Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Sm

The definitive photographic celebration of John Coltrane's life and music, featuring exclusive contributions written by Ravi Coltrane, Wayne Coyne, Dev Hynes, Phil Lesh, Julie Mehretu, Carlos Santana, and Patti Smith.

John Coltrane's impact on music and culture endures far beyond his prolific career and untimely death in 1967 at age forty. His masterful saxophone style and groundbreaking jazz compositions had a profound effect on the evolution of music through the decades, and it continues to resonate across styles and genres to this day.

This beautiful photography book offers an intimate and in-depth look at his life with over one hundred expertly curated images taken by renowned photographers such as Francis Wolff and Chuck Stewart. The selection includes outtakes from the album cover photoshoot for Ascension, in-studio candid shots taken during the recording of Blue Train, a glimpse backstage with Alice Coltrane before their first performance together, and more. Coltrane is a visual celebration of John Coltrane's musical legacy, complete with an introduction by his son and fellow musician Ravi Coltrane, along with personal stories from other musicians, artists, and writers who have been moved by his work.

The Greatest brings together nearly 100 photographs of Muhammad Ali at the height of his career by Chris Smith.

The images are accompanied by Smith’s memories of his time spent with Ali from the early days of his career until his final years before retirement. In 1964 Chris Smith was in the US to photograph The Beatles on their first tour of the country. After photographing the band he headed down to Miami to photograph Cassius Clay, as he was then known, training at the 5th Street Gym. Smith was curious about the athlete who was starting to become influential in the world of boxing. Fortuitously, he was in gym when the doors opened and, much to everyone's surprise, in walked The Beatles.

A moving combination of memoir, psychology, and practical tools, this book offers Black men guidance and support for reclaiming mental well-being and finding whole, full-hearted living.

Early in his career, actor Courtney B. Vance lost his father to suicide. Recently, he lost his godson to the same fate. Still, as mental health discourse hits the mainstream, it leaves the most vulnerable out of the conversation: Black men.
 
In America, we teach that strength means holding back tears and shaming your own feelings. In the Black community, these pressures are especially poignant. Poor mental health outcomes-- including diagnoses of depression and anxiety, reliance on prescription drugs, and suicide-- have skyrocketed in the past decade. Institutionalized racism, microagressions, and stress caused by socioeconomic factors have led Black individuals to face worse mental health outcomes than any other demographic.
 
In  this book, Courtney B. Vance seeks to change this trajectory. Along with professional expertise from famed psychologist Dr. Robin Smith (popularly known as “Dr. Robin”), Courtney B. Vance explores issues of grief, relationships, identity, and race through the telling of his own most formative experiences. Together, Courtney and Dr. Robin provide a guide for Black men navigating life’s ups and downs, reclaiming  mental well-being, and examining  broken pieces to find whole, full-hearted living. Self-care is an act of revolution. It’s time to revolutionize mental health in the Black community.

“Patricia Smith is the greatest living poet. Every book is better than the last.” —Danez Smith, The Guardian

A collection of the finest new and selected poems from one of the most groundbreaking voices in contemporary poetry, a “masterful performer and poet of voices too little heard” (Poetry Foundation).

The Intentions of Thunder gathers, for the first time, the essential work from across Patricia Smith’s decorated career. Here, Smith’s poems, affixed with her remarkable gift of insight, present a rapturous ode to life. With careful yet vaulting movement, these poems traverse the redeeming landscape of pain, confront the frightening revelations of history, and disclose the joyous possibilities of the future. The result is a profound testament to the necessity of poetry—all the careful witness, embodied experience, and bristling pleasure that it bestows—and of Smith’s necessary voice.

Lyrical and sly, meditative and volcanic, The Intentions of Thunder stunningly explores the fullness of living. The inimitable poetry of Patricia Smith radiates in The Intentions of Thunder—reaffirming Smith’s place as one of the indispensable poets of our time.

Rashid Johnson, Cauleen Smith and others pay tribute to a truly extraordinary figure in 20th-century American jazz

This volume unpacks the cultural legacy of musician, spiritual leader, wife and mother Alice Coltrane. Accompanying the eponymous exhibition at Los Angeles’ Hammer Museum, the book takes its title from Coltrane’s 1977 autobiography and devotional text, Monument Eternal, in which she reflected on her newfound spiritual beliefs and the path to healing and self-discovery. Coltrane was "ahead of her time," as her son, saxophonist Ravi Coltrane, says: she was "one of the first people to move outside the mainstream, and certainly one of the first female, Black, American jazz musicians to record her own music in her own studio, and to release music on her own terms."
Alice Coltrane, Monument Eternal explores themes including spiritual transcendence, sonic innovation and architectural intimacy. The project juxtaposes works from 19 contemporary American artists with pieces of ephemera from Coltrane’s archive―including handwritten sheet music, unreleased audio recordings and rarely seen footage―to honor her cultural output and practice.
Alice Coltrane was born in Detroit in 1937 and took up music at an early age, beginning piano lessons at seven years old. In 1967 her husband, saxophonist John Coltrane, gifted her a harp, on which she went on to record seminal albums including Journey in Satchidananda and A Monastic Trio, making her one of the very few harpists in the history of jazz. Coltrane moved to Southern California in 1972 and founded the Sai Anantam ashram. She lived and worked in Los Angeles, where she died in 2007 at age 69.

