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Artist and filmmaker Steve McQueen continues his exploration of colonial history and its legacies in this new book comprised of meditative photographs of Grenada’s flora. Taken on a trip to the island in the summer of 2024, these images reckon with the connections between landscape and historical trauma, studying Grenada’s plant life as permanent markers of beauty in a land ravaged by exploitation. Rendered in vivid colour, the images reflect the complex interlocking of history, heritage, and survival contained in the simplicity of the island flora. Taking as his touchpoint the late Saint Lucian poet Derek Walcott’s elegy to his mother, ‘The Bounty’, McQueen’s project adopts a similarly poetic sensibility, attuned to the resilience of the island’s landscape and the dualities of the word ‘bounty’, which alludes to both the generosity of nature and the sum paid to slave catchers. Grounded in a deep reverence for the sublime natural world, Bounty invites a visceral engagement with the silent endurance of nature despite the grim realities of human history.

Erin and Capone’s love continues to blossom―but tragedy’s never far behind―in the second volume of #BookTok favorite Jahquel J.’s Delgato Family series.

Erin Cooper and Capone Delgato’s love has deepened into something they’ve both always dreamed of, and it’s not long before the couple has even more to celebrate: Erin’s pregnant and Capone has popped the question. Newly engaged, they’re excited to plan their lives together.

Meanwhile, the Delgatos have welcomed Erin with open arms. But she quickly learns that loving one isn’t easy―and what happens in the streets can hit home in the most violent of ways.

When her brother, Jaiden, and his girlfriend are caught in the deadly crossfire of Capone’s war, Erin’s terrified of losing her sibling like she did her parents. And she begins to wonder just how many loved ones she’ll have to bury when all’s said and done . . .

Then Erin and Capone get some devastating news about their unborn child that throws the future of their family into question. With tensions already running high, how much more can Erin take before she finally breaks?

The second book in the Delgato Family universe, Capone took BookTok by storm. This repackaged edition of the wildly popular urban romance features a playlist and a never-before-published bonus scene.

Capone II is a dark romance featuring depictions of a murder, gang violence, and possessiveness as well as explicit sex scenes. It is intended for mature readers.

From the Pulitzer Prize–winning author of The Sympathizer (now an HBO series) comes a moving and unflinchingly personal meditation on the literary forms of otherness and a bold call for expansive political solidarity.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans.

The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing? Over the course of six captivating and moving chapters, Nguyen explores the idea of being an outsider through lenses that are, by turns, literary, historical, political, and familial.

Each piece moves between writers who influenced Nguyen’s craft and weaves in the haunting story of his late mother’s mental illness. Nguyen unfolds the novels and nonfiction of Herman Melville, F. Scott Fitzgerald, Ralph Ellison, William Carlos Williams, and Maxine Hong Kingston, until aesthetic theories give way to pressing concerns raised by war and politics. What is a writer’s responsibility in a time of violence? Should we celebrate fiction that gives voice to the voiceless―or do we confront the forces that render millions voiceless in the first place? What are the burdens and pleasures of the “minor” writer in any society? Unsatisfied with the modest inclusion accorded to “model minorities” such as Asian Americans, Nguyen sets the agenda for a more radical and disquieting solidarity with those whose lives have been devastated by imperialism and forever wars.

Jarell's adventures continue in this exciting fourth installment of Future Hero!

Unlikely hero Jarell has proven himself a warrior -- defender of the Kingdom of Ulfrika. He's gathered three of the four iron animals of the staff of Kundi which will unlock the powers he needs to defeat the evil wizard Ikala. But now Ikala is closing in on the Iron Eagle, which could spell the end of Ulfrika forever.

There's only one way to save the legendary kingdom -- beat Ikala in the god Oufula's deadly competition and win the prized Iron Eagle, defeating the wizard once and for all. Can Jarell rise to the greatest challenge yet to rescue his friends and the magical land he loves from certain doom?

One of the most influential public intellectuals in the world and the architect of the two biggest ideas to reshape the American conversation about fairness offers the intimate story of how her life gave birth to these ideas.

It is not very often that someone comes along and permanently reshapes the way Americans think about two of the most important issues of the day. In this case: race and gender. But that is what Kimberlé Crenshaw did when she articulated two concepts that would forever change national and global debates about equality: intersectionality and critical race theory.

Backtalker is the powerful and intimate story of how a little girl from Canton, Ohio, came up with a new way to look at the world. Crenshaw’s memoir traces the way her lived experience made her see things others didn’t as the daughter of a strong-minded teacher and a pathbreaking public servant, and as the sister of a protective, yet bullying older brother. She starts to talk back, and that backtalking has continued throughout her life. It happens when she is denied a role in the kindergarten school play. When she is escorted to the back door of a private club. When Anita Hill is exiled for testifying against Clarence Thomas. When OJ Simpson goes on trial. When Obama launches My Brother’s Keeper, a movement focused on boys of color only. When the movement against police violence overlooks Black women. Crenshaw is there for all of it.

In the vein of Ta-Nehisi Coates and Bryan Stevenson, Crenshaw evokes each time and place like a gifted novelist with extreme honesty and specificity, making her book a series of awe-inspiring, deep revelations. As a result of her work, Crenshaw has become a force to be reckoned with across America—at schools, in the workplace, at dinner tables, and, of course, in our public square.

