For readers of Nightcrawling, My Absolute Darling, and My Dark Vanessa, this captivating debut centers on nineteen-year-old Keke as she sets out on a desperate quest for freedom and a stable life for herself and her young daughter.

Keke is a young mother living in the basement of a house in Newark, New Jersey under the watchful eye of a man called Daddy. For five years, she has been told that she’ll be able to move upstairs once she and the other “girls” being trafficked hit the magic number. When that happens, she will no longer have to work the motels along the interstate. Her daughter, Angel, will be able to go to school, and Keke will live with Daddy in a real home, like a real family.

But then Keke gets picked up by vice cops and diverted to a women’s shelter, upending the delicate balance of her life. Hope for a new beginning starts shining through the cracks―but she doesn’t trust the system to save her. Unwilling to surrender Angel to foster care, Keke needs to figure out how to get both herself and her daughter to freedom.

Sakinah Hofler’s debut is a taut, incendiary testament to a mother’s love, and an uncompromising evocation of how desperation can drive you through to the light.

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid’s The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman’s inexorable evolution, evoked in startling and magical prose.

This novel tells the deeply charged story of a woman’s life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela’s childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela’s is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her fear of her father, her desperate loneliness, and her deep sympathy for those who share her history. But underlying all is “the black room of the world” that is Xuela’s motherlessness and barrenness.

Jordan Peele’s Us meets The School For Good Mothers in this horror-tinged intergenerational saga, as a single mother’s doppelganger forces her to confront the legacy of violence that has shaped every woman in their family.

Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.

It’s a relief when Alice wakes up one morning and everything has been done. The counters are clear, the kids’ rooms are tidy, orders are neatly packed and labeled. But no one confesses they’ve helped, and Alice doesn’t remember staying up late. Someone–or something–has been doing her chores for her.
Alice should be uneasy, but the extra time lets her connect with her children and with her hard-edged mother, who begins to share their haunted family history from Alice’s great-grandmother, a comfort woman during WWII, through to Alice herself. But the family demons, both real and subconscious, are about to become impossible to ignore.

Sharp and incisive, The Hunger We Pass Down traces the ways intergenerational trauma transforms from mother to daughter, and asks what it might take to break that cycle.

A scalding, darkly humorous debut following an enmeshed mother-daughter duo, both best friends and enemies, and the plastic surgery addiction that warps their lives into a perilous spiral
 
At twenty-six, Linli Feng is still trying to escape her mother Fanny’s orbit. But after three years of estrangement, just when Linli has been accepted into a prestigious graduate program, she is dragged back by Fanny’s latest medical catastrophe and forced to return home. 

For decades, Fanny has been addicted to plastic surgery, getting bargain procedures in the basements of LA’s bootleg beauty industry. Now Fanny’s disfigured face is in dangerous revolt, infected and collapsing yet again from black-market injectables.
 
But even as Linli wades through the wreck of family finances and juggles her mother’s medical care, Fanny has another secret in store. Fanny has won a spot on America’s Beauty Extreme, a reality television competition in which botched plastic surgery addicts compete for reconstructive surgery as riveted audiences tune in. When Linli attempts to rescue Fanny from the sinister subculture that has already claimed her mother’s face, she must at last confront the corrosive reality of American success that is at the fraught heart of their relationship.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

In this new edition of Nkrumah and the Ghana Revolution, C. L. R. James tells the history of the socialist revolution led by Kwame Nkrumah, the first president and prime minister of Ghana. Although James wrote it in the immediate post-independence period around 1958, he did not publish it until nearly twenty years later, when he added a series of his own letters, speeches, and articles from the 1960s. Although Nkrumah led the revolution, James emphasizes that it was a popular mass movement fundamentally realized by the actions of everyday Ghanaians. Moreover, James shows that Ghana’s independence movement was an exceptional moment in global revolutionary history: it moved revolutionary activity to the African continent and employed new tactics not seen in previous revolutions. Featuring a new introduction by Leslie James, an unpublished draft of C. L. R. James's introduction to the 1977 edition, and correspondence, this definitive edition of Nkrumah and the Ghana Revolution offers a revised understanding of Africa’s shaping of freedom movements and insight into the possibilities for decolonial futures.

A classic of politics, murder, and espionage "Watershed has all the makings of a social thriller...In this novel about water and the struggle for a life free of injustice, the mix doesn't just work, it flows." — Alan Cheuse, National Public Radio "It’s hard . . . to imagine a novelist today with fresher eyes than Percival Everett."―Christopher Borrelli, Chicago Tribune On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement. Watershed is an excellent example of Percival Everett’s famed bitingly political narrative style.

The author and director of the Martin Luther King, Jr. Library Publishing Project gives voice to long silent African Americans from the past, allowing them to tell their own stories that shed new light on critical moments in the Black Freedom Struggle, challenging what we think we know about Black history.

