First published in 2014, Jessica Gordon Nembhard’s Collective Courage quickly became an important tool for understanding the history of cooperative economic enterprises in the African American community. This now-classic work recounts how African Americans benefited greatly from cooperative ownership and democratic economic participation throughout the nation’s history.

Many of the players in this story are well known―among them W. E. B. Du Bois; A. Philip Randolph and the Ladies’ Auxiliary to the Brotherhood of Sleeping Car Porters; Nannie Helen Burroughs; Fannie Lou Hamer; Ella Jo Baker and George Schuyler of the Young Negroes’ Co-operative League; the Federation of Southern Cooperatives; and the Black Panther Party. Drawing on media reports and co-op records, Gordon Nembhard uncovers the challenges they faced and highlights their hard-won victories.

This tenth anniversary edition of Collective Courage features a substantial preface that expands on material in the first edition and addresses the development of the Black co-op movement through the second decade of the twenty-first century. It remains an indispensable resource for readers interested in the history of the struggle for African American economic freedom and equity.

Celebrate The Day God Saw Me as Black with Passuh Danyelle! 

EVENT DEETS

When: Tuesday, January 7 @ 7PM 

Where: 2310 Elgin Street, HTX, 77004

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to reserve you seat and signed copy! 

ABOUT THE BOOK

ABOUT THE AUTHOR

D. Danyelle Thomas is a Black faith and spirituality writer, speaker, and digital faith leader. The founder of Unfit Christian, her work and words have been featured in Essence, the Smithsonian National Museum of African American History & Culture, Rewire.News, Splinter, and NBC News. She holds both a master's in Public Policy and a bachelor's in African American Studies from Georgia State University. She is on Facebook, Instagram, and X (formerly Twitter) via @UnfitChristian

ABOUT THE CONVERSATION PARTNER

Daphne (she/her) is passionate about helping people leave harmful and abusive situations so she shares her experience as a way to offer hope to others who may be in the same position. She created Golden Daph to share the things she's learning to refine her life and build it into something she's proud of. She shares what she's learned from her divorce, emotional and spiritual abuse, and her faith deconstruction and decolonization. She has found so much freedom on my journey and she hopes to share it with you.

In her day-to-day life you can find her working in the social justice field in Houston, Texas. When she's not doing that, you can find her spending time with family and friends, listening to podcasts and audiobooks, or watching reality TV shows. She's also a co-host of the Love is a Trip Podcast with her good sis Ash!

How the Word Is Passed meets Braiding Sweetgrass in a cultural and personal reclamation of Black history and Black botanical mastery, shared through the stories of long-lived trees.

The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.

In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the way seven trees―as well as the cotton shrub―are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.

Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

A stunning exploration of the history of Black Americans by award-winning picture book team Traci N. Todd and Vashti Harrison.

The world is forever changed because you are here.

At once honest and empowering, That You Are Here Is No Small Thing is a story about resilience. In these stunning pages, young descendants of enslaved Africans are guided through the history that led them to exist and thrive today. Through their eyes, we see how Black Americans have relied on one another to fight against oppression and the ways in which the strength of their ancestors is always with them.

Sibert Honor winner Traci N. Todd and Caldecott Medalist Vashti Harrison have created an unforgettable exploration of culture and history that records the important survival story Black children carry and celebrates their hope for a radiant future.

Exploring new black literature, following the success of Black Sci-Fi and First Peoples Shared Stories.

The National Museum of African American History and Culture characterises Afrofuturism (as distinct from Africanfuturism) as expressing "notions of Black identity, agency and freedom through art, creative works and activism that envision liberated futures for Black life." This new book offers new stories from open submissions and by invitation, as well as classic stories, and a new introduction, all exploring the many angles of this theme. It follows the success of Black Sci-Fi (2021) of which Scientific American said "contains a thrilling group of memorable, moving tales that often examine the intersections of race, gender, grief, tech and the fantastical." and Publishers Weekly, in a Starred Review "With topics ranging from slavery to space travel, the impressive breadth of this anthology makes for a well-rounded survey. Readers, writers, and scholars alike will find great value here."

The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

*ships in 7-10 business days

This landmark publication accompanies an international touring exhibition devoted to Black figuration in painting from the 1920s to now, featuring artists from Africa and the African diaspora.

