A field-shaping account of how contemporary Black art revitalizes the Black radical tradition

In View of the Tradition argues that contemporary Black artists do not simply comment on politics. They help to generate it. Moving across sculpture, installation, photography, and film, Roderick A. Ferguson shows how Black art clarifies the stakes of capitalism, migration, war, settler colonialism, and ecological crisis while widening the tradition’s feminist, queer, and transnational horizons. The book asks what it means to relocate Black art in the annals of freedom rather than the balance sheets of the marketplace.

Reading work by John Akomfrah, Stephen Hayes, Hew Locke, Fabrice Monteiro, Wangechi Mutu, Noah Purifoy, Cauleen Smith, and Carrie Mae Weems, Ferguson restores the social character of art: how artworks imagine community, connect histories, and model ways of making and remaking the world. Street-level practices associated with Purifoy reframe official narratives of disorder into studies of collective making and civic imagination. Weems’s Hampton Project situates Black and Native lives within intertwined histories of racial governance and settler pedagogy, building an aesthetics of reckoning that links emancipation to captivity.

Across the Atlantic world, artists turn to the sea as both history and prophecy. In the flotillas and filmic ecologies of Locke, Akomfrah, and Monteiro, water becomes a sensor of racial capitalism and refugee flight, and it calls Black radicalism to account for migration’s precarity and the force of deregulated markets. Mutu’s hybrid anatomies trace militarism’s afterlives, from colonial counterinsurgency to Cold War entanglements, where bodies and ecologies register violence yet assemble unexpected kinships. The book closes with art as praxis through Cauleen Smith’s Human 3.0 Reading List, a hand-drawn syllabus that doubles as an engine room of creation. Ferguson names a method that is accessible and rigorous: look closely, connect widely, and link visual literacy to insurgent study and to áshe, the capacity to make things happen. Written with clarity for general readers and with depth for scholars and classrooms, In View of the Tradition shows how Black art and radical thought come together to represent the world and to sketch other possible ones.

The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the New York Times bestselling author of Black Cake, a Read with Jenna Book Club Pick

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well.

The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart without any explanation, that's exactly what they get.

So Ebby flees to France, only for her past to follow her there. And as she tries to process what's happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family's history—it might also hold the key to unlocking her own future.

In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.

Ten years ago, bell hooks astonished readers with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites readers to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. bell hooks writes candidly about her own experiences. Teaching, she explains, can happen anywhere, any time - not just in college classrooms but in churches, in bookstores, in homes where people get together to share ideas that affect their daily lives.

In Teaching Community bell hooks seeks to theorize from the place of the positive, looking at what works. Writing about struggles to end racism and white supremacy, she makes the useful point that "No one is born a racist. Everyone makes a choice." Teaching Community tells us how we can choose to end racism and create a beloved community. hooks looks at many issues-among them, spirituality in the classroom, white people looking to end racism, and erotic relationships between professors and students. Spirit, struggle, service, love, the ideals of shared knowledge and shared learning - these values motivate progressive social change.

Teachers of vision know that democratic education can never be confined to a classroom. Teaching - so often undervalued in our society -- can be a joyous and inclusive activity. bell hooks shows the way. "When teachers teach with love, combining care, commitment, knowledge, responsibility, respect, and trust, we are often able to enter the classroom and go straight to the heart of the matter, which is knowing what to do on any given day to create the best climate for learning."

Featuring more than 100 artists, this landmark book charts the intricate connections between photography and the Black Arts Movement
 
The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture.
 
Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
 
Published in association with the National Gallery of Art, Washington
 
Exhibition Schedule:
 
National Gallery of Art, Washington, DC
(September 21, 2025–January 4, 2026)
 
J. Paul Getty Museum, Los Angeles, CA
(February 24–May 24, 2026)
 
Mississippi Museum of Art, Jackson, MS
(July 25–November 1, 2026)

Exodus Oktavia Brownlow's stories are set in the imagined town of Honey, Mississippi, and they move through generations of shared history―the town's inhabitants are bound by the food they serve, the hymns they lift into the air, and the thick Southern heat. This place crackles with life: a mother's remedy sizzling on the stove, a gunshot echoing through the woods, a bee humming its way home. Honey is a place where sweetness lingers, where sharpness hides beneath the surface, where people can be tender, sticky, and cruel all at once.

