"The power of George Jackson's personal story remains painfully relevant to our nation today, with its persistent racism, its hellish prisons, its unjust judicial system, and the poles of wealth and poverty that are at the root of all that. I hope the younger generation, black and white, will read Soledad Brother."  —Howard Zinn, author, A People's History of the United States

A collection of Jackson's letters from prison, Soledad Brother is an outspoken condemnation of the racism of white America and a powerful appraisal of the prison system that failed to break his spirit but eventually took his life.
Jackson's letters make palpable the intense feelings of anger and rebellion that filled black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.

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With race and policing once more burning issues, this classic work from one of America’s giants of black radicalism has lost none of its prescience or power

One of America’s most historic political trials is undoubtedly that of Angela Davis. Opening with a letter from James Baldwin to Davis, and including contributions from numerous radicals such as Black Panthers George Jackson, Huey P. Newton, Bobby Seale and Erica Huggins, this book is not only an account of Davis’s incarceration and the struggles surrounding it, but also perhaps the most comprehensive and thorough analysis of the prison system of the United States.

Since the book was written, the carceral system in the U.S. has seen unprecedented growth, with more of America’s black population behind bars than ever before. The scathing analysis of the role of prison and the policing of black populations offered by Davis and her comrades in this astonishing volume remains as pertinent today as the day it was first published.

Featuring contributions from George Jackson, Bettina Aptheker, Bobby Seale, James Baldwin, Ruchell Magee, Julian Bond, Huey P. Newton, Erika Huggins, Fleeta Drumgo, John Clutchette, and others.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

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Martin Luther King’s classic exploration of the events and forces behind the Civil Rights Movement—including his Letter from Birmingham Jail, April 16, 1963.

“There comes a time when the cup of endurance runs over, and men are no longer willing to be plunged into the abyss of despair.”

In 1963, Birmingham, Alabama, was perhaps the most racially segregated city in the United States. The campaign launched by Dr. Martin Luther King, Jr., and the Civil Rights movement on the segregated streets of Birmingham demonstrated to the world the power of nonviolent direct action.

In this remarkable book—winner of the Nobel Peace Prize—Dr. King recounts the story of Birmingham in vivid detail, tracing the history of the struggle for civil rights back to its beginnings three centuries ago and looking to the future, assessing the work to be done beyond Birmingham to bring about full equality for African Americans. Above all, Dr. King offers an eloquent and penetrating analysis of the events and pressures that propelled the Civil Rights movement from lunch counter sit-ins and prayer marches to the forefront of American consciousness.

Since its publication in the 1960s, Why We Can’t Wait has become an indisputable classic. Now, more than ever, it is an enduring testament to the wise and courageous vision of Martin Luther King, Jr.

Includes photographs and an Afterword by Reverend Jesse L. Jackson, Sr.

Celebrate the release of The Grandest Garden with Gina L. Carroll!

EVENT DEETS

When: Thursday, June 6, 2024

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support our programming and the author. 

ABOUT THE BOOK

ABOUT THE AUTHOR

Gina L. Carroll is the author of A Story That Matters: A Gratifying Way to Write About Your Life and editor of Stories Are Medicine: Writing to Heal, An Anthology. A self-pro-fessed story wrangler, Gina founded StoryHouse Texas, a creative space dedicated to cultivating and amplifying the diversity of vision and voice in story. The Grandest Garden is her debut novel. She currently lives in Houston, Texas. To learn more about Gina, visit www.ginacarroll.com.

ABOUT THE CONVERSATION PARTNER

Deborah D.E.E.P Mouton is an award-winning writer, director, performer, critic, and the first Black Poet Laureate of Houston, TX. Praised by the NY Times as an artist who “defies categorization”, her genre-bending works span from stage to page, and everything in between. She is the author of Newsworthy (Bloomsday Literary, 2019) which was translated into German (Berichtenswert, Elif Verlag, 2020), Black Chameleon (Henry Holt, 2023), and an upcoming children's book, Hush Hush Hurricane (Kokila Books). Honored as part of Houston Business Journal’s 40 Under 40 class, she has been a contributing writer for Glamour, Texas Monthly, Muzzle, and ESPN's Andscape, to name a few.

Her most recent choreopoem, PLUMSHUGA: The rise of Lauren Anderson, debuted at Stages Theater and made the cover of the NY Times Culture Section. Her forthcoming opera, She Who Dared, composed by Jasmine Barnes, will  debut in Spring 2025. Her memoir, Black Chameleon (Henry Holt & Co, 2023), recently won the the Carr P. Collins award for Best Nonfiction through the Texas Institute of Letters (2024). Order your copy now.

Blood In My Eye was completed only days before it's author was killed. George Jackson died on August 21, 1971 at the hands of San Quentin prison guards during an alleged escape attempt. At eighteen, George Jackson was convicted of stealing seventy dollars from a gas station and was sentenced from one year to life. He was to spent the rest of his life -- eleven years-- in the California prison system, seven in solidary confinement. In prison he read widely and transformed himself into an activist and political theoretician who defined himself as a revolutionary.

Celebrate the release of Revive Me with J.L. Seegars!

EVENT DEETS

When: Saturday, April 18 @ 7PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: Grab your ticket to support the author and our store programming. You can also grab a special book bundle for the first two books in the series, which includes Restore Me and Revive Me (Book 1).

Please note outside copies of Revive Me will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories.

ABOUT THE BOOK

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters. This is part one of a trilogy.

Mallory

The first time I kissed Christopher Johnson, I knew he would be my biggest mistake. It didn't stop me from wanting him though, and when the ghosts from my past came barging into the present, it didn't stop me from agreeing to let him help.

It was supposed to be a simple business arrangement, a few months of playing a role that came far too easily to the both of us, but it wasn't long before it became more.

Love. Devotion. Heartbreak in its truest form.

Some people say life is for the living, but I say life is for the prepared. For the planners who know that controlling every piece on the board is the only way to get the result you want.

To avoid unfortunate complications like having your heart broken by a man past experiences taught you, you never should have trusted in the first place.

Christopher

There's nothing in this world I wouldn't do for Mallory Kent.

I think I knew it the first time I laid eyes on her, and it's remained one of my unspoken truths for the two years that I've known her. But I never thought I'd get the opportunity to do anything about it because Mallory is one of those people who doesn't need anyone.

She's strong, serious, and always in control of every situation around her, which is why the second I see her looking panicked and uncertain in the arms of a figure from her past, I don't think. I just act.

I had no idea that one small decision would lead to this. A fake relationship―designed to solve her problems and mine―turned real. An earth shattering love torn apart by the very forces that led to its conception. Forces that turned me into the source of our destruction.

There's nothing in this world I wouldn't do for Mallory Kent, including break her heart to save her soul.

ABOUT THE AUTHOR

J.L. Seegars is a dedicated smut peddler and lifelong nerd who’s always had a love of words, storytelling and drama. When she isn’t writing messy and emotionally complex characters like the ones she grew up around, she’s watching reality TV, supporting her fellow authors by devouring their work or spending time with her husband and son.

Book Club Meeting DEETS

When: Tuesday, November 19 @ 7PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend or RSVP WITH BOOK to support Non Fiction Book Club and our other programming. 

About We Refuse 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.