Perfect for fans of cozy LGBTQ+ romance like Heartstopper and Bloom, this slice-of-life rom-com by debut creator Moosopp is the sunshiny story of Marcus and Cog falling for each other.

It’s the start of a new year and maybe the start of something more.

Marcus has a crush, and Cog is completely unprepared for the hijinks that follow. Hopefully in their efforts to grow closer, they can brighten each other’s day.

It’s senior year and Marcus and Cog, two students from different friend groups, just started hanging out. Between Marcus making lunch for Cog, Cog walking Marcus home, and accidental paper-eating incidents, they start to see one another in a new light.

Over the course of movie nights and shopping trips, Marcus and Cog start spending even more time together over the winter break. So much so that everyone thinks that they’re boyfriends already. That might not be true…yet…but it might just be on the horizon.

This volume collects episodes 48 to 107 of the endearing WEBTOON comic with over 100 million reads, Daybreak.

A young model is catapulted from her life in Jamaica to the international world of high fashion in this tender, powerful novel about the distance one woman must travel to find out what it means to be truly free—by the critically acclaimed and award-winning author of Patsy and Here Comes the Sun.

Nestled within Jamaica’s Blue Mountains, Cherry Village has belonged for generations to the Maroons—freed slaves descended from Faye’s ancestor, the legendary Grandy Henrietta. But Faye’s restless nature and independence have always marked her as different, and she dreams of a life beyond the rural coffee-farming community that follows the old ways. When Faye’s mother is forced to sell their ancestral land after falling ill, Faye worries she will be trapped forever.

A chance meeting with a modeling scout offers Faye the opportunity to save her family and pursue the freedom she craves. Her career will take her on a whirlwind journey of luxury and excess, love and adventure, as well as greed and deception. But her success will challenge everything she thought she knew about herself, forcing her to confront a legacy of pain, resilience, and survival that began generations before.

A story of land and river, myth and history, unbreakable hope and generational resilience, interwoven with Jamaican folklore and featuring an unforgettable heroine, Black Gold further establishes Nicole Dennis-Benn as one of the most dynamic voices in contemporary fiction.

A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in a pyramid scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging—all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice.

In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls “sitting with”—a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland’s arrest and death reveal the affective resonances of blackness, and he contends that Sterling’s physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness.

Review

About the Author

An explosive and emotional story of four siblings―each fighting their own personal battle―who return home in the wake of their father's death in order to save their family's home from being sold out from under them, from the author of One Summer in Savannah.

"Don't let the white man take the house."

These are the last words King Solomon says to his son before he dies. Now all four Solomon siblings must return to North Carolina to save the Kingdom, their ancestral home and 200 acres of land, from a development company, who has their sights set on turning the valuable waterfront property into a luxury resort.

While fighting to save the Kingdom, the siblings must also save themselves from the secrets they've been holding onto. Junior, the oldest son and married to his wife for eleven years, is secretly in love with another man. Second son Mance can't control his temper, which has landed him in prison more than once. CeCe, the oldest daughter and a lawyer in New York City, has embezzled thousands of dollars from her firm's clients. Youngest daughter Tokey wonders why she doesn't seem to fit into this family, which has left an aching hole in her heart that she tries to fill in harmful ways. As the Solomons come together to fight for the Kingdom, each of their façades begins to crumble and collide in unexpected ways.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

"Explosive and emotionally charged." ―Etaf Rum, New York Times bestselling author of A Woman is No Man and Evil Eye

"A tour de force of history, injustice, and the brutal, beautiful everlasting ties of family." ―Tara Conklin, New York Times bestselling author of The House Girl and The Last Romantics

A student will find that the hardest lessons sometimes come from outside the classroom in this stunning dark academia novel from the acclaimed author of The Year of the Witching and House of Hunger.

Lennon Carter’s life is falling apart.   

Then she gets a mysterious phone call inviting her to take the entrance exam for Drayton College, a school of magic hidden in a secret pocket of Savannah. Lennon has been chosen because—like everyone else at the school—she has the innate gift of persuasion, the ability to wield her will like a weapon, using it to control others and, in rare cases, matter itself.  

After passing the test, Lennon begins to learn how to master her devastating and unsettling power. But despite persuasion’s heavy toll on her body and mind, she is wholly captivated by her studies, by Drayton’s lush, moss-draped campus, and by her brilliant classmates. But even more captivating is her charismatic adviser, Dante, who both intimidates and enthralls her. 

As Lennon continues in her studies, her control grows, and she starts to uncover more about the secret world she has entered into, including the disquieting history of Drayton College. She is increasingly disturbed by what she learns, for it seems that the ultimate test is to embrace absolute power without succumbing to corruption...and it’s a test she’s terrified she’s going to fail.

At Camp Mirror Lake, terror is the name of the game . . . but can you survive the night?

This heart-pounding slasher by New York Times bestselling author Kalynn Bayron is perfect for fans of Fear Street.