When It Gets Cold in the South stretches across centuries―from the 1600s to today―following characters who balance inherited wisdom with their own visions for the future. From a mother and young daughter confronting the veiled racism of beauty pageants, to a royal family caught between reigning supreme and total extinction, to siblings united by their love of Michael Jackson's Thriller, to cowboys captured by kudzu's clutches and a predator's prowls, these stories reveal a South that is both tender and fierce.

By employing inventive structures, rhythmic dialogue, and richly sensory prose, Brownlow conjures a world alive with sound and texture―where you hear oil pop, feel the sky's cold settle in your core, and carry the South's heat and chill in your bones. Bold, vulnerable, and unforgettable, When It Gets Cold in the South marks the arrival of an extraordinary storyteller.

In a world scarred by indiscriminate bombing, forced starvation, and mass displacement, a nameless survivor lies crushed beneath the rubble of a bombing—alive, but barely.

Entombed in darkness with no hope of rescue, he must navigate the thin edge between life and death using only his hearing, sense of smell, and the volatile power of his imagination. Above him a genocide unfolds. Below, in his fragile pocket of air, he begins to witness it in ways no unburied survivor ever could.

As hours blur into days, hallucination and reality weave together. Memories seep through the cracks. Fantastical visions rise from the dust. In this liminal state, he gains a strange, heightened clarity, an almost supernatural insight known only to those suspended between worlds, the mortally wounded who hover in the space where time fractures and the mind sharpens to a blade.

What begins as desperate escapism becomes a haunting chronicle of a people forced underground by violence, a nation living beneath the weight of another’s cruelty. In the darkness, he discovers a grim sanctuary: the rubble is a tomb but also a refuge from the firestorm above.

A wartime tale of resilience amid annihilation, Seraj Assi's debut novel plunges readers into the intimate terror of one man’s confinement and the collective suffering of his shattered homeland. As he reflects, “Being under the rubble is a strange thing. . . . You’re clinging to life not to live, but to defy death. Just because you’re breathing doesn’t mean you’re alive. You’re a ghost, and your homeland is but a ghostland.”

This is the story of a people driven underground not by myth or choice, but by force: “We are subterranean only because others refuse to allow us our place under the sun.”

Thrilling crossover YA Horror perfect for fans of Krystal Sutherland and Tiffany Jackson, where the captain of a high school cheer team is caught in a bitter rivalry and turns to an ancient, supernatural creature for help, not knowing she’s just made a deal with a devil and could lose everything that matters, including her life.

Maris Larsen is the captain of the West Eaton High cheer team. She’s Coach’s favorite and the team worships her. Being on the team makes her feel special—powerful. When she’s leading the girls on the mat, Maris doesn’t have to think about her dead-end life in a dead-end town. She can forget about her depressed mother and absent father and the fact that her girlfriend doesn’t really love her. But when newcomer and Coach’s new golden girl, Genevieve Ray, joins the team, the only thing going right in Maris’s life is suddenly in jeopardy. A bitter rivalry develops between the two, but Maris is determined to take Genevieve down. The knife she needs to wield comes to Maris in her dreams.

While sleepwalking, Maris is visited by a monstrous, decaying beast in the shape of an enormous deer. Doe is an ancient, tired creature who has been wandering, trapped in her current form for decades. She cannot die, but she cannot go on living as she has. Only a girl related by blood to those who bound her in this form can free her, but those girls she loved died years ago—murdered in a fire.

But Maris is somehow linked to Doe’s beloved girls—linked by blood—and so she has the power to free Doe, to unleash her immense power. In Maris’s dreams, she and Doe form a bond, but Maris doesn’t know the creature from her dreams is real. Maris doesn’t understand the danger she’s in. She only knows Doe has promised her a way to win her battle with Genevieve. But for Maris to win, someone has to die, and the only real winner in the end will be Doe.

Arsenio Hall, America’s beloved late-night TV host, reveals the ups and downs of his remarkable career as a trailblazing pioneer with this behind-the-scenes, star-studded, no-holds-barred memoir of celebrity, race, and show business.

Arsenio Hall holds a uniquely prominent place in American culture—celebrated late-night host and comedic actor, famed for starring roles in the cultural touchstones Coming to America and Harlem Nights.

