“Warm and intimate. . . . An accomplished novel, with sharply drawn characters, exuberant prose, plenty of period detail and a wise, forgiving outlook on family life.” — Los Angeles Times Book Review

Tumbling is the beloved bestselling debut novel that launched the luminous career of Diane McKinney Whetstone, critically acclaimed author of Tempest Rising, Blues Dancing, Leaving Cecil Street, and Trading Dreams at Midnight. Writing in a style as accessible as Terry McMillan, yet with the literary touches of Toni Morrison, McKinney Whetstone’s Tumbling is a poignant, exquisitely rendered story of the ties that bind us and the secrets that keep us apart.

Noon and Herbie are deeply in love and living in a tightly knit African American neighborhood in South Philadelphia during the 1940s. But their marriage remains unconsummated because of a horrible incident in Noon's past, so each seeks comfort elsewhere: Noon in the warm acceptance of the neighborhood church; Herbie in the arms of Ethel, a jazz singer. Then one day an infant girl is left on their doorstep, and later Ethel blesses them with her five-year-old niece. Suddenly and unexpectedly a family, Herbie, Noon, and their two girls draw closer—until an outside threat reawakens a fire in Noon, causing her to rise up and fight to hold her family and her community together.

From acclaimed writer Diane McKinney-Whetstone, a richly spun tale of love and passion, betrayal, redemption, and faith, set in contemporary Philadelphia.

My aunt says if you smell butter on a foggy night you're getting ready to fall in love.

For the last twenty years, the beautiful Verdi Mae has led a comfortable life with Rowe, the conservative professor who rescued her from addiction when she was an undergrad. But her world is about to shift when the smell of butter lingers in the air and Johnson—the boy from the back streets of Philadelphia who pulled her into the fire of passion and all the shadows cast from it—returns to town.

In "this story of self-discovery that moves seamlessly between the early 1970s and early 1990s" (Publishers Weekly, starred review), McKinney-Whetstone takes readers into a world of erotic love, drugs, and political activism, and beautifully illustrates the struggle to reconcile passion with accountability and the redemptive powers of love's rediscovery.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

“Our Gen is warm and smart, accessible yet meaningful, a beach read with strong writing and emotional heft.”—BookPage

Residents of an active-living retirement community revert to lives of youthful indulgence, even as time-bomb secrets of their pasts tick toward explosion. 

The Gen—short for Sexagenarian—is an upscale fifty-five-plus community located in the bucolic suburbs of Philadelphia. Main character Cynthia befriends the Gen’s two other Black residents, Bloc and Tish, as well as Lavia, who everyone assumes is from India. They regularly convene to smoke weed, line dance, and debate politics and philosophy as the wine goes down like silk. Their camaraderie is exhilarating. 

But beneath the fun and froth, storms gather. With its walls of windows gushing light and air, the Gen becomes the catalyst for secrets to be exposed. 

Shifting the narrative between the characters’ pasts and the present day, Diane McKinney-Whetstone deftly builds suspense as she captures with insight, poignancy, and humor, the scars, tenderness, and swagger of those not yet old, but no longer young, coming to the mean acceptance that life is finite after all, who knew.

We're meeting to discuss Tumbling by Diane McKinney-Whetstone

BOOK CLUB MEETING DEETS

When: Thursday, Septembern 24 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Fiction Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT TUMBLING

“Warm and intimate. . . . An accomplished novel, with sharply drawn characters, exuberant prose, plenty of period detail and a wise, forgiving outlook on family life.” — Los Angeles Times Book Review

Tumbling is the beloved bestselling debut novel that launched the luminous career of Diane McKinney Whetstone, critically acclaimed author of Tempest Rising, Blues Dancing, Leaving Cecil Street, and Trading Dreams at Midnight. Writing in a style as accessible as Terry McMillan, yet with the literary touches of Toni Morrison, McKinney Whetstone’s Tumbling is a poignant, exquisitely rendered story of the ties that bind us and the secrets that keep us apart.

