Lovie Sinclair is on the run.

After narrowly escaping a volatile relationship, the former NFL WAG is a shell of herself. Her once glamorous life feels like a bad dream. Emotionally numb, broke, and desperate to disappear, she returns home to heal, but something about home feels different. She just can’t put her finger on what’s changed.

Then she meets Rich Lovelace.

Insular and intimidating, Rich is the embodiment of danger. He doesn’t know how to run from anything or anyone. Born into a family of rugged street fighters, he confronts all of his problems head on—well, all except for one.

When Rich catches Lovie in a compromising position, the two clash in an intense encounter. Afterwards, everything about Rich that should scare Lovie piques her curiosity, while everything Rich likes about Lovie keeps him holding her at arm’s length. Eventually, they find themselves tangled in a fiery, forbidden friendship that snowballs into a passionate love affair.

Together, they’re pulled into a dangerous web of lust, secrets, and extortion that threatens to shatter Lovie’s fragile healing journey and force Rich to confront the one problem he can’t fight. But when desire collides with danger, someone always pays a price.

The veteran White House correspondent follows up Black Women Will Save the World with a gripping, soul-baring, and deeply personal examination of online misogynoir—specific and relentless online bullying attacks based solely on race and gender.

Notes on a Blacklash is veteran White House reporter April Ryan’s gripping, soul-baring look at what happens when the world suddenly turns its full attention on you. This isn’t just the story of one viral moment with President Trump. It’s about the avalanche that follows: the scrutiny, the emotional and physical toll, and the way your identity can become fuel for headlines and hashtags.

April pulls back the curtain on what it truly costs to be seen and what it takes to survive it. With vulnerability and power, she recounts the moments that made her go viral, not because she chased attention, but because she showed up authentically. Her presence, her truth, and her refusal to shrink under pressure struck a chord and sparked cultural firestorms.

From a high-stakes press room showdown to the history-making decision by Vice President Kamala Harris, from the public disrespect of Stevie Wonder to the slap heard around the world, April explores how race, gender, and power collide in a world addicted to outrage and instant opinions.

At its core, this book explores visibility—its price, its power, and the fight to reclaim your story when millions are watching. What does it mean to go viral when your hair is politicized, your voice is policed, and your very existence is treated as a threat? Sometimes, this is what it feels like when the spotlight finds you: uninvited, unrelenting, and impossible to ignore.

Camo, by photographer Thandiwe Muriu, is the first publication to chronicle the work of this international artist, celebrating the vibrant portraits she creates that combine cultural textiles and beauty ideologies. Muriu takes us on a colorful, reflective journey through her world as a woman living in modern Kenya as she reinterprets contemporary African portraiture. 

As the sole woman operating in the male-dominated advertising photography industry in Kenya, Thandiwe Muriu has repeatedly confronted questions around the role of women in society, the place of tradition, and her own self-perception. These experiences inspired her personal project of cultural reflection: the Camo series. Camo was the catalyst for her to push new boundaries in her photography, leading her into a deeply personal artistic journey.

The compelling, fully saturated photographs in this collection confront issues surrounding identity while seeking to redefine female empowerment through Muriu’s choice of materials. These constructed images are not digital manipulations but physical sets that incorporate African Ankara wax textiles as backdrops and custom-tailored clothing and headdresses. At the forefront of her practice is using textiles to make her subjects disappear and serve as a canvas for reflection on the question of identity and its evolution over time. Muriu also consistently reimagines common objects associated with the daily lives of Kenyans into bold accessories donned by her subjects. These objects range from hairpins to the mosquito-repellent coils she grew up using. In Kenya, an object can have multiple uses beyond its original purpose; as Muriu explains, “When you have little, you transform and reuse it.”

Throughout the book, each image is paired with an inspirational African proverb in both English and Swahili, expressing the collected wisdom of generations that continue to inspire. Proverbs such as "With a little seed of imagination, you can grow a field of hope" convey the uplifting spirit of Muriu's work that empowers women, preserves tradition, and celebrates African beauty and culture. 

A visually stunning art book and cultural touchstone, Camo is a collectible treasure as the first book to showcase the work of a rising star in the worlds of photography and art.

