Undoubtedly the most influential black intellectual of the twentieth century and one of America's finest historians, W.E.B. DuBois knew that the liberation of the African American people required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, DuBois saw education as fundamentally subversive. This was as much a function of the well-established role of educationfrom Plato forwardas the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education's fundamentally radical nature in view.

Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance.

“My life had its significance and its only deep significance because it was part of a Problem,” W. E. B. Du Bois once wrote. Since childhood, Ailey Pearl Garfield has understood these words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother, the descendant of slaves and tenant farmers—Ailey carries the weight of this Problem on her shoulders.

The daughter of an accomplished doctor and a strict schoolteacher, Ailey is raised in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. Growing up, she struggles with this duality, a battle for belonging that shapes her identity. On one side are her exacting parents and her imperious, light-skinned grandmother Nana Claire, to whom skin color is paramount. On the other, Ailey feels the pull of the “deep country” of her mother’s land-tending family, whose forebears endured the horrors of slavery and Jim Crow.

But how can Ailey live up to everyone’s expectations when half of her family rejects the truth of a fraught racial history, while the rest can’t ever seem to break away from it?

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America

Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow.

Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage.

Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America.

From the author of the New York Times bestseller Begin Again, a politically astute, lyrical meditation on how ordinary people can shake off their reliance on a small group of professional politicians and assume responsibility for what it takes to achieve a more just and perfect democracy.

“Like attending a jazz concert with all of one’s favorite musicians…James Baldwin, Martin Luther King, Jr., Malcolm X, Ella Baker, Toni Morrison, and more…Glaude brilliantly takes us on an epic tour through their lives and work.”
―Henry Louis Gates, Jr., author of The Black Box: Writing the Race

We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation’s preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires.

Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude’s unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice.

Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own.

Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

Du Bois' foundational investigation of social justice and civil rights by means of essay, poetry, prayer and short science fiction.

A new edition with a new introduction, Du Bois' radical text is a rare statement of values formed around the vision of a collective life, where the humanity of black women and men is treated with dignity and equality. He expresses his themes through a series of literary forms: polemic essay, spirituals, poetry and short science fiction, each of which forms a pulse of social justice from a time when a true understanding of intersections between poverty, work, racism and feminism was rare. A new title in the Foundations of Black Science Fiction series.

From the two-time Emmy Award–winning producer and host of the Black and Published podcast comes a sweeping multi-generational epic following seven generations of Dupree women as they navigate love, loss, and the unyielding ties of family in the tradition of Homegoing and The Love Songs of W.E.B. DuBois.

It’s 1995, and fourteen-year-old Tati is determined to uncover the identity of her father. But her mother, Nadia, keeps her secrets close, while her grandmother Gladys remains silent about the family’s past, including why she left Land’s End, Alabama, in 1953. As Tati digs deeper, she uncovers a legacy of family secrets, where every generation of Dupree women has posed more questions than answers.

From Jubi in 1917, whose attempt to pass for white ends when she gives birth to Ruby; to Ruby’s fiery lust for Sampson in 1934 that leads to a baby of her own; to the night in 1980 that changed Nadia’s future forever, the Dupree women carry the weight of their heritage. Bound by a mysterious malediction that means they will only give birth to daughters, the Dupree women confront a legacy of pain, resilience, and survival that began with an enslaved ancestor who risked everything for freedom.

The Seven Daughters of Dupree masterfully weaves together themes of generational trauma, Black women’s resilience, and unbreakable familial bonds. Echoing the literary power of The Twelve Tribes of Hattie by Ayana Mathis, Nikesha Elise Williams delivers a feminist literary fiction that explores the ripple effects of actions, secrets, and love through seven generations of Black women.

The New York Times bestselling author of Begin Again confronts America’s unfinished story in this blistering reassessment of race, freedom, and the myths that bind us.

Celebrated public intellectual Eddie S. Glaude, Jr. presents a groundbreaking analysis of the vicious cycles of American history and the country’s enduring refusal to face its true nature—especially at the moments when national anniversaries steer us back toward the mythology meant to disguise the truth.

America, U.S.A., deliberately formulated and beautifully written, details a heart-wrenching exploration of America’s legacy. It is a magnificently complex combination of lessons and voices—from W.E.B. DuBois and John Dos Passos to Herman Melville and Martin Luther King, Jr.—that, together, paint a sprawling and honest tableau of the United States, its complicated past, and ever more tenuous future. Glaude’s is a powerful voice of conscience in our tumultuous world. He pulls no punches, calling on us to interrogate our conceptions of innocence and freedom and the stories we tell ourselves about our past and present.

Centered around the major celebrations of America’s milestone birthdays across 250 years of history, the book offers a riveting look at the battles over who has a stake in writing the American story. Devastatingly candid, profoundly moving, and deeply reflective, America, U.S.A. is a shining meditation on how we must reckon with a grim past in order to strive for the better angels of our future.

In a world without white people, what does it mean to be Black?

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across a truly “post-racial” America in search for answers. But neither of them are prepared for this new world and how they see themselves in it.

Heading south toward what is now called the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

Booker T. Washington’s famous 1901 memoir, Up From Slavery, charts Washington’s rise from an enslaved child with a passion for learning to the nation’s most prominent Black educator and first president of Tuskegee University. A tireless advocate for Black economic independence, Washington attempted to balance his public acceptance of segregation with behind-the-scenes lobbying against voter disenfranchisement and financing anti–Jim Crow court cases. His memoir is both a crucial American document and an exercise in understanding the “double consciousness” coined by W.E.B. DuBois, himself one of Washington’s most vocal critics.

The inaugural issue of the movement-focused and future-forward Abolition Journal quarterly after it was relaunched by the Philadelphia-based Abolition School.

This pilot issue of the revived Abolition Journal is produced by the Philadelphia-based W.E.B. Du Bois Movement School for Abolition & Reconstruction. It brings together two dozen urgent and timely interventions in political debates around abolition and aims to show how this abstract idea manifests itself in our daily lives.

These interventions, authored by a diverse cast of contributors, including academics and attorneys, so-called felons and physicians, artists and educators, and parents, playwrights and poets, explore the everyday experiences that come with trying to live out an abolitionist politics. In the words of the editors, these experiences include “the daily victories and errands, reflections and runarounds, gestures and drama, habits and heartbreaks, setbacks and surrenders, excuses and evasions, breakdowns and breakthroughs.”

The issue curates a variety of content, including political essays, short stories, poetry, interviews, and speeches, each resonating and reflecting in their own unique way on the central theme “Everyday Sh!t.” They offer thoughts and reflections on structure, practice, care, and direction to deepen existing movement knowledge and invite new audiences to see themselves mirrored within this work.
Without exception, these are stories of sincere experience mixed with radical poetic visions culled from the issue contributors’ plurality of pasts, presents, and prefigurative futures. Grounded in Philadelphia, yet looking out onto the whole wide world, Abolition Journal aims to reflect the lived complexity that can be messy and self-defeating, but equally authentic and inspiring.