History is at its best when new findings and perspectives challenge old ideas and notions about the past, and even overturn common wisdom.

What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really?

In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past. In this wide-ranging, impeccably researched book, Ford begins with the 1656 court case of a woman named Elizabeth Key, who won a verdict for her freedom against her would-be enslaver—a victory that would forever change the nature, brutality, and course of American slavery.

Ford examines a range of topics, from the role of women in fomenting slave revolts to an in-depth look at how Selma was not really about voting rights or even Martin Luther King, Jr, but about a twenty-six-year-old Black man named Jimmie Lee Jackson who was killed by an Alabama state trooper. As he laying dying in the only hospital that would treat Black people in February 1965, Jimmie Lee whispered to his nurse, a Catholic nun, “Sister, isn’t this a high price for freedom?”

Eye-opening, enlightening, and often counterintuitive, this fascinating history includes compelling, heartrending, and factual accounts about people and events in the African American past that teach us things we never learned and challenge the stories we thought we knew.

Tiffany Aliche was a successful pre-school teacher with a healthy nest egg when a recession and advice from a shady advisor put her out of a job and into a huge financial hole. As she began to chart the path to her own financial rescue, the outline of her ten-step formula for attaining both financial security and peace of mind began to take shape. These principles have now helped more than one million women worldwide save and pay off millions in debt, and begin planning for a richer life. Revealing this practical ten-step process for the first time in its entirety, Get Good with Money introduces the powerful concept of building wealth through financial wholeness: a realistic, achievable, and energizing alternative to get-rich-quick and over-complicated money management systems. With helpful checklists, worksheets, a tool kit of resources, and advanced advice from experts who Tiffany herself relies on (her “Budgetnista Boosters”), Get Good with Money gets crystal clear on the short-term actions that lead to long-term goals, including:

A simple technique to determine your baseline or “noodle budget,” examine and systemize your expenses, and lay out a plan that allows you to say yes to your dreams.

An assessment tool that helps you understand whether you have a “don’t make enough” problem or a “spend too much” issue—as well as ways to fix both.

Best practices for saving for a rainy day (aka job loss), a big-ticket item (a house, a trip, a car), and money that can be invested for your future.

Detailed advice and action steps for taking charge of your credit score, maximizing bill-paying automation, savings and investing, and calculating your life, disability, and property insurance needs.

Ways to protect your beneficiaries’ future, and ensure that your financial wishes will stand the test of time.

An invaluable guide to cultivating good financial habits and making your money work for you, Get Good with Money will help you build a solid foundation for your life (and legacy) that’s rich in every way.

A founding document of African American Studies, reissued for today’s students and scholars
 
In a landmark 1968 conference at Yale University, students, faculty, and community activists helped establish “Afro‑American Studies” as a major, and then a thriving department, at Yale. In these conference proceedings, participants argue for the necessity of Black Studies as a field, start to delineate its central debates, discuss its relationship to the broader community, and plot a course of study. Bristling with implied action and the power of an idea whose time has come, this classic reissue will serve as a resource for new generations of scholars and activists.
  
Contributors to the proceedings include McGeorge Bundy, Lawrence W. Chisolm, Harold Cruse, David Brion Davis, Nathan Hare, Maulana Ron Karenga, Martin Kilson, Jr., Gerald A. McWorter, Sidney W. Mintz, Boniface Obichere, Alvin Poussaint, Edwin S. Redkey, Charles H. Taylor, Jr., and Robert Farris Thompson.
 
In a new introduction, Farah Jasmine Griffin reflects on the legacy of this book and the trajectory of the field over the decades; forewords by Ralph C. Dawson and Henry Louis Gates, Jr., recall the pioneering moment at Yale and all that it made possible.

A kaleidoscopic history of the Studio Museum in Harlem told through oral histories, essays, and a trove of archival imagery

Founded in 1968 by a diverse group of artists, community activists, and philanthropists, the Studio Museum in Harlem is internationally known for its catalytic role in promoting the work of artists of African descent. The Museum has a unique history but until now, there has not been a publication that positions its founding and tells its story.

Bringing together oral histories from the Museum’s founding figures; essays by leading scholars, curators, and artists; and a trove of archival material, this dynamic volume offers the first comprehensive history of the Studio Museum. In-depth essays anchor thematic sections examining the Museum’s founding, its collecting practices and exhibitions, and community engagement. Shorter texts and monologues drawn from interviews with foundational figures immerse the reader in specific events, exhibitions, and moments in the landmark institution’s history. At the book’s center is an expansive visual archive offering a timeline in ephemera and photographs, many of them published here for the first time. This richly illustrated volume will serve as the definitive resource on the history and legacy of the place “Where Black Art Lives.”

Distributed for the Studio Museum in Harlem