For readers of Victor LaValle, Tananarive Due, and Colson Whitehead’s The Underground Railroad, this ingenious reimagining of the vampire origin story set during the early days of American slavery blends alternate history with supernatural horror, as the last surviving member of an ancient African vampire tribe meets a slave desperate for freedom, and together, they lead an army of enslaved people in a cinematically blood-soaked battle for freedom and revenge.

What if nobody ever freed the slaves…because they freed themselves – 150 years before the Civil War?

In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.

Hailing from the Kingdom of Ghana, Rafazi is the lone survivor of the Ramanga, an African vampire tribe rendered nearly extinct by plague. Rafazi has roamed the world for centuries with an undying desire to replenish the power that once defined his heritage. In Willie, Rafazi has found his first biddable subject to be turned and to help in a hungry revolt. And Willie desires nothing more than to free his people from malicious bondage. Whatever it takes.

One by one, as an army of blood slaves thirsting for revenge is gathered, the headstrong Gertie fears that no good can come from the vampiric legacy that courses through Rafazi’s veins. Willie knows that only evil can fight evil. And when the woman he loves stands between the reemergence of the Ramanga and the justified slaughter of the oppressors, Willie must make an irreversible decision. Only one thing is certain: on the Barrow plantation, and beyond, blood will spill.

Part historical drama, part supernatural horror, and part alternate history, Blood Slaves is an ingenuous and defiant new creation myth of the vampire, one rooted in both justice and the sometimes-violent means necessary to achieve it.

Four-time Emmy-nominated actress Laverne Cox shares her journey as a transgender woman in Hollywood, confronting childhood trauma, shame, gender identity, her transition, body image issues, her search for romantic love, deep-seated feelings of unworthiness, and ultimately, healing.

Laverne Cox is a powerhouse in the fight for transgender rights and representation—but her path from a struggling trans actress to a cultural movement was anything but easy.

Surviving a childhood full of trauma, dealing with depression, and working at a drag restaurant in New York City for seven years, Laverne was turning forty and felt it was time to throw in the towel when it came to being a Hollywood star—then she booked the character of Sophia Burset in Orange is the New Black. Her world changed overnight.

She made history as the first openly transgender person nominated for a Primetime Emmy, starred in a range of high-profile shows, and became the first transgender person to win a Daytime Emmy as executive producer on Laverne Cox Presents: The T Word. A red-carpet fashion icon, podcast host, and fearless advocate, she uses her stardom to champion LGBTQ+ rights, whether on Hollywood’s biggest stages, her personal channels, or at Supreme Court hearings. And she’s only getting started.

In Transcendent, you will experience life in Laverne’s shoes, from her childhood abuse to making her big break, dealing with Hollywood bureaucracy, feeling lonely in a world that is unaccepting, and finding her voice through the chaos of it all. With behind-the-scenes stories and personal reflection, we can heal and fight for equality, right alongside Laverne.

A collection of exceptional new essays by one of the most significant contemporary writers on the world stage

Tracing a loose arc from Edwidge Danticat’s childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We’re Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.

Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so “we’re alone” is both a fearsome admission and an intimate invitation―we’re alone now, we can talk. We’re Alone is a book that asks us to think through some of the world’s intractable problems while deepening our understanding of one of the most significant novelists at work today.

PRE-ORDER:ON SALE DATE: Oct 6, 2025

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

As prosperity and great cultural changes sweep across 1920s Jazz Age America, Nola Ann Jackson learns more about developing her natural psychic talents from her aunt—talents that prove crucial when she investigates murder in her Black community—in this thrilling historical mystery written by a real-life psychic medium and jazz pianist.

The people of Agate, Illinois, have welcomed Bishop Pius Amun Ra with open arms, flocking to become congregants of his Temple of Righteous Revelation. He has won over the hearts not only of the Black churchgoers, but of the city’s white political and wealthy elite. Bishop Ra is more than a preacher of the good word, he is a faith healer, blessed with the gift on the banks of the Nile during his youth in Egypt. His worshippers believe he can cure cancer—and even raise the dead.
Sequoia LaMarche was saved by Bishop Ra, and the young white woman serves his church as a singer, receiving death threats for her efforts. Despite Ra’s protection, members of the Temple’s inner circle hold Sequoia in contempt, including bodyguard Sam Constant, who publicly accuses her of stealing money from the collection plate. After the confrontation, Sequoia’s murdered body is discovered, and Sam becomes the police’s number one suspect.

Nola is a good friend of Sam’s sister, believing he’s innocent. Guided by her psychic instincts, she conducts her own investigation, uncovering secrets about the Bishop and the people closest to him, including his wife. The leaders of the Temple are not as righteous as they claim. Their altruism masks sins they prefer buried. And when another murder occurs, Nola must unveil the killer before she becomes the next victim . . .

Una obra maestra de la ganadora del Premio Nobel de Literatura 1993.

Esta es la historia de Sula y Nel, dos niñas que crecen juntas en un barrio de negros, compartiendo sus sueños e ilusiones. Ambas son precoces y curiosas, hijas de familias pobres. Pero el tiempo pasa y, cuando Nel se casa, Sula se marcha del suburbio para ir a la universidad y viajar por el país. Diez años después, Sula regresa e involuntariamente destruye la familia y la felicidad de Nel. A partir de entonces, los pintorescos habitantes del suburbio la consideran una bruja malvada...

