AN ELLE AND ELECTRIC LIT BEST BOOK OF THE YEAR • The Grand Paloma Resort is a lush paradise in the Dominican Republic where the guests enjoy incredible luxury, and the staff is always eager to please—that is, until they are pushed to the brink.

Laura is a local Dominican woman who, through sheer hard work, has risen through the ranks to become manager at the Grand Paloma Resort. Her idea to pair a “platinum” guest with their own resort employee to attend to their every whim has been wildly successful, and she’s just weeks away from a promotion that could blaze a path for her off the resort and toward a life of opportunity. If only her younger sister, Elena—who she’s looked after since the death of their mother—could get with the program.

Elena has tried to live up to her sister’s expectations, but to escape the drudgery of waiting on rich tourists, she’s become increasingly dependent on pills and partying. As a babysitter at the resort, she’s at the beck and call of guests who are indulging their worst impulses and need someone else to watch their kids while they do so. Now, after an accident, a child left in her charge is believed dead, and Elena knows she'll be held responsible.

When Elena runs into the child’s father at a nearby beachfront watering hole, he offers her an obscene amount of money for private time with two young local girls. Elena pockets the cash to fund her escape and prays she’s gotten the girls out of harm’s way. But then the girls are reported missing.

Set over the course of seven days, The Grand Paloma Resort offers an unforgettable story of class, family, and community, building to an intense climax in which the true costs of luxury are laid bare, redeemed only by true acts of love.

The poetry of Tom Postell, believed lost since a tragic death in 1980, appears here in its first authorized, comprehensive volume. While Postell ran with the masters of Beat, Black Power, and Hardbop in the 50's and 60's, he has remained elusive, enigmatic, unsung. His poems provide an astonishing look into how issues of race, music, and the political avant-garde intersect at this pivotal moment in post-WWII America. Essays and hybrid work by giovanni singleton, Derrick Harriell, and Aldon Lynn Nielsen complement interviews, typescripts, and archival photos, making this retrospective of Postell the first of its kind.

ABOUT TOM POSTELL

Tom Postell, born Thomas Freeman Postell Jr., was a Black American poet born in Cincinnati in 1927 and closely associated with the Beat Generation, Black Mountain School, and Black Arts Movement in New York City's Greenwich Village from 1953 to 1969. A close friend and mentor of poet Amiri Baraka, Postell's circle included musicians like Ornette Coleman and Archie Shepp and fellow poets like Allen Ginsberg and Ted Joans. Hindered by institutionalization, mental health struggles, and substance abuse, Postell disappeared from the literary scene in 1970, leaving a trove of innovative work thought lost upon his death in 1980.

"Postell wrote moon poems that would concern the authorities. A nature poet, jazz poet, love poet, and surrealist raconteur. He was multitudinous, hilarious, occasionally terrifying and always interstellar. In the pages of this iridescent collection, his voice arrives as if from another planet, another place in space-time, to call us forward.” —Dr. Joshua Bennett

"Tom Postell emerged from the mid-1960s Village literary scene as a self-sculpted, deft, barely-listened-to imaginal incessance. And yet, with this surprising new collection of unheralded poems, his work continues to radiate with incantatory significance. —Will Alexander

29 personal essays exploring mixed identity, belonging, family, racism, community and the paradoxical ways of being in the world

“An unprecedented ode to the wide range of mixed-root experiences and what is shared across difference. Required reading for anyone who has ever been asked what are you? I want everyone to read this.”
—Melissa Febos, author of Girlhood and The Dry Season

Multiracial people are everywhere—but so often their stories are oversimplified, overlooked, or left out of the narrative altogether. Mixed Roots: Writers on Multiracial Identity & Both/And Belonging collects 29 voices from different generations, geographies, and mixes of race and ethnicity. Combining powerful personal narratives with community-oriented perspectives, Mixed Roots explores themes of inherited belief systems, racism, whiteness, migration, language, trauma, ancestry, and healing.

