Three children become involved in a world-altering game in the first book of an epic middle grade duology following in the tradition of The Giver and Ender’s Game—by celebrated Newbery Honor Author and National Book Award finalist Rita Williams-Garcia.

In the idyllic childhood place of Kumbla, Lows grow up with no wants, no danger, no parents, only endless games. But there comes a time in every Low's life when they yearn to test their skill and leave Kumbla for the Place of All Games—where there lies a challenge most are doomed to fail.

Kili is one among these many failed Lows. But unlike those before him, he’s returning to Kumbla, and with something remarkable: a second chance.

Kuwan is unlike the other Lows, content to never leave Kumbla. But Kili’s fate, and the fate of their world, rests in his ability to play his best game ever.

In an epic tale of innocence lost and family gained, and a gripping meditation on the futility of war, Newbery Honor author Rita Williams-Garcia reminds us that while children may become pawns in the great games of adults, they should never be underestimated.

One word is about to change everything you believe about yourself.

From sought-after coach, speaker, and author Wemi Opakunle, whose content has reached millions, a transformative guide to harnessing the power of “delulu” thinking—radical self-belief paired with bold, inspired action—to create the life, career, and opportunities you want.

For years, we've been told to be realistic, lower our expectations, and wait until we're fully qualified, fully prepared, or fully confident before going after what we want. But what if everything we've been taught is backwards? What if delulu belief is the bridge between who you are and who you want to be?

In BIG. DELULU. ENERGY., Wemi Opakunle introduces an unapologetic, powerful new approach to personal growth built on self-belief, intentional action, and the courage to think bigger than your current circumstances. Far from denying reality, “delulu” thinking is about refusing to let your fears, limitations, or past experiences define what’s possible for your future.

Through her transformative Eight Pillars of Delulu Success, Wemi shows you how to:
* Build unshakable confidence and trust yourself more deeply
* Stop waiting for certainty and move before you're ready
* Transform fear, setbacks, and self-doubt into fuel for growth
* Embody the mindset and emotions of the person you want to become
* Release perfectionism and detach from outcomes you can’t control
* Silence your inner critic and separate your identity from your inner dialogue to create lasting self-worth
* Reinvent yourself at any stage of life and create a future that feels aligned, joyful, and expansive
* Challenge the labels that have been placed on you, including the ones you've placed on yourself

Warm, practical, and passionately encouraging, BIG. DELULU. ENERGY. offers a refreshing alternative to self-help rooted in hustle and perfectionism. This is a guide to betting on yourself, embracing possibility, and becoming the person you’ve always imagined you could be.

A bold and singularly funny novel about a young Ethiopian American woman whose twenty-first-century life collides spectacularly with Ethiopian legends that she knows can’t possibly be real, and yet...

“Remember when we were children The storyteller would shout, Teret teret, meaning a tale, a tale, and we would yell back Yelam beret! We didn’t know this meant a cow’s house, just that it rhymed. And then the story would begin.”

Belaynesh Tessema, an Ethiopian American journalist working at the independent travel magazine aptly named Trivial Pursuits, isn’t exactly pleased when her overbearing boss insists she travel to Washington, DC, to cover a story about a newly incorporated, all-Ethiopian town. When she starts packing to leave, things start to get…strange. First, there are the huge lapses in Belaynesh’s memory and sense of place and time. Perhaps more alarming, she realizes that every morning when she wakes up, she begins the same day again: September 10, 2007, which also happens to be the last day of the Ethiopian calendar year. Or, more to the point, the day before the world is set to end.

Enter Teret, a talking parrot who reveals an ambitious plan to un-stick time, sending him and Belaynesh deep into the world of Ethiopian mythology. At its center is the star of the apocryphal Book of Enoch, the mysterious Henok, who’s none too happy at the many ways Belaynesh’s arrival on this strange, surreal scene has disrupted the book he’s dedicated his life to composing. As Belaynesh and Teret dodge contemporary reinventions of the book’s grandest flourishes, from fallen angels to time traveling giants, and even Henok himself, Belaynesh learns that sometimes moving forward requires looking back.

Irreverently funny and wildly inventive, Teret Teret is modern magical realism at its best. It blends some of Ethiopia’s oldest stories with a heroine for our current moment, for a mold-breaking, epic tale about identity, love, and writing new stories when the old ones don’t serve us anymore.

From Pulitzer Prize and National Book Award-winning author Louise Erdrich, a novel about the collisions of youth—with want, with art, with rage—as experienced by a young Chippewa writer in politically fraught 1970s America.

“Where do we find a definition? Where do we find what a poet is?”

Fargo, 1971. Erdrich’s narrator spends her days sneaking pocketsful of lasagna home from waitressing, missing the author friends who have floated out of town again, and wondering half-seriously if the poetry of local third graders is outdoing her own. In search of more life, more inspiration, and—always—enough food to get through the next day, she embarks on a series of jobs, affairs, and travels that illuminate the wild eccentricities of the American national character as much as they do the injustices—and resistances—boiling around her in North Dakota.

I’m Hungry explores shocking violence, unearthly beauty, and voracious appetites of all kinds, from sexual hunger to the need for a life transfigured by poetry. It answers the question of “what a poet is” with an indelible portrait of a young woman in a fractured community who finds her voice even as she encounters lovers, hustlers, and specters whose own hungers threaten to pull her under.

A bold, gorgeously textured, and unforgettable moral fable, this compelling novel will be revelatory to her legions of fans.