“Strikingly dramatic, yet simple and unrestrained . . . an unusual and intensely interesting book richly packed with strange information.”

—New York Times Book Review

“I'm obsessed.” —Ali Hazelwood

"I never wanted [it] to end...Stunning." —Lyla Sage

What my eyes are showing me can’t be possible. Can’t be real. Because if they are, then I have to accept that Julian Conrad has been alive for a very long time.

Too long to be human.

A stay-up-all-night, smart, spicy romance following a doctor who finds herself falling for an alluring, much-younger man with a deadly secret

Sean’s not in the market for love. The only female, let alone Black, interventional cardiologist at her hospital, she’s watched too many of her male colleagues divorce their first wives to marry younger models—and then there’s the abusive relationship she’s spent the better part of her early 30s healing from. Her passions are reserved for her best friend, her goddaughter, and her job.

Then she meets Julian. Brooding, beautiful and eleven years her junior. In short: A bad idea.

Julian pursues her in a way that sets off alarm bells in her mind, but she finds herself unable to resist their undeniable chemistry—even starts fantasizing about him in dreams that feel altogether too real. They also have a lot in common despite their age gap. So, to hell with it: If men can date younger, why can’t she? But the more Sean gets to know him, the more impossible Julian seems: He has a depth and sorrow to him that’s beyond his years, and sometimes there’s a look in his eyes that’s less than human, and leaves her feeling more like prey. Plus, Sean herself has been exhibiting odd symptoms—memory lapses, a lack of restraint that's unlike her, persistent exhaustion—that all trace back to Julian, making Sean feel more than a little afraid. Who—or what—is she falling, irrevocably, in love with?

Extraordinarily transfixing, suspenseful, and addictive, Die for Me is nothing short of a seduction.

Here, Coates takes readers along on his journey through America’s history of race and its contemporary resonances through a series of awakenings—moments when he discovered some new truth about our long, tangled history of race, whether through his myth-busting professors at Howard University, a trip to a Civil War battlefield, a journey to Chicago’s South Side to visit aging survivors of 20th century America’s “long war on black people,” or a visit with the mother of a beloved friend who was shot down by the police.

In his trademark style—a mix of lyrical personal narrative, reimagined history, essayistic argument, and reportage—Coates provides readers a thrillingly illuminating new framework for understanding race: its history, our contemporary dilemma, and where we go from here.

Serial the podcast meets The Other Black Girl in a haunted house, as young African author disappears after being invited to an exclusive writing residency, and her sister is left only with a true crime podcast to help her uncover the truth about what really happened…

Anaya Sebeya is missing.

Before her disappearance, Anaya was a brilliant writer: a rising star. Invited to a prestigious writing residency at Günter Huis, an eerie colonial mansion on the slopes of Devil’s Peak, Anaya was supposed to craft the next great African literary masterpiece—and so were four other young, emerging writers, all competing for the grand prize. But Anaya never made it home.

When a sensationalized true crime podcast about Anaya emerges, claiming to reveal everything that happened at Günter Huis, her sister Ranewa is both skeptical and furious. But with each surreal episode, Ranewa begins to piece together a truth worse than she ever could have imagined…

At Günter Huis, Anaya’s nightmares consume her. Time slips away from her. Günter Huis inflicts distorted visions and terrible supernatural visitations, pushing Anaya to tell a story no one dares. But exorcising the house’s endless cycle of evil requires a sacrifice that neither Anaya nor her fellows are ready to make.

In House of Margins, award-winning Motswana author Tlotlo Tsamaase delivers a mesmerizing story of a young generation facing colonialism’s cultural legacy in Africa.

A guide to the art of journaling—and a meditation on the central questions of life—by the bestselling author of Between Two Kingdoms, with contributions from Hanif Abdurraqib, Jon Batiste, Salman Rushdie, Gloria Steinem, George Saunders, and many more

“The Book of Alchemy proves on every page that a creative response can be found in every moment of life—regardless of what is happening in the world.”—Elizabeth Gilbert, author of Eat Pray Love

From the time she was young, Suleika Jaouad has kept a journal. She’s used it to mark life's biggest occasions and to weather its most ferocious storms. Journaling has buoyed her through illness, heartbreak, and the deepest uncertainty. And she is not alone: for so many people, keeping a journal is an essential tool for navigating both the personal peaks and valleys and the collective challenges of modern life. More than ever, we need a space for puzzling through.

