Photo albums from the archives of the iconic chronicler of New York's 1980s rap, hip-hop and Black culture

The influential Brooklyn-based photographer Jamel Shabazz has been making portraits of New Yorkers for more than 40 years, creating an archive of cultural shifts and struggles across the city. His portraits of different communities underscore the street as a space for self-presentation, whether through fashion or pose. In every instance Shabazz aims, in his words, to represent individuals and communities with “honor and dignity.” This book—awarded the Gordon Parks Foundation/Steidl Book Prize—presents, for the first time, Shabazz’s work from the 1970s to ’90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.
Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates. This book features selections from over a dozen albums, many previously unseen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz’s work within the broader history of photography.
Born and raised in Brooklyn, Jamel Shabazz (born 1960) picked up his first camera at the age of 15 and began documenting his communities, inspired by photographers such as Leonard Freed, James Van Der Zee and Gordon Parks. His work has been featured in numerous solo and group exhibitions, including those at the Brooklyn Museum, the Studio Museum in Harlem, the J. Paul Getty Museum and the Victoria and Albert Museum. Shabazz is the author of Back in the Days (2001) and Sights in the City (2017).

Celebrate D is for Dance: Dancing Through the Diaspora with Stacey Allen and Brynne Hentry! Come meet the author and illustrator, hear a beautiful story about dance and culture, and enjoy a dance demonstration by Nia's Daughters Movement Collective!

EVENT DEETS

When: Saturday, August 2 @ 1 PM

Where: Kindred Stories (2310 Elgin St #2, Houston, TX 77004)

How: RSVP ONLY to let us know you're coming or RSVP WITH BOOK to secure your copy of D is for Dance: Dancing Through the Diaspora.

ABOUT THE BOOK

ABOUT THE AUTHOR

Stacey Allen is an award-winning dancemaker, curator, and advocate for arts education, equity, and reproductive justice. She is the Founder and Artistic Director of Nia’s Daughters Movement Collective, a professional dance company committed to creating and supporting art and wellness initiatives through the lens of Black women and girls. Stacey is the author of two children’s books, A Little Optimism Goes a Long Way—recipient of the 2024 Children’s Publication Award from the National Association of Multicultural Education—and D is for Dance: Dancing Through the Diaspora. She also created The Fairytale Project, a touring dance-theater production inspired by Texas Freedom Colonies.

Stacey lives in the Greater Houston area with her husband, Chase Allen, and their three children: Chase Jr., Zora, and John. Learn more about her work at www.niasdaughters.com and follow her on Instagram at @theblackartsymom and @niasdaughters.

ABOUT THE ILLUSTRATOR

Brynne Henry is a Houston-based illustrator, mixed-media artist, researcher, and K-12 instructor. She graduated from the University of North Texas with a B. F. A. in Art Education and has held multiple positions in research spanning across the African-American arts and humanities. Her interest in African-American humanities was sparked in her college art history classes and fueled by a research fellowship she received from the Schomburg Center for Research in Black Culture at the New York Public Library. Her love for art was passed down generationally and she sincerely hopes to inspire the next generation of artists to continue using art as a vehicle for information exchange and self-expression. View more of her work at www.brynnehenry.com

The first complete and balanced history of the Black Panther Party--powerful and provocative

"Until The Shadow of the Panther there have been no serious book-length attempts to examine the Panthers' history and to evaluate their significance. . . . A Notable Book of the Year."--New York Times Book Review (front page)

"A keenly observed, often brilliant, Panther-busting book. . . . Pearson nevertheless portrays the Panthers' rise as an understandable reaction against . . . white chauvinism."--Los Angeles Times Book Review

"This book will awaken profound misgivings--about gun-barrel rhetoric, about armed rebellion, about the ambiguities of justice."--The New Yorker

"A bracing experience . . . Pearson has been able to present enough hard evidence to draw a chilling portrait of Murder Incorporated in revolutionary dress."--New York Newsday

"Pearson . . . set out to write a very different book about his boyhood hero [Huey Newton] but didn't blink at the truth . . . honest and compelling judgment."--Detroit News

A visual celebration of André Leon Talley’s life that centers his personal style as a lens on his contributions to fashion history.

This lavish volume reflects on the life of André Leon Talley and his impactful ascent to the height of global fashion. Many of Talley’s most iconic looks—from his suits and straw Breton boater in Paris of the late seventies to the opulent custom capes and coats he made famous—are newly photographed and presented alongside archival imagery.

