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The billion-dollar Hollywood producer provides a master mentorship by sharing secrets to success honed from working with the biggest stars in the world. As Kevin Hart says of working with Will Packer: “I became a student and learned from the way he was moving. The man helped me grow and gave me the knowledge.”

Whether you’re just starting out or ready to make a major move, Who Better Than You? is a wildly entertaining roadmap to being successful in an unpredictable world, featuring behind-the-scenes Hollywood lessons, empowering guidance, and indispensable encouragement.

From Stomp the Yard to Ride Along to Girls Trip and many more, Will Packer’s films have collectively grossed more than $1 billion at the box office, with ten opening at number one! To outsiders, the unabashed confidence that has driven him since his college days—when he was trying to sell a micro-budget indie film—may look like arrogance. To Packer, that’s just what it took to make it on his own terms.

With Who Better Than You?, Packer has created the success toolkit he wished he’d had back then, filled with illuminating and laugh-out-loud stories as well as practical advice, such as:

1. Be arrogant! The highest-achieving people have “healthy arrogance”: Superior confidence not only in themselves and their abilities but also in their predestined success. You too can unlock this level of confidence.

2. Convince people your goals are essential and vital. It is crucial to assure others that your success benefits both you and them.

3. It’s the work you put in when nobody’s watching that makes everyone pay attention later. No single person on the planet is more deserving of achieving their wildest dreams than you. But it will never happen until you act accordingly in every aspect of your life.

It’s time for you to start producing your own blockbuster life—by first believing there is no one more worthy of it than you.

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Monsters, magic, and mischief abound once more in the spellbinding sequel to Where There Be Monsters, perfect for fans of The Marvellers and Amari and the Night Brothers.

Glory Brown is finally set to start her training as a junior spherinaut at the Parliamentarium. Will she turn out to be an owl, a bee, a fox, or a magpie, like her mama? She's been waiting a lifetime for this adventure . . . and yet all she wants to do is make her family proud and try not to be homesick for the Seam and all its charm.

As Glory struggles to find her place as the new kid―one with a lot of questions and a soft spot for monsters―she's also coping with the after-effects of Paxton's treachery, like the curse that still plagues her. In fact, the worlds of the Outersphere are all in the process of recovering―and Glory suspects they haven't seen the last of Paxton, either.

When top secret spherinautical charts go missing, parcels are tampered with, and the pocket-orreries go haywire, the Parliamentarium of Junior Spherinauts plunges into chaos. Now, Glory, Marcus, and their new friends must work together to figure out who the thief is and if they have what it takes to save the worlds again.

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Michael Jackson’s closest sister pulls back the curtain to reveal the inner workings of the Jackson family, Michael’s tortured soul, and her own love for her brother in this intimate portrait of a beloved, yet troubled, pop legend.

In this shocking New York Times bestselling memoir, La Toya Jackson pays heartfelt tribute to her legendary brother Michael’s tortured soul and offers unprecedented insight into the troubled entertainer’s tragic destruction.

La Toya Jackson was always closer to Michael than anyone knew. Now, she sheds light on the intimate moments she shared with the beloved pop legend and unveils the disturbing behind-the-scenes dealings that she believes foretold his death. Like Michael, La Toya experienced an upbringing that made her vulnerable to exploitation, and her own journey led to hell and back at the hands of her former manager and husband. Here, in vivid and candid detail, she reveals the most painful episodes of her deeply personal story and explores how anyone—regardless of fame, fortune, or status—can be trapped in a cycle of abuse. La Toya ultimately found the courage to break free, rebuild her life and career, and reconcile with her close-knit family. Her unforgettable story will touch the hearts of millions of fans and inspire anyone who feels as if there’s nowhere to go that it is possible to truly start over...

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Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

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Perfect for fans of Amari and the Night Brothers and The Marvellers, Alby C. Williams' debut middle grade fantasy is a thrilling adventure filled with monsters, mysteries, and mischief.

Twelve-year-old Glory Brown is desperate for adventure far from her family’s quaint, quiet life at The Light Inn. Generations of Browns have been stewards of this humble hotel, which acts as a sanctuary in the stretch of monster-filled land called the Seam. But Glory wants nothing more than to learn how to use her Moxie, a special magic only kids have, and to train to become a spherinaut like her mother, exploring and documenting the perilous depths of the Outersphere.

When a mysterious boy named Marcus appears one day on a top-secret mission for the Parliamentarium―the school for aspiring spherinauts―Glory packs up her beloved books and sets off on a once-in-a-lifetime journey that will shuttle her across time and space . . . and reveal new dangers lurking in the worlds beyond the Seam.

