier, Jennifer Jordan, James Allan McPherson, Rosemarie Robotham, and Alice Walker. Dr. Clarke has included a new introduction to this 1993 edition, and a short biography of each contributor.

Timely, relevant, and illuminating, this essential book by respected cultural historian, teacher, and author John G. Jackson sheds long overdue light on standard Eurocentric and distorting approaches to the history of Africa from early African civilizations to Africa’s significance in world history.
 
With brilliantly objective scholarship, respected historian and author John G. Jackson reexamines the outdated, racist, and Westernized history of Africa that is still taught in schools, and presents one infinitely more rich, colorful, varied—and truthful. Challenging the standard dehumanizing and exploitive approaches to African history, from the dawn of prehistory to the resurgent Africa of today--including the portrayal of Africans as “savages” who ultimately benefitted from European enslavement with its “blessings of Christian civilization”—Jackson confronts the parochial historian, devastates the theoretical pretensions of white supremacists, and expands intellectual horizons.
 
Accessible and informed, fascinating and candid, Introduction to African Civilizations is an important historical guide that will enhance antiracist teachings for the general reader and the scholar alike.
 
Introduction by John Henrik Clarke, pioneer of African Studies and author of Christopher Columbus and the African Holocaust
 
Foreword by Runoko Rashidi, historian, activist, and author of Introduction to the Study of African Classical Civilizations

When Mary-Mathilda, one of the most respected women of the island of Bimshire (also known as Barbados) calls the police to confess to a crime, the result is a shattering all-night vigil that brings together elements of the island's African past and the tragic legacy of colonialism in one epic sweep.

Set in the West Indies in the period following World War II, The Polished Hoe -- an Essence bestseller and a Washington Post Book World Most Worthy Book of 2003 -- unravels over the course of twenty-four hours but spans the collective experience of a society characterized by slavery.

Rediscover the sensational 1967 literary thriller that captures the bitter struggles of postwar Black intellectuals and artists

With a foreword by Ishmael Reed and a new introduction by Merve Emre about how this explosive novel laid bare America's racial fault lines

Max Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames, a character loosely modelled on Richard Wright.

In Amsterdam, among Harry’s papers, Max uncovers explosive secret government documents outlining “King Alfred,” a plan to be implemented in the event of widespread racial unrest and aiming “to terminate, once and for all, the Minority threat to the whole of the American society.” Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help.

Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider’s view of Washington politics in the era of segregation and the Civil Rights Movement, including fictionalized portraits of Martin Luther King, Jr., and Malcolm X. John A. Williams and his lost classic are overdue for rediscovery.

Few novels have so deliberately blurred the boundaries between fiction and reality as The Man Who Cried I Am (1967), and many of its early readers assumed the King Alfred plan was real. In her introduction, Merve Emre examines the gonzo marketing plan behind the novel that fueled this confusion and prompted an FBI investigation. This deluxe paperback also includes a new foreword by novelist Ishmael Reed.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full length for the first time in his dazzling debut novel

A 2021 NEIBA Book Award Finalist!

Forty years ago in Egypt, the mystic and inventor Al-Jahiz pierced the veil between realms, sending magic into the world before he vanished into the unknown.

Now in 1912 Cairo, humans brush elbows with djinn in crowded tramcars and airships sail the skies. In this new world the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities maintains an uneasy peace. When someone claiming to be Al-Jahiz "returned" murders a secret brotherhood dedicated to his legacy, however, that peace dissolves into disarray.

The Ministry’s youngest agent, Fatma el-Sha’arawi, has saved the world before. But this case is a special challenge. The imposter's dangerous magical abilities and revolutionary message threaten to tear apart the fabric of this new Egyptian society, and spill over onto the global stage. Can Agent Fatma unravel the mystery of Al-Jahiz in time to save the world—again?

*ships in 7-10 business days*

In the second installment of C.L. Clark's Magic of the Lost trilogy, soldier Touraine and princess Luca must return to Balladaire to reclaim Luca's throne and to face the consequences of dismantling an empire.

The rebels have won, and the empire is withdrawing from Qazal. But undoing the tangled web that binds the two nations will not be easy, and Touraine and Luca will face their greatest challenge yet.

