Named one of the Most Anticipated Books of 2025 by Foreign Policy

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” ―David Levering Lewis, winner of the Pulitzer Prize

From the acclaimed author of Born in Blackness comes an extraordinary account of Africa’s liberation from colonial oppression, a work that fundamentally reshapes our understanding of modern history.

A work of epic dimension that recasts the liberation of twentieth-century Africa through the lens of revolutionary leader Kwame Nkrumah.

The Second Emancipation, the second work in a trilogy from best-selling author Howard W. French about Africa’s pivotal role in shaping world history, underscores Adam Hochschild’s contention that French is a “modern-day Copernicus.” The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Kwame Nkrumah (1909–1972), at its head.

That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa’s enormous role in the birth of the modern world.” Determined to re-create Nkrumah’s life as “an epic twentieth-century story,” The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana’s Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French’s consummate style more vivid than in Nkrumah’s early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu―including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him “one of the greatest political leaders of our century”―and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.

Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana’s first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah’s radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.

In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history.

16 pages of illustrations; 3 maps

Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?

In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.

Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.

While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.

“Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

A path-breaking work of biography of two American giants, Jackie Robinson and Paul Robeson, whose lives would forever be altered by the Cold War, and would explosively intersect before its most notorious weapon, the House Un-American Activities Committee — from one of the best sports and culture writers working today. 

Kings and Pawns is the untold story of sports and fame, Black America and the promise of integration through the Cold War lens of two transformative events. The first occurred July 18, 1949 in Washington, D.C., when a reluctant Jackie Robinson, the Brooklyn Dodgers baseball star who integrated the game and at the time was the most famous Black man in America, appeared before the House Un-American Activities Committee to discredit Paul Robeson, the legendary athlete, baritone, and actor — himself once the most famous Black man in America. The testimony would be a defining moment in Robinson’s life and contribute heavily to the destruction of Robeson’s iconic reputation in the eyes of America.

The second occurred June 12, 1956, in the midst of the last, demagogic roar of McCarthyism, when a battered, defiant Robeson – prohibited from leaving the United States – faced off in a final showdown with HUAC in the same setting Robinson appeared in seven years earlier. These two moments would epitomize the ongoing Black American conflict between patriotism and protest. On the cusp of a nascent civil rights movement, Robinson and Robeson would represent two poles of a people pitted against itself by forces that demanded loyalty without equality in return – one man testifying in conflicted service to and the other in ferocious critique of a country that would ultimately and decisively wound both.

In a time of great division, with America in the midst of a new era of retrenchment and Black athletes again chilled into silence advocating for civil rights, the story of these two titans reverberates today within and beyond Black America. From the revival of government overreach to curb civil liberties to the Cold War-era rhetoric of “the enemy within” levied against fellow citizens, Kings and Pawns is a story of a moment that remains hauntingly present.

“My life had its significance and its only deep significance because it was part of a Problem,” W. E. B. Du Bois once wrote. Since childhood, Ailey Pearl Garfield has understood these words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother, the descendant of slaves and tenant farmers—Ailey carries the weight of this Problem on her shoulders.

The daughter of an accomplished doctor and a strict schoolteacher, Ailey is raised in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. Growing up, she struggles with this duality, a battle for belonging that shapes her identity. On one side are her exacting parents and her imperious, light-skinned grandmother Nana Claire, to whom skin color is paramount. On the other, Ailey feels the pull of the “deep country” of her mother’s land-tending family, whose forebears endured the horrors of slavery and Jim Crow.

But how can Ailey live up to everyone’s expectations when half of her family rejects the truth of a fraught racial history, while the rest can’t ever seem to break away from it?

Join us as we celebrate the release of Black Roses by Harold Green III at the Houston Museum of African American Culture.  

Event Deets:

When: Tuesday, March 22 at 7:00 pm CST

Where: Houston Museum of African American Culture (HMAAC)-4807 Caroline Street, Houston, Texas, 77004

How:   Limited in-person tickets are available.  Book purchase required with entry.

About the Book

Black Roses is a love letter to the underrepresented women that inspire and uplift author and poet, Harold Green III. After going viral on Instagram for these beautiful poems, Green assembled BLACK ROSES, a stunning collection of his odes and artist Melissa Koby’s stunning, full-color illustrations.

With poems on figures such as Ava DuVernay, Janelle Monae, Issa Rae, Kamala Harris, Lizzo, Misty Copeland, Robin Roberts, Roxane Gay, and Simone Biles, BLACK ROSES reflects the diversity of Black female excellence. Divided into five sections—dedicated to advocates, curators, innovators, luminaries, and trailblazers—Green’s odes and Koby’s portraits highlight a range of women.

About the Author

Harold Green III is an ever-evolving and internationally admired artist. Using poetry as his central art form, he is a highly sought-after talent, bandleader, and event producer. He earned the prestigious Carl Sandburg Literary Award for his self-published debut poetry collection From Englewood, with Love. He has created commissioned work in partnership with major brands and organizations, including Nike, Lululemon, Jordan, and Go

About the Moderator

Sherhara Downing the CoFounder and Chief Visionary Officer of SpeakHaus, a training and professional development company dedicated to transforming business and thought leaders into confident and bold speakers. SpeakHaus is the first in the public speaking industry to provide mobile in-person group coaching that goes directly to the homes of leaders, jumpstarting speaking transformation in one workshop.

