ABC Black History and Me presents 26 historical concepts, events, and people—from A to Z—that are important in Black American history.

From A is for Advocate to Z is for Zest, each letter of the alphabet is paired with inspirational historical concepts in this 9x9-inch board book. Along with the upbeat, rhyming text covering both well-known and more obscure topics, are colorful illustrations that promote an excitement and curiosity about Black American history. Covering trailblazers from A to Z but also chronologically, this book features a visual timeline with additional information for more in-depth learning on the people, places, and events discussed.

From Harriet Tubman and Fanny Jackson Coppin to Amanda Gorman and Ketanji Brown Jackson, ABC Black History and Me covers more than 170 years in a short board book appropriate for the little ones. This book is not only perfect for getting toddlers comfortable with their ABCs, but also for reflecting on how we are all affected by this history and how even the youngest of children will affect the future.

With age-appropriate concepts and visuals, ABC Black History and Me is a perfect discussion starter for the whole family. Even adults will find something to learn in this board book!

The ABC for Me series presents a world of possibilities from A to Z and everything in between! For all little kids with big dreams, the endearing illustrations and mindful concepts in this series pair each letter of the alphabet with words that promote big dreams, inclusion, acceptance, healthy living, and other key concepts important to emotional well-being. Other books in this series include:
 
* ABC Love (2017)
* ABC What Can She Be? (2018)
* ABC Let’s Celebrate You & Me (2021)
* ABC Bedtime (2022)

A stunning exploration of the history of Black Americans by award-winning picture book team Traci N. Todd and Vashti Harrison.

The world is forever changed because you are here.

At once honest and empowering, That You Are Here Is No Small Thing is a story about resilience. In these stunning pages, young descendants of enslaved Africans are guided through the history that led them to exist and thrive today. Through their eyes, we see how Black Americans have relied on one another to fight against oppression and the ways in which the strength of their ancestors is always with them.

Sibert Honor winner Traci N. Todd and Caldecott Medalist Vashti Harrison have created an unforgettable exploration of culture and history that records the important survival story Black children carry and celebrates their hope for a radiant future.

Exploring new black literature, following the success of Black Sci-Fi and First Peoples Shared Stories.

The National Museum of African American History and Culture characterises Afrofuturism (as distinct from Africanfuturism) as expressing "notions of Black identity, agency and freedom through art, creative works and activism that envision liberated futures for Black life." This new book offers new stories from open submissions and by invitation, as well as classic stories, and a new introduction, all exploring the many angles of this theme. It follows the success of Black Sci-Fi (2021) of which Scientific American said "contains a thrilling group of memorable, moving tales that often examine the intersections of race, gender, grief, tech and the fantastical." and Publishers Weekly, in a Starred Review "With topics ranging from slavery to space travel, the impressive breadth of this anthology makes for a well-rounded survey. Readers, writers, and scholars alike will find great value here."

The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

Acclaimed cookbook author Jessica B. Harris weaves an utterly engaging history of African American cuisine, taking the reader on a harrowing journey from Africa across the Atlantic to America, and tracking the trials that the people and the food have undergone along the way. From chitlins and ham hocks to fried chicken and vegan soul, Harris celebrates the delicious and restorative foods of the African American experience and details how each came to form an important part of African American culture, history, and identity. Although the story of African cuisine in America begins with slavery, High on the Hog ultimately chronicles a thrilling history of triumph and survival. The work of a masterful storyteller and an acclaimed scholar, Jessica B. Harris's High on the Hog fills an important gap in our culinary history.

Famed 60s sunshine pop band 5th Dimension’s LaMonte McLemore’s additional enduring legacy is that of a photographer, contributing a weekly column “Beauty of the Week” to the renowned publication of African American pop culture, JET. Here, for the first time, is his personal selection of the column’s glory era.

As a founding member and vocalist in the award-winning pop-soul group The 5th Dimension, LaMonte McLemore enjoyed enormous critical and commercial acclaim in the late 1960s and early 1970s. But arguably just as impactful, if not more so, was his career as a photographer cementing Black women and models in American media and cultural history.

McLemore freelanced for JET magazine for more than four decades, principally shooting for its “Beauty of the Week” feature, which encapsulated Black joy, style, and beauty. During this time, he photographed over 500 Black women, most of whom were not professional models. The section, in which a woman was featured in a swimsuit along with her name, place of residence, profession, hobbies, and interests, became one of the most popular among the magazine’s audiences, as it showcased the everyday beauty and elegance of Black women, contributing greatly to what has been called the “first form of social media” by acclaimed contemporary visual artist, Mickalene Thomas. This photographic output serves as a living document of everyday Black fashion and elegance.

