On the verge of summer before his senior year, Jay is a soft soul in a world of concrete. While his older brother is everything people expect a man to be—tough, athletic, and in charge—Jay simply blends into the background to everyone, except when it comes to Leroy.

Unsure of what he could have possibly done to catch the eye of the boy who could easily have anyone he wants, Jay isn’t about to ignore the surprising but welcome attention. But as everything in his world begins to heat up, especially with Leroy, whispered rumors over the murder of a young Black journalist and long-brewing territory tensions hang like a dark cloud over his neighborhood. And when Jay and Leroy find themselves caught in the crossfire, Leroy isn’t willing to be the reason Jay’s life is at risk.

Dragged into the world of the Black Diamonds—whose work to protect the Black neighborhoods of Savannah began with his father and now falls to his older brother—Leroy knows that finding out who attacked his brother is not only the key to protecting everyone he loves but also the only way he can ever be with Jay. Wading through a murky history of family mistakes, Leroy soon discovers that there’s no keeping Jay safe when Jay’s own family is in just as deep and fighting the undertow of danger just as hard.

Now Jay and Leroy must puzzle through secrets hiding in plain sight and scramble to uncover who is determined to eliminate the Black Diamonds before someone else gets hurt—even if the cost might be their own electric connection.

The lives of real heroes prove this truth: equality is won when we rise together.

1880s, Ohio. When Mary and Anna enter the Bachelor of Arts program, also known as the "gentlemen's course" of study, at Oberlin College, they have little in common other than the color of their skin and their passion for education.

While Mary was raised in luxury, attending presidential inaugurations with her wealthy father, Anna is a schoolteacher, likely the daughter of her enslaved mother's former owner, and works a second job to pay for her room and board. But despite their differences, both women share strength, ambition, and a deep yearning for change. If they can bridge the gaps between them, they just might build a lasting legacy.

From its earliest days in the 1830s, Oberlin College admitted men and women, white and Black students. Though the doors are officially open, school policy cannot change the hearts of classmates who refuse to see a woman, and especially a Black woman, excel. Despite constantly being forced to prove themselves, the women triumphantly overcome every obstacle and push through their pain. And as the world evolves around them, Mary and Anna persevere to build a legacy of success and excellence.

Based on the real lives of Mary Church Terrell, Anna Julia Cooper, and Ida Gibbs Hunt, The Ladies Hall is a mirror into times of great change--where progress and new possibilities are met with violence and resistance . . . but hope always rises. And it rises still.

Remember when talking about money was taboo? Times have changed and in our times, with so many radical and disruptive changes to the economy, the role of the entrepreneur now embedded at the centre of so much societal and technological change, and digital currencies changing the way we think about exchange, money has become a vital, insistent of conversation for everyone. All of us acknowledge it matters desperately; yet so few of us really understand it.

The press and social media are awash with rags to riches stories, stories of kitchen table businesses that become multi-million-pound enterprises. Stories of teenagers and young adults investing in digital currencies from their bedrooms. On the flip side of these aspirational stories there is the reality of the everyday person who simply wants to understand what to and what not to do with their money. Should they save or invest, if they invest - what in, if they save - what for? Should they buy a home or rent, should they live for the moment or live for retirement. How does having credit provide more credit and would insurance be the best bet if all falls around you and what the hell is APR anyway?

Finance and money are topics we all wish we learnt at school but instead we find ourselves having to 'learn on the job', having to do deep investigations and 'trust' the advice from online experts. There must be a better way and a better place to go to for this insight and here we have it, courtesy of two authors who have known hardship and huge success - "What they should have taught you about money, finance and investment at school' to fill that void.

A must-have anthology of the leading Black women and femmes shaping today’s food and hospitality landscape—from farm to table and beyond—chronicling their passions and motivations, lessons learned and hard-won wisdom, personal recipes, and more.

Chef and writer Klancy Miller found her own way by trial and error—as a pastry chef, recipe developer, author, and founder of For the Culture magazine—but what if she had known then what she knows now? What if she had known the extraordinary women profiled within these pages—entrepreneurs, chefs, food stylists, mixologists, historians, influencers, hoteliers, and more—and learned from their stories?