In The Book of Alchemy, Suleika explores the art of journaling and shares everything she's learned about how this life-altering practice can help us tap into that mystical trait that exists in every human: creativity. She has gathered wisdom from one hundred writers, artists, and thinkers in the form of essays and writing prompts.Their insights invite us to inhabit a more inspired life.

A companion through challenging times, The Book of Alchemy is broken into themes ranging from new beginnings to love, loss, and rebuilding. Whether you’re a lifelong journaler or new to the practice, this book gives you the tools, direction, and encouragement to engage with discomfort, ask questions, peel back the layers, dream daringly, uncover your truest self—and in doing so, to learn to hold the unbearably brutal and astonishingly beautiful facts of life in the same palm.

Also includes essays from: Martha Beck • Nadia Bolz-Weber • Alain de Botton • Susan Cheever • Lena Dunham • Melissa Febos • Liana Finck • John Green • Marie Howe • Pico Iyer • Oliver Jeffers • Quintin Jones • Michael Koryta • Hanif Kureishi • Kiese Laymon • Cleyvis Natera • Ann Patchett • Esther Perel • Adrienne Raphel • Jenny Rosenstrach • Sarah Ruhl • Sharon Salzberg • Dani Shapiro • Mavis Staples • Linda Sue Park • Nafissa Thompson-Spires • Jia Tolentino • Lindy West • Lidia Yuknavitch • And many others

Exploring how Afro-Atlantic religion has been used to portray Black womanhood by writers and artists from Beyoncé to Ntozake Shange

In this book, Sheneese Thompson analyzes works of film and literature to explore how Afro-Atlantic religion intersects with themes of resilience in Black femininity and womanhood. Focusing on Beyoncé’s visual album Lemonade, Thompson examines iconography of the Yoruba goddess Oshun, represented by rivers, the color yellow, and other symbols. Thompson argues that Beyoncé’s tribute to Oshun creates a narrative of self-repossession amid external definitions, generational trauma, and emotional violence and draws connections to other works that feature similar religious references.

Oshun, “Lemonade,” and Intertextuality also explores Beyoncé’s album Black Is King, the television series She’s Gotta Have It, Julie Dash’s movie Daughters of the Dust, Ntozake Shange’s novel Sassafrass, Cypress & Indigo, and Jamaica Kincaid’s stories in At the Bottom of the River. These works highlight the significance of African traditional religions for the healing and transformation of their characters. Thompson discusses the ways in which Yoruba and Lucumí imagery and practices such as oríkì, or praise poetry, have long been incorporated into Black cultural texts such as these to tell stories of racial and gender-based injustices. In looking at Lemonade together with influential older texts created by Black women, Thompson establishes the use of Afro-Atlantic religion—to think through Black womanhood, to explore self-defined sexuality—as a central tenet of Black women’s literature, one that these artists and writers have brought to the global stage.

Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

An intimate look into the studios of twenty prominent Black artists working today, enlivening their art practice and creative lives through stunning photographs and exclusive interviews

‘Both a vital record of the present and a powerful testament to the legacies still being created.’ – Angela Bassett, actress, director, and producer

Another View: The Vibrant World of Contemporary Black Artists is a groundbreaking, intimate exploration of the studios, living spaces, and creative processes of twenty of today’s most notable Black artists. The book includes 150 never-before-published photographs taken by acclaimed artist Awol Erizku, presenting the ultimate behind-the-scenes tour of striking studios across the United States, works in progress by some of the world’s most creative people, and the objects and settings that inspire them. Exclusive profiles inspired by interviews with celebrated curator Isolde Brielmaier offer compelling personal advice and unique insights into the art world, giving readers an inside look at the role of art in society, perspectives on legacy, and what it means to be a Black artist today. An illuminating introduction by lauded scholar and critic Henry Louis Gates, Jr. explores the historical precedents and critical context that led to the exciting current moment of Black contemporary art in America.