Luca needs to oust her uncle from the Balladairan throne once and for all and take her rightful place as Queen. But he won't let go of power so easily. When he calls for a "Trial of Competence" and Luca's allies start disappearing from her side, she will need to find a way to prove her might. And she knows someone who can help...

Touraine has found a home in the newly free country of Qazal. But she soon realizes that leading a country and leading a revolution are two very different tasks. And, even more importantly, if Luca's uncle doesn't ratify the treaty, the Qazali could end up right back where they started. 

Together, the two women will have to come overcome their enemies, their history, and their heartbreak in order to find a way to secure Luca's power and Touraine's freedom. 

A 50th-anniversary tribute to one of America’s first racially integrated exhibitions

In August 1971 Peter Bradley mounted the landmark exhibition The De Luxe Show at the legendary DeLUXE theater in Houston's Fifth Ward. The De Luxe Show was a milestone in civil rights history, as one of the first racially integrated shows in the United States. Curated by Bradley with the backing of collector and philanthropist John de Menil, the exhibition featured emerging and established abstract modern painters and sculptors of the time, including Darby Bannard, Peter Bradley, Anthony Caro, Dan Christensen, Ed Clark, Frank Davis, Sam Gilliam, Robert Gordon, Richard Hunt, Virginia Jaramillo, Daniel Johnson, Craig Kauffman, Alvin Loving, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, William T. Williams and James Wolfe.

In August 2021, for its 50th anniversary, Karma and Parker Gallery staged a contemporary bicoastal tribute to The De Luxe Show. The tribute honors the long, pioneering legacies of the artists of The De Luxe Show, and continues the dialogue between these innovators in the field of abstraction that began 50 years ago. This fully illustrated catalog includes texts and installation images from the original 1971 catalog, as well as a newly commissioned text by Amber Jamilla Musser and a text by Bridget R. Cooks that expands upon her 2013 essay in Gulf Coast.

In The Militant South, 1800-1861, John Hope Franklin identifies the factors and causes of the South's festering propensity for aggression that contributed to the outbreak of the Civil War in 1861.
 
Franklin asserts that the South was dominated by militant white men who resorted to violence in the face of social, personal, or political conflict. Fueled by their defense of slavery and a persistent desire to keep the North out of their affairs, Southerners adopted a vicious bellicosity that intensified as war drew nearer.
 
Drawing from Southern newspapers, government archives, memoirs, letters, and firsthand accounts, Franklin masterfully details the sources and consequences of antebellum aggression in the South.  First published in 1956, this classic volume is an enduring and impeccably researched contribution to Southern history. This paperback edition features a new preface in which the author discusses controversial responses to the book.

Celebrate the release of Ashes at the Altar with LaDarrion Williams!

EVENT DEETS

When: Thursday, September 17 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

What: 

• Bookclub Discussion for Books 1 & 2 in the series
• Q&A with the author about Ashes at the Altar
• Activities and Games 
• Author Signing
• Giveaways

How:

• RSVP Only – Reserve your spot at the event.
• RSVP with Book – Reserve your spot and a copy of Ashes At The Altar
• RSVP with the Blood At The Root Trilogy Hardcover Bundle – Reserve your spot and receive a hardcover bundle of all three books in the Root Trilogy.

Please Note: Copies of Ashes at the Altar purchased from other retailers are not permitted inside the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase the event book from Kindred Stories. If you have already purchased your copy from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event. You are also welcome to bring additional books by the author to be signed, but a Kindred Stories event book purchase is required to join the signing line.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

At a hidden magical HBCU a teen boy must confront evil spirits, family secrets and tested loyalties. In this haunting finale to the New York Times bestselling Blood at the Root trilogy, bloodlines, betrayal, and legacy collide in a battle that may cost everything.

Malik Baron has learned a lot since he first came to Caiman University: History is power. Family is more than just blood. You can't escape your past. And magic always comes with a price. 

But nothing he's been taught could have prepared him for what this semester will bring. Even after he risked it all to trap the evil spirit Marinette that has been possessing his mother, her power continues to grow. And with her and the Bokors still at large, the cracks in the magical community have reached a breaking point. Just as Malik begins to get to know his father's family, the Bonclairs' power is challenged, leaving him to decide where his loyalties lie. And it's not just the future of Caiman at stake, but the very magic that runs in his veins. 

