How the Word Is Passed meets Braiding Sweetgrass in a cultural and personal reclamation of Black history and Black botanical mastery, shared through the stories of long-lived trees.

The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.

In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the way seven trees―as well as the cotton shrub―are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.

Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

The Book of Harlan opens with the courtship of Harlan's parents and his 1917 birth in Macon, Georgia. After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he eventually becomes a professional musician. When Harlan and his best friend, trumpeter Lizard Robbins, are invited to perform at a popular cabaret in the Parisian enclave of Montmartre--affectionately referred to as "The Harlem of Paris" by black American musicians--Harlan jumps at the opportunity, convincing Lizard to join him.

But after the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald--the notorious concentration camp in Weimar, Germany--irreparably changing the course of Harlan's life. Based on exhaustive research and told in McFadden's mesmeric prose, The Book of Harlan skillfully blends the stories of McFadden's familial ancestors with those of real and imagined characters.

From award-winning author and creative writing professor at Tulane University comes an intimate and powerful memoir exploring inherited trauma, family secrets, and the enduring bonds of love between mothers and daughters.

On her second birthday in 1967, Bernice McFadden died in a car crash near Detroit, only to be resuscitated after her mother pulled her from the flaming wreckage. Firstborn Girls traces her remarkable life from that moment up to the publication of her first novel, Sugar.

Growing up in 1980s Brooklyn, Bernice finds solace in books, summer trips to Barbados, and boarding school to escape her alcoholic father. Discovering the works of Alice Walker and Toni Morrison, she finally sees herself and her loved ones reflected in their stories of “messy, beautiful, joyful Black people.”

Interwoven with Bernice's personal journey is her family's history, beginning with her four-times enslaved great-grandmother Louisa Vicey Wilson in 1822 Hancock County, Georgia. Her descendants survived Reconstruction and Jim Crow, joined the Great Migration, and mourned Dr. King’s assassination during the Civil Rights Movement. These women's wisdom, secrets, and fierce love are passed down like Louisa's handmade quilt.

A memoir of many threads, Firstborn Girls is an extraordinarily moving portrait of a life shaped by family, history, and the drive to be something more.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

A Ms. magazine, Refinery29, and Lambda Literary Most Anticipated Read of 2021

A groundbreaking collection tracing the history of intellectual thought by Black Lesbian writers, in the tradition of The New Press's perennial seller Words of Fire

African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall's classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century.

Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic.

In the Heart of Mystery Lies Redemption...

Every Sunday, Oona the St. Berdoodle and her current owner, Zsuzsu, make their way through the winding paths of the State Park to the enigmatic Redemption Center―a place often mistaken for a haunted mansion.

When a local celebrity is found murdered, the unexpected brings Oona together with a rag-tag group of local misfits. Together they venture into the depths of the Center's mystery to untangle the threads of murder and deception.

But Oona holds two secrets: she’s a citizen of the multiverse, able to travel between dimensions at will, and more importantly, she knows the killer's identity. Unfortunately, the killer knows she knows, and he’s determined to find her and silence her for good.

An extra-dimensional murder mystery with conundrums, alien tricksters, and a dog detective who just doesn’t know the meaning of “stay”.

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New York Times bestselling author and Nobel Peace Prize nominee Stacey Abrams, writing under her pen name Selena Montgomery, delivers a “sexy thriller” that is deliciously “twisty and satisfying” (Publishers Weekly).

Tell me no lies . . .

She just witnessed her uncle’s murder, she’s running for her life, and now Dr. Katelyn Lyda is face-to-face with a man who could be her salvation. It’s too bad Sebastian Caine is one of the bad guys . . .

A “recovery specialist” skilled at separating prized possessions from their owners, Sebastian is after an ancient relic. But he reconsiders the job when he finds himself staring at the wrong end of a gun. The lady with her finger on the trigger seems to have everything he needs—and not just the artifact.

In a race against time, Sebastian and Kat must learn to trust each other if they’re going to survive.

New York Times Bestseller

From the author of the classic Their Eyes Were Watching God comes a landmark publication of the American experience, now in paperback!

“A profound impact on Hurston’s literary legacy.”— New York Times

In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Lewis was enslaved fifty years after the transoceanic slave trade was outlawed. At the time, Cudjo Lewis was the only known person alive who could recount this integral part of the nation’s history. As a cultural anthropologist and ethnographer, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn’t always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or be lost in reveries of his homeland.

Hurston persisted, though, and during an intense period of about three months, she and Cudjo Lewis communed over her gifts of peaches and watermelon, and gradually Lewis, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by, Amazons, the female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda, as “cargo,” along with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.

Barracoon reflects Hurston’s skills as both a social scientist and a writer, and brings to life Cudjo Lewis’s singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted for others of the Middle Passage. This profound work is an invaluable contribution to our history and culture.

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From popular political leader and lawyer Stacey Abrams comes a reissue of her romantic suspense novel, Never Tell, written under the name Selena Montgomery!

Criminal psychologist Dr. Erin Abbott wants nothing more than to live a quiet life. That means no danger, no intrigue-and absolutely no romance. But when Erin suspects a serial killer is roaming New Orleans, her investigation throws her straight into the arms of the only man who can help her.

Journalist Gabriel Moss is hot to find his next huge story-and he knows Erin is on to something big. From the moment they meet, Gabriel senses that Erin is hiding something. One thing is certain: Erin's boxy suits and sensible shoes hide a delicate beauty waiting to emerge...and Gabriel is just the man to reveal the woman inside.

As they join forces to find the killer, Gabriel slowly seduces Erin with his soft kisses. But Erin knows their love can never be. For she is hiding a terrible secret-and if Gabriel reveals the truth, Erin's life will be shattered forever...