Sixteen-year-old Ebony Jones is devastated when her family moves from Houston to her grandmother’s house in the country. There’s absolutely nothing for Ebony in Alula Lake, Texas. So she thinks.

We Need to Talk about Kevin as if written by Jason Reynolds and Tananarive Due meets Model Home by Rivers Solomon in an innovative twist on the haunted house novel: about a mother desperate to protect her sons from the twin specters of gun violence and otherworldly menace in their public housing project.

Nona McKinley raised three boys in the Hester Gardens section of Medford, Michigan, an impoverished community divided by those who follow their faith in God and those who turn to crime to survive. With her drug dealer husband behind bars and her eldest son shot to death at eighteen, Nona has devoted herself to ensuring her other children escape their brother’s fate.

Her second son Marcus is on the right path. He's a valedictorian heading to an Ivy League school. He can get out.

But then, strange things start happening to Nona and other residents: mysterious footsteps are heard when she’s alone, people have phantom encounters in the streets, unattended appliances go off at all hours. Even more concerning is the state of Nona’s living sons. Her youngest, Lance, is hanging around with a bad crowd, and Marcus becomes moody and secretive. Sometimes he even seems to act like a different person entirely.

Nona has her secrets too. Her affair with the married church pastor has been weighing on her conscience, but that’s not the only guilt haunting her. She fears that someone—or something— is seeking revenge for an act she made in a moment of weakness to protect her family. And now everyone in Hester Gardens must pay the price . . .

The beloved author of Don’t Cry for Me and Perfect Peace returns with a poignant, emotionally exuberant novel about a young queer Black man finding his voice in 1980s Chicago—a novel of family, forgiveness and perseverance, for fans of The Great Believers and On Earth We're Briefly Gorgeous

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

At a therapist’s encouragement, Isaac begins to write down his story. In the process, he taps into a creative energy that will send him on a journey back to his family, his ancestral home in Arkansas and the inherited trauma of the nation’s dark past. But a surprise discovery will either unlock the truths he’s seeking or threaten to derail the life he’s fought so hard to claim.

Poignant, sweeping and luminously told, Isaac's Song is a return to the beloved characters of Don’t Cry for Me and a high-water mark in the career of an award-winning author.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

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Olivia is an expert at falling in love . . . and at being dumped. But after the fallout from her last breakup has left her an outcast at school and at home, she’s determined to turn over a new leaf. A crush-free weekend at Farmland Music and Arts Festival with her best friend is just what she needs to get her mind off the senior year that awaits her.

Toni is one week away from starting college, and it’s the last place she wants to be. Unsure about who she wants to become and still reeling in the wake of the loss of her musician-turned-roadie father, she’s heading back to the music festival that changed his life in hopes that following in his footsteps will help her find her own way forward.

When the two arrive at Farmland, the last thing they expect is to realize that they’ll need to join forces in order to get what they’re searching for out of the weekend. As they work together, the festival becomes so much more complicated than they bargained for. Olivia and Toni will find that they need each other, and music, more than they ever could have imagined.

Packed with irresistible romance and irrepressible heart, bestselling author Leah Johnson delivers a stunning and cinematic story about grief, love, and the remarkable power of music to heal and connect us all.

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Florida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin

Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white—from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn’t want to upset her father.

But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own.

Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life—creativity, confidence, and perhaps most importantly, a nurturing sense of love.

Following a young woman looking for a world beyond her family’s carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.

From the bestselling author of The Lesbiana’s Guide to Catholic School comes a story in the vein of John Tucker Must Die but tackling serious topics. It’s a revenge story told with nuance, heart, and the possibility of healing. 

Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers, despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen.

Luis’s attention soon turns to something more, and they have sex at a party—while Ari didn’t say no, she definitely didn’t say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumor mill begins churning—thanks, she’s sure, to Luis’s ex-girlfriend, Shawni. Boys at school now see Ari as an easy target, someone who won’t say no. 

Then Ari finds a mysterious note in her locker that eventually leads her to a group of students determined to expose Luis for the predator he is. To her surprise, she finds genuine friendship among the group, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she’ll have to come to terms with the truth of what he did to her that night—and risk everything to see justice done. 

Secrets. Lies. Consequences.

Three couples. Two exes. One day of reckoning.

Jasper’s brother Edmund has never been exciting, but he is reliable and always there for his little brother, no matter what. It’s only natural that the day after their engagement, Jasper and bride-to-be Holly decide to surprise Edmund with a celebratory visit.

John, Jasper’s fun loving and devoted best friend, comes along. Of course he wouldn’t think of missing such an occasion. Anne joins them, because she’s John’s wife and Jasper is a huge part of her life.

Edmund and Ovidia aren’t expecting visitors, but they can’t exactly say no when Jasper and the others walk into their London mansion one Saturday morning in spring.

Ovidia is not supposed to be there.

Perhaps Edmund is not as reliable as Jasper believed.

Maybe John doesn’t know everything about his best friend.

Today they will all have to face the consequences of the lies they’ve told themselves.

Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms.

“This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.

After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”

―Jose Antonio Vargas, from Dear America

In this crackling portrayal of friendship in peril, a young woman's world is upended when a tragedy in her best friend's life tests the boundaries of their sisterhood—a sharp and compelling debut novel from a Ghanaian-American writer.

Dzifa has always felt a bit off. Maybe it's the family baggage, or maybe it's just how she's wired. Depleted by cycles of burnout, she lives her life in a perpetual state of bracing: for another lost job, another lost home, another piece of evidence she isn’t doing being right. If it weren't for the encouragement—and occasional overstepping—of her magnetic best friend, Tatiana, Dzifa doesn't know if she'd have made it as far as she has. Despite their differences, the two women share a desire to be their authentic selves, and to shed the grip of the respectability politics they've been taught should govern their lives.

Just as each begins to find her way, the sudden passing of Tatiana's child upends everything. Dzifa rushes to Tatiana's hometown to help her friend prepare for the funeral. But when she arrives, Dzifa is immersed in an unsettling conflict between two diametrically opposed families, one of whom seems intent on seeding doubt about Tatiana's capacity as a mother. When Tatiana asks her for the ultimate favor, Dzifa must choose between loyalty at the expense of her own well-being and authenticity at the expense of her most valued friendship.

A riveting exploration of sisterhood, what it means to mother and be mothered, and what it means to be well, Somewhere Soft to Land reckons with the sometimes funny, sometimes fraught, friendship between women with divergent ideologies, aspirations, personalities, and paths.

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In this dark, seductive YA fantasy debut, a siren in hiding must choose between protecting her family and following her heart.

Saoirse Sorkova survives on lies. As a soldier, she lies about being a siren to avoid execution. At night, working as an assassin, Saoirse lies about her true identity. And to her family, Saoirse tells the biggest lie of all: that she can control her powers and doesn’t constantly grapple with the impulse to kill.

When Saoirse is forced to accept a job guarding the crown prince, she expects to hate Prince Hayes. After all, his father enforces the kingdom’s brutal creature segregation laws. But Saoirse finds herself drawn to him—especially when they’re forced to work together to stop a deadly killer. There’s only one problem: Saoirse is that deadly killer.
With a forbidden romance and a compulsively dark plot, this fantasy is perfect for fans of A Song Below Water and To Kill a Kingdom.