In the propulsive and emotional conclusion to this powerful trilogy, the future and the family Malik has fought so hard to build and protect is in greater danger than ever. But with the power of ancestors and the strength of his loved ones behind him, can he fight for what the world has always said is impossible for a Black boy like him—a happy ending?

ABOUT THE AUTHOR

Hailing from the small town of Helena, Alabama, LaDarrion Williams is a self-taught playwright, filmmaker, author, and screenwriter committed to shaping a new era of Black fantasy. His theatrical work has garnered attention at notable venues, including the Echo Theatre Playwrights Lab, the Great Plains Theatre Conference in Omaha, TSU’s Black and Latino Playwrights Festival, and the Boise Contemporary Theater BIPOC Playwrights Festival.

Beyond theater, LaDarrion has directed three short films featured on YouTube and made his mark as a debut author with Blood at the Root, a New York Times and USA Today Bestseller. Through storytelling across multiple mediums, he continues to craft narratives that amplify Black voices, history, and imagination.

Celebrate the release of The True Confessions of First Lady Freeman with Deesha Philyaw!

EVENT DEETS

When: Monday, November 16 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, HTX 77004)

How:

• RSVP ONLY to reserve your seat.
• RSVP WITH BOOK to reserve your seat and purchase a copy of the book, supporting both the author and our store programming. The book will be available for pickup at the event.
• RSVP (I Already Have the Book) to reserve your seat and let us know you plan to bring one you previously purchased from another bookseller.

Please note that books purchased from other retailers are not permitted inside the bookstore and will not qualify for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy of the book from Kindred Stories or select the RSVP (But I ALREADY HAVE THE BOOK) ticket option.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your copy. Books must be claimed within 14 days following the event.

ABOUT THE BOOK

The wife of a popular and powerful megachurch pastor upends her charmed “rags-to-Rolex” life when her secret past comes roaring into the spotlight—in this "funny and juicy and sexy and delicious peek behind the pulpit" (Samantha Irby) from the acclaimed and beloved author of The Secret Lives of Church Ladies.

From the moment Scharisse Freeman ditched her humble roots and married a megachurch pastor fifteen years her senior, she’s been labeled too brash and too “of the world” by church folks who grudgingly accepted her into their fold, and too holy by her estranged childhood bestie Petra. Schar doesn’t have many allies, but that hasn’t stopped her from building an enviable business empire spanning books to clothing to branded products, and living the comfortable life her husband's power affords her.

On the eve of her 40th birthday, Schar gets the final bit of validation she’s always dreamt of: a coveted invitation to participate in the First Lady USA pageant. This is her chance to be accepted by the other pastors’ wives—First Ladies—who are “like Jesus’ disciples if they had been a group of mean girls.” Finally, blissfully, the ice between Schar and the other First Ladies begins to thaw.

But as the pageant nears, a sensational scandal breaks with Schar at its center, and her carefully curated life implodes. Schar faces down shame and terrible secrets from her childhood and is reminded that in the eyes of the church, optics can matter more than the truth.

Unflinchingly funny, frank, and splendidly unruly, The True Confessions of First Lady Freeman exults in the luscious, messy pleasure of finally feeling free.

ABOUT THE AUTHOR

Deesha Philyaw’s debut short story collection, The Secret Lives of Church Ladies, won the PEN/Faulkner Award for Fiction, the Story Prize, the LA Times Book Prize: The Art Seidenbaum Award for First Fiction and was a finalist for the National Book Award for Fiction. Deesha is a Kimbilio Fiction Fellow, a Baldwin for the Arts Fellow, a United States Artists Fellow, and co-host of two podcasts, Ursa Short Fiction (with Dawnie Walton) and Reckon True Stories (with Kiese Laymon). She is currently at work developing TV shows based on her short fiction.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard.

Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

Event Purchases Are Non-Refundable

The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead. Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins. Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins―resurrected, deadly, wiped of their memories―have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark. The third and the simplest: once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.