When society so often wants to divide us into either/or categories, Mixed Roots reminds us that multiracial experiences are complex and can be told in different ways. This anthology engages with the familiar questions of “what are you?” or “where do you belong?” with nuance, dispelling the idea that there is ever one right way to identify. In a time of increased polarization, Mixed Roots invites more of us to examine the historical legacies and harm caused by racism within ourselves and our communities.

With compelling, intimate, lyrical and conversational prose, the voices in Mixed Roots honor the realities we’ve inherited around race, while pushing against old assumptions— encouraging readers to embrace paradox and non-binary belonging.

With her daughter to care for and her abuela to help support, high school senior Emoni Santiago has to make the tough decisions and do what must be done. The one place she can let her responsibilities go is in the kitchen, where she adds a little something magical to everything she cooks, turning her food into straight-up goodness.

Still, she doesn’t have enough time for her school’s new culinary arts class, doesn’t have the money for their trip to Spain—and certainly can’t follow her dreams of working in a real kitchen someday.

But even with all the rules she has for her life—and all the rules everyone expects her to play by—once Emoni starts cooking, her only choice is to let her talent break free.

"Makes a valuable contribution to the ever-widening field of Morrison studies by exploring the intricacies of Morrison's African references, giving critics the ability to make more informed readings of the novels."--Canadian Review of American Studies

"A study of African cosmology and epistemology in Morrison’s writings that draws on the academic author's experience in the Kongo and Yoruba traditions."--Chronicle Review

"Addresses a real need: a scholarly and ritually informed reading of spirituality in the work of a major African American author. No other work catalogues so thoroughly the grounding of Morrison’s work in African cosmogonies. Zauditu-Selassie's many readings of Ba Kongo and Yoruba spiritual presence in Morrison's work are incomparably detailed and generally convincing."--Keith Cartwright, University of North Florida

While others have studied the African spiritual ideas and values encoded in Morrison's work, African Spiritual Traditions in the Novels of Toni Morrison is the most comprehensive. In this volume, K. Zauditu-Selassie explores a wide range of complex concepts, including African deities, ancestral ideas, spiritual archetypes, mythic trope, and lyrical prose representing African spiritual continuities. She delves deeply into African spiritual traditions, clearly explaining the meanings of African cosmology and epistemology as manifest in Morrison’s novels.

Zauditu-Selassie is uniquely positioned to write this book, as she is not only a literary critic but also a practicing Obatala priest in the Yoruba spiritual tradition and a Mama Nganga in the Kongo spiritual system. The result is a comprehensive, tour-de-force critical investigation of such works as The Bluest Eye, Sula, Song of Solomon, Tar Baby, Paradise, Love, Beloved, and Jazz.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistance

Black students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.

Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.

School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.

A whirling exploration of how Megan Thee Stallion inspires Black women and femmes like the late Monica Roberts, framed by the storm-making work of both.

While rap megastar Megan Thee Stallion needs no introduction, fewer will be familiar with Monica Roberts, a Houston journalist, community historian, and trans activist with the popular blog TransGriot. Though the two women never met, their work has inspired Black LGBTQ+ activists to love, resist violence, speak truth to power, and dance like life depends on it. With a written energy that’s infectious, Omise’eke Tinsley highlights just how intertwined these artists are.

An incisive look at the impactful sisterhood between Black women and femmes, Bringing Wreck is a book of empowerment. From Megan’s first performance on Saturday Night Live calling to “Protect Black Women,” to Roberts’s use of Hurricane Hanna to poke fun at Donald Trump’s border wall, Tinsley digs into the world-changing power of disruption and joyful expression in the face of racial injustice, anti-trans and queer violence, mental health crises, and community disparities. Reveling in both women’s love of Houston, calling-out of gendered violence, penchant for political humor, and staunch mental health advocacy, Bringing Wreck is an ode to the Bayou City, Black music, and the difference that one woman’s voice can make when we listen carefully.

An inspiring memoir of family, community, and resilience, and an ode to the power of books to help us understand ourselves, from the renowned founder of Well-Read Black Girl.
 
“She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”—Toni Morrison, Beloved
 
For Glory Edim, that “friend of my mind” is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty, eventually reaching a community of half a million readers. But her own love of books stretches far back.
 