Black Is Beautiful: JET Beauties of the Week compiles, for the first time, numerous photographs from McLemore’s “Beauty of the Week” shoots, including never-before-seen outtakes from those sessions. This dynamic coffee table book is a tribute to LaMonte McLemore’s talent and cultural impact, and is a celebration of Black women, Black beauty, and Black culture.

Celebrate the release of Chronicles of Ori with Harmonia Rosales!

EVENT DEETS

When: Friday, November 21 @ 7PM

Where: Kindred Stories(2310 Elgin St, Unity 2, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

ABOUT THE BOOK

From the acclaimed fine artist Harmonia Rosales, a sweeping retelling of African myth illustrated throughout with Rosales’s spectacular paintings.

In Chronicles of Ori, her debut book, Harmonia Rosales retells the African myths she has long treasured, crafting an enthralling epic that spans the birth of the universe to the modern world of colonialism and resistance. She writes of the powerful, temperamental deities called the Orishas; of the founding of Yorubaland by the shrewd leader Oduduwa; of the young heroine Eve, born in a time of violence and despair, who would help her people regain their past splendor; and of shimmering serpents and monstrous shadows who stalk the lands of mortals. At the center of these linked tales is the bond, sometimes fraying, between the Orishas and the humans who worship them. It was the Orishas who made humans, and who gave them their most precious resource: their Oris, or destinies. Vividly brought to life by Rosales’s artwork, Chronicles of Ori will enlighten and delight readers for years to come.

ABOUT THE AUTHOR

Harmonia Rosales is a Chicago-born, Afro-Cuban American artist and author whose work centers the visibility and empowerment of Black women in Western art. Growing up visiting the Art Institute of Chicago, Rosales was captivated by Renaissance painting—but years later, her daughter’s simple observation that “they don’t look like me” exposed the exclusion at the heart of that tradition.

That moment sparked Rosales’s artistic journey: reimagining Renaissance and Baroque masterpieces with Black protagonists and centering West African spirituality. Since 2017, her work has visualized the Orishas, the deities of the Yoruba tradition, and explored the survival of their stories across the Middle Passage. With bold, uncompromising imagery and prose, Rosales challenges Eurocentric ideals of beauty, power, and divinity, reshaping both art history and cultural consciousness. 

Rosales has previously been the subject of exhibitions at the Memphis Brooks Museum of Art, Memphis, TN; the Spelman Museum of Fine Art, Atlanta, GA; the Warhol Museum, Pittsburgh, PA; the Wright Museum, Detroit MI, among others. Her work is held by numerous public and private collections across the United States, including the Brooklyn Museum, Brooklyn, NY; Smithsonian National Museum of African American History, Washington D.C.; Spelman Museum of Fine Art, Atlanta, GA, and others.

Her debut novel, CHRONICLES OF ORI: An African Epic, will be available beginning October 14, 2025; it is published by W.W. Norton & Company, Inc.

ABOUT THE MODERATOR

A Bank Street College Best Children's Book of the Year | A Book Page Best Book of the Year, Middle Grade | An NCTE Best Poetry Book of the Year | A School Library Journal Best Book of the Year, Poetry | A Kirkus Prize Finalist, Young Readers' Literature

At a time of rapid change in the early 20th century, women writers carved out their space as artists and intellectuals. During the Harlem Renaissance, African-American writers made some of the most lasting contributions to American literature. However, a century later, the gifted women poets of this time period are little known compared to their male counterparts.

In this poetry collection, bestselling author Nikki Grimes uses “The Golden Shovel” method to create wholly original poems based on the works of these groundbreaking women--and to introduce readers to their work.

Each poem is paired with one-of-a-kind art from today's most exciting female African-American illustrators, alongside a foreword, an introduction to the history of the Harlem Renaissance, author's note, and poet biographies.

An intimate look at Juneteenth, this story is a warm exploration of a family and a community. 

Juneteenth is the smell of brisket filling the air. Juneteenth is the sounds of music, dancing, and cheering ringing from the parade outside. It is love. It is prayer. It is friends and relatives coming together to commemorate freedom, hope for tomorrow, and one another.

This book is an ode to the history of the Black community in the United States, a tribute to Black joy, and a portrait of familial love. With poignant text and vivid illustrations, Juneteenth Is offers a window and a mirror for readers, resonating with kids who will see themselves reflected in its pages and those who hope to understand experiences beyond their own.

