Two friends must dig into their town's forgotten past and uncover the forgotten truth -- before their whole town goes up in flames. For fans of Small Spaces and Mary Downing Hahn, a spooky ghost story from the award-winning author of The Forgotten Girl and The Girl in the Lake.

Burn it all down.

Gianna and Carter John are best friends, but they couldn’t be more different. Gianna is small for her age, gets straight A’s, and is the teacher’s favorite. Meanwhile, Carter John gets in trouble no matter what he does, just because he’s tall and his voice is loud.

Then one day while working on a class project in the town library, Carter John gets in trouble yet again and reaches his breaking point. As his anger builds, a stack of books flies off the shelf, hitting the librarian.

Now everywhere he goes, strange things are happening. The smell of smoke hangs in the air. Sparks fly when Carter John gets in trouble. And he hears the voice of a young girl singing a song . . . a song about burning . . .

When fires start breaking out around town, Carter John and Gianna are determined to figure out who’s responsible. They are certain that these are no normal fires . . . Something terrible once happened where the town library now stands, and someone’s trying to send them a message about it.

But who is she―and why is she determined to get revenge?

From the author of The Forgotten Girl and The Girl in the Lake, this is both a bonechilling ghost story, and a book about the history of segregated libraries.

New York Times Bestseller

Highly acclaimed debut author Etaf Rum tells the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community.

“A dauntless exploration of the pathology of silence, an attempt to unsnarl the dark knot of history, culture, fear, and trauma that can render conservative Arab-American women so visibly invisible…. The triumph of Rum’s novel is that she refuses to measure her women against anything but their own hearts and histories…. Both a love letter to storytelling and a careful object lesson in its power.”—New York Times Book Review

“Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of, dangerous, the ultimate shame.”

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Her desires are irrelevant, however—over the course of a week, the naive and dreamy girl finds herself betrothed, then married, and soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law, Fareeda, and her strange new husband, Adam: a pressure that intensifies as she begins to have children—four daughters instead of the sons Isra is expected to bear.

Brooklyn, 2008. At her grandmother’s insistence, eighteen-year-old Deya must meet with potential husbands and prepare herself for marriage, though her only desire is to go to college. Her grandmother is firm on the matter, however: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths that will force her to question everything she thought she knew about her family, the past, and her own future.

Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honor, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world, and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect.

From USA TODAY bestselling author Kristina Forest, a whimsical workplace romance with a light speculative twist, about a hopeful romantic in the Unrequited Love Department of Cupid & Associates who’s forced to team up with a cynical coworker after she releases secret love letters into the world.

Joy works in the Unrequited Love Department of Cupid & Associates, where she catalogs secret longings and unanswered letters from people around the world. She believes in love—despite the fact that it has never chosen her back. When a moment of heartbreak leads her to make a catastrophic mistake and leak confidential unrequited love letters, Joy risks exposing the most private feelings of strangers everywhere—and losing the job she loves.

Cynical, guarded, and entirely unimpressed by Joy’s optimism, Charles from the Solutions Department has spent years fixing other people’s romantic messes while refusing to believe in love himself. Assigned to help Joy recover the leaked letters, the two are forced into close quarters—and an unexpected partnership—on a road trip to intercept secrets before they land in the wrong hands.

Along the way, as they witness love in all its messy, hopeful forms, Joy and Charles find themselves drawn to each other. But with their outlooks on love so at odds, their journey puts their fragile connection to the test.

Tender, funny, and full of heart, The Unrequited Love Department is a magical workplace romance about taking risks, letting go of the past, and believing that love—when it finally arrives—might just be worth everything.

This richly illustrated and vastly inclusive collection uplifts the works of authors who are often underrepresented in the literary world. Using their keen knowledge and deep love for all things literary, coauthors Jamise Harper (founder of the Diverse Spines book community) and Jane Mount (author of Bibliophile) collaborated to create an essential volume filled with treasures for every reader:

• Dozens of themed illustrated book stacks—like Classics, Contemporary Fiction, Mysteries, Cookbooks, and more—all with an emphasis on authors of color and authors from diverse cultural backgrounds
• A look inside beloved bookstores owned by Black, Indigenous, and People of Color
• Reading recommendations from leading BIPOC literary influencers

Diversify your reading list to expand your world and shift your perspective. Kickstart your next literary adventure now!

Perfect for fans of Promise Boys, this gripping historical mystery follows a teenager who finds a murdered girl on her family's California beach—a discovery that will reveal the racism rampant in her world.

Fifteen-year-old Blue Collins’s parents own the only Black beach in Santa Monica in 1929. She loves spending time there with her handsome friend Ben Clark. It’s a quiet spot where they can be alone and where Ben’s darker skin won’t be judged by onlookers—or Blue’s own family.

During a sunset rendezvous after a summer parade, the pair discovers the body of Dottie Whitehouse, a white debutante. Blue Beach is already threatened by local white property owners. Now their whole community could be at risk. In their panic, Blue and Ben move Dottie’s body into the waters of a nearby white beach.

Dottie’s body washes ashore, and it isn’t long before all eyes are on Ben. Everyone saw how Dottie teased him and how they shared smiles. And their history goes deeper than Blue ever realized. But to save Ben from the outraged white townspeople, she’ll need to do whatever she can to dig up the truth and prove his innocence. Ben isn’t the only one whose life depends on it.

Liara Tamani’s debut novel deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose. Taja Brown lives with her parents, older brother, and younger sister in Houston, Texas. She has always known what the expectations of her conservative and tightly-knit African American family are—do well in school, go to church every Sunday, no intimacy before marriage. But Taja is trying to keep up with her friends as they experience their first kisses, first boyfriends, first everythings. And she’s tired of cheering for her athletic younger sister and an older brother who has more freedom just because he’s a boy. Taja dreams of going to college and forging her own relationship with the world and with God, but when she falls in love for the first time, those dreams are suddenly in danger of evaporating.

