A woman learns the astonishing truth of her family’s ties to a vanished American Kingdom in this riveting new novel from the New York Times bestselling, NAACP Image Award-winning author of Take My Hand.

Nikki Berry hasn’t seen her grandmother in years, due to a mysterious estrangement inherited from her mother. So when the elder calls out of the blue with an urgent request for Nikki to visit her in the hills of western North Carolina, Nikki hesitates only for a moment. After years of silence in her family, she’s determined to learn the truth while she still can.

But instead of answers about the recent past, Mother Rita tells Nikki an incredible story of a kingdom on this very mountain, and of her great-great-great grandmother, Luella, who would become its queen. 

It sounds like the makings of a fairy tale—royalty among a community of freed people. But the more Nikki learns about the Kingdom of the Happy Land, and the lives of those who dwelled in the ruins she discovers in the woods, the more she realizes how much of her identity and her family’s secrets are wrapped up in these hills. Because this land is their legacy, and it will be up to her to protect it before it, like so much else, is stolen away.

Inspired by true events, Happy Land is a transporting multi-generational novel about the stories that shape us and the dazzling courage it takes to dream.

The Bronx born activist and poet Roya Marsh returns with a riveting exploration of Black joy, collective action, and healing.

what will come of what you leave behind?
do you
remember that time
you survived?

The poems in Roya Marsh’s second collection, savings time, wear their raw feeling and revolutionary forcefulness on their sleeves. Alternating between confrontation and celebration, Marsh trains her unsparing eye on the twinned subjects of Black rage and Black healing with practiced, musical intention.

In poems flitting between breathless prose and measured lyricism, Marsh contemplates the contradictions and challenges of Black life in America, tackling everything from police brutality and urban gentrification to queer identity, presidential elections, and pop culture, all while calling for a world where self-care, especially for Black women, is not just encouraged but mandated. “no one told the Black girl,” she writes, “‘see you later’ was a prayer / begging us survive our own erasure.”

As unforgettable on the page as when recited in Marsh’s legendary spoken-word performances, the poems in savings time are focused on both revolution and self-love, at once holding society accountable for its exploitation of Black life and honoring the joy of persisting nonetheless.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

“After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse” (Time magazine).

"One day all these classrooms / will no longer hold any of us. / Leave no evidence we were here. / We exist in the whisper...." Lupe Mendez's innovative new collection captures a unique time in Houston, Texas, "a sliver of a moment for Mexican-American and Mexican communities in the early 1970s," that explores Houston ISD's racist plan to integrate schools by sending Mexican-American children--labeled as white--to predominantly African-American schools, thereby satisfying federal desegregation laws. Incensed that its children would have to travel to schools that were no better than the ones they could walk to, the Chicano community resisted by instituting a walkout, or huelga, and creating its own schools in churches, homes and neighborhood centers. Weaving poetry and history, the book contains "found" poems created from newspaper articles about the strike; oral history interviews with teachers, principals and students; notes from visits the author made to the sites where classes were held more than 50 years ago; docupoems created from official Huelga School papers; and historical documents such as photographs, charts, fliers and letters. In his illuminating notes about the book, Mendez describes the methodology for creating this collection and includes a list of best practices for the "poethnographer." His research revealed the racism that existed in this era, perpetuated by the majority white population and between brown and black populations forced to compete for every resource. Ultimately, Mendez asserts the Huelga School strike had a critical impact on Houston, both in the development of Mexican-American leaders who got their start in these "freedom schools" and the nascent collaborations between diverse communities. This creative, thought-provoking volume is a must-read for anyone interested in education, history and Mexican Americans' fight for equality.

The stunning repackage of a timeless Newbery Award Winner, with cover art by two-time Caldecott Honor Award winner Kadir Nelson!

With the land to hold them together, nothing can tear the Logans apart.

Why is the land so important to Cassie's family? It takes the events of one turbulent year—the year of the night riders and the burnings, the year a white girl humiliates Cassie in public simply because she is black—to show Cassie that having a place of their own is the Logan family's lifeblood. It is the land that gives the Logans their courage and pride, for no matter how others may degrade them, the Logans possess soemthing no one can take away.

"[Taylor] writes not with rancor or bitterness of indignities, but with pride, strength, and respect for humanity."—The New York Times Book Review

"The vivid story of a black family whose warm ties to each other and their land give them strength to defy rural Southern racism during the Depression . . . Entirely through its own internal development, the novel shows the rich inner rewards of black pride, love, and independence despite the certainty of outer defeat."—Booklist, starred review

* Newbery Medal winner
* A National Book Award Nominee
* American Book Award Honor Book
* An ALA Notable Book
* A NCSS-CBC Notable Children's Trade Book in the Field of Social Studies
* A Boston Globe-Horn Book Award Honor Book

Winner of the 2025 CAAPP Book Prize, selected by Cameron Awkward-Rich, Les Portes traces how harm against women and femmes takes root, recurs, and reshapes itself across generations. 

