A stunning short story collection that takes the reader into the heart of the Creole community in late-nineteenth-century New Orleans, from a key poet and journalist of the Harlem Renaissance—featuring an introduction by Danielle Evans, the award-winning author of The Office of Historical Corrections

“[Dunbar-Nelson]’s airy, easy eloquence is a pleasure.”—The New York Times
 
This vivid collection transports readers to New Orleans, from the delights of Mardi Gras on Bourbon Street, to the quiet Bayou where lovers meet, and to fish fries on the shore of the Mississippi Sound. Alice Dunbar-Nelson focuses the struggles and joys of the Creole community in these intimate stories featuring unforgettable characters.
 
In the title story, Manuela goes to the Wizened One for a charm when her lover strays; in “Little Miss Sophie,” a young woman goes to extreme lengths to get back a ring she pawned; in “M’sieu Fortier’s Violin,” a talented musician finds himself at a loss when his greatest passion is taken away; and in “The Fisherman of Pass Christian,” Annette, an aspiring opera singer, falls in love with a beautiful fisherman who has a secret. Together these stories provide a unique window into the world of everyday Creole Louisianians.
 
This edition also features a selection of stories from Dunbar-Nelson’s first collection, Violets and Other Tales, which beautifully compliments The Goodness of St. Rocque, making it the essential text for readers looking to discover this underappreciated writer.

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

From the two-time Emmy Award–winning producer and host of the Black and Published podcast comes a sweeping multi-generational epic following seven generations of Dupree women as they navigate love, loss, and the unyielding ties of family in the tradition of Homegoing and The Love Songs of W.E.B. DuBois.

It’s 1995, and fourteen-year-old Tati is determined to uncover the identity of her father. But her mother, Nadia, keeps her secrets close, while her grandmother Gladys remains silent about the family’s past, including why she left Land’s End, Alabama, in 1953. As Tati digs deeper, she uncovers a legacy of family secrets, where every generation of Dupree women has posed more questions than answers.

From Jubi in 1917, whose attempt to pass for white ends when she gives birth to Ruby; to Ruby’s fiery lust for Sampson in 1934 that leads to a baby of her own; to the night in 1980 that changed Nadia’s future forever, the Dupree women carry the weight of their heritage. Bound by a mysterious malediction that means they will only give birth to daughters, the Dupree women confront a legacy of pain, resilience, and survival that began with an enslaved ancestor who risked everything for freedom.

The Seven Daughters of Dupree masterfully weaves together themes of generational trauma, Black women’s resilience, and unbreakable familial bonds. Echoing the literary power of The Twelve Tribes of Hattie by Ayana Mathis, Nikesha Elise Williams delivers a feminist literary fiction that explores the ripple effects of actions, secrets, and love through seven generations of Black women.

In The Temple of My Familiar, Celie and Shug from The Color Purple subtly shadow the lives of dozens of characters, all dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, all must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.

As Alice Walker unfolds the experiences of these astonishing characters, she weaves a new mythology from old fables and history, creating a profoundly spiritual explanation for centuries of shared African American experience.

For the first time, the edited journals of Alice Walker are gathered together to reflect the complex, passionate, talented, and acclaimed Pulitzer Prize winner of The Color Purple. She intimately explores her thoughts and feelings as a woman, a writer, an African-American, a wife, a daughter, a mother, a lover, a sister, a friend, a citizen of the world.

In an unvarnished and singular voice, she explores an astonishing array of events: marching in Mississippi with other foot soldiers of the Civil Rights Movement, led by Martin Luther King, Jr.; her marriage to a Jewish lawyer, defying laws that barred interracial marriage in the 1960s South; an early miscarriage; writing her first novel; the trials and triumphs of the Women’s Movement; erotic encounters and enduring relationships; the ancestral visits that led her to write The Color Purple; winning the Pulitzer Prize; being admired and maligned, sometimes in equal measure, for her work and her activism; and burying her mother. A powerful blend of Walker’s personal life with political events, this revealing collection offers rare insight into a literary legend.

A collection of essays, fiction, journalism, folklore, and autobiography, preserving the legacy of one of the Harlem Renaissance’s greatest writers.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. 

I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker.

"Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

Television writer, producer, and bestselling author of the acclaimed The Broke Diaries and Mixed charts her unexpected role as her terminally ill mother's caretaker in this funny, moving, and unforgettable memoir.

Angela Nissel always wanted her mother’s approval. But two defining events created a barrier between them: renouncing Christianity and being admitted to a psychiatric ward— events that mirrored failed parenting to her mother. 