From a powerful new voice in fiction comes a stunning multigenerational epic, spanning from 1920s Haiti to 1990s New York, centered on the disappearance of a little girl from Brooklyn's J'ouvert celebrations

Brooklyn, 1996. Serenity Marcelin and her six-year-old daughter, Jouvay, have spent the summer reeling from an unexpected, devastating loss. Just when the two of them are beginning to find solace within their new family dynamic, Jouvay disappears into a crowd over Labor Day weekend and Serenity’s entire world changes in an instant.

In order to understand the events leading to Jouvay’s sudden disappearance, Serenity must unearth the long-buried secrets―and ghosts―of her family’s shocking past.

Told through the eyes of the unforgettable Marcelin women and the people closest to them, Idrissa Simmonds-Nastili's Backstitch embroiders a profound tale of hope and resistance, transporting readers to the city of Jérémie during the years of the US occupation of Haiti and to the vibrant streets of New York. A sweeping story of motherhood, sisterhood, resistance, generational trauma, and liberation, this novel charts the lives of the ghosts, secrets, and languages we can’t escape from―even when we try to bury them.

From the award-winning novelist and poet Dionne Brand, a smart, sensual, and witty novel about what happens when love and intellect are set on a collision course.

Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics―a revolutionary work that its author believes will synthesize and thereby transform the world.

While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavor: first there is beautiful and sensual Selah, who scoffs at the narrator’s constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head, and the spirit) upends and reorients the narrator’s life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender―and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves.

Theory is a gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.

A landmark study of twentieth-century Black picture magazines and their impact on Black American life

From the late 1930s through the early 1970s, national publications such as Our World, Sepia, Color, Elegant, Flash, Brown, and Ebony framed emerging definitions of success for Black middle-class audiences. These magazines featured dynamic photo essays, sometimes by photographers as renowned as Gordon Parks and Moneta Sleet Jr., that shaped perspectives on Black cultural life and influenced the way millions of Americans understood the world through photography.

This history of Black picture magazines and their contribution to American photography, journalism, and cultural production is the first to consider these publications through a visual and scholarly lens. It features more than 250 illustrations, essays by prominent curators and thinkers, and thematic contributions by celebrity experts, including

• Tina Beyoncé Knowles, businesswoman and House of Deréon fashion designer, on beauty culture
• Doug Glanville, sports journalist and former MLB player, on sports
• Carla J. Williams, photographer and 2025 Guggenheim fellow, on pulp pinups
• Jason Moran, jazz musician and MacArthur “genius” award-winner, on music
• TAYLOR ALXNDR, activist and performer, on drag and queer/trans representation

With a comprehensive list of Black picture magazines and the photographers whose work appeared in them, this volume will serve as both a foundational reference and a compelling visual history that reveals the profound role these publications played in defining and circulating images of Black life, achievement, and aspiration in the United States.

Published in association with the Museum of Fine Arts, Houston

Exhibition Schedule:

Museum of Fine Arts, Houston
(February 28 to May 31, 2027)

Portland Museum of Art, Maine
(October 8, 2027, to January 9, 2028)

New Orleans Museum of Art
(May 11 to August 6, 2028)

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

A new book of poems from the Pulitzer Prize-winning poet Carl Phillips.

Is this who I must be,
or maybe just
what I am?

“Sir” is an honorific, a title that indicates the superiority of its recipient, the subordination of its speaker. Carl Phillips’s SIR examines power and submission, abandon and restraint, whether in our personal, intimate relationships with others and ourselves, or in our relationships with such abstract masters as grief, memory, desire, regret, and the traumas of history. These are all things we’re told to try to overcome, to gain mastery of. Do we have a choice, though? And if so, how to choose ‘correctly,’ in a time when appearance and reality are constantly in flux, when hierarchy is revealed to be a matter of perspective, when even language itself is suspect, with its ability both to structure emotion and to estrange us from it?

In poems filled with tenderness, moral inquiry, and self-reckoning, stretched across natural landscapes both familiar and uncertain, SIR confirms–once again–that Carl Phillips is one of our finest and most enduring poets writing today.

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

A girl's big sister’s Quinceañera is just cinco days away. They need to find a vestido, pick out a tiara, style the flores. . . . There’s so much to do! How can a little sister help?

With vibrant art and heartfelt bilingual storytelling, Five Days ‘til Quince shares a young girl’s experience counting down the days until her big sister's 15th birthday party, and the many preparations that go into making the day extra special – including something only a little sister can provide: courage.

Backmatter includes an author's note, a glossary of terms in English and Spanish, and an introduction to the quinceañera tradition!

Acclaimed author Richard Ho and artist Xuân Lan take readers on a tour of Asian homes around the world—just please remember to leave your shoes at the door! A rich exploration of cultures, families, and traditions for fans of A Big Mooncake for Little Star and Eyes that Kiss in the Corners.

Welcome. You are about to step into an Asian home. But before you do. . . please remove your shoes.

Slippers are allowed. Socks and bare feet, too. You may have always taken off your shoes before stepping into a home, or it may be new to you. But have you ever stopped to wonder why it is a common practice to take off your shoes in Asian households?

Richard Ho explains the custom, which spans across cultures and generations, in his thoughtful, richly layered text that is excellent for reading aloud. Xuân Lan's playful artwork showcases a variety of Asian cultures and introduces a young cat to lead readers on a journey through time and place.

Along with the curious cat, readers will:

* Visit an ancient Chinese village, an historic Korean classroom, a modern Japanese dining room, and many more places.
* Honor the cultures and traditions of the Asian diaspora.
* Celebrate our feet, which work so hard every day.
* Learn more from the author's note and visual glossary providing further details about each culture's customs.