Unfolding in three movements—Le Début, Le Passé, and Le Présent—all of which rupture conventional domestic abuse narratives, and drawing heavily from zuihitsu, ekphrasis, erasure, and found forms to mirror the fractured experience of living through and after harm, these poems serve as radical meditations on the power to reflect as resistance. A queer woman caught in an abusive marriage begins to reimagine justice not as punishment but as something restorative, collective, and deeply non-carceral. 

In her debut book, Nnoka poses the question that propels the collection: “Where is the path forward / that ensures no recurrence?” Rather than gesture toward resolution, Les Portes dwells inside this question, and what emerges is not consolation but an immense reckoning.

A fun middle-grade contemporary fantasy with an all-BIPOC cast, about a social-media-loving tween who gets sent to an ultra-private witch camp

Hasani’s post-seventh-grade summer to-do list is pretty simple: get a bigger following for her makeup YouTube channel and figure out how to get her parents back together. What she does NOT expect is that an emotional outburst will spark a latent magical ability in her. Or that the magic will be strong enough to attract the attention of witches. Or that before she can say #BlackGirlMagic, she’ll be shipped off on a scholarship to a fancy finishing school for talented young ladies.

Les Belles Demoiselles is a literal charm school. Here, generations of young ladies from old-money witch families have learned to harness their magic, and alumnae grow to become some of the most powerful women across industries, including politicians, philanthropists, CEOs, entrepreneurs—and yes, even social media influencers. Needless to say, admission to the school is highly coveted, very exclusive . . . and Hasani sticks out like a weed in a rose bouquet.

While the other girls have always known they were destined to be witches, Hasani is a Wildseed––a stray witch from a family of non-witches, with no background knowledge, no way to control her magic, and a lot to catch up on. "Wildseed" may be an insult that the other girls throw at her, but Wildseeds are more powerful than they know. And Hasani will learn that there are ways to use magic and thrive that can never be taught in a classroom.

Combining the political intrigue of She Who Became the Sun with the gorgeous world-building of Children of Blood and Bone, Birth of a Dynasty is the start of a thrilling epic fantasy trilogy centered around three families’ fight for power in Ahkebulin, a land where magic is feared, giants are real, and prophecy holds sway. 

We shall not forgive. We shall not forget. We will have our vengeance.

After witnessing the massacre of everyone he’s ever known and loved, M’Kuru Mukundi, the sole surviving member of the High Noble House Mukundi of Madada, vows revenge. M’kuru flees to a small village where he hides under the guise of farm boy Khalil Rausi… unaware that the real Khalil’s father is the bloodthirsty General of Zenzele army, and under the direction of the King’s scheming son, Prince Effiom, was responsible for the murder of M’kuru’s people. When an imposter claiming to be M’kuru shows up in the village, the real M’kuru—now Khalil—must bide his time amongst his enemies, pretending to be everything that he hates in order to get vengeance.

In another part of the country where giants roam free, young Zikora Nnamani, the only daughter of Lord Nnamani, knows nothing of political intrigue—she wants little more than to be a fierce Seh Llinga warrior. But a well-known prophecy places too much potential power on her small shoulders, and—as far as Prince Effiom and the King know—she is the only living threat to their dynasty ruling forever. However, when a messenger arrives to “invite” Zikora to stay at the palace, her family is not in a position to refuse. Before she is taken away, she begins The Rite of Blessing, a magical inheritance that she will need to learn how to use, but that may also bring the world one step closer to the completion of the prophecy that Prince Effiom so fears.

Between scheming ladies at court, backstabbing princes on the prowl, and paranoid kings, M’kuru and Zikora must do what they can, no matter how terrible, to save their people and claim vengeance for their families. But they are just two young people against an entire kingdom—and a prophecy destined to thwart their dreams—and the last thing they can do is trust anyone…even each other.

NATIONAL BOOK AWARD FINALIST • One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation.

“Karla’s book sheds light on people’s personal experiences and allows their stories to be told and their voices to be heard.”—Selena Gomez

FINALIST FOR THE NBCC JOHN LEONARD AWARD • NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME

Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she’d tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer’s phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants—and to find the hidden key to her own. 
 
Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented—and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. 
 
In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. 
 
In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.