A New York Times Notable Book

The Pulitzer Prize-winning critic investigates the roles of race and sex in his own life and in literary history.

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son's misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other Black people or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author's own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. Written in 1996, long before the rise of the genre-defying memoir, The Women was a prescient work of criticism and self-investigation whose clear-eyed insight still feels fresh and urgent to this day. The Women is that rarest of books: a memorable work of self-investigation that created a form all its own.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

From the critically acclaimed and award-winning creators of Crown and I Am Every Good Thing, Derrick Barnes and Gordon C. James, comes an illustrated nonfiction young adult homage to Black athlete activists throughout history.

This is not your typical book about sports. This one begins…
“AN ATHLETE PROTESTING THE MISTREATMENT OF AMERICAN CITIZENS DOES NOT MAKE THEM ANTI-AMERICAN.”
And through a series of powerful poems, freedom-oriented prose, and dynamic illustration, Derrick Barnes and Gordon C. James introduce young readers and change-makers to athletes such as Muhammad Ali, Curt Flood, and Elgin Baylor who used their voices and influence to shake up the landscape of American sports and justice.

* TIMELY AND TOPICAL: Teaches readers about a continued cultural discussion from a resonant and impactful perspective.
* MADE TO CAPTURE THE ATTENTION OF YOUNG READERS: With a mix of prose, poetry, quotes, and illustrations, readers can dive into important history that might otherwise go untold.
* FROM AN AWARD-WINNING TEAM: Caldecott Honoree Gordon C. James and Kirkus Prize, Coretta Scott King Honor, and Newbery Honor recipient Derrick Barnes have teamed up again to create a memorable, impactful, and important book---this time for young adults.

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

Silver loves to swim and dreams of one day becoming a mermaid. There's only one problem: Her dad can't swim! 

From the bath to the pool and the beach, Silver's always been a water baby. 

She looks like a mermaid, swims like a fish, and even sleeps under the sea. 

Silver and her dad bake mermaid-tail cupcakes, build mermaid caves, and read underwater stories, but he can't join her in the pool like other dads. Silver would rather give up on her mer-mazing dreams than swim away without her dad. But what if she doesn't have to? 

This joyful story celebrates swimming and empowers little dreamers to pursue their passions.

Sometimes, the perfect match isn't the one you planned for. Fans of The Boyfriend Project by Farrah Rochon and One to Watch by Kate Stayman-London will love Weight for Me.

Julissa Sanders has it all--a thriving PR agency, a superstar NFL quarterback fiancé, and a picture-perfect life. But when a careless comment about her weight gain goes viral, Julissa's world crumbles. Determined to regain control, she hits the gym, only to find an unexpected ally in her fiancé's best friend, Malachi.

As Julissa navigates the pressures of planning a high-profile wedding and managing her image, she finds herself drawn to the man who's supposed to be just her trainer. With her carefully crafted life unraveling, Julissa must choose between the love she thought she wanted and the love that could change everything.

Capone promised he’d keep his family safe, but Erin’s afraid he’ll die trying, in the third book of #BookTok favorite Jahquel J.’s Delgato Family saga.

Everything’s looking up for Erin. She married her best friend in a picturesque sunset ceremony on the beaches of Barbados, they’re expecting a baby girl, and the pair are surrounded by their loved ones. Erin’s even made nice with Capone’s ex.

But danger’s never far away, and that scares Erin. Every day, Capone risks his life handling business in the streets. Then, a serious health scare forces him to slow down, and Erin and her brother, Jaiden―now entrenched in Capone’s world himself―purchase firearms to protect themselves.

Having dealt with arrests, shoot-outs, high-speed chases, and Molotov cocktails, Erin just wants to live with her husband and daughter in peace. Now that Capone has decided to take a step back from the grind, will she finally get the happily-ever-after she longs for?

The third book in the Delgato Family universe, Capone took BookTok by storm.

Capone III is an urban romance featuring depictions of murder, domestic violence, and substance abuse as well as explicit scenes. It is intended for mature readers.

Now available in trade paper!

Love isn't about finding the right person—it's about becoming the right person.

