La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

«No puedo imaginar la literatura norteamericana sin esta novela.»
John Leonard, Los Angeles Times

Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

Reseñas:
«Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
Begoña Alonso, Elle

«Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
Zenda

«Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

leer Beloved.»
Margaret Atwood, The New York Times

«Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
A. S. Byatt

«Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
The New York Times

«La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
Chicago Sun-Times

«Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
Biblioteca Pública de Nueva York

«He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
Sergio Ramírez, Babelia

«Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
Barack Obama

«Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
Carmen María Machado

The love child of The L Word and Brontez Purnell's 100 Boyfriends, with a disaffected flair all its own.
It’s San Francisco in the early aughts, and Howie Song is floundering. His failed projects—as a professional ballet dancer, as a boyfriend, as a friend—have left him forever the “third wheel.” But maybe he likes it that way? Leaping wildly between lovers, centuries, and an ever-changing cultural landscape, Howie might just feel most himself in the fracture.

Delicious, poetic, and delightfully pornographic, Tricyclist is an ode to the “abnormal angles” of people and art. As Howie overcomes his own ambivalences—in large part thanks to two suitors, and a circle of supporters who happen to be lesbians—Joon Oluchi Lee portrays, with his signature flamboyance, all of life’s joys, pitfalls, and pirouettes.

An impassioned defence of Black excellence in the arts.

What does it mean – and how does it feel – to grow up as a Black artist today?

‘This exceptional book, written with a mother’s love for her seven creative children, sensitively offers profound and original insights and perspectives that enrich our culture. I feel so much wiser for reading it.’ Bernardine Evaristo

When Kadiatu Kanneh-Mason’s eldest daughter, Isata, made her solo debut at the BBC Proms in 2023, she could not have been prouder. Watching years of hard work transform into a transcendent performance was profoundly moving, both as music-lover and parent.

All fractured when her younger daughter turned to her in tears a few days later, having read online abuse about her sister. Isata, it was declared, did not deserve to be there. How do you prepare your child for the fact that no matter their talent, technique or dedication, they will be told they do not belong?

Through conversations with her extraordinarily gifted family, Kanneh-Mason explores what it’s like to come of age in these turbulent times, when Black artistic self-expression is so often met with disparagement and abuse online – and offers a hopeful, powerful way through.

Langston Hughes's debut novel, a moving portrait of African American family life in 1930s Kansas, newly reissued for Union Square & Co.’s Herald Classics line.

Originally published in 1930, Not Without Laughter follows Sandy Rogers as a boy living in rural Kansas to his arrival in Chicago as a young man, set against a backdrop of poverty, racial segregation, and the onset of World War I. Orbiting Sandy are a host of vividly realized family members, including his mother Annjee, a housekeeper for a wealthy white family; his irresponsible father Jimboy, who plays guitar and is constantly in search of work; his aunts, blues-singing Aunt Harriet and social-climbing Aunt Tempy; and his pious, strong-willed grandmother Hager, who holds the generations together.

Partly inspired by Langston Hughes’s early life in the Midwest, Not Without Laughter is the debut novel of the literary giant, a sweeping and elegiac family drama that traces Black life in the early twentieth century, an important setting in the history of a racially divided America.

A spellbinding story of two young people whose fates intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity, by the Booker Prize-winning author of The Inheritance of Loss

“A novel so wonderful, when I got to the last page, I turned to the first and began again.”—Sandra Cisneros
"A grand and stirring love story, written in exquisite prose . . . [a] sheer delight!"—Namwali Serpell

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart.

Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world.

The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

In the days following her brother’s death, Jessie Wong is adrift and angry: at Tommy, her rebellious older brother and a world-traveling chef, for dying; at her parents for their silence and rigidity; and at the confines of her conservative Christian Chinese upbringing. Then Jessie finds a list in Tommy’s handwriting: the five meals that he claimed “taste like seeing God.” Was his phrasing blasphemy, or a nod to some hidden belief? Is it pure chance that the list came to her, or is this fate offering her the chance to know her brother in a new way?

Breaking from her parents for the first time, Jessie decides to take up her brother’s unexpected challenge. With a one-way ticket, she embarks on a whirlwind pilgrimage to taste the five foods on the list. From the gritty bars of New York City to a three-Michelin-starred restaurant on a tiny German island in the North Sea, from the art world of Paris to the markets of Dakar, Jessie meets the people who loved and inspired her brother, getting to know the sibling she lost and the life he’d built. As Jessie begins to realize how much more of the world is out there, perhaps a future she’d never dared to envision for herself is now within her grasp.