Edim’s father moved back to Nigeria while she was still a child, marking the beginning of a series of traumatic changes and losses for her family. What became an escape, a safe space, and a second home for her and her brother was their local library. Books were where Edim found community, and as she grew older she discovered authors and ideas that she wasn’t being taught about in class. Reading wherever and whenever she could, be it in her dorm room or when traveling by subway or plane, she found the Black writers whose words would forever change her life: Nikki Giovanni, through children’s poetry cassettes; Maya Angelou, through a critical high school English teacher; Toni Morrison, while attending Morrison’s alma mater, Howard University; Audre Lorde, on a flight to Nigeria. In prose full of both joy and heartbreak, Edim recounts how these writers and so many others taught her how to value herself by helping her to find her own voice when her mother lost hers, to trust her feelings when her father remarried, and to create bonds with other Black women and uplift their stories.
 
Gather Me is a glowing testament to how the power of representation in literature can gather the disparate parts that make us who we are and assemble them into a portrait of discovery.

Talking to the Dead is an ethnography of seven Gullah/Geechee women from the South Carolina lowcountry. These women communicate with their ancestors through dreams, prayer, and visions and traditional crafts and customs, such as storytelling, basket making, and ecstatic singing in their churches. Like other Gullah/Geechee women of the South Carolina and Georgia coasts, these women, through their active communication with the deceased, make choices and receive guidance about how to live out their faith and engage with the living. LeRhonda S. Manigault-Bryant emphasizes that this communication affirms the women's spiritual faith-which seamlessly integrates Christian and folk traditions-and reinforces their position as powerful culture keepers within Gullah/Geechee society. By looking in depth at this long-standing spiritual practice, Manigault-Bryant highlights the subversive ingenuity that lowcountry inhabitants use to thrive spiritually and to maintain a sense of continuity with the past.

The Evidence of Things Not Seen, award-winning author James Baldwin’s searing 1985 indictment of the nation’s racial stagnation, is contextualized anew by an introduction from New York Times bestselling author and political leader Stacey Abrams.

In this essential work, James Baldwin examines the Atlanta child murders that took place over twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the Black administration in Atlanta; the murdered Black children; and Wayne Williams, the Black man tried for the crimes. In Baldwin’s hands, this specific set of events has transcended its era and remains as relevant today as ever.

Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us to a moment in history when we are forced to reckon with some of the country’s most ingrained, foundational issues and when, too often, public officials fail to ask real questions about “justice for all.” In this, his last book, Baldwin also reveals his optimistic faith in America’s ability to move toward repair: “This is the only nation in the world that can hope to liberate—to begin to liberate—mankind from the strangling idea of the national identity and the tyranny of the territorial dispute. I know this sounds remote, now, and that I will not live to see anything resembling this hope come to pass. Yet, I know that I have seen it—in fire and blood and anguish, true, but I have seen it. I speak with the authority of the issue of the slave born in the country once believed to be: the last best hope of earth.”

Returning to her hometown was not in the plans, and neither was falling for her former best friend…

Briyana Hayes can’t seem to catch a break.

The job offer she expected after taking an unpaid internship at a major shoe company didn’t come through. The friend who’d offered her a place to stay suddenly gave her forty-eight hours to vacate after a misunderstanding. And when she’s forced to move back to her hometown to live with her father and his mistress-turned-wife, it almost seems impossible for things to get any worse… until she runs into her former best friend who’s only gotten fine with time.

With his sixth season as the starting linebacker for his hometown Houston Skyhawks on the horizon, the only thing Lance Hawkins is looking forward to is another year of getting paid and chasing accolades. But when he discovers that the girl he once considered his best friend is back in the city, he quickly finds himself intrigued by a different kind of pursuit after seeing how attractive she’s gotten.

Even with the fallout of the past, their undeniable chemistry as friends makes it impossible for the two of them to remain distant. And once romantic feelings get involved, it doesn’t take long for Briyana and Lance to find themselves on a journey of not only reestablishing what once was, but also exploring what could be.