No matter your relationships status—single, dating, engaged, married, or divorced—Student of Love invites you back into the classroom to learn what it truly takes to build healthy, loving and long-lasting relationships. From Laterras R. Whitfield, the host of the Dear Future Wifey Podcast and widely regarded as "The Relationship Whisperer," comes an essential guide—offering a God-centered perspective on healthy relationships—packed with refreshing wisdom and heartfelt lessons designed to equip you to make the right decisions in all your relationships.

In a world fixated on finding love, Student of Love shifts the focus to becoming love—offering raw, relatable lessons and hopeful perspectives that resonate with healing, growth, and self-discovery.

What makes this book a must-read?

Laterras steps into the classroom not as a professor, but as a fellow student—creating a space where vulnerability meets wisdom. Here's what's in the curriculum:

* A fresh approach to relationships: Learn from your mistakes and use them as steppingstones to build a more intentional and fulfilling love life.
* Recognize and define the types of Love: Gain the clarity, knowledge, and courage to seek the right connections.
* Guidance for every stage of love: Whether you're navigating the early days of dating, strengthening a marriage, or healing from heartbreak, or focusing on yourself, this book meets you where you are.
* Courageous conversations: Laterras tackles the tough topics with compassion and candor, offering profound insights that challenge and heal.
* Find the roadmap to self-awareness: Discover how to show up in your relationships with confidence, clarity, and authenticity.
* Hope after heartbreak: Heartache isn't the end of your story—it's a chance to rewrite it. Learn how to reassess, rediscover, and rebuild from a place of strength and self-love.

With brutal honesty and heartfelt authenticity, Student of Love explores the complexities of love in all its forms. It's not just a book—it's a guide to uncovering the love you deserve, starting with the love you give yourself.

Your love story isn't over. It's just beginning. So, grab your backpack, open your heart, and let Student of Love help you write the next chapter—one lesson at a time.

Together for the first time in this beautiful boxed set, the landmark Love Song to the Nation trilogy by the feminist icon bell hooks, includes the New York Times bestsellers All About Love, Communion, and Salvation.

All About Love: New Visions reveals how lovelessness results in a polarized society, and how we can do the work to heal these divisions. This book is a roadmap to understanding how we can build caring, compassionate, and loving spaces into our homes, schools, and workplaces.

Communion: The Female Search for Lovechallenges every woman to courageously claim the search for love as a heroic journey we must all choose to be truly free. It reveals how women of all ages can bring love into every aspect of their lives.

Salvation: Black People and Love Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans.

Celebrate Brenda Jackson's 150th book, Spilling the Tea! 

EVENT DEETS

When: Tuesday, May 15 @ 7PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP WITH BOOK

ABOUT THE BOOK

Ninety-something Mama Laverne is determined to find all of her great-grandchildren their perfect match before going home to glory. So far, her success rate is 100 percent—and she intends to keep it that way.

Ninety-something-year-old Felicia Laverne Madaris, known in the family as Mama Laverne, is determined to find all of her great-grandchildren the perfect match before she goes home to glory. So far, her success rate is 100 percent, and she intends to keep it that way.

After sustaining injuries in Iraq, US Army Ranger Chancellor (Chance) Madaris was told he’d never walk again. Chance credits his great-grandmother, Mama Laverne, with giving him the will and fortitude to heal and prove the doctors wrong. He has a healthy respect for her meddling ways and knows he’ll eventually end up next on her matchmaker’s list.

When Zoey Pritchard was eight, she survived a car accident that left both her parents dead. She was sent to live with her great-aunt who refused to speak about her parents. Zoey has no memory from before the crash, but she’s been having the same dream over and over…

Guided by nothing but a hunch and images from her dream, Zoey travels to Houston. Searching for answers, Zoey uncovers a scandal involving her parents and the wealthy and powerful Madaris family. Her trail leads her straight to Chance’s door. The dislike and intense attraction are instant and simultaneous. Was it chance or Mama Laverne’s plan to throw this pair together?

ABOUT THE AUTHOR

BRENDA JACKSON is a New York Times and USA Today bestselling author of more than one hundred contemporary multicultural romance novels, including the Madaris Family series, the Westmorelands series, and The Playas series. She was the first African-American author to have a book published under the Harlequin/Silhouette Desire line and the first African-American romance author to hit both the New York Times and USA Today bestseller lists in the series romance genre. Many of her books have been adapted into movies. Brenda lives in Jacksonville, Florida, and divides her time between family, writing and traveling. brendajackson.net.

From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.