From James McBride, author of the bestselling Oprah’s Book Club pick Deacon King Kong and the National Book Award–winning The Good Lord Bird, a novel about small-town secrets and the people who keep them

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe’s theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe.

    As these characters’ stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town’s white establishment played in it, McBride shows us that even in dark times, it is love and community—heaven and earth—that sustain us.

    Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

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In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.

The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.

As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.

Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.

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In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned.

At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all- black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college—and most through graduate school. At age 65, she herself received a degree in social work from Temple University.

Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self- realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.

This book was recently reprinted with a new cover. You may receive one of the two covers shown.

A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view • From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

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Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes that they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for eleven years.

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In her first middle-grade novel, award-winning author Amber McBride explores Black pain, trauma, and ultimately, healing through the story of what might happen if white supremacists ceded from the rest of the country.

In the future, a Black girl known only as Inmate Eleven is kept confined—to be used as a biological match for the president's son, should he fall ill. She is called a Blue—the color of sadness. She lives in a small-small room with her dog, who is going wolf more often—he’s pacing and imagining he’s free. Inmate Eleven wants to go wolf too—she wants to know why she feels so blue and what is beyond her small-small room.

In the present, Imogen lives outside of Washington DC. The pandemic has distanced her from everyone but her mother and her therapist. Imogen has intense phobias and nightmares of confinement. Her two older brothers used to help her

* FOUR STARRED REVIEWS *

From Amber McBride, National Book Award finalist and Coretta Scott King-John Steptoe award-winning author, comes her debut picture book, a heartwarming story about one girl’s magick-filled summer with her grandmother. She learns about hoodoo and rootwork culture, the traditions of her African ancestors, and finding beauty in nature.

"A unique tale to be welcomed with excitement and awe—and cherished."—Kirkus (starred review)

"McBride, making a picture book debut, weaves community, spirituality, and love for the natural world into a summer’s worth of connections and practices."—Publishes Weekly (starred review)

Roots are our ancestor’s Magick. Summer for Juniper has finally arrived, which means rootwork with Grandma can finally begin! It’s time to collect healing herbs into protective mojo bags; to fill mason jars with all the love, history, dirt, and magick one can fit. It’s time to talk to the tranquil willow trees and feel the soft earth between one’s toes; to hear Grandma share their ancestors’ stories, with her dog Shiloh underfoot.
From National Book Award finalist Amber McBride comes a loving story about rootwork, a powerful African spiritual practice, and the significance of familial connections and traditions, reminding us how sacred it is to reconnect with the people we love, the earth, one’s heritage, and the healing power that provides.

Praise for Magick Hoodoo Child:
"Herbalist and hoodoo practitioner McBride’s picture-book debut is a multigenerational
commemoration of strength and family history... Beyond obvious appeal for folk-magick practitioners, share this alongside stories about the joy of summers with grandparents"—Booklist (starred review)

"Amber McBride continues to enchant readers of many ages. Magick Hoodoo Child is a truly enchanted book, and a compelling testament to harnessing the power of nature and ancestors in the face of life’s challenges." —BookPage (starred review)

“To be a negro in this country and to be relatively conscious is to be in a rage almost all of the time.” James A. Baldwin

1.75 inches tall

Soft enamel with black metal plating. 

Comes with 2 rubber pin backs. 

An essential history of modern Black cinema, as led by avant-garde filmmaker, director, novelist, composer, and playwright Melvin Van Peebles.

Beg Borrow Steal, a title inspired by Black artists’ make-a-way-out-of-no-way ethos, is a stirring and remarkable deep dive into Black independent film and culture, as modeled by raconteur and iconoclast Melvin Van Peebles. Award-winning writer Santi Elijah Holley enriches the extraordinary history with interviews from today’s most innovative Black independent filmmakers and actors, such as Julie Dash, Charles Burnett, and Samuel L. Jackson, as well as Van Peebles’s published and unpublished manuscripts, critical reviews, analyses, and reflections.

Independent Black artists across all disciplines—from music and theater to literature and poetry—continue to push boundaries, challenge stereotypes, and pursue their own vision, away from traditional gatekeepers. The success of artists like Spike Lee, Barry Jenkins, Ava DuVernay, Jordan Peele, and Ryan Coogler can be traced directly to the pioneering work of Van Peebles, whose ambitious and innovative multidisciplinary artistry never yielded to anybody else’s vision but his own.

