Winner of the 2004 Pulitzer Prize Award and recognized as the best book of fiction in the 21st century by the New York Times, Edward P. Jones's The Known World is a debut novel of stunning emotional depth and unequaled literary power and continues to show its importance to the American literary canon.

Henry Townsend, a farmer, boot maker, and former slave, through the surprising twists and unforeseen turns of life in antebellum Virginia, becomes proprietor of his own plantation—as well his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love under the weight of slavery begin to betray one another. Beyond the Townsend household, the known world also unravels: low-paid white patrollers stand watch as slave “speculators” sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.

An ambitious, courageous, luminously written masterwork, The Known World seamlessly weaves the lives of the freed and the enslaved—and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery. The Known World not only marks the return of an extraordinarily gifted writer, it heralds the publication of a remarkable contribution to the canon of American classic literature.

A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war.

"Baldwin is one of the few genuinely indispensable American writers." —Saturday Review

At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.

For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 

Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.

At the Gate gathers more than seventy previously unpublished poems by the iconic American poet Lucille Clifton written over the last two decades of her life. Discovered in digital archives by poet and scholar Kazim Ali, these poems span a prolific and reflective period in Clifton’s career as she shifted from typewriters to word processors and desktop computers. Many were originally drafted for publication, but set aside—until now.

Edited by Ali, this collection includes a contextual Foreword and detailed notes that illuminate Clifton’s late writing process and the editorial journey of these poems—deepening and expanding the themes that defined Clifton’s celebrated body of work. 

At the Gate is a profound and necessary addition to Clifton’s legacy—one that reaffirms her place as a poet of the body, the spirit, and the deep truths that we must endure—her voice as intimate, fearless, and luminous as ever.

Photo albums from the archives of the iconic chronicler of New York's 1980s rap, hip-hop and Black culture

The influential Brooklyn-based photographer Jamel Shabazz has been making portraits of New Yorkers for more than 40 years, creating an archive of cultural shifts and struggles across the city. His portraits of different communities underscore the street as a space for self-presentation, whether through fashion or pose. In every instance Shabazz aims, in his words, to represent individuals and communities with “honor and dignity.” This book—awarded the Gordon Parks Foundation/Steidl Book Prize—presents, for the first time, Shabazz’s work from the 1970s to ’90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.
Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates. This book features selections from over a dozen albums, many previously unseen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz’s work within the broader history of photography.
Born and raised in Brooklyn, Jamel Shabazz (born 1960) picked up his first camera at the age of 15 and began documenting his communities, inspired by photographers such as Leonard Freed, James Van Der Zee and Gordon Parks. His work has been featured in numerous solo and group exhibitions, including those at the Brooklyn Museum, the Studio Museum in Harlem, the J. Paul Getty Museum and the Victoria and Albert Museum. Shabazz is the author of Back in the Days (2001) and Sights in the City (2017).

In Ghost Woman, Crystal Simone Smith explores the long and deep connections between nature, personhood, ancestry, and trauma through haiku and haibun. Separated into five sections, the poems emphasize the way social bonds and landscapes are reflected in and through the environment. Smith brings her experiences with race, motherhood, and poetry into conversation with the five elements, Wind (Fu), Earth (Chi), Water (Sui), Fire (Ka), and Void (Ku) to take readers through an introspective haiku journey, an exploration of the nature of the self as well as the nature of the broader world. Balancing shattering grief with ordinary moments of love and trauma with survival, Ghost Woman weaves a narrative verse of single motherhood, bearing witness, and carrying your history with you. The poems in Ghost Woman invite the reader to be with nature and themselves more intentionally.

Furo Wariboko, a young Nigerian, awakes the morning before a job interview to find that he's been transformed into a white man. In this condition he plunges into the bustle of Lagos to make his fortune. With his red hair, green eyes, and pale skin, it seems he's been completely changed. Well, almost. There is the matter of his family, his accent, his name. Oh, and his black ass. Furo must quickly learn to navigate a world made unfamiliar and deal with those who would use him for their own purposes. Taken in by a young woman called Syreeta and pursued by a writer named Igoni, Furo lands his first-ever job, adopts a new name, and soon finds himself evolving in unanticipated ways.

A. Igoni Barrett's Blackass is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us simply by virtue of the way we look. As he did in Love Is Power, or Something Like That, Barrett brilliantly depicts life in contemporary Nigeria and details the double-dealing and code-switching that are implicit in everyday business. But it's Furo's search for an identity--one deeper than skin--that leads to the final unraveling of his own carefully constructed story.

*This book is not currently on our shelves and will ship in 5-10 business days.  Please see FAQs for more information.