For there’s mischief afoot that’s threatening the balance between the worlds, its magic, and its monsters. And it’s up to Glory to find a way to fix it before it’s too late.

Secrets. Lies. Consequences.

Three couples. Two exes. One day of reckoning.

Jasper’s brother Edmund has never been exciting, but he is reliable and always there for his little brother, no matter what. It’s only natural that the day after their engagement, Jasper and bride-to-be Holly decide to surprise Edmund with a celebratory visit.

John, Jasper’s fun loving and devoted best friend, comes along. Of course he wouldn’t think of missing such an occasion. Anne joins them, because she’s John’s wife and Jasper is a huge part of her life.

Edmund and Ovidia aren’t expecting visitors, but they can’t exactly say no when Jasper and the others walk into their London mansion one Saturday morning in spring.

Ovidia is not supposed to be there.

Perhaps Edmund is not as reliable as Jasper believed.

Maybe John doesn’t know everything about his best friend.

Today they will all have to face the consequences of the lies they’ve told themselves.

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Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew).

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers’ drug addictions.

JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother’s illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria’s new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her.

Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry’s stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.

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As Udonwa grows, her hidden family history changes her forever.

Let me tell you a story. It’s about a war. This war is not the type fought with guns and machetes. It is a family type. A silent war. The type fought in the heart. It began long before I was formed.

Udonwa’s family is at war ― a war of relationships, played out under the tyranny of a monster dad. Age twelve, Udonwa has a peculiar love for her father, Reverend Leonard Ilechukwu, who favours her but beats his wife and his other children. She sees his good side: after all, he pays the school fees, and tells her that she, named “the peaceful child,” is the one most likely to become a doctor.

When her newly married eldest sister suddenly takes her from their family compound in Iruama, Nigeria, to live with her in Awka, Udonwa experiences violence first-hand. Later, pieces of a sinister picture emerge that shake her life to the core.

No longer the person she thought she was, Udonwa launches into a period of extreme change, and parts of her life spiral into chaos as she finds herself torn between her love for her father and an underlying need to free herself. This vivid family saga is engrossing, deeply unsettling, and finally uplifting.

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Long-listed for the Booker Prize

A radiant, intimate novel of the longing that blooms between two boys over the course of one summer―about family, desire, and what we inherit.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once-flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought.

Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete.

At once sweeping and compressed, Tash Aw’s The South is a family novel of change and desire―a story of what happens when public and private lives collide, told with uncommon grace and beauty.

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Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

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Earl Tubb is an angry old man with a very big stick. Euless Boss is a high school football coach with no more room in his office for trophies and no more room underneath the bleachers for burying bodies. And they're just two of the folks you'll meet in Castor County, Alabama, home of Boss BBQ, the state champion Runnin' Rebs and more bastards than you've ever seen!

“What does old Earl Tubb do when he returns home to Craw County, Ala., only to find the place a veritable criminal fiefdom run by Euless Boss, the local high school football coach? Why, pick up the stick helpfully cleaved by lightning from a tree growing out of his daddy's grave and start meting out justice just like his father, the old sheriff, did. In the cleaning-up-the-dirty-old-town Southern-fried pulper, writer Aaron (Scalped) and artist Jason Latour (Django Unchained) spread around no more story than is absolutely necessary, and most of it involves people being at the wrong end of a stick, baseball bat, or even (in an early fight scene) a deep-fryer basket. Both Jasons hail from the South, as they discuss in a particularly bighearted introduction, and so likely feel unencumbered by concerns about overdosing on clichés. Thus, the high-impact pages are strewn with bruising high school football, sweet tea, barbecue, trucker caps, and snarling rednecks. The story, in which Tubb clobbers his way through throngs of underlings to get at Boss, is no more complicated than a redo of Walking Tall. But there's a thread of something deeper, bloodier, and more resonant that often transcends the usual psychotic-redneck shtick, aided in no small part by Latour's spare, elegant art.” - Publishers Weekly

A love letter to his fans, My Dear Wildflower finds New York Times bestseller r.h. Sin at his best, guiding readers through the journey out of despair and back to self-worth with the honest relatability that fans worldwide have come to know him for.

My Dear Wildflower is the latest poetic offering from prolific writer r.h. Sin. A revisit to the themes and style that fans first fell in love with when he debuted his Whiskey Words and A Shovel series in 2015. In My Dear Wildflower, Sin speaks directly to readers with his signature kindness and honesty, expounding on ideas of love, regret, heartbreak, and the journey to rediscovering self-worth.
 
Sure to resonate, this collection is a perfect entry point to readers new to Sin’s world and a nostalgic reach back for those who have been here since the beginning.