Now, he pulls back the curtain and takes us to a different time in Hollywood. Iconic scenes include: starting out as a young magician in Cleveland; hosting his first talk show in the basement of his apartment building when he was in elementary school; cutting his teeth at the world-famous Comedy Store in Hollywood, learning about comedy and life from legendary comedian Richard Pryor; forming lifelong bonds with legendary icons Muhammad Ali, Luther Vandross, Sammy Davis, Jr., and Eddie Murphy; tasting superstar success with Coming to America, the film that preceded The Arsenio Hall Show; conducting unforgettable, groundbreaking interviews with Magic Johnson, Bill Clinton, Tupac Shakur, Maya Angelou, Madonna, and Minister Louis Farrakhan; rescuing a family from a home-fire with Jay Leno; sharing hot sauces and blackjack with Patti LaBelle; and chilling with Prince.

And then, he made the difficult decision to walk away.

This bracingly candid memoir offers a new appreciation for this raw talent and gifted storyteller, who nightly, for six years, hosted what felt like a televised “party” that changed the landscape of late-night television and brought Black culture into living rooms across America.

With this book, he does it one more time.

When a middle-aged widowed loses her job at the butcher shop, she’s at a loss as to how to provide for her family—until she’s offered a position that puts her carving skills to new uses in this darkly humorous bestselling Korean thriller.

Mrs. Shim needs money. She’s lost her husband and her job, and she's got three mouths to feed at her kitchen table. If she doesn't find work soon, she and her children are going to lose their home.

So when she answers a vague job ad for the Smile Detective Agency, Mrs. Shim expects the job will be some kind of cleaning position. But when they only ask her questions about her experience as a butcher and what she can do with a cleaver, she begins to realize they want her to do a very different kind of cleaning—they want her to be an assassin. Too scared not to take them up on their offer, she agrees to the position.

And Mrs. Shim soon finds that her new job isn’t so different from her old one in the butcher shop, quickly becoming the agency's best contract killer—but her rise to the top hasn’t gone unnoticed. Jealous of her talents, her agency’s competitors—and even her own colleagues-- begin pointing fingers (and knives) in her direction.

If she wants to keep her job, her family, and her reputation intact, Mrs. Shim is going to have to take out the secretive leader of a rival agency. But when she has the chance to strike, she's stunned to find a familiar face at the end of her blade.

As it turns out, this just may be one mess she can't cut her way out of . . .

The classic tale of a Nigerian woman who overcomes strict tribal domination only to encounter the hardships of immigration. Available again.

In the late 1960’s, Adah, a spirited and resourceful woman manages to move her family to London. Seeking an independent life for herself and her children she encounters racism and hard truths about being a new citizen. “Second Class Citizen pales a lot of academic feminist writing into insignificance.” –The Guardian

“Emecheta’s prose has a shimmer of originality, of English being reinvented....Issues of survival lie inherent in her material and give her tales weight.” --John Updike

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

What would you do with a second chance at your first time? Following a bad breakup, Willow Lewis tackles a re-do list with the help of her brother’s best friend in this sweet and sexy new romance from USA Today bestselling author Denise Williams.

Willow experienced all her big firsts with her high school sweetheart. Now, reeling from their very public breakup, she wants to get a re-do on those important moments. While dog-sitting for her brother during his deployment, she has a chance to start over and spending time with his best friend gives her the confidence to start checking items off her “Re-Do list.”

Deacon promised his best friend two things when Cruz left for a deployment: that he’d look out for Willow, and that he’d keep his hands off Cruz’s baby sister. “Operation Re-Do” is innocent enough at first: Deacon likes Willow and he’s willing to help her out any way he can. But when the list of firsts turns from a first dance to first kisses and more, Deacon can’t deny the connection he feels to Willow.

As Deacon’s and Willow’s firsts turn to seconds, thirds, and fourths, this pair can’t get enough of each other—and they support each other through new challenges. But they are both aware there’s an end date to Willow’s time in town… and even if she were to stay, Deacon doesn’t know how to choose between his loyalty to his closest friend and the woman he’s fallen in love with. With no more romantic moments on her list for them to re-do, can these two still find a way to stay together?