Flavored with illegal French delicacies and famed Senegalese dishes, Tastes Like Seeing God explores the transcendent power of food, the transformative nature of grief, and how we can learn to choose a life on our own terms. With emotional truth and surprising humor, Tastes Like Seeing God is a poignant exploration of life’s sorrows and its sublime joys.

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies
How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women.

Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.

In the first book of a heart-pounding new YA fantasy series, an orphaned teen is thrust into a divine war—and must decide whether awakening his true powers is worth risking his soul.

For sixteen-year-old Marcus Azure, the unusual blemishes on his skin have always made him feel insecure and unwanted. Orphaned at a young age, stares and whispers incite rumors of him being cursed. But all Marcus wants is to gain respect as a worthy soldier and a protector for his land.

Hoping to gain acceptance and silence the rumors, Marcus competes for a coveted spot in the Land of Aypha’s elite military. Before Marcus can earn his place, a mysterious group of assassins incinerate his village, destroying all he knew. On his own once again, Marcus’s quest for answers takes him on a journey across new lands where he discovers his world is ruled by Divines—powerful warriors with abilities to manipulate metals, harness the wind, and control the shape of water. As Marcus plunges deeper into the Divine world, he encounters the former Queen of the Aminas, Sinclair Bonet. She reveals the attack on his land is tied to something far worse. A war across the eight Divine Lands of Pyris is coming. If Marcus and others are to survive, he’ll need to awaken a secret yet volatile power within him.

As the battle rages closer and secrets unravel, Marcus must confront the truth of whether the blemishes he was shunned for are truly a curse or a sign of something greater.

In Black Madness :: Mad Blackness Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.

Walter Rodney was a scholar, working class militant, and revolutionary from Guyana. Strongly influenced by Marxist ideas, he remains central to radical Pan-Africanist thought for large numbers of activists’ today. Rodney lived through the failed –though immensely hopeful -socialist experiments in the 1960s and 1970s, in Tanzania and elsewhere.

The book critically considers Rodney's contribution to Marxist theory and history, his relationship to dependency theory and the contemporary significance of his work in the context of movements and politics today. The first full-length study of Rodney’s life, this book is an essential introduction to Rodney's work.

Embrace and learn to love your natural hair with this eye-opening guide from “hair whisperer” to the stars, Felicia Leatherwood.

As a child there was nothing Felicia Leatherwood wanted more than long, flowy hair. But Felicia’s short afro grew up and out, not down. Her father who styled Felicia’s hair in her mother’s place, often didn’t know his own strength, and would rip Felicia’s delicate strands as he combed through her hair. At a young age, Felicia internalizes her hair as something to be managed, tamed, instead of a source of pride.

As hair trends come and go, Felicia’s beloved Jherri curl is replaced by every braided style in the book. She even tries her hand at weaves and relaxers. Felicia finds she loves doing hair so much she leaves her high-paying corporate job to enroll in beauty school and lands a hot new job at a salon where celebrities breeze through to freshen up their look. It isn’t long until Felicia is styling her first celebrity client. Felicia’s love of hair takes her around the world, to movie sets and several red carpets.

In Root Therapy, Felicia shares her journey of hair positivity, which opens the door to a beautiful spiritual journey of self-love. As a celebrity stylist and natural hair educator, Felicia has made it her life’s mission to share the message of hair acceptance. Complete with exercises that show you the merits of owning one’s complete self, Felicia encourages you to embrace your natural hair.

The late, legendary performer and activist’s candid reflections on American race relations and social movements, based on previously unpublished conversations with the award-winning historian

Harry Belafonte was more than a bestselling folk singer and Hollywood’s first Black matinée idol; he was also the secret weapon of human rights movements for seventy years—a close confidante of Martin Luther King Jr. and Eleanor Roosevelt; a trusted whisperer to JFK; and a political advisor to African heads of state.

Belafonte simultaneously advised Robert F. Kennedy on how to win the Black vote, openly supported Communist leaders including Fidel Castro, and skillfully avoided being blacklisted by J. Edgar Hoover. He was also a masterful fundraiser, almost singlehandedly bankrolling the civil rights movement from his own earnings as well as donations solicited from Hollywood friends and Vegas mobsters. It was Belafonte’s idea to organize superstar artists to record the hit song, “We Are the World” in 1984 to benefit famine victims in Africa.

In this candid, revelatory book, drawn from a series of conversations with historian Kevin Baker shortly before Belafonte’s death in 2023, the legendary singer of “Day-O” shares his philosophy on racial politics, African colonialism, the emergence of Israel, the shortcomings of Barack Obama, and the rise of Donald Trump. A Burning House offers a primer on celebrity activism at its best—as well as a cautionary tale about the rise of American authoritarianism.