CELEBRATES BLACK JOY: At its root, this is a story of family and community. Vibrant illustrations capture the warmth and unity of Black families and Black communities in a portrait of beautiful joy.

REMEMBERING A LEGACY: Both a story of celebration and a commemoration of freedom, this book honors a past of struggle, resilience, and triumph. It recognizes Juneteenth not just as a holiday but as a cultural legacy. An author’s note also explains the significance of the color red to Juneteenth—its use as a symbol of African American endurance and the ways Black communities weave the color into modern-day celebrations through food and clothing.

BLACK HISTORY IS AMERICAN HISTORY: Juneteenth marks an undeniable truth of American history and remains a cultural touchstone for many Black Americans, making it important for all Americans to understand. Much-needed in this time of growing representation and discussion about equity and social justice, this book is a strong resource for parents and educators seeking to introduce Black history and encourage respectful conversations.

Perfect for:
* Anyone looking for diverse picture books
* Teachers and librarians
* Gift-giving for Juneteenth celebrations, Black History Month, or classroom bookshelf

Celebrate the release of Slavery, Segregation, and the Second Founding of Rice University with Alexander X. Byrd  and  W. Caleb McDaniel!

EVENT DEETS

When: Wednesday, February 11 @ 7PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004).

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories or purchase the RSVP (BUT I HAVE THE BOOK) ticket. 

ABOUT THE BOOK

During the first quarter of the twenty-first century, more than one hundred institutions of higher education in the United States launched projects to study and share their histories concerning slavery, segregation, and racial injustice. Slavery, Segregation, and the Second Founding of Rice University joins these wider efforts. Authored by award-winning historians Alexander X. Byrd and W. Caleb McDaniel, the book engages questions specific to Rice’s history as the last major private research university in the country to begin desegregation. Although Rice did not open its doors for classes until 1912, it was connected to the history of slavery through the life of its first founder and namesake, William Marsh Rice, whose fortune was deeply intertwined with the enslavement of Black people.

Byrd and McDaniel place the history of one of the nation’s most renowned universities within a longer and larger context, showing that desegregation required changes to Rice so fundamental that they amounted to a “second founding” of the school. Following the story from slavery through segregation to the second founding, they highlight pivotal points of intersection between the history of Black Houston and the history of Rice University, revealing the seldom acknowledged roles of Black students, Black communities, and HBCUs in creating change at and around Rice. Their study challenges readers to consider anew who counts as a university’s founder—a question relevant to ongoing discussions about statues, naming, and the history of higher education. They also reveal what higher education institutions do at their best: create new knowledge and forge solutions to trenchant social problems, thus providing guidance for those committed to doing the valuable work of the “second founding” at colleges and universities today.

ABOUT THE AUTHOR

Alexander X. Byrd is associate professor of history and Vice Provost at Rice University. He is the author of Captives and Voyagers: Black Migrants across the Eighteenth-Century British Atlantic World, which won the Wesley-Logan Prize.

W. Caleb McDaniel is the Mary Gibbs Jones Professor of the Humanities and professor of history at Rice University. He is the author of Sweet Taste of Liberty: A True Story of Slavery and Restitution in America, which won the Pulitzer Prize in history.

ABOUT THE MODERATOR

April M. Frazier is a native Houstonian and a graduate of Prairie View A&M
University, and Rice University. She spent 15 years as an IT professional with Shell
Oil company and managed global implementations of enterprise systems. April is
the creator of research projects, exhibitions, and other visual presentations that use
photography and other art mediums as a vehicle to share history. Her dedication to
research and authentic storytelling was rewarded with a Texas Historical Marker and
designation in 2024 for her family’s land in Wharton, Texas.

April regularly contributes to projects that broaden access and appreciation to
diverse historical narratives such as partnering with Getty Images to launch their
Black History and Culture Photography Collection, providing art and insight to the
SlaveVoyages website redesign project, and published texts including, “Frame of
Reference: A Socio-Economic View of the African American in Texas Through the
Lens of Photography, 20th Century to the Present”. April is the current Assistant
Director of the Community Artists’ Collective and is a member of several
organizations that support equitable access to artistic and educational opportunities.