As a Black American who’d overcome poverty, discrimination, and other obstacles, Van Peebles refused to let White America take advantage of him and his talent. It’s made him a beacon for every Black auteur and independent filmmaker of the past 50 years. Sinners, Black Panther, Sorry to Bother You, Get Out, She's Gotta Have It, Do the Right Thing, Boyz n the Hood, Shaft, Superfly, Daughters of the Dust, Selma, the list goes on. It is impossible to imagine any of these culturally defining films existing, if not for the groundwork laid by Melvin Van Peebles’s 1971 Sweet Sweetback’s Baadasssss Song. It is canon in Black film.

Beg Borrow Steal is the story of the legendary man who provided the blueprint for independent Black cinema, and a tribute to the power of radical Black creativity in American art and culture.

From MacArthur Genius, award-winning expert on justice transformation, James Bell, Sorrow’s Kitchen presents a groundbreaking and unapologetically hopeful vision of what is possible if we center our communities and justice systems around care and wellbeing rather than punishment and control.

Weaving together powerful stories and solutions from his frontline work with justice practitioners, law enforcement officers, and community members throughout the states and around the globe, James Bell has written a book with a simple and powerful idea at its core: A justice system based on punishment makes all of us less safe. But we each have the power to reimagine and recreate justice in our communities in such a way that all of us are seen and cared for. And justice transformation begins with youth justice.

Sorrow’s Kitchen: The End of Punishment and the Beginning of True Safety delves into the deeply entrenched racial inequities within America’s justice system, tracing their roots to slavery, segregation, and systemic oppression. Through personal anecdotes, historical analysis, and a critique of current practices, James Bell exposes how structural racism has shaped the administration of justice, perpetuating cycles of harm and inequality. The metaphor of "Sorrow’s Kitchen," borrowed from Zora Neale Hurston, serves as a poignant symbol of the collective suffering endured by Black communities, while highlighting their resilience and determination to rise above systemic injustices.

A central focus of Sorrow’s Kitchen is the failure of punitive justice systems to ensure public safety or address the root causes of harm. Bell’s critiques of mass incarceration, racialized social control, and the over-policing of marginalized communities, make the argument that these approaches exacerbate inequality rather than resolve it. He advocates for a transformative vision of justice rooted in care, equity, and community-centered solutions. By centering the voices and expertise of those most impacted by systemic injustice, Sorrow’s Kitchen calls for dismantling harmful structures and replacing them with restorative practices that prioritize wellbeing and healing.

Ultimately, Sorrow’s Kitchen is a call to action, urging readers to reckon with America’s history of racial violence and to imagine a more equitable future. It emphasizes the importance of collective action, power-sharing, and authentic inclusion in reimagining justice systems that serve all people with dignity and humanity. Infused with hope and determination, Sorrow’s Kitchen challenges the status quo and inspires a vision of a society where care replaces control, and justice is truly transformative.

From the critically acclaimed and award-winning creators of Crown and I Am Every Good Thing, Derrick Barnes and Gordon C. James, comes an illustrated nonfiction young adult homage to Black athlete activists throughout history.

This is not your typical book about sports. This one begins…
“AN ATHLETE PROTESTING THE MISTREATMENT OF AMERICAN CITIZENS DOES NOT MAKE THEM ANTI-AMERICAN.”
And through a series of powerful poems, freedom-oriented prose, and dynamic illustration, Derrick Barnes and Gordon C. James introduce young readers and change-makers to athletes such as Muhammad Ali, Curt Flood, and Elgin Baylor who used their voices and influence to shake up the landscape of American sports and justice.

* TIMELY AND TOPICAL: Teaches readers about a continued cultural discussion from a resonant and impactful perspective.
* MADE TO CAPTURE THE ATTENTION OF YOUNG READERS: With a mix of prose, poetry, quotes, and illustrations, readers can dive into important history that might otherwise go untold.
* FROM AN AWARD-WINNING TEAM: Caldecott Honoree Gordon C. James and Kirkus Prize, Coretta Scott King Honor, and Newbery Honor recipient Derrick Barnes have teamed up again to create a memorable, impactful, and important book---this time for young adults.