From a brilliant longtime AI insider with intimate access to the world of Sam Altman's OpenAI from the beginning, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzy

When AI expert and investigative journalist Karen Hao first began covering OpenAI in 2019, she thought they were the good guys. Founded as a nonprofit with safety enshrined as its core mission, the organization was meant, its leader Sam Altman told us, to act as a check against more purely mercantile, and potentially dangerous, forces. What could go wrong?

Over time, Hao began to wrestle ever more deeply with that question. Increasingly, she realized that the core truth of this massively disruptive sector is that its vision of success requires an almost unprecedented amount of resources: the “compute” power of high-end chips and the processing capacity to create massive large language models, the sheer volume of data that needs to be amassed at scale, the humans “cleaning up” that data for sweatshop wages throughout the Global South, and a truly alarming spike in the usage of energy and water underlying it all. The truth is that we have entered a new and ominous age of empire: only a small handful of globally scaled companies can even enter the field of play. At the head of the pack with its ChatGPT breakthrough, how would OpenAI resist such temptations?

Spoiler alert: it didn’t. Armed with Microsoft’s billions, OpenAI is setting a breakneck pace, chased by a small group of the most valuable companies in human history—toward what end, not even they can define. All this time, Hao has maintained her deep sourcing within the company and the industry, and so she was in intimate contact with the story that shocked the entire tech industry—Altman’s sudden firing and triumphant return. The behind-the-scenes story of what happened, told here in full for the first time, is revelatory of who the people controlling this technology really are. But this isn’t just the story of a single company, however fascinating it is. The g forces pressing down on the people of OpenAI are deforming the judgment of everyone else too—as such forces do. Naked power finds the ideology to cloak itself; no one thinks they’re the bad guy. But in the meantime, as Hao shows through intrepid reporting on the ground around the world, the enormous wheels of extraction grind on. By drawing on the viewpoints of Silicon Valley engineers, Kenyan data laborers, and Chilean water activists, Hao presents the fullest picture of AI and its impact we’ve seen to date, alongside a trenchant analysis of where things are headed. An astonishing eyewitness view from both up in the command capsule of the new economy and down where the real suffering happens, Empire of AI pierces the veil of the industry defining our era.

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Music is magic in this vibrant and imaginative debut novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song.

WINNER OF THE 2025 JAMES LAUGHLIN AWARD FROM THE ACADEMY OF AMERICAN POETS

A stunning new collection exploring lineage and the legacy of survival as seen through the life of the poet’s grandmother Alice—a Black woman born in the Jim Crow South—using the King James Bible as a narrative framework.

“Alice / a god-song, swings still in the high / branch of our throats. I miss her, wonder / what she plants in heaven’s mulch.”

When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice, she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text.

A pointed satire about a Nigerian on vacation in Europe, into the heart of whiteness

Four years ago, a young man named Furo Wariboko woke up one morning in Lagos to find that he had transformed into a white man. Except for his ass. Now well established with a good job, going by Frank Whyte and living in a nicely appointed house in the capital city of Abuja, he is ready to set off on a real vacation―his first trip outside Nigeria.

As Frank travels to Amsterdam, Oslo, and Milan, he finds himself, for the first time in years . . . blending in. His skin is not in the least remarkable. In Amsterdam he befriends his well-meaning but occasionally misguided Airbnb host. There he also meets a Nigerian expat living in America whom he is both delighted to see but who vexes him for reasons he can’t initially identify. In Oslo, he intervenes when a charismatic Kenyan writer is the victim of a racist taxi driver. In Milan he comes upon a woman who might be a distant relative who has survived a treacherous journey of migration. He quickly realizes that he feels most Nigerian when he is outside of Nigeria, and he begins to wonder what it might take to be treated, simply, as human.

Hilarious, sharp-witted, and moving, each in turn and often all at once, A. Igoni Barrett’s Whyteface confronts the absurdities of Europe and the West’s ideas about the global south―both its xenophobic fear as well as its supposedly beneficent charity. It is a heady and absorbing new novel by the writer Teju Cole called “a major talent.”

A young woman’s life spirals out of her control after her childhood best friend publishes a memoir that discusses the tragic events of their childhood, in this beautiful, powerful novel from the internationally bestselling author of Others Were Emeralds.

Mei’s life isn’t what she thought it would be. She's still entangled in a love triangle with Jacques and Kath that began when they were teens; her parents are drowning in debt; and she’s stuck pulling off identity fraud jobs for her cruel auntie and her auntie’s nauseating son, who won’t leave Mei alone.

But Mei’s world begins to truly unravel when she hears her childhood best friend Soey’s voice for the first time in years, being interviewed on the radio about her new memoir, chronicling the childhood attack that left Soey with brain damage and killed her younger sister. When Mei reconnects with Soey, the leader of their childhood friend group known as the Daisy Chain, their encounter kicks off a series of events that culminate in another shocking death, putting Mei squarely in the public eye. As past and present collide, Mei starts spiraling after Soey implores her to find out who killed Daiyu—a search that leads Mei to uncover what happened that dark day in the woods behind their school, all those years ago.

Revered for her lyrical imagery, emotional acumen, and thoughtful voice, Lang Leav uses her gifts to brilliant effect, exploring unsolved mysteries, cycles of trauma and abuse, and the answers to a timeless question: how do you honor someone's memory without losing sight of yourself?

Celebrate the joys of Black boyhood with stories from seventeen bestselling, critically acclaimed Black authors—including Jason Reynolds (the Track series), Jerry Craft (New Kid), and Kwame Mbalia (the Tristan Strong series)!

Black boy joy is…

Picking out a fresh first-day-of-school outfit.
Saving the universe in an epic intergalactic race.
Finding your voice—and your rhymes—during tough times.
Flying on your skateboard like nobody’s watching.

And more! From seventeen acclaimed Black male and non-binary authors comes a vibrant collection of stories, comics, and poems about the power of joy and the wonders of Black boyhood.

A bone-chilling contemporary YA horror about what happens when a Haitian American girl uses her previously hidden zombie abilities to exact revenge on the wealthy elites who’ve caused her family pain.

Brielle Petitfour loves to cook. But with a chronically sick mother and bills to pay, becoming a chef isn’t exactly a realistic career path.

When Brielle’s mom suddenly loses her job, Brielle steps in and uses her culinary skills to earn some extra money. The rich families who love her cooking praise her use of unique flavors and textures, which keep everyone guessing what’s in Brielle’s dishes. The secret ingredient? Human flesh.

Written by the storytelling duo Maika Moulite and Maritza Moulite, The Summer I Ate the Rich is a biting, smart new horror inspired by Haitian zombie lore that scrutinizes the socioeconomic and racial inequity that is the foundation of our modern times. Just like Brielle’s clients it will have you asking: What’s for dinner?

Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a bookmark ribbon and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book—gentle, simple, tactile, beautiful, even sacred—and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

A powerful, timely, dazzling new collection of poems from the National Book Award–winning author of Lighthead

The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices.

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The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book

People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love. It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. 

Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.