Award-winning author Kai Ashante Wilson returns with a bold new vision of fantasy. The Fall of Elvenesse transforms the genre of Tolkien in the image of N. K. Jemisin, Marlon James, and Simon Jimenez.

Elves have ruined the world.

From their high mountain, the cruel knights of Elvenesse range out to conquer. They pillage, they enslave, they wreak genocide. Always the Elves have taken, never considered when the bill for their crimes will come due.

That time has come. The fury of the world has awoken. The victims will have their vengeance.

A divine scourge of fire sweeps across the land toward Elvenesse, and the last free people of the Nations flee before it. As the mountains char, rivers boil, and savannas burn, the Free Nations rely on the muscle and magic of their strong and runt freaks. But as their one remaining Saint assumes his power, he receives a prophecy: the Nations' only path to survival runs through Elvenesse. Only by navigating the Elven labyrinth can he win his people's lives.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

In this Level Three I Can Read, join twins Jada and Jamal, and their best friends Carlita and Josh as they come up with a colorful springtime plan to spruce up their schoolyard. Everyone in the neighborhood is invited!

CHIRP! CHIRP! CHIRP! It’s springtime on Bradford Street. Jada and Jamal are searching for signs of spring. So are their best friends, Carlita Garcia and Josh Cornell. But the most surprising sign of spring awaits them at school tomorrow . . . a surprise that blossoms into a colorful plan to beautify the schoolyard just in time for Earth Day. Get set to dig in and join the neighborhood fun with the Bradford Street Buddies!

This Level 3 I Can Read title is written for independent readers and includes challenging words and more complex themes and stories.

For readers of Nightcrawling, My Absolute Darling, and My Dark Vanessa, this captivating debut centers on nineteen-year-old Keke as she sets out on a desperate quest for freedom and a stable life for herself and her young daughter.

Keke is a young mother living in the basement of a house in Newark, New Jersey under the watchful eye of a man called Daddy. For five years, she has been told that she’ll be able to move upstairs once she and the other “girls” being trafficked hit the magic number. When that happens, she will no longer have to work the motels along the interstate. Her daughter, Angel, will be able to go to school, and Keke will live with Daddy in a real home, like a real family.

But then Keke gets picked up by vice cops and diverted to a women’s shelter, upending the delicate balance of her life. Hope for a new beginning starts shining through the cracks―but she doesn’t trust the system to save her. Unwilling to surrender Angel to foster care, Keke needs to figure out how to get both herself and her daughter to freedom.

Sakinah Hofler’s debut is a taut, incendiary testament to a mother’s love, and an uncompromising evocation of how desperation can drive you through to the light.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

An essential history of modern Black cinema, as led by avant-garde filmmaker, director, novelist, composer, and playwright Melvin Van Peebles.

Beg Borrow Steal, a title inspired by Black artists’ make-a-way-out-of-no-way ethos, is a stirring and remarkable deep dive into Black independent film and culture, as modeled by raconteur and iconoclast Melvin Van Peebles. Award-winning writer Santi Elijah Holley enriches the extraordinary history with interviews from today’s most innovative Black independent filmmakers and actors, such as Julie Dash, Charles Burnett, and Samuel L. Jackson, as well as Van Peebles’s published and unpublished manuscripts, critical reviews, analyses, and reflections.

Independent Black artists across all disciplines—from music and theater to literature and poetry—continue to push boundaries, challenge stereotypes, and pursue their own vision, away from traditional gatekeepers. The success of artists like Spike Lee, Barry Jenkins, Ava DuVernay, Jordan Peele, and Ryan Coogler can be traced directly to the pioneering work of Van Peebles, whose ambitious and innovative multidisciplinary artistry never yielded to anybody else’s vision but his own.

As a Black American who’d overcome poverty, discrimination, and other obstacles, Van Peebles refused to let White America take advantage of him and his talent. It’s made him a beacon for every Black auteur and independent filmmaker of the past 50 years. Sinners, Black Panther, Sorry to Bother You, Get Out, She's Gotta Have It, Do the Right Thing, Boyz n the Hood, Shaft, Superfly, Daughters of the Dust, Selma, the list goes on. It is impossible to imagine any of these culturally defining films existing, if not for the groundwork laid by Melvin Van Peebles’s 1971 Sweet Sweetback’s Baadasssss Song. It is canon in Black film.

Beg Borrow Steal is the story of the legendary man who provided the blueprint for independent Black cinema, and a tribute to the power of radical Black creativity in American art and culture.

A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

From Pulitzer Prize and National Book Award-winning author Louise Erdrich, a novel about the collisions of youth—with want, with art, with rage—as experienced by a young Chippewa writer in politically fraught 1970s America.

“Where do we find a definition? Where do we find what a poet is?”