From his days as Diana Vreeland’s apprentice at the Metropolitan Museum of Art, to Andy Warhol’s Factory and Interview Magazine, to Paris bureau chief for Women’s Wear Daily, to positions at W, The New York Times, Ebony, and Vogue, where he served as the magazine’s first African American creative director, Talley’s exuberant personality and voice guided thousands through the glamorous world of high fashion.

Essays, stories, and memories from industry luminaries who experienced his singular character reflect on a legacy in fashion spanning more than four decades. A posthumous commemoration of Talley, this celebratory volume offers a rare view into his world, the people who shared it, and the creation of one of the most iconic figures in fashion history.

BRAM STOKER AWARD FINALIST • A diabolical collection of stories featuring achingly human characters whose lives intertwine with ghosts, goblins, and the macabre, by “Buenos Aires’s sorceress of horror” (Samanta Schweblin, The New York Times)

“Entertaining, political and exquisitely gruesome, these stories summon terror against the backdrop of everyday horrors. . . . A queen of horror delivers more delightfully twisted stories.”—Los Angeles Times

“As vivid and essential as Kafka’s tales.”—Minneapolis Star-Tribune

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • A BEST BOOK OF THE YEAR: TIME, THE NEW YORK PUBLIC LIBRARY, PUBLISHERS WEEKLY, CHICAGO PUBLIC LIBRARY, THE TELEGRAPH, ELECTRIC LIT, PASTE, LATINA MEDIA

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women.

Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women—these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists.

Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez’s stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, A Sunny Place for Shady People showcases Enriquez’s unique blend of the literary and the horrific, and underscores why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her “the most exciting discovery I’ve made in fiction for some time.”

A collection of prayers, poems, and spiritual practices centering Black interior lives, from the New York Times bestselling author of This Here Flesh and creator of Black Liturgies

For years, Cole Arthur Riley was desperate for a spirituality she could trust. Amid ongoing national racial violence, the isolation of the pandemic, and a surge of anti-Black rhetoric in many Christian spaces, she began dreaming of a more human, more liberating expression of faith. She went on to create Black Liturgies, a digital project that connects spiritual practice with Black emotion, Black memory, and the Black body.

In this book, she brings together hundreds of new prayers, along with letters, poems, meditation questions, breath practices, scripture, and the writings of Black literary ancestors to offer forty-three liturgies that can be practiced individually or as a community. Inviting readers to reflect on their shared experiences of wonder, rest, rage, and repair, and creating rituals for holidays like Lent and Juneteenth, Arthur Riley writes with a poet’s touch and a sensitivity that has made her one of the most important spiritual voices at work today.

For anyone healing from communities that were more violent than loving; for anyone who has escaped the trauma of white Christian nationalism, religious homophobia, or transphobia; for anyone asking what it means to be human in a world of both beauty and terror, Black Liturgies is a work of healing and empowerment, and a vision for what might be.

Join us as we celebrate the release of The Blood Trials by N.E. Davenport.

Event Deets:

When: Monday, April 8 at 7:00 pm CST

Where: Kindred Stories Reading Garden

How:  Limited in-person tickets are available. You have the option to grab a ticket for free or purchase the book and ticket (Only books purchased at the event will be eligible to be signed by the author!)

About the Book

With her grandfather assassinated, Ikenna knows two things: that only someone on the Tribunal could have ordered his death, and that only a Praetorian Guard could have carried out that order.

Bent on revenge as much as discovering the truth, Ikenna pledges herself to the Praetorian Trials—a brutal initiation that only a quarter of the aspirants survive. She subjects herself to the racism directed against her half-Khanaian heritage and the misogyny of a society that cherishes progeny over prodigy, all while hiding a power that—if found out—would subject her to execution…or worse. Ikenna is willing to risk it all because she needs to find out who murdered her grandfather…and then she needs to kill them.

About the Author

N. E. Davenport is the Science Fiction/Fantasy author of The Blood Trials and its forthcoming sequel. She attended the University of Southern California and studied Biological Sciences and Theatre Arts. She also has an M.A. in Secondary Education. She teaches English and Biology to amazing students. When she isn’t writing, she enjoys vacationing with her family, skiing, and being a huge foodie. She’s an advocate for diverse perspectives and protagonists in literature. You can find her on Twitter @nia_davenport, or on Instagram @nia.davenport, where she talks about binge-worthy TV, killer movies, and great books. She lives in Texas with her husband and kids.

About the Moderator

We're meeting to discuss The Scammer by Tiffany D. Jackson!

