A celebration of self-expression and the power of using your voice, centering Black children, and exploring the many things they can do, create, and say to make their mark.

Look around! Can you see?

The many spaces, places, and ways to

show the world all that you can be?

From painting, music, and slam poetry, to engineering, protesting, and photography, a young narrator journeys through her neighborhood, encouraging readers to explore all the many ways they can express themselves. A gorgeously illustrated and powerful celebration of self-expression shows children that there are so many spaces and opportunities to use their voices—and show the world exactly who they are.

What will you show the world?

*Paperback Release Date - 7/7/26*

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. 
 
While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation.
 
Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

“An elegant and expansive history” (New York Times) of African American women’s pursuit of political power—and how it transformed America   

 
In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women’s political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of Black women—Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more—who were the vanguard of women’s rights, calling on America to realize its best ideals.   
  
Now revised to discuss the election of Vice President Kamala Harris and the vital contributions of Black women in the 2020 elections, Vanguard isessential reading for anyone who cares about the past and future of American democracy. 

A new edition of a landmark work on Black women’s intellectual traditions.
 
An astonishing wealth of literary and intellectual work by nineteenth-century Black women is being rediscovered and restored to print in scholarly and popular editions. In Kristin Waters’s and Carol B. Conaway’s landmark edited collection, Black Women’s Intellectual Traditions: Speaking Their Minds, sophisticated commentary on this rich body of work chronicles a powerful and interwoven legacy of activism based in social and political theories that helped shape the history of North America. The book meticulously reclaims this American legacy, providing a collection of critical analyses of the primary sources and their vital traditions. Written by leading scholars, Black Women’s Intellectual Traditions is particularly powerful in its exploration of the pioneering thought and action of the nineteenth-century Black woman lecturer and essayist Maria W. Stewart, abolitionist Sojourner Truth, novelist and poet Frances Ellen Watkins Harper, educator Anna Julia Cooper, newspaper editor Mary Ann Shadd Cary, and activist Ida B. Wells. The distinguished contributors are Hazel V. Carby, Patricia Hill Collins, Karen Baker-Fletcher, Kristin Waters, R. Dianne Bartlow, Carol B. Conaway, Olga Idriss Davis, Vanessa Holford Diana, Evelyn Simien, Janice W. Fernheimer, Michelle N. Garfield, Joy James, Valerie Palmer-Mehta, Carla L. Peterson, Marilyn Richardson, Evelyn M. Simien, Ebony A. Utley, Mary Helen Washington, Melina Abdullah, and Lena Ampadu. The volume will interest scholars and readers of African-American and women’s studies, history, rhetoric, literature, poetry, sociology, political science, and philosophy. This updated edition features a new preface by the editors in the light of new developments in current scholarship.

A propulsive family drama, the story of a woman determined to recover her kidnapped daughter amid the ruins of Chávez's social revolution--the fast-paced English-language debut of an award-winning and bestselling author that brings the Venezuelan migrant crisis to life in lyrical, seething prose, for readers of Elizabeth Acevedo, Jesmyn Ward, and Gabriela Garcia

It was too late now, y la ternura no basta--now that she'd tasted the gunpowder, and the gunpowder was bolivariano, revolutionary. And that unthinkable traitor Camilo was using it to blow up her life.

"Elisa left with Camilo." "Camilo took her out of the country."

These are the text messages Nina receives while living in the storage room of a university in Porto Alegre, Brazil, where she's cleaning houses to make money to send back home.

Home is 4,500 miles away, in Maracaibo, Venezuela, where the water never runs on Mondays and there's yet another blackout. Where a trip to the grocery store costs 220 times the minimum wage.

Home is Elisa, her thirteen-year-old daughter, who loves to run around the house and belt out Queen's "Don't Stop Me Now." Who should be growing, when instead her waist is shrinking. Home is Graciela, Nina's mother, who lately stays shut up in her room all day talking with her dead, most urgently her beloved husband, Raúl (who's just as eager to talk back from the grave).

And what the hell does Camilo think he's doing now, stealing off with their daughter to the United States of America--the one place Nina most assuredly never wants to call home?

Narrated through the voices of Nina and her family, and through the voice of her treacherous ex, Camilo, The Winds of Maracaibo is the heart-racing tale of a mother fighting to get her daughter back across the border, at any cost--a brave and furious reversal of the American Dream and an ode to the Venezuelan women who gave their blood, sweat, and tears to a nation dismantled by the egos of men.