This book was published in conjunction with Hammer Museum

Presented in partnership with Project Row Houses

Join us for a virtual author talk in celebration of Clint Smith's newest book, How the Word is Passed: A Reckoning With the History of Slavery Across America, which debuted as a #1 New York Times Bestseller. This conversation will be moderated by Clint's former history teacher, Mr. Jeffrey Page.  

Event Deets:

When: Monday, September 20 at 7:00 pm CST

Where: Virtual via Crowdcast

How:  Registration is required by adding a ticket to your cart and checking out.  There are 3 options for securing a ticket to the event.  Use the dropdown to the right to select the following ticket types:

1) Select TICKET & BOOK to receive a book with your ticket.  Your book will be shipped within 14 days after the event.

2) Select TICKET & DONATION to receive a ticket to the event.  This option allows you to make a $5 donation to our store.  These events are not free to execute so we appreciate your support!

3) Select TICKET ONLY to receive a ticket to the event only.  This ticket option does not include a book.

We hope to see you there!

About the Book:

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

About the Author:

Clint Smith is a staff writer at The Atlantic and the author of the poetry collection Counting Descent. The book won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. He has received fellowships from New America, the Emerson Collective, the Art For Justice Fund, Cave Canem, and the National Science Foundation. His writing has been published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review and elsewhere. Born and raised in New Orleans, he received his B.A. in English from Davidson College and his Ph.D. in Education from Harvard University.

About the Moderator:

Jeffrey Page is a native of Detroit, Michigan. He recently retired from The Awty International School where he taught History and Global Politics beginning in 2004. He has also served as an Adjunct Instructor of History at Texas Southern University and Houston Community College. In addition, he was an administrator at the Texas Department of Protective and Regulatory Services (Children's Protective Services), served as the Assistant Director of Children’s Division of the Mental Health Mental Retardation Authority of Harris County Texas, and has worked at Memorial Hermann Heights Hospital as a Medical Social Worker. He also worked as a Hospice Social Worker at the Hospice at the Texas Medical Center.

About Project Row Houses:

Project Row Houses is a community platform that enriches lives through art with an emphasis on cultural identity and its impact on the urban landscape. We engage neighbors, artists, and enterprises in collective creative action to help materialize sustainable opportunities in marginalized communities.

Project Row Houses occupies a significant footprint in Houston’s Historic Third Ward, one of the city’s oldest African-American neighborhoods. The site encompasses five city blocks and houses 39 structures that serve as home base to a variety of community-enriching initiatives, art programs, and neighborhood development activities. PRH programs touch the lives of under-resourced neighbors, young single mothers with the ambition of a better life for themselves and their children, small enterprises with the drive to take their businesses to the next level, and artists interested in using their talents to understand and enrich the lives of others. Although PRH’s African-American roots are planted deeply in Third Ward, the work of PRH extends far beyond the borders of a neighborhood in transition. The Project Row Houses model for art and social engagement applies not only to Houston, but also to diverse communities around the world.

To learn more or to make a donation to Project Row Houses visit www.projectrowhouses.org

Dear Black woman, you are not alone.

God has not disregarded your pain and suffering. God sees you. God knows you. God understands.

In Black Woman Grief, Natasha Smith unearths a painful reality that is tangled within our nation’s roots and DNA: trauma, loss, and grief are embedded in the lived experience of the Black woman in the United States. Smith talks about grief that is specifically applicable to Black women, providing them with affirmation and a safe place to exhale. Yet, amid a broken world and broken systems that have weighed down Black women for generations, Smith reminds us that there is hope because the kingdom of God is at hand. In Black Woman Grief, Natasha Smith

* takes us readers through narrative and biblical truths
* provides a space made by and for Black women to be seen and understood by God
* encourages Black women to live a God-filled life in a grief-filled world

*Ships in 7-10 business days*

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.

Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . .

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of “other people.”

A dark contemporary fantasy featuring witchcraft, tarot, death, and a bit of romance that's perfect for fans of Immortal Dark and Cinderella Is Dead.

The paperback edition features stunning stenciled edges!

On an ordinary Monday morning, eighteen-year-old Mikaela Broussard receives the shock of her life. During a customer’s tarot reading at her family’s occult shop, she turns over the Death card and envisions the beautiful stranger stabbing her in the heart.

In order to determine why the girl, Joelle, wants to kill her, she’ll have to keep her close. But the more time Mikaela spends with her soon-to-be murderer, the more irresistible she finds her.

As if imminent death isn’t worrisome enough, witches are turning up with their magic stolen. And it’s clear some very dark magic is at work. Mikaela, as the next Witch Queen of her coven, is tasked with figuring out who’s behind the horrific acts—a mystery that will put her and her power to the test.

Death Card is a dark, pacy, and romantic fantasy about one witch’s journey to find the strength to fight for herself, her future, and her beloved community.

Featuring more than 100 artists, this landmark book charts the intricate connections between photography and the Black Arts Movement
 
The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture.
 
Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
 
Published in association with the National Gallery of Art, Washington
 
Exhibition Schedule:
 
National Gallery of Art, Washington, DC
(September 21, 2025–January 4, 2026)
 
J. Paul Getty Museum, Los Angeles, CA
(February 24–May 24, 2026)
 
Mississippi Museum of Art, Jackson, MS
(July 25–November 1, 2026)