BOOK CLUB MEETING DEETS

When: Tuesday, November 18 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT THE SCAMMER

New York Times bestselling author Tiffany D. Jackson delivers another stunning, ripped-from-the-headlines thriller, following a freshman girl whose college life is turned upside down when her roommate’s ex-convict brother moves into their dorm and starts controlling their every move.

Out from under her overprotective parents, Jordyn is ready to kill it in prelaw at a prestigious, historically Black university in Washington DC. When her new roommate’s brother is released from prison, the last thing Jordyn expects is to come home and find the ex-convict on their dorm room sofa. But Devonte needs a place to stay while he gets back on his feet—and how could she say no to one of her new best friends?

Devonte is older, as charming as he is intelligent, pushing every student he meets to make better choices about their young lives. But Jordyn senses something sinister beneath his friendly advice and growing group of followers. When one of Jordyn’s roommates goes missing, she must enlist the help of the university’s lone white student to uncover the mystery—or become trapped at the center of a web of lies more tangled than she can imagine.

A rediscovered classic about how racism and sexism tests the spirit, ambition, and character of three children growing up in Hell’s Kitchen and Harlem, from the literary editor of The Crisis, the official magazine of the NAACP

With an introduction by New York Times bestselling author Morgan Jerkins

Set in early-twentieth-century New York City, There Is Confusion tells the story of three Black children: Joanna Marshall, a talented dancer willing to sacrifice everything for success; Maggie Ellersley, an extraordinarily beautiful girl determined to leave her working-class background behind; and Peter Bye, a clever would-be surgeon who is driven by his love for Joanna. 

As children, Maggie, Joanna, and Peter support one another’s dreams, but as young adults, romance threatens to upset the balance of their friendship. One afternoon, Joanna makes two irrevocable decisions—and sets off a chain of events that wreaks havoc with all of their lives. 

First published to immense critical acclaim in 1924, written with an Austen-like eye for social dynamics, There Is Confusion is an unjustly forgotten classic that celebrates Black ambition, love, and the struggle for equality. 

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies

A New York Times critics' pick | Best Art Books 2021

Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States.

The architects, designers, artists and writers who were invited to contribute to this book―and to the exhibition at the Museum of Modern Art for which it serves as a “field guide”―reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal.

A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume’s richly illustrated presentations of the architectural projects at the heart of MoMA’s groundbreaking exhibition.

“A gracefully told and sharply observed debut." -Kiley Reid, New York Times bestselling author of Such a Fun Age and Come and Get It

For readers of Americanah, a heart-rending debut novel about a Nigerian immigrant as she tries to find her place at home and in America-a powerful epic about love, grief, family, and belonging.

The Tiny Things are Heavier follows Sommy, a Nigerian woman who comes to the United States for graduate school two weeks after her brother, Mezie, attempts suicide. Plagued by the guilt of leaving Mezie behind, Sommy struggles to fit into her new life as a student and an immigrant. Lonely and homesick, Sommy soon enters a complicated relationship with her boisterous Nigerian roommate, Bayo, a relationship that plummets into deceit when Sommy falls for Bryan, a biracial American, whose estranged Nigerian father left the States immediately after his birth. Bonded by their feelings of unbelonging and a vague sense of kinship, Sommy and Bryan transcend the challenges of their new relationship.

After some time together, Sommy and Bryan visit the bustling city of Lagos, Nigeria for the summer break, where Sommy hopes to reconcile with Mezie and Bryan hopes to connect with his father. But when a shocking and unexpected event throws their lives into disarray, it exposes the cracks in Sommy's relationships and forces her to confront her notions of self and familial love.

A daring and ambitious novel rendered in stirring, tender prose, The Tiny Things Are Heavier is a captivating portrait that explores the hardships of migration, the subtleties of Nigeria's class system, and how far we'll go to protect those we love.

A powerful, award-winning novel about friendship.

Phyllisia Cathy—She is fourteen. Her problems seem overwhelming: New York, after life on her sunlit West Indies island, is cold, cruel and filthy. She is insulted daily and is beaten up by classmates. What Phyllisia needs, God not being interested, is a friend.

Edith Jackson—She is fifteen. Her clothes are unpressed, her stockings bagging with big holes. Her knowledge of school is zero. She has no parents, she swears and she steals. But she is kind and offers her friendship and protection to Phyllisia. “And so begins the struggle that is the heart of this very important book: the fight to gain perception of one’s own real character; the grim struggle for self-knowledge.”—Alice Walker, The New York Times