From Playboy to Jay-Z, the racial origins of toxic masculinity and its impact on women, especially Black and “insufficiently white” women

More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.

Connecting the past to the present, sociologist Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.

Using historical research, personal stories, and critical analysis, Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.

Talking to the Dead is an ethnography of seven Gullah/Geechee women from the South Carolina lowcountry. These women communicate with their ancestors through dreams, prayer, and visions and traditional crafts and customs, such as storytelling, basket making, and ecstatic singing in their churches. Like other Gullah/Geechee women of the South Carolina and Georgia coasts, these women, through their active communication with the deceased, make choices and receive guidance about how to live out their faith and engage with the living. LeRhonda S. Manigault-Bryant emphasizes that this communication affirms the women's spiritual faith-which seamlessly integrates Christian and folk traditions-and reinforces their position as powerful culture keepers within Gullah/Geechee society. By looking in depth at this long-standing spiritual practice, Manigault-Bryant highlights the subversive ingenuity that lowcountry inhabitants use to thrive spiritually and to maintain a sense of continuity with the past.

The late, legendary performer and activist’s candid reflections on American race relations and social movements, based on previously unpublished conversations with the award-winning historian

Harry Belafonte was more than a bestselling folk singer and Hollywood’s first Black matinée idol; he was also the secret weapon of human rights movements for seventy years—a close confidante of Martin Luther King Jr. and Eleanor Roosevelt; a trusted whisperer to JFK; and a political advisor to African heads of state.

Belafonte simultaneously advised Robert F. Kennedy on how to win the Black vote, openly supported Communist leaders including Fidel Castro, and skillfully avoided being blacklisted by J. Edgar Hoover. He was also a masterful fundraiser, almost singlehandedly bankrolling the civil rights movement from his own earnings as well as donations solicited from Hollywood friends and Vegas mobsters. It was Belafonte’s idea to organize superstar artists to record the hit song, “We Are the World” in 1984 to benefit famine victims in Africa.

In this candid, revelatory book, drawn from a series of conversations with historian Kevin Baker shortly before Belafonte’s death in 2023, the legendary singer of “Day-O” shares his philosophy on racial politics, African colonialism, the emergence of Israel, the shortcomings of Barack Obama, and the rise of Donald Trump. A Burning House offers a primer on celebrity activism at its best—as well as a cautionary tale about the rise of American authoritarianism.

An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.  

For fans of The Body Keeps Score and How to Do the Work, trauma therapist Simone Saunders bridges the gap where talk therapy falls short—showing you how to move beyond self-awareness and reconnect with the sensations, signals and emotions your body has been shaped by, breaking cycles of emotional disconnection once and for all.

Many of us assume that once we understand why we feel the way we do, things will finally change. Traditional talk therapy often equips us with the language and self-awareness we’ve been missing — yet so many of us find ourselves stuck. We can recognize the trigger, name the pattern, and explain the story, yet still feel unable to create tangible change in our day-to-day lives. So, where’s the disconnect? What’s missing?

Registered social worker and trauma therapist Simone Saunders believes the answer lies in crossing the threshold from the mind into the body—moving from self-awareness into a felt, embodied understanding. In Where Do You Feel That in Your Body, Simone guides you through a gentle and practical approach to noticing what emotions feel like in your body, understanding the protective patterns shaped by identity and past experiences, and recognizing how your nervous system responds to stress and disconnection. You’ll learn how to read your body’s signals with curiosity, and how to build the capacity to stay present with your emotions instead of disconnecting from them.

In recent years, the language of the body—posture, facial expressions, movements, and sensations—has become more widely recognized for the integral role it plays in shaping and maintaining our survival patterns. Where Do You Feel That in Your Body shows you how to build a steady, supportive relationship with your nervous system that grows and shifts over time. You’ll understand how your body and mind communicate, how identity and culture shape your emotional responses, and how to gently shift the patterns that once helped you survive.

A Millions Most Anticipated 2026 Selection

"This is poetry of the highest order, and a stunning reminder of what words can do.”—Omar El Akkad

"Hold this book, read every word, study every picture, notice the prints you leave behind—a reminder that no one’s hands are clean."—Robin D. G. Kelley, author of Freedom Dreams

From National Book Award Finalist Fady Joudah, a collection of poems, essays, and photographs that offers a Palestinian representation of not only the staggering grief, but the unwavering resilience and prevailing life force of a people and place enduring genocide.  

Fady Joudah writes from the split perspective of a Palestinian American physician caring for the sick while watching the destruction of Gaza from the United States, a nation complicit in that destruction. He locates the paradox of his position everywhere: in the seed a sparrow eats from his proffered hand; in his writing in English, the oppressor’s language; in the faces of Palestinian children receiving meals from aid kitchens—a glimpse into what his life could have been, and what is being lost in a war disproportionately impacting children and their families. Throughout the book, beauty insists on its survival not only through the Palestinian people, but also through the nonhuman world in which he takes occasional refuge from the devastation that humanity brings upon itself.

By placing before readers a series of carefully chosen images from Gaza, Joudah presses his reader to comprehend that the experience of both the individual and the whole are integral to an explicitly Palestinian understanding of genocide, even if that rendering is a nearly impossible endeavor. Exhibit G insists on the immensity of Palestinian interiority, and finds in this collective act of creation a hyper-present awareness. “By claiming what is being actively erased,” Joudah writes, “I become presence.”

At once an indictment of genocide, a rendering of catastrophic loss, and “an affirmation of life instead of a staging of death” (Katherine Larson), Exhibit G insists that love exists in all its variousness, and that it is the only defense against a totalizing, destructive force.