Beating her depression, Angela moved to Los Angeles where she quickly achieved success as a television writer but soon after found herself dead broke and enduring a painful divorce. It was at this low point that she received heartbreaking news: her mother had cancer. Angela moves her mother to Los Angeles where she attempts to hide foreclosure notices and her live-in boyfriend while also trying to save her mother’s life with everything from crystals to celebrity doctors. Still, her mother succumbs to her cancer.

In this poignant and hilarious memoir, Angela chronicles her odyssey as she tries to remain “strong” like her mother in the face of grief. Delightfully self-deprecating, unsparing in its honesty, yet filled with wacky humor and joy, Good Grief, Pass the Bread, Mom is Dead, is an unforgettable portrait of love, yearning, loss, and resilience that reveals the indelible power of introspection to save our lives.

Winner of the Pulitzer Prize and the National Book Award, Alice Walker’s iconic modern classic, now in a beautiful 40th anniversary Penguin Vitae edition with a foreword by Kiese Laymon

A Penguin Classic Hardcover

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker’s epic carries readers on a spirit-affirming journey toward redemption and love.

Sixteen-year-old Jaelyn Coleman lives for Saturdays at WestSide Roll, the iconic neighborhood roller rink. On these magical nights, Jae can lose herself in the music of DJ Sunny, the smell of nachos from the concession, and the crowd of some of her favorite people—old heads, dance crews, and other regulars like herself. Here, Jae and other Black teens can fully be themselves.

One Saturday, as Jae skates away her worries, she crashes into the cutest boy she’s ever seen. Trey’s dimples, rich brown skin, and warm smile make it impossible for her to be mad at him though. Best of all, he can’t stop finding excuses to be around her. A nice change for once, in contrast with her best friend’s cold distance of late or her estranged father creeping back into her life.

Just as Jae thinks her summer might change for the better, devastating news hits: Westside Roll is shutting down. The gentrification rapidly taking over her predominantly Black Indianapolis neighborhood, filling it with luxury apartments and fancy boutiques, has come for her safe-haven. And this is just one trouble Jae can’t skate away from.

Rashid Johnson, Cauleen Smith and others pay tribute to a truly extraordinary figure in 20th-century American jazz

This volume unpacks the cultural legacy of musician, spiritual leader, wife and mother Alice Coltrane. Accompanying the eponymous exhibition at Los Angeles’ Hammer Museum, the book takes its title from Coltrane’s 1977 autobiography and devotional text, Monument Eternal, in which she reflected on her newfound spiritual beliefs and the path to healing and self-discovery. Coltrane was "ahead of her time," as her son, saxophonist Ravi Coltrane, says: she was "one of the first people to move outside the mainstream, and certainly one of the first female, Black, American jazz musicians to record her own music in her own studio, and to release music on her own terms."
Alice Coltrane, Monument Eternal explores themes including spiritual transcendence, sonic innovation and architectural intimacy. The project juxtaposes works from 19 contemporary American artists with pieces of ephemera from Coltrane’s archive―including handwritten sheet music, unreleased audio recordings and rarely seen footage―to honor her cultural output and practice.
Alice Coltrane was born in Detroit in 1937 and took up music at an early age, beginning piano lessons at seven years old. In 1967 her husband, saxophonist John Coltrane, gifted her a harp, on which she went on to record seminal albums including Journey in Satchidananda and A Monastic Trio, making her one of the very few harpists in the history of jazz. Coltrane moved to Southern California in 1972 and founded the Sai Anantam ashram. She lived and worked in Los Angeles, where she died in 2007 at age 69.

This book was published in conjunction with Hammer Museum

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

"Riss M. Neilson writes tender, vibrant, breath-stealing romance."--Emily Henry

Exes discover they've both inherited the restaurant they love in this sparkling, emotional new novel from the USA Today bestselling author of A Love Like the Sun.

Olivia owes everything to Celia's Place. It's where she learned how to be a great chef. It's also where she first fell in love. But at nineteen, Olivia had a wanderlust she couldn't deny. And Carmello, whose mother owned the restaurant, couldn't leave Celia's Place behind any more than he could force Olivia to stay.

Now, ten years later, Olivia is a successful personal chef. Her job allows her to travel the world, and she has never stayed in the same place for too long. When Carmello learns that his mother left shares of her beloved restaurant to both him and Olivia, he plans to buy her portion of the shares back quickly and painlessly.

That is until Olivia shows up at the restaurant, ready to help run it. Carmello sees an opportunity: drive Olivia away from his restaurant so that she will want to sign over her shares. But Olivia sees things a bit differently. She finally has the chance to stay in one place and build a home after years on the move, and perhaps now is the right time to explore whether that home can be with the one who got away.

Soon enough, sparks begin to fly, but can Olivia and Carmello avoid the mistakes of the past?

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Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel

A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their bodies, gestures and individuality—at the forefront.
The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved.
Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.