Showcasing work across media – including painting, sculpture, textile, collage, photography, and more – the featured artists have won prestigious awards such as the Guggenheim Fellowship, MacArthur Fellowship, and National Endowment for the Arts grant, and are in the collections of leading institutions, including the Museum of Modern Art in New York, the Whitney Museum of American Art, the National Portrait Gallery, and the Guggenheim. These artists represent a pivotal moment in American art history, where Black artists are gaining unprecedented institutional recognition and also fundamentally changing conversations about identity, history, and representation in contemporary art. This book captures a crucial juncture – not only showcasing the ways these artists think about their work, but also highlighting important, personal conversations about how their influence will shape the next generation of artists and the broader cultural landscape for decades to come.

Featured artists: Nina Chanel Abney; Derrick Adams; Sanford Biggers; Jordan Casteel; Nick Cave; Renee Cox; Leonardo Drew; Theaster Gates; Rashid Johnson; Titus Kaphar; Glenn Ligon; Kerry James Marshall; Xaviera Simmons; Lorna Simpson; Shinique Smith; Hank Willis Thomas; Mickalene Thomas; Nari Ward; Carrie Mae Weems; and Fred Wilson.

An introduction to traditional and modern Nigerian home cooking featuring 100 delicious recipes by food explorer, culinary anthropologist, and Nigerian native of @kitchenbutterfly fame, Ozoz Sokoh.
 
In Nigeria, the word “chop” is all about food and feasting and “chop chop” a nickname given to someone who loves to eat. And it's no surprise Nigeria has an entire vocabulary dedicated to eating—with more than 50 nationally recognized languages and over 250 ethnicities, Nigeria's food is as rich and diverse as its people. Despite the foodway's incredibly flavorful complexity, ingredients and recipes from all six regions have not been gathered and showcased in a highly photographic cookbook. 

In Chop Chop, author, culinary anthropologist, and Nigerian native Ozoz Sokoh celebrates classic and traditional Nigerian cuisine to underscore the ingredients, flavors, and textures that make it not only beloved, but delicious and easy for the home cook. Featuring:
* A COLLECTION OF CLASSIC AND MODERN NIGERIAN RECIPES: Think smoky spicy beef suya skewers, egusi soup with greens, restorative pepper soup, jollof rice studded with tomatoes, soft puff puff dough bites, and sweet-tart hibiscus drinks, and more from across the country.
* LEXICON OF NIGERIAN CUISINE: Learn how to shop and cook like a Nigerian as well as the ingredients integral to Nigerian cuisine and how they come together in the form of hearty soups and stews, steamed puddings, salads, rice dishes, fritters, and more.
* ILLUMINATING CULTURAL AND HISTORICAL EXPLORATIONS: With headnotes and sidebars that give important cultural and historical context, including how Nigerian cuisine travelled the globe leaving its mark, you will learn the roots behind each dish.
* STUNNING PHOTOGRAPHY: With gorgeous photos from Nigeria’s landscapes, food markets, and people, as well as beautiful photography of ingredients and finished dishes, Chop Chop is a cookbook to behold.

Written through the lens of Ozoz's deep connection to the region, Chop Chop will bring Nigeria's food-loving spirit to home kitchens everywhere, so you can travel, by plate.

Discover the fascinating history of Black mixology and its enduring influence on American cocktail culture through 70 rediscovered, modernized, or celebrated recipes, by the James Beard Award–winning author of Jubilee.

Juke Joints, Jazz Clubs, and Juice spotlights the creativity, hospitality, and excellence of Black drinking culture, with classic and modern recipes inspired by formulas found in two centuries’ worth of Black cookbooks. From traditional tipples, such as the Absinthe Frappe or the Clover Leaf Cocktail, to new favorites, like the Jerk-Spiced Bloody Mary and the Gin and Juice 3.0, Toni Tipton-Martin shares a variety of recipes that shine a light on her influences, including underheralded early-twentieth-century icons, like Tom Bullock, Julian Anderson, and Atholene Peyton, and modern superstars, such as Snoop Dogg and T-Pain.

Drawing on her expertise, research in historic cookbooks, and personal collection of texts and letters, Toni Tipton-Martin shows how these drinks have evolved over time and shares the stories of how Black mixology came to be—a culmination of generations of practice, skill, intelligence, and taste.