African American Fraternities and Sororities: The Legacy and the Vision explores the rich past and bright future of the nine Black Greek-Letter organizations that make up the National Pan-Hellenic Council. In the long tradition of African American benevolent and secret societies, intercollegiate African American fraternities and sororities have strong traditions of fostering brotherhood and sisterhood among their members, exerting considerable influence in the African American community, and being on the forefront of civic action, community service, and philanthropy. Dr. Martin Luther King Jr., Toni Morrison, Arthur Ashe, Carol Moseley Braun, Bill Cosby, Sarah Vaughan, George Washington Carver, Hattie McDaniel , and Bobby Rush are among the many trailblazing members of these organizations. The rolls of African American fraternities and sororities serve as a veritable who's who among African American leadership in the United States and abroad. African American Fraternities and Sororities places the history of these organizations in context, linking them to other movements and organizations that predated them and tying their history to one of the most important eras of United States history―the Civil Rights struggle. African American Fraternities and Sororities explores various cultural aspects of these organizations such as auxilliary groups, branding, calls, stepping, and the unique role of African American sororities. It also explores such contemporary issues as sexual aggression and alcohol use, college adjustment, and pledging, and provides a critique of Spike Lee's film School Daze, the only major motion picture to portray African American fraternities and sororities as a central theme. The year 2006 will mark the centennial anniversary of the intercollegiate African American fraternity and sorority movement. Yet, to date, little scholarly attention has been paid to these organizations and the men and women who founded and perpetuated them. African American Fraternities and Sororities reveals the vital social and political functions of these organizations and places them within the history of not only the African American community but the nation as a whole.

Kwame Alexander's Say Yes is a meaningful manifesto that challenges readers to embrace the transformative power of "yes." Adapted from Alexander's inspiring commencement speech at American University, this book weaves personal stories, profound insights, and actionable wisdom into a must-read guide for anyone ready to fuel their passion, turn rejection into resilience, and unlock their potential.

Turning “No” into New Horizons. Kwame Alexander shares how every "no" shaped his path and fueled his determination. With insights into navigating the interplay of business and art, he reveals how to stay true to your passion while forging a fulfilling, successful life. This is a call to dreamers, creators, and change-makers: your dreams deserve your effort, even when the road gets tough.

The Power of Saying Yes. Through vibrant storytelling and motivational wisdom, Say Yes explores how one word can alter perceptions, open doors, and lead to unimagined possibilities. Whether writing a groundbreaking novel or stepping into the unknown, Alexander's journey proves the power of persistence and the beauty of embracing the unexpected.

Perfect for college graduates, creative thinkers, and anyone chasing their dreams, Say Yes is a transformative manifesto for those ready to turn challenges into opportunities and passion into purpose. Let this book inspire you to say "yes" to your own bold vision.

Inside, you’ll find:
●      Stories of triumph over rejection and practical steps for overcoming challenges.
●      Inspiration to balance passion with practicality in creative and professional pursuits.
●      A guide to building resilience and redefining success.

If you like 101 Essays That Will Change the Way You Think, Very Good Lives, or The 7 Habits for Graduates, you'll love Power of Yes.

How do you find yourself when the world tells you that you don't exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

*Ships in 7-10 business days*

Cultural criticism and pop culture history intertwine in this important book, which dissects how hip hop has sidelined Black women's identity and emotional well-being.

A “ride-or-die chick” is a woman who holds down her family and community. She’s your girl that you can call up in the middle of the night to bail you out of jail, and you know she’ll show up and won’t ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. “No” is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in every aspect of her life—work, family, church, even if it’s not reciprocated, and doesn’t require it to be because she’s a “strong Black woman” and everyone’s favorite ride-or-die chick. To her, love should be earned, and there’s no limit to what she’ll do for it.
 
In this book, author, adjunct professor of sociology, and former therapist Shanita Hubbard disrupts the ride-or-die complex and argues that this way of life has left Black women exhausted, overworked, overlooked, and feeling depleted. She suggests that Black women are susceptible to this mentality because it’s normalized in our culture. It rings loud in your favorite hip-hop songs, and it even shows up in the most important relationship you will ever have—the one with yourself.
 
Compassionate, candid, hard-hitting, and  100 percent unapologetic, Ride or Die melds Hubbard’s entertaining conversations with her Black girlfriends and her personal experiences as a redeemed ride-or-die chick and a former “captain of the build-a-brother team” to fervently dismantle cultural norms that require Black women to take care of everyone but themselves.
 
Ride or Die urges you to expel the myth that your self-worth is connected to how much labor you provide others and guides you toward healing. Using hip hop as a backdrop to explore norms that are harmful to Black women, Hubbard shows the ways you may be unknowingly perpetuating this harm within your relationships. This book is an urgent call for you to pull the plug on the ride-or-die chick.

“All my blessings are the blessings of community.”
―Octavia Spencer

“Give them their flowers while you can” is something Octavia Spencer’s mother often told her, and now, it’s how she lives.
In this captivating memoir, the Oscar-winning actor and producer recounts the seeds of the relationships that grew into the story of her life, from her tender teenage connection with Whoopi Goldberg to her sustaining friendships with Sandra Bullock, Melissa McCarthy, Allison Janney, Viola Davis, Jessica Chastain, and the many talented, inspiring women whose love and advice have helped her become the woman she is today.
Octavia drove to Los Angeles at twenty-six in search of a career. What she found was her chosen family, and together they built the world in which this book is set: a place where women support one another and the voices of history’s heroines ring aloud.
Give Them Their Flowers is a love letter to female friendship. It is a call to follow your personal passions, create community, and persevere. This is Octavia’s ode to all the women who wake up early to get it done: the mentors, the mothers, and the mother figures, the aunties and the godmothers, the creators, the visionaries, and the best friends.
“Men have given me jobs,” Octavia says. “Women are the reason the world knows who I am.”