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From the Civil War to our combustible present, an acclaimed historian reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in the Washington Post showing that this was, instead, “white rage at work. With so much attention on the flames,” she writes, “everyone had ignored the kindling.”

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court’s landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools.

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

From the New York Times bestselling author of White Rage, an unflinching, critical new look at the Second Amendment and how it has been engineered to deny the rights of African Americans since its inception-now with a new introduction and afterword from the author.

In The Second, historian and award-winning, bestselling author of White Rage Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans.

From the seventeenth century, when it was encoded into law that the enslaved could not own, carry, or use a firearm whatsoever, until today, with measures to expand and curtail gun ownership aimed disproportionately at the African American population, the right to bear arms has been consistently used as a weapon to keep African Americans powerless--revealing that armed or unarmed, Blackness, it would seem, is the threat that must be neutralized and punished.

Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second. Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendment is not about guns but about anti-Blackness, shedding shocking new light on another dimension of racism in America.

From the Pulitzer Prize-winning author of Franchise comes the little-known story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.

"Chatelain lets us see the complexities of these women’s lives, feel their pain, and marvel at their ability to cut through the thicket of racism and sexism."—Carol Anderson, New York Times bestselling author of White Rage

"Chatelain brilliantly reframes one of the most enduring images in American memory through the women erased from its frame."—Alexis Coe, New York Times bestselling author of You Never Forget Your First

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

A beautifully written and often speculative story collection infused with Caribbean and African myths and cultures, exploring love, betrayal, motherhood, death, and home.

GROUNDED IN CONTEMPORARY LIFE AND INFUSED WITH TRADITIONS of Africa and the Caribbean, A Good Haunting: Stories spins myth, magic, and realism into heartrending tales of characters seeking love and connection. Death is the primary antagonist in each of these stories, sometimes appearing as death of self, other times as death of a loved one, and often as both.

In the title story, “A Good Haunting,” a widower in the midst of an unorthodox death ritual uses humor to deal with grief and guilt while coming to terms with unsavory details about his spouse’s sudden death. In “The Way of the Volt,” an eighteenth-century African queen is made immortal, sold into slavery, and left to face a series of impossible choices that force her to struggle with what it means to be human. In “The Sunset Toll,” members of the last community on earth disappear one by one until there are just three people left, trying to maintain hope even as they question the forces that keep them trapped on earth.

The characters wrestle with foes, agonize at crossroads, and face painful truths, all while grappling with grief, love, betrayal, motherhood, and ideas of home. Some triumph, some do not―but they all emerge irrevocably changed by their experiences.

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers.

The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class.

Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today’s literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author’s note. The new contributors carry the torch of the original interviewees’ lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing―they are about life, relationships, joy, gratitude, wellness, and self-preservation.

I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

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His white teacher tells her all-black class, You'll all wind up porters and waiters. What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.

From the 2025 Children’s Literature Legacy Award winner, New York Times bestselling, and multiple award-winning author Carole Boston Weatherford comes a powerful nonfiction picture book that follows the individual acts of courage behind the 1955 Montgomery Bus Boycott.

In Montgomery, everyone relied on the city’s buses, but only white riders could sit in the front. If white riders needed more seats, Black riders had to give theirs up. And the white bus drivers would call the police whenever they wanted to. How could the Black community fight for their rights?

With incredible coordination and planning, Black people across the city carefully planned a boycott. When Rosa Parks was arrested after refusing to give her seat up to a white rider, they were ready to act. But, as the months drew on, everyone found themselves wondering: What would it take to end the boycott?

Award-winning team Carole Boston Weatherford and Noa Denmon unite to tell the remarkable story of the 1955 Montgomery Bus Boycott and the people who achieved justice by working together.

* Important American History: This book spotlights the collective action of the Civil Rights Movement.
* Unsung Heroes: Strength in Numbers celebrates the many people who made the long bus boycott a success.
* Impressive Back Matter: This book features an extensive timeline, along with additional information about the Montgomery Bus Boycott.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

Jabari Jumps meets The Magical Yet in this infectiously optimistic and rhythmic picture book that will inspire children to give it a whirl and try again (and again).
A little girl loves to watch the big kids play hula hoop. She wants nothing more than to sway and swirl like them one day.
So, she picks one up, gives it a whirl… and the hoop falls to the ground before she knows it.
Thwump! Clatter clatter!
And even though she picks it up repeatedly, she can’t seem to get the hoop to whirl. Then something magical happens on the last try that changes her forever.
This sweet picture book is perfect for anyone with a dream who is determined to never give up.

* Heartwarming Message: Detailing the importance of persistence and resilience, this story encourages children not to give up on a goal only because it’s difficult at first.
* Classic and Colorful Illustrations bring its readers in and capture the charm of childhood.
* Perfect for Read-Aloud: Complete with sounds of the hoola hoop, optimistic tone, and rhythmic text!

The action guide to building serious financial power.

For too long, women have worked twice as hard to earn less than men, and women have felt emotionally broke and financially stressed. It's time for a change and time for women—especially women of color—to make bank.

In her first book, We Should All Be Millionaires, Rachel Rodgers—Black woman, mother of four kids, and self-made millionaire—shared her personal story. How she climbed from crushing debt and financial stress to wealth and abundance, running a multi-million-dollar company, and owning a blissful 57-acre horse ranch.

Her book inspired thousands of readers and listeners to construct a new attitude about money, claim their power, and build the financial security that we all need and deserve. Now, with Hello Seven, Rachel provides a practical framework to achieving seven-figure wealth.

This is the book that makes it happen. Rachel lays out the Hello Seven Growth Scale so you can identify where you fall on one of seven levels — from $0 to 7 figures — and map out the specific action steps you need to take to grow from one level to the next.