Like Leah Penniman, a farmer using Afro-Indigenous methods to restore the land and feed her community; Ashtin Berry, an activist, sommelier, and mixologist creating radical change in the hospitality industry and beyond; or Sophia Roe, a TV host and producer showcasing the inside stories behind today’s food systems. Toni Tipton-Martin, Mashama Bailey, Carla Hall, Nicole Taylor, Dr. Jessica B. Harris . . . In this gorgeous volume these luminaries and more share the vision that drives them, the mistakes they made along the way, advice for the next generation, and treasured recipes—all accompanied by stunning original illustrated portraits and vibrant food photography.

In addition, Miller shines a light on the matriarchs who paved the way for today’s tastemakers—Edna Lewis, B. Smith, Leah Chase, Vertamae Smart-Grosvenor, and Lena Richard.

These collective profiles are a one-of-a-kind oral history of a movement, captured in real time, and indispensable for anyone passionate about food.

Head, shoulders, knees, and . . . penises! Young children are curious about all body parts. With bright illustrations, readable language, and a matter-of-fact tone, this guide offers readers the information they need to understand how bodies work. All About Penises is a book that embraces body diversity, reassures kids, and provides caregivers easy ways to answer the common questions that children have. Additional guidance for parents and caregivers includes more information on being an askable parent and how to talk to young children about sensitive topics.

The Curlfriends are back and hitting the dance floor in Sharee Miller’s NAACP image award-nominated graphic novel series.

Nola Washington has never met a problem she can’t solve. She’s a fashionista and an honor roll student, and she knows her way around a comb. When she’s not helping her mom at their family’s hair salon, Nola’s hanging out with her besties, the Curlfriends! This time, Ella has signed them up for the school talent show, and who better to lead them in a dance routine than Nola, with her amazing moves? All she needs is a stylish new outfit to perform in, but when one of the salon’s hair dryers breaks down, Nola finds out her mom is having money trouble. If they can’t pay the bills, will the salon go out of business?

Not on Nola’s watch! She’ll do anything to help, but her mom keeps shutting her out. It’s hard to focus on dance practice with her girls, let alone school, when life at home is nowhere near perfect anymore. This doesn’t feel like something Nola can fix on her own, but with the Curlfriends by her side, there’s no problem they can’t solve together!

In the Curlfriends series, follow four inseparable Black girls who show what it means to lean on one another when times are tough:

Curlfriends: New in Town
Curlfriends: Back in Business

In today's society, there is a lot of talk about manifestation and how it can help you achieve your dreams. However, many people forget that manifestation on its own is not enough. To truly achieve your goals, you need to take action.

That's where Manifested Action comes in.

In this book, Sunday Times bestselling authors Dr Byron Cole and Bianca Miller Cole take you on a journey of what manifestation is, why action is important, and the steps to take to start making your dreams a reality. The book promises to be an informative but easy-to-use guide to creating the life you love, whether you are an entrepreneur, career professional, parent, or anyone else looking to build their business, career, side hustle, love life, or legacy.

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

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A powerful and proven guidebook that shows organizations how to recognize racism in designed artifacts, systems, and experiences—and how to replace them with anti-racist design solutions.

Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare racialized systems of oppression and fundamentally disrupt their replication. In Racism Untaught, Lisa E. Mercer and Terresa Moses, two veteran anti-racist educators, deliver this exact approach.

Mercer and Moses provide a step-by-step guide to anti-racist interventions in academic, business, and community settings that benefits all participants. Adapted from their successful workshop series and filled with concrete examples and ample case studies, their book teaches participants how to analyze design—and reimagine racialized artifacts, systems, and experiences guided by anti-oppressive principles. They demonstrate how to examine positionality within the context of racism and oppression; help us understand how design can reinforce and perpetuate oppression; and reveal the unique relationship among equity, ethics, and responsibility that constitutes the core value of an anti-racist design discipline. In Racism Untaught, Mercer and Moses provide the framework we need to unlearn racialized design practices and move more generatively toward collective liberation.

With a foreword by renowned designer Cheryl D. Miller, Racism Untaught is a valuable tool for anyone who wants to help themselves and their organization create an actionable and inclusive plan to dismantle racial oppression and instead realize equitable, anti-racist, and liberatory design.