Published to accompany a major exhibition at Zeitz MOCAA, CapeTown, When We See Us presents a comprehensive exploration of Black representation through portraiture and figuration, celebrating Black subjectivity and Black consciousness from Pan-African and Pan-Diasporic perspectives.

In the past decade, figurative painting by Black artists has risento a new prominence in the field of contemporary art. This timely and revelatory book highlights the many ways in which artists critically engage with notions of blackness, contributing to the critical discourse on topics such as Pan-Africanism, the Civil Rights Movement, African Liberation and Independence movements, the Anti-Apartheid and Black Consciousness mobilizations, Decoloniality, and Black Lives Matter.

With a primary focus on figurative painting, When We See Us explores how Black artists have imagined, positioned, memorialized, and asserted African and African diasporic experiences from the early 20th century to the present day. Featuring more than 200 works of art—and contributions from well-known writers such as Ken Bugul, Maaza Mengiste, Robin Coste Lewis, and Bill Kouelany—When We See Us is a major contribution to our understanding of Black art that will appeal to anyone interested in modern and contemporary figurative art and Black cultural history.

Acclaimed cookbook author Jessica B. Harris weaves an utterly engaging history of African American cuisine, taking the reader on a harrowing journey from Africa across the Atlantic to America, and tracking the trials that the people and the food have undergone along the way. From chitlins and ham hocks to fried chicken and vegan soul, Harris celebrates the delicious and restorative foods of the African American experience and details how each came to form an important part of African American culture, history, and identity. Although the story of African cuisine in America begins with slavery, High on the Hog ultimately chronicles a thrilling history of triumph and survival. The work of a masterful storyteller and an acclaimed scholar, Jessica B. Harris's High on the Hog fills an important gap in our culinary history.

Famed 60s sunshine pop band 5th Dimension’s LaMonte McLemore’s additional enduring legacy is that of a photographer, contributing a weekly column “Beauty of the Week” to the renowned publication of African American pop culture, JET. Here, for the first time, is his personal selection of the column’s glory era.

As a founding member and vocalist in the award-winning pop-soul group The 5th Dimension, LaMonte McLemore enjoyed enormous critical and commercial acclaim in the late 1960s and early 1970s. But arguably just as impactful, if not more so, was his career as a photographer cementing Black women and models in American media and cultural history.

McLemore freelanced for JET magazine for more than four decades, principally shooting for its “Beauty of the Week” feature, which encapsulated Black joy, style, and beauty. During this time, he photographed over 500 Black women, most of whom were not professional models. The section, in which a woman was featured in a swimsuit along with her name, place of residence, profession, hobbies, and interests, became one of the most popular among the magazine’s audiences, as it showcased the everyday beauty and elegance of Black women, contributing greatly to what has been called the “first form of social media” by acclaimed contemporary visual artist, Mickalene Thomas. This photographic output serves as a living document of everyday Black fashion and elegance.

Black Is Beautiful: JET Beauties of the Week compiles, for the first time, numerous photographs from McLemore’s “Beauty of the Week” shoots, including never-before-seen outtakes from those sessions. This dynamic coffee table book is a tribute to LaMonte McLemore’s talent and cultural impact, and is a celebration of Black women, Black beauty, and Black culture.

Celebrate the release of Chronicles of Ori with Harmonia Rosales!

EVENT DEETS

When: Friday, November 21 @ 7PM

Where: Kindred Stories(2310 Elgin St, Unity 2, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

ABOUT THE BOOK

From the acclaimed fine artist Harmonia Rosales, a sweeping retelling of African myth illustrated throughout with Rosales’s spectacular paintings.

In Chronicles of Ori, her debut book, Harmonia Rosales retells the African myths she has long treasured, crafting an enthralling epic that spans the birth of the universe to the modern world of colonialism and resistance. She writes of the powerful, temperamental deities called the Orishas; of the founding of Yorubaland by the shrewd leader Oduduwa; of the young heroine Eve, born in a time of violence and despair, who would help her people regain their past splendor; and of shimmering serpents and monstrous shadows who stalk the lands of mortals. At the center of these linked tales is the bond, sometimes fraying, between the Orishas and the humans who worship them. It was the Orishas who made humans, and who gave them their most precious resource: their Oris, or destinies. Vividly brought to life by Rosales’s artwork, Chronicles of Ori will enlighten and delight readers for years to come.