Ambientada en los EE.UU. en el período de entreguerras, Sula es un portentoso retrato del poder de lo femenino en una comunidad pobre y rural de negros, donde las mujeres reinan como madres, hechiceras y depositarias de la tradición oral.

Reseña:
«Un aullido de amor y rabia, travieso y divertido, duro y amargo.»
The New York Times

Longlisted:
2017 OCM Bocas Prize for Caribbean Literature

When the infant Jordan Sant is taken to the St Asteria Home for Children after the murder of his parents, he sets out on a journey that is a constant struggle between his best and worst selves. One relationship, with the young nun the children call Mouse, awakens the possibilities of love and hope, but when Mouse abandons her calling and leaves the home, the world thereafter becomes a darker place. When, barely a teenager, he runs away from the home to scuffle for a living in the frightening underbelly of Port of Spain, Jordan reaches the lower depths of both Trinidadian society and himself.

This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later.

Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, '" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.

From the PEN-nominated author of The Blueprint comes a moving novel about two women connected by music, memory—and murder.

Texas, 1983. Lola Jones is in prison for the death of her mother’s former lover, a man whose presence tangled itself through both their lives. After years of silence, Lola writes a letter to the dead man’s daughter—the “secret sister” from the better part of town in whose shadow Lola has lived most of her life.

As Lola reaches across time and memory, her story unfolds in two mirrored movements: the first, a chronicle of her mother, Camille, a blues singer shaped by love, ambition, and loss; the second, a recounting of Lola’s own coming of age in the echo of Camille’s legacy.

Braided with music, memory, and the weight of being misunderstood, Sweet Water explores inheritance, identity, and the ways women learn to survive what they cannot control. It is a story about Black women connected and separated by their experiences with each other, and with the men in their lives. Written as a letter, structured like a blues song—call and response, verse and refrain—the novel asks what it means to reclaim your voice when someone else’s pain has defined your existence.

COMPANION TO NAACP IMAGE AWARD WINNER, BLACK GOLD
In this companion picture book to Black Gold, the NAACP Image Award winner, Laura Obuobi and Society of Illustrators’ honoree London Ladd team up to tell a story that celebrates Black life, brims with black joy, and instills an important message about Black resilience.
Black is precious.
Black is holy.
Black is powerful.
Black is many things, and its magnificence can be found all throughout the world. It’s in obsidian, in the rolling fields of calla lilies, and the birth of the universe. Most importantly, Black is a people whose strength, grace, and resilience would foster change, creativity, and a culture from which would emerge a world that would never be the same and a community whose genius continues to inspire all. Despite everything that Black people have endured, they are still present—living and thriving.
Powerhouse duo Laura Obuobi and London Ladd return with another poignant, lyrical text that celebrates all that being Black is, positively reinforcing the magnitude of possibilities that being Black can—and will—be. With its important themes, Black Is will enchant young readers with events and achievements by people in Black history and the Black diaspora, like uprisings, innovations in culture, entertainment, literature, including civil rights work by West Africans, Caribbeans, and Black Americans.

· Brimming with Black Joy: This book is magical, heartwarming, and a bright reminder that diverse stories are hopeful too. Laura has created a world where all facets of Black life, especially joy, are brought to light.
· Champion for Self-Love: This uplifting, impactful, and lyrical book will empower Black children and will inspire them to love themselves exactly as they are. This book delivers the important message that Black is beautiful and powerful.
· Bedtime Story with Lyrical, Poignant Text: Laura spins a story with language that is so rich, it is as though she has captured a dream on the page. Readers will be enthralled by this sweeping, meditative tale.
· Timely and Timeless Picture Book: This is a book that will always resonate with readers as they move on through every stage of their lives, uplifting and empowering, and is the perfect baby shower gift and graduation gift.

When a little girl loses her grandmother, her world is drained of all its color and whimsy, until a magical dream carries her back toward the light in this tender and imaginative picture book about grief.

Mama Belle tells her granddaughter that color made the world happy, and Ladymay knows this is true. Their life together is full of wonder, and May dresses in the prettiest rainbow-colored outfits and chases morning sunrises and beautiful butterflies. Then Mama Belle goes away and May learns she won’t be coming back. May gets sent to live with strangers who already have a house full of children. All the color fades from her world.

Then an old cassette tape brings back Mama Belle’s voice, and that night, an elephant comes to May in a dream. It takes her across Virginia and through the ocean, to the land of the ancestors Mama Belle told her about. Can this elephant help May remember the beauty of her grandmother’s lessons and return color to her world?

Vera Wong is back and as meddling as ever in this follow-up to the hit Vera Wong's Unsolicited Advice for Murderers.…

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

Then Vera comes across a distressed young woman who is obviously in need of her kindly guidance. The young woman is looking for a missing friend. Fortunately, while cat-sitting at Tilly and Selena's, Vera finds a treasure trove: Selena's briefcase. Inside is a file about the death of an enigmatic influencer—who also happens to be the friend that the young woman was looking for.

Online, Xander had it all: a parade of private jets, fabulous parties with socialites, and a burgeoning career as a social media influencer. The only problem is, after his body is fished out of Mission Bay, the police can't seem to actually identify him. Who is Xander Lin? Nobody knows. Every contact is a dead end. Everybody claims not to know him, not even his parents.

Vera is determined to solve Xander's murder. After all, doing so would surely be a big favor to Selena, and there is nothing she wouldn't do for her future daughter-in-law.