Noon and Herbie are deeply in love and living in a tightly knit African American neighborhood in South Philadelphia during the 1940s. But their marriage remains unconsummated because of a horrible incident in Noon's past, so each seeks comfort elsewhere: Noon in the warm acceptance of the neighborhood church; Herbie in the arms of Ethel, a jazz singer. Then one day an infant girl is left on their doorstep, and later Ethel blesses them with her five-year-old niece. Suddenly and unexpectedly a family, Herbie, Noon, and their two girls draw closer—until an outside threat reawakens a fire in Noon, causing her to rise up and fight to hold her family and her community together.

The first book from artist Danielle Mckinney, featuring 50 prompts for self-reflection written by her mother and a 44-page journal for the reader to respond

Danielle Mckinney is a rising star in the art world. Her tender, intimate representations of Black women at rest have garnered her a broad and devoted following. 

This innovative debut book is a mother-daughter collaboration: 50 of Mckinney’s paintings appear in dialogue with journal prompts written by the artist’s mother, Barbara Mckinney, an educator who embraces the art of creative expression. Journal pages in the back of the book offer readers a chance to write out their responses to the prompts, inspiring a meditative practice. 

Beautifully designed and produced, Danielle Mckinney: Beyond the Brushstroke draws new inspiration from the work of this fresh voice in contemporary American art.

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

Ten years after her E! reality TV show Rob & Chyna aired, the entrepreneur and actress formerly known as Blac Chyna is subverting expectations and sharing where her faith walk leads her.

For years, Angela White’s public persona and private life was that of the Kardashian-adjacent Blac Chyna, former stripper and reality television star. Born Angela Renée White on May 11, 1988, in Washington, DC, she first burst onto the scene in 2010 as Nicki Minaj’s stunt double in Kanye West’s Monster video. That same year, Drake’s shout-out in Miss Me put her name in the game, sparking buzz that landed her in national magazines. Her exotic look and hustle at Miami’s King of Diamonds strip club turned heads, but it was her high-profile relationships with rapper Tyga (father of her son, King Cairo) and Rob Kardashian (father of her daughter, Dream) that cemented her fame, along wih her unapologetic persona.

What many didn’t realize was that privately her notoriety was additionally complicated by an alcohol addiction that drew her away from the person she’d been raised to be. But four years ago, Angela made the decision to reclaim herself, which meant stepping out of the toxic limelight, removing a number of physical enhancements, and sobering up. Both for herself and for her children.

But Sober Mine is about more than fighting addiction. It’s about redemption, finding balance, and rebuilding one’s self from the inside out. Angela returned to her faith, was baptized in 2022, and she’s been sober for nearly four years and counting. She’s also pursuing a degree in divinity training and education.

In Sober Mine, Angela pulls back the curtain and shares the personal journey that led her to the world stage, giving insight into what you thought you thought you knew about her from those reality television days, and she does it all in her signature voice, direct with a side order of humor.

This book is about grabbing onto faith, discovering one’s strength, and learning you don’t have be perfect to live the life you deserve—you just gotta keep it real.

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

The field-defining text for black geographies―now with a new foreword and afterword

The initial publication of Demonic Grounds in 2006 marked a watershed for the field of geography: revealing how human geographies are a result of racialized connections and black placemaking practices, this book opened the discipline to feminist, interdisciplinary, and black perspectives. Katherine McKittrick traces the geographies of black women across the diaspora, arguing that the spaces they inhabit are marked by legacies of violence and slavery while also being sites of unacknowledged political power. Making a forceful claim, she identifies rich opportunities within black geographies for social and cultural change and rebellion. With a new foreword by Simone Browne and comments from Sylvia Wynter on the original edition as an afterword, this twentieth-anniversary edition celebrates Demonic Grounds and its ongoing influence on twenty-first century geography.

Retail e-book files for this title are screen-reader friendly.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.