Charity has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, The Curse of Camp Mirror Lake. The more realistic the fear, the better for business.

But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after. As they unravel the bloody history of the real Mirror Lake, Charity discovers that there may be more to the story than she ever suspected . . .

GANADOR DEL PREMIO PULITZER

El libro que inspiró la película adaptada nominada al Oscar, ¡ahora en cines!

Después de El ferrocarril subterráneo, Colson Whitehead gana el Pulitzer por segunda vez con esta estremecedora historia sobre dos amigos que luchan por su supervivencia.

Próximamente una película dirigida por el nominado al Premio de la Academia®, RaMell Ross. Llegará a los cines este otoño.

De poco sirve ser un buen estudiante en la Academia Nickel para chicos. Elwood -pobre, huérfano y de raza negra- no tarda en descubrirlo cuando, por un malentendido, le encierran en este reformatorio. Con la ayuda de un buen amigo, este adolescente descubrirá cómo sobrevivir en este lugar que esconde un brutal secreto y una realidad corrupta, respaldada por muchos y obviada por todos.

Basada en el estremecedor caso real de un reformatorio de Florida que estuvo en funcionamiento durante más de un siglo y destrozó la vida de miles de niños, Los chicos de la Nickel es una novela devastadora que, a caballo entre el presente y el final de la segregación racial estadounidense en los años sesenta, muestra la genialidad de un escritor en la cima de su carrera.

ENGLISH DESCRIPTION

WINNER OF THE PULITZER PRIZE

The book that inspired the Oscar-nomitaed adapted film—now in theaters!

ONE OF THE BEST BOOKS OF THE YEAR
Time, Esquire, The Washington Post, The Guardian, Slate, NPR, Entertainment Weekly, Vox, Variety, Christian Science Monitor, The Minneapolis Star Tribune, The Dallas Morning News, Literary Hub, BuzzFeed, The New York Public Library

NEW YORK TIMES BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF TIME MAGAZINE'S 10 BEST FICTION BOOKS OF THE DECADE • WINNER OF THE KIRKUS PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2020 • SHORLISTED FOR THE DUBLIN LITERARY AWARD

The book that inspired the upcoming adapted film, directed by RaMell Ross

In this bravura follow-up to the Pulitzer Prize and National Book Award-winning #1 New York Times bestseller The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in Jim Crow-era Florida.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. As life at the Academy becomes ever more perilous, the tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades.

Based on the real story of a reform school that operated for 111 years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.

A rediscovered classic from the Harlem Renaissance about a young Black woman’s journey passing as white in 1920s New York City and her quest for self-acceptance—with an introduction by Glory Edim, founder and author of Well-Read Black Girl.

Jessie Redmon Fauset is one of the literary titans and foremost tastemakers of the Harlem Renaissance—hired by W. E. B. Du Bois to edit The Crisis, she helped popularize writers like Nella Larsen, Claude McKay, Langston Hughes, amongst countless others. And yet, her own work has been largely underread in the twenty-first century. Written in 1929, at the height of the Harlem renaissance, Fauset’s celebrated second novel tells the story of Angela Murray.
 
Growing up in a Black middle-class Philadelphia neighborhood, Angela has always dreamed of becoming a painter. But the profession is largely reserved for white society. So when Angela’s parents prematurely pass away, she moves to roaring New York City, where she befriends elite artists and presents herself as a white woman. While her sister Virginia’s complexion resembles that of their father’s, Angela’s is lighter, like her mother’s, and passing, she believes, is the only way she’ll ever achieve success. Virginia, meanwhile, refuses to bow to racist pressures, and stays in Philadelphia to embrace her heritage with pride. 
 
Each time Angela thinks she’s found artistic, professional, and romantic fulfillment, her ethnicity gets exposed and she finds herself stripped of everything she cares about. As she navigates a world of seduction, betrayal, lust, and heartbreak, she’s forced to consider: What does it mean to find genuine success in a society marred by injustice? Fauset’s “novel without morals” never passes judgement and stays teeming with tenderness. Full of moments that underline the joy of every day Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

*Paperback Release Date - 1/12/2027*

A vibrant new vision of food justice that celebrates Black food and recognizes the power of gathering to create sustainable, systemic change.

How can we create a world where everyone has enough? We can start by focusing less on lack and more on abundance.

In Gather, anthropologist Ashanté M. Reese argues for a new vision of food justice that centers the resilience of Black communities and argues that community nourishment deserves as much consideration as individual health. Highlighting four spaces of gathering―gardens, family reunions, repasts, and protests ―Reese offers rich, on–the–ground studies of the places and people who make up the food justice movement. From Black church networks and community farms to student protests, these studies illuminate ways we can challenge structures of power and nourish ourselves, body and soul. In a world of social isolation and unequal food systems, Gather offers a compelling argument for the beauty and political power of togetherness.