The love child of The L Word and Brontez Purnell's 100 Boyfriends, with a disaffected flair all its own.
It’s San Francisco in the early aughts, and Howie Song is floundering. His failed projects—as a professional ballet dancer, as a boyfriend, as a friend—have left him forever the “third wheel.” But maybe he likes it that way? Leaping wildly between lovers, centuries, and an ever-changing cultural landscape, Howie might just feel most himself in the fracture.

Delicious, poetic, and delightfully pornographic, Tricyclist is an ode to the “abnormal angles” of people and art. As Howie overcomes his own ambivalences—in large part thanks to two suitors, and a circle of supporters who happen to be lesbians—Joon Oluchi Lee portrays, with his signature flamboyance, all of life’s joys, pitfalls, and pirouettes.

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

An extraordinary new work, epic in scale and lyrical in flight, by the award-winning author of Dangerous Goods and Blood Ties & Brown Liquor. 

“How big is a home?” 

“What is space without reaching?” 

“You ever think about being remembered?”

Posing questions that belie their simplicity, Sean Hill’s new collection is rooted in our shared history, lived experience, and a speculative future. It considers how we fashion identities through formative relationships with history and community, with our ancestors, our children, and ourselves. These connections underscore our ties to nature and emphasize humanity’s seemingly inevitable turn to violence. For instance, a meditation on the white-headed woodpecker connects to knowledge of Black miners in nineteenth century Roslyn, Washington, and sparks an understanding of white-headed woodpeckers as “arboreal miners” with “a patch of red feathers / on the back of their crowns” that the speaker observes and “can’t help but see blood.” 

This collection ranges in setting from antebellum Georgia to twenty-first century Alaska, from the Wild West to the Asteroid Belt in the twenty-fifth century. The exploration of people in relation to place excavates the complexity of heritage and privilege, fatherhood amid environmental collapse, and the inherited memories, abilities, hardships, and love that link Black people living centuries apart. 

Taken together, these poems, queries, and possibilities paint a sensibility that strives to integrate itself into the known world, and through that world into an imagined future. In searching for answers that almost arrive, The Negroes Send Their Love reveals a heart as big as the home it seeks.

Perfect for our lovers of fiction that read for enjoyment and to escape after a long day. With this monthly subscription, you'll receive a frontlist hardcover book (books published less than one year ago) written by a Black author. The books selected for this subscription group will be recommendations from our team and mostly focus on contemporary fiction titles.

What you get: A mix of hardcover and paperback frontlist and backlist books.

Ordering deadline:  Subscription orders placed before the 17th of the month are guaranteed to ship on the first Tuesday of the following month when all subscriptions are shipped.

Ordering Instructions:  Please select your subscription frequency (monthly, bi-monthly, or quarterly) and proceed to checkout.

Gift subscriptions:  Subscriptions make really great gifts.  Please make sure the shipping address is the correct address for the gift recipient.

Shipping will be calculated at checkout.  All subscriptions ship via media mail and will arrive within 3-8 business days of the ship date.

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Set in late 16th-century Africa, India, Portugal, and Japan, The African Samurai is a powerful historical novel based on the true story of Yasuke, Japan’s first foreign-born samurai and the only samurai of African descent—for readers of Esi Edugyan and Lawrence Hill.

In 1579, a Portuguese trade ship sails into port at Kuchinotsu, Japan, loaded with European wares and weapons. On board is Father Alessandro Valignano, an Italian priest and Jesuit missionary whose authority in central and east Asia is second only to the pope’s. Beside him is his protector, a large and imposing East African man. Taken from his village as a boy, sold as a slave to Portuguese mercenaries, and forced to fight in wars in India, the young but experienced soldier is haunted by memories of his past.

From Kuchinotsu, Father Valignano leads an expedition pushing inland toward the capital city of Kyoto. A riot brings his protector in front of the land’s most powerful warlord, Oda Nobunaga. Nobunaga is preparing a campaign to complete the unification of a nation that’s been torn apart by over one hundred years of civil war. In exchange for permission to build a church, Valignano “gifts” his protector to Nobunaga, and the young East African man is reminded once again that he is less of a human and more of a thing to be traded and sold.

After pledging his allegiance to the Japanese warlord, the two men from vastly different worlds develop a trust and respect for one another. The young soldier is granted the role of samurai, a title that has never been given to a foreigner; he is also given a new name: Yasuke. Not all are happy with Yasuke’s ascension. There are whispers that he may soon be given his own fief, his own servants, his own samurai to command. But all of his dreams hinge on his ability to protect his new lord from threats both military and political, and from enemies both without and within.

A magnificent reconstruction and moving study of a lost historical figure, The African Samurai is an enthralling narrative about the tensions between the East and the West and the making of modern Japan, from which rises the most unlikely hero.

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.

Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.

In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

 Celebrate the release of Autobiomythography of with Ayokunle Falomo!

EVENT DEETS

When: Thursday, September 12 @ 7 PM 

Where: Kindred Stories (2304 Stuart Street, HTX, 77004) 

How:  RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK

ABOUT THE AUTHOR

AYOKUNLE FALOMO is Nigerian, American, and the author of Autobiomythography of (Alice James Books, 2024), AFRICANAMERICAN’T (FlowerSong Press, 2022), two self-published collections and African, American (New Delta Review, 2019; selected by Selah Saterstrom as the winner of New Delta Review’s 8th annual chapbook contest). A recipient of fellowships from Vermont Studio Center, MacDowell, and the University of Michigan’s Helen Zell Writers’ Program, where he obtained his MFA in Creative Writing—Poetry, his work has been anthologized and widely published

ABOUT THE MODERATOR

One word is about to change everything you believe about yourself.

From sought-after coach, speaker, and author Wemi Opakunle, whose content has reached millions, a transformative guide to harnessing the power of “delulu” thinking—radical self-belief paired with bold, inspired action—to create the life, career, and opportunities you want.

For years, we've been told to be realistic, lower our expectations, and wait until we're fully qualified, fully prepared, or fully confident before going after what we want. But what if everything we've been taught is backwards? What if delulu belief is the bridge between who you are and who you want to be?

In BIG. DELULU. ENERGY., Wemi Opakunle introduces an unapologetic, powerful new approach to personal growth built on self-belief, intentional action, and the courage to think bigger than your current circumstances. Far from denying reality, “delulu” thinking is about refusing to let your fears, limitations, or past experiences define what’s possible for your future.

Through her transformative Eight Pillars of Delulu Success, Wemi shows you how to:
* Build unshakable confidence and trust yourself more deeply
* Stop waiting for certainty and move before you're ready
* Transform fear, setbacks, and self-doubt into fuel for growth
* Embody the mindset and emotions of the person you want to become
* Release perfectionism and detach from outcomes you can’t control
* Silence your inner critic and separate your identity from your inner dialogue to create lasting self-worth
* Reinvent yourself at any stage of life and create a future that feels aligned, joyful, and expansive
* Challenge the labels that have been placed on you, including the ones you've placed on yourself

Warm, practical, and passionately encouraging, BIG. DELULU. ENERGY. offers a refreshing alternative to self-help rooted in hustle and perfectionism. This is a guide to betting on yourself, embracing possibility, and becoming the person you’ve always imagined you could be.

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

"Black power is giving power to people who have not had power to determine their destiny."
"I have the people behind me and the people are my strength."
"You can jail a Revolutionary, but you can't jail the Revolution!"

Part 3 of the Radical Dreams Black Liberation Series celebrating 50 years of the Black Panther Party.

2.25 inches tall
Soft enamel with black plating
2 posts
Comes with 2 rubber pin backs