ABOUT THE AUTHOR

Harmonia Rosales is a Chicago-born, Afro-Cuban American artist and author whose work centers the visibility and empowerment of Black women in Western art. Growing up visiting the Art Institute of Chicago, Rosales was captivated by Renaissance painting—but years later, her daughter’s simple observation that “they don’t look like me” exposed the exclusion at the heart of that tradition.

That moment sparked Rosales’s artistic journey: reimagining Renaissance and Baroque masterpieces with Black protagonists and centering West African spirituality. Since 2017, her work has visualized the Orishas, the deities of the Yoruba tradition, and explored the survival of their stories across the Middle Passage. With bold, uncompromising imagery and prose, Rosales challenges Eurocentric ideals of beauty, power, and divinity, reshaping both art history and cultural consciousness. 

Rosales has previously been the subject of exhibitions at the Memphis Brooks Museum of Art, Memphis, TN; the Spelman Museum of Fine Art, Atlanta, GA; the Warhol Museum, Pittsburgh, PA; the Wright Museum, Detroit MI, among others. Her work is held by numerous public and private collections across the United States, including the Brooklyn Museum, Brooklyn, NY; Smithsonian National Museum of African American History, Washington D.C.; Spelman Museum of Fine Art, Atlanta, GA, and others.

Her debut novel, CHRONICLES OF ORI: An African Epic, will be available beginning October 14, 2025; it is published by W.W. Norton & Company, Inc.

ABOUT THE MODERATOR

The first in-depth analysis of the stunning designs of one of the world’s most captivating and prominent architects

Born in Tanzania, David Adjaye (b. 1966) is rapidly emerging as a major international figure in architecture and design—and this stunning catalogue serves only to cement his role as one of the most important architects of our time. His expanding portfolio of important civic architecture, public buildings, and urban planning commissions spans Europe, the United States, Africa, Asia, and the Middle East. He transforms complex ideas and concepts into approachable and innovative structures that respond to the geographical, ecological, technological, engineering, economic, and cultural systems that shape the practice of global architecture. The publication of this compendium of work and essays coincides with the scheduled opening of Adjaye’s National Museum of African American History and Culture on the National Mall in Washington, D.C. Adjaye’s completed work in the United States includes the Museum of Contemporary Art in Denver, a pair of public libraries in D.C., and several private residences. He is also known for his collaborations with artists, most recently with the British painter Chris Ofili (b. 1968).
 
Following an introduction by Zoë Ryan, Adjaye writes on his current and future work, with subsequent essays by an extraordinary cadre of architectural scholars on Adjaye’s master plans and urban planning, transnational architecture, monuments and memorials, and, finally, the forthcoming museum in D.C. Portfolios of Adjaye’s work thread throughout this comprehensive volume.

Distributed for the Art Institute of Chicago and Haus der Kunst

Exhibition Schedule:

Haus der Kunst, Munich
(01/30/15–06/28/15)

The Art Institute of Chicago
(09/19/15–01/03/16)

Urgent new poems on race and gender inequality, and select poems drawing upon Domestic Work, Bellocq’s Ophelia, Native Guard, Congregation, and Thrall, from two-time U.S. Poet Laureate and Pulitzer Prize winner Natasha Trethewey.

Layering joy and urgent defiance―against physical and cultural erasure, against white supremacy whether intangible or graven in stone―Trethewey’s work gives pedestal and witness to unsung icons. Monument, Trethewey’s first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, and Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet’s own family history of trauma and loss, resilience and love.

In this setting, each poem drawn from an “opus of classics both elegant and necessary,”* weaves and interlocks with those that come before and those that follow. As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet’s remarkable labor to source evidence, persistence, and strength from the past in order to change the very foundation of the vocabulary we use to speak about race, gender, and our collective future.

*Academy of American Poets’ chancellor Marilyn Nelson

“[Trethewey’s poems] dig beneath the surface of history―personal or communal, from childhood or from a century ago―to explore the human struggles that we all face.” ―James H. Billington, 13th Librarian of Congress