The first in-depth analysis of the stunning designs of one of the world’s most captivating and prominent architects

Born in Tanzania, David Adjaye (b. 1966) is rapidly emerging as a major international figure in architecture and design—and this stunning catalogue serves only to cement his role as one of the most important architects of our time. His expanding portfolio of important civic architecture, public buildings, and urban planning commissions spans Europe, the United States, Africa, Asia, and the Middle East. He transforms complex ideas and concepts into approachable and innovative structures that respond to the geographical, ecological, technological, engineering, economic, and cultural systems that shape the practice of global architecture. The publication of this compendium of work and essays coincides with the scheduled opening of Adjaye’s National Museum of African American History and Culture on the National Mall in Washington, D.C. Adjaye’s completed work in the United States includes the Museum of Contemporary Art in Denver, a pair of public libraries in D.C., and several private residences. He is also known for his collaborations with artists, most recently with the British painter Chris Ofili (b. 1968).
 
Following an introduction by Zoë Ryan, Adjaye writes on his current and future work, with subsequent essays by an extraordinary cadre of architectural scholars on Adjaye’s master plans and urban planning, transnational architecture, monuments and memorials, and, finally, the forthcoming museum in D.C. Portfolios of Adjaye’s work thread throughout this comprehensive volume.

Distributed for the Art Institute of Chicago and Haus der Kunst

Exhibition Schedule:

Haus der Kunst, Munich
(01/30/15–06/28/15)

The Art Institute of Chicago
(09/19/15–01/03/16)

Urgent new poems on race and gender inequality, and select poems drawing upon Domestic Work, Bellocq’s Ophelia, Native Guard, Congregation, and Thrall, from two-time U.S. Poet Laureate and Pulitzer Prize winner Natasha Trethewey.

Layering joy and urgent defiance―against physical and cultural erasure, against white supremacy whether intangible or graven in stone―Trethewey’s work gives pedestal and witness to unsung icons. Monument, Trethewey’s first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, and Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet’s own family history of trauma and loss, resilience and love.

In this setting, each poem drawn from an “opus of classics both elegant and necessary,”* weaves and interlocks with those that come before and those that follow. As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet’s remarkable labor to source evidence, persistence, and strength from the past in order to change the very foundation of the vocabulary we use to speak about race, gender, and our collective future.

*Academy of American Poets’ chancellor Marilyn Nelson

“[Trethewey’s poems] dig beneath the surface of history―personal or communal, from childhood or from a century ago―to explore the human struggles that we all face.” ―James H. Billington, 13th Librarian of Congress

Registration is closed via our website, but please register directly via Crowdcast

ORDER South to America here for an exclusive signed copy!

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In SOUTH TO AMERICA: A Journey Below the Mason-Dixon to Understand the Soul of a Nation, one of our most important thinkers and critics, acclaimed author Imani Perry tackles her most ambitious project yet, moving across the color line to grapple with the mix of intimacy and racial violence in Southern and American history, showing that what it means to be American is inextricably linked with the South.  

Imani Perry will be in conversation with Dr. Melanye Price of Prairie View University

Event Details

When: Tuesday, February 1 @ 6:30 PM CST

Where: Virtual via Crowdcast

How:  Register here or on Crowdcast.  Although the event is free, we encourage you to support our store and future programming by purchasing the book here.

About the Author: 

Imani Perry is the Hughes-Rogers Professor of African American Studies at Princeton University where she also teaches in Gender and Sexuality Studies, Law and Public Affairs and Jazz Studies. She has a J.D. from Harvard Law School and a Ph.D in the history of American civilization from Harvard University. Perry is the author of Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, winner of the Bograd-Weld Biography Prize of 2019 from the Pen America Foundation. She is also the author of Breathe: A Letter to My Sons, Vexy Thing: On Gender and Liberation, and May We Forever Stand: A History of the Black National Anthem, which was a finalist for the NAACP Image Award for Outstanding Literary Nonfiction. Perry, a native of Birmingham, Alabama, who grew up in Cambridge, Massachusetts, and Chicago, lives outside of Philadelphia with her two sons.

About the Moderator:

Dr. Melanye Price is Endowed Professor of Political Science at Prairie View A&M University and principle investigator for their African American Studies Initiative, which is funded by grants and gifts from the Mellon Foundation. Her research/teaching interests include black politics, public opinion, political rhetoric, and social movements. Her most recent book, The Race Whisperer: Barack Obama and the Political Uses of Race (NYU, 2016) examines the multiple and strategic ways that President Obama uses race to deflect negative racial attitudes and engage with a large cross-section of voters. Her first book, Dreaming Blackness: Black Nationalism and African American Public Opinion (NYU, 2009) examined contemporary support for Black Nationalism. Her new project is called “Mountaintop Removal: Martin Luther King, Trump and the Racial Mountain,” which uses MLK’s “Mountaintop Speech” as a lens for understanding the rise of Trump and the 2016 election.