With over 16 years of coaching and corporate training experience, Sherhara has elevated the speaking skills of leaders from companies like Under Armour, Capital One, Toyota, AT&T and more.

She has a deep passion for facilitating human connection and cultivating community! She loves tacos and remains the world-leading subject matter expert of the cult classic, Coming to America!

EVENT DEETS

When: Sunday, April 23, 2023 at 5PM CST

Where: Hogan Brown Gallery (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY for TICKET or RSVP WITH BOOK to get your copy of THE HOUSE OF EVE!

ABOUT THE BOOK

ABOUT THE AUTHOR

Sadeqa Johnson is the award-winning author of four novels, including Yellow Wife. Her accolades include the National Book Club Award, the Phillis Wheatley Book Award, and the USA Best Book Award for Best Fiction. She is a Kimbilio Fellow, former board member of the James River Writers, and a Tall Poppy Writer. Originally from Philadelphia, she currently lives near Richmond, Virginia, with her husband and three children. To learn more, visit SadeqaJohnson.net.

Learn about the art of coming home to your body with Lyvonne Briggs!

EVENT DEETS

When: April 5 @ 7PM CST

Where: 3719 Navigation Blvd, HTX 77003 (Holy Family HTX)

How: RSVP ONLY to grab your free ticket or support our programming, author, and store by RSVP WITH BOOK. 

ABOUT THE BOOK

ABOUT THE AUTHOR

Lyvonne Briggs, MDiv, ThM, an Emmy Award winner, is a body- and sex-positive womanist preacher, speaker, coach, and creator. Briggs is the host of the Sensual Faith podcast and the founder of beautiful scars, a healing- centered storytelling
agency focused on fostering pleasure and resiliency; visionary of The Proverbial Experience; and now curator of Sensual Faith Sunday, a series of virtual spiritual gatherings to nourish your soul. She has been featured in Essence, Cosmopolitan, Rolling Stone, and The Washington Post, and Sojourners named her one of “11 Women Shaping the Church.” Briggs, a New York City native and proud member of Delta Sigma Theta Sorority, Incorporated, is currently based in New Orleans, Louisiana.

ABOUT THE CONVERSATION PARTNER

Wale (@theehotgirlbooks)is a Licensed Mental Health Counselor working with folks in New York and Texas. She has a double masters degree in mental health counseling from Teachers College Columbia University. After practicing in New York for a few years, Wale moved back to her hometown Houston and started her own therapy practice in 2020. Wale currently works with individuals and couples on a weekly basis.

Spring is in the air, and love is on the page. Join D.W. Brooks, Alexandra Lechelle, and Zee Renee at Kindred Stories for a celebration of local romance authors.

EVENT DEETS

When: Saturday, May 23 @ 6PM

Where: Kindred Stories: (2310 Elgin St, Houston, TX 77004)

How: RSVP WITH BOOK to support the authors and our store programming. There are four options available: you can choose to support an individual author or select the Romance In Spring Bundle, which includes one book from all participating authors.

ABOUT THE AUTHORS

D. W. Brooks

D. W. Brooks  is an author who has independently published three romantic suspense books and two contemporary romance novels. In addition to writing books, D. W. is also a retired ophthalmologist and a kidney transplant recipient of over eight years. She is originally from Alabama but now lives in Texas with her husband and daughter.

Alexandrea LeChelle

Alexandrea LeChelle is a contemporary romance author whose stories explore love, grief, healing, and the complicated beauty of human connection.

Her novels unfold between Houston and Louisiana and center Black characters navigating family legacies, emotional vulnerability, and the quiet courage it takes to love deeply and unapologetically.

Through rich, emotional storytelling and cinematic detail, Alexandrea writes the kind of love stories she rarely saw growing up and entering adulthood. Stories where Black characters are allowed to be flawed, passionate, and deeply human.

What began as a way to process emotions and channel creativity through her own healing journey, slowly evolved into something much bigger: an urge to create and share stories about love, healing, and the complicated paths of life that bring people together.

Her stories often explore themes such as emotional healing, family dynamics, grief and growth, healthy Black love, the courage to begin again. Every story is planted in the belief that love, in all its forms, has the power to change us for the better.

When she’s not reading, Alexandrea can be found working her way through her own TBR, journaling or planning new creative projects, adding recipes to her personal cookbook, and listening to playlists that eventually inspire new stories.

At the heart of everything she creates is a simple hope: That readers will find pieces of themselves in her stories.

Zee Renee

Writing is where Zee thrives, finding peace and purpose. Her journey began at thirteen with a black-and-white composition book, later blossoming on Wattpad, where she captivated over two million readers. In December 2023, she released her debut novel, All In, and was nominated for the 2023 Black Girl Who Writes Best New Author award. By November 2024, Zee became a National Best-Selling Author with the release of When He’s Not There, her third book.

Crafting urban fiction and romance, Zee transforms raw emotions into powerful stories. Her characters are deeply personal, each carrying a piece of her spirit. She is grateful for the opportunity to share her God-given talent and hopes readers will feel the same passion in her words as she does in writing them.