A reinvention of visual poetry and personal history charting exile’s impact on memory, identity, and futurity

Intellectual and intimate, Carolina Ebeid's Hide gathers shreds of memory, dream, and the ordinary artifacts of diaspora, as the poet casts a sounding line into her patrilineal and matrilineal histories in Palestine and Cuba. With the hum of cassettes and the glow of projectors, these poems superimpose voice upon voice, image upon image, a here upon a there, to disclose the choral noise inside postmemory.

Hide is a restless innovation of form and multimodal expression breaking open words across Arabic, English, and Spanish to release hidden meanings. Poems trace the letter M back to the Phoenician pictograph of waves, while technological “glitches” are portals that summon oracular voices across the family archive. In swirling “spell” poems, Ebeid conjures Cuban American artist Ana Mendieta, whose Siluetas write the human shape upon the earth.

Ebeid’s title is prismatic: Hide as in concealment, as in animal skin, as in to secret oneself away. Hide commands attention like a whispering voice, prompting readers to lean in, to listen for transmissions from ancestors and futurity both.

The New York Times bestselling author of Begin Again confronts America’s unfinished story in this blistering reassessment of race, freedom, and the myths that bind us.

Celebrated public intellectual Eddie S. Glaude, Jr. presents a groundbreaking analysis of the vicious cycles of American history and the country’s enduring refusal to face its true nature—especially at the moments when national anniversaries steer us back toward the mythology meant to disguise the truth.

America, U.S.A., deliberately formulated and beautifully written, details a heart-wrenching exploration of America’s legacy. It is a magnificently complex combination of lessons and voices—from W.E.B. DuBois and John Dos Passos to Herman Melville and Martin Luther King, Jr.—that, together, paint a sprawling and honest tableau of the United States, its complicated past, and ever more tenuous future. Glaude’s is a powerful voice of conscience in our tumultuous world. He pulls no punches, calling on us to interrogate our conceptions of innocence and freedom and the stories we tell ourselves about our past and present.

Centered around the major celebrations of America’s milestone birthdays across 250 years of history, the book offers a riveting look at the battles over who has a stake in writing the American story. Devastatingly candid, profoundly moving, and deeply reflective, America, U.S.A. is a shining meditation on how we must reckon with a grim past in order to strive for the better angels of our future.

From the New York Times Bestselling author of Raising Fences and the award-winning illustrator of Mama Africa!, comes a moving and lyrical picture book about a girl navigating her parents' divorce, featuring a Black family, two homes, and whole lot of love.

Auset's parents tell her the divorce wasn't her fault, but she got split in two too. Now she has two homes, two rooms, two Christmases, and two birthday parties. It's tough to deal with her parents' divorce, but at least she has the songs of Sweet Honey and the Rock and Bob Marley to help her through. Plus, she has her therapist, and her stuffed animal Dolphie the Dolphin, who is an excellent listener.

With two loving parents doing their best, here is a look at Black families, divorce, and how difficult it is for kids to go through. But with time and support, and everyone doing their best to keep it real, there's healing and strength on the other side.

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.

Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the “double consciousness” of W. E. B. Du Bois to the “double vision” of Richard Wright to the compelling voice of Toni Morrison.

In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

A profound and poetic memoir, tracing the wounds that racism and colonialism have left on Black people across borders. 

With astute insight and immersive prose, Bonhomme outlines a personal and political history of life in the United States, Haiti, and Germany, discovering what it means to be Black at home and abroad. She unlearns the lies that she was told about slavery and colonialism and explores how communities are resisting the weight of centuries of history.

Whether examining debt, medical racism, art, or reparations, Tending to Our Wounds cuts a breathtaking course between the past and the present, the individual and the collective―identifying the tendrils of history in the everyday and outlining a path to real freedom.

There will be blood.

Ace of Spades meets House of Hollow in this villain origin story.

Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood.

The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she surpasses her bitter and privileged peers, leaving broken bodies behind her on her climb to stardom.

But Laure quickly learns she’s not the only monster around, and her vicious desires make her a perfect target for slaughter. As she descends into madness and the mystifying underworld beneath her, she is faced with the ultimate choice: continue to break herself for scraps of validation or succumb to the darkness that wants her exactly as she is—monstrous heart and all. That is, if the god-killer doesn’t catch her first.

From debut author Jamison Shea comes an edge-of-your-seat thriller that lifts a veil on the institutions that profit on exclusion and the toll of giving everything to a world that will never love you back.

In this steamy and sweet sapphic romance, set in the world of women's basketball, an uptight athletic trainer has one taboo night with a hot team member determined to play for her heart – and win.

In this steamy and sweet sapphic romance, an uptight athletic trainer has one taboo night with a hot basketball player, but are they ready to play for what they really want?

Scoring was the easy part…

Hard work has Khadijah Upton starting her dream job as an athletic trainer for the Atlanta Cannons. Then an evening of celebratory letting loose turns into a one-night stand with a beautiful stranger. It’s a reckless, wildly sexy encounter that Khadijah intends to forget…until her first day on the job lands her face-to-face with basketball star Shae Harris again.

Shae is a major player in every sense of the word, and Khadijah doesn’t plan to be the latest in a long line of “Harris Honeys.” Personal and professional just don’t mix. But Shae, who’s all about living life to the fullest, keeps tempting Khadijah to blur the boundaries. And the more Shae reveals about herself, the harder it is for Khadijah to resist her.

In the bedroom, their tension sizzles. On the court, it’s a liability. But unless Khadijah’s willing to really let Shae in, it won’t be just the team championship on the line, but a body-and-soul connection that rewrites all the rules.