Fargo, 1971. Erdrich’s narrator spends her days sneaking pocketsful of lasagna home from waitressing, missing the author friends who have floated out of town again, and wondering half-seriously if the poetry of local third graders is outdoing her own. In search of more life, more inspiration, and—always—enough food to get through the next day, she embarks on a series of jobs, affairs, and travels that illuminate the wild eccentricities of the American national character as much as they do the injustices—and resistances—boiling around her in North Dakota.

I’m Hungry explores shocking violence, unearthly beauty, and voracious appetites of all kinds, from sexual hunger to the need for a life transfigured by poetry. It answers the question of “what a poet is” with an indelible portrait of a young woman in a fractured community who finds her voice even as she encounters lovers, hustlers, and specters whose own hungers threaten to pull her under.

A bold, gorgeously textured, and unforgettable moral fable, this compelling novel will be revelatory to her legions of fans.

Winner of the Bancroft Prize
Winner of the David J. Langum Prize
Winner of the Merle Curti Social History Award
Finalist for the Cundill History Prize 2026

A revelatory history of the laws that conditioned the everyday lives of Chinese people in the American West―and of those who negotiated, circumvented, and resisted discrimination.

Legal discrimination against Chinese people in the United States began in 1852, with a California tax on foreign gold miners that was explicitly designed to exploit Chinese labor. In the ensuing decades, California, Oregon, Washington, and other western states instituted more than five thousand laws that marginalized and controlled Chinese residents. Long before the Chinese Exclusion Act banned Chinese immigration, these laws constrained the activities and opportunities of Chinese people already living in the United States.

In this eye-opening account, Beth Lew-Williams describes a legal architecture redolent of Jim Crow but tailored to the people whom official records often referred to only as “John Doe Chinaman” and “Mary Chinaman.” Enforced by police, tax collectors, schoolteachers, missionaries, and neighbors, these laws severely limited Chinese access to American society. Cementing stereotypes of Chinese as criminals, invaders, and predators, states regulated everything from healthcare and property ownership to business formation and kinship customs. Yet Chinese communities reacted resourcefully. Many fought, evaded, and manipulated racist laws, finding ways to maintain prohibited traditions, resist unfair treatment in court, and insist on their political rights.

Revealing the depth of anti-Chinese discrimination beyond federal exclusion, John Doe Chinaman tells the stories of those who refused to accept a conditional place in American life.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

We're meeting to discuss The Gift of Us by Lula White! For this special bookclub the author Lula White will be joining us for the discussion. 

BOOK CLUB MEETING DEETS

When: Tuesday, December 8 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT THE GIFT OF US

Welcome to so-tiny-you'll-blink-and-miss-it town of Elaine for Christmas.

SUNDAY

Just days before Christmas, Sunday Conklin is on the brink of losing everything-her family's scenic farm-in the heart of her small Arkansas town. It's the legacy she's given up her life to protect. With the bank out of mercy and her options gone, her family's oldest enemy, the Adlers, will finally take the Conklin Fields for themselves. But a miracle arrives-one that could save Sunday, her neighbors, and the historic town of Elaine itself. There's just one problem: that miracle comes tangled up with the most infuriating man she's ever met... who belongs right back in Texas where he came from.

SEVEN

Seven Hardcastle can't believe his luck this Christmas, when he's assigned to a middle-of-nowhere Arkansas town. He's ready to return to his perfectly manicured life in Dallas with his wife and kids. All he needs is one signature-Sunday Conklin's. But when the town of Elaine strikes it big, Seven's fate is tied up with that of its most stubborn, maddening, and undeniably magnetic farm-owner. As the town's secrets unravel, and Sunday's fight becomes his own, Seven is handed a Christmas gift he never expected... one that forces him to question his past, his future, and where home truly is.

Note: This novel has been released in both a steamy edition that includes graphic intimacy and a clean edition that fades to black and is appropriate for ages 16+. This book is the CLEAN edition.

A chart-topping picture book biography about how Bad Bunny went from a small-town dreamer in Puerto Rico to one of the greatest global music icons of all time.

* A Junior Library Guild Gold Standard Selection

Right now, in any city in the world, you’ll hear the unmistakable beats of Bad Bunny’s music blasting from speakers.

A global superstar who has sold out stadiums around the world, Bad Bunny is redefining what it means to be an artist. But how did he get here? Born and raised in Puerto Rico, Benito Antonio Martínez Ocasio grew up surrounded by the rhythms and culture of reggaeton. He has not only become an icon of the genre but has transformed it by innovating its sound and challenging the machismo culture of the genre by embracing fluidity in fashion, masculinity, and the LGBTQ+ community. Could young Benito have imagined performing at the Super Bowl, making history by becoming the first artist to win Album of the Year for a project entirely in Spanish, and becoming a voice of hope for millions across the globe?

Inspiring and groundbreaking, Bad Bunny’s story is a must-have for every fan who sings along to his hits—and a reminder that breaking the rules can lead to building a legacy.