In this second volume of her poignant autobiographical series, Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humor, and humanity.

“A curiously heartening story in which decency, honor, truth, love do exist, imperfectly, fractionally and flickeringly, not in some Platonic realm of the ideal, but in the flawed lives of real men and women.”—The Washington Post

Gather Together in My Name continues Maya Angelou’s personal story, begun so unforgettably in I Know Why the Caged Bird Sings. The time is the end of World War II and there is a sense of optimism everywhere. Maya Angelou, still in her teens, has given birth to a son. But the next few years are difficult ones as she tries to find a place in the world for herself and her child. She goes from job to job–and from man to man. She tries to return home–back to Stamps, Arkansas–but discovers that she is no longer part of that world. Then Maya’s life takes a dramatic turn, and she faces new challenges and temptations.

Longtime NBC News reporter Char Adams writes a deeply compelling and rigorously reported history of Black political movements told through the lens of Black-owned bookstores, which have been centers for organizing from abolition to the Civil Rights Movement to Black Lives Matter.

In Black-Owned, Char Adams celebrates the living history of Black bookstores. Packed with stories of activism, espionage, violence, community, and perseverance, Black-Owned starts with the first Black-owned bookstore, which an abolitionist opened in New York in 1834, and after the bookshop’s violent demise, Black book-lovers carried on its cause. In the twentieth century, civil rights and Black Power activists started a Black bookstore boom nationwide. Malcolm X gave speeches in front of the National Memorial African Book Store in Harlem—a place dubbed “Speakers’ Corner”—and later, Black bookstores became targets of FBI agents, police, and racist vigilantes. Still, stores continued to fuel Black political movements.

Amid these struggles, bookshops were also places of celebration: Eartha Kitt and Langston Hughes held autograph parties at their local Black-owned bookstores. Maya Angelou became the face of National Black Bookstore Week. And today a new generation of Black activists is joining the radical bookstore tradition, with rapper Noname opening her Radical Hood Library in Los Angeles and several stores making national headlines when they were overwhelmed with demand in the Black Lives Matter era. As Adams makes clear, in an time of increasing repression, Black bookstores are needed now more than ever.

Full of vibrant characters and written with cinematic flair, Black-Owned is an enlightening story of community, resistance, and joy.

Celebrate Taylor Byas' new poetry collection, Resting Bitch Face! 

EVENT DEETS

When: Thursday, September 4 @ 7 PM

Where: Kindred Stories (2310 Elgin Street, Houston, Texas, 77004) 

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and the bookstore!

ABOUT THE BOOK

Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.

From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris.

ABOUT THE AUTHOR 

TAYLOR BYAS is an award-winning poet and a Black Chicago native currently living in Cincinnati, Ohio. Her poetry collection I Done Clicked My Heels Three Times won the Maya Angelou Book Award, the Ohioana Book Award, the CHIRBy Award, and the BCALA Best Poetry Honor.

In Sisters of the Yam, bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self recovery and political resistance. Both an expression of the joy of self healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

Celebrate the release of Black Women In Bloom with Anayo Awuzie!

EVENT DEETS

When: Thursday, November 5 @ 7 PM CST

Where: 2310 Elgin St. Houston, TX 77004

How: 

• RSVP ONLY to reserve your seat.

• PAID RSVP ONLY to reserve your seat.to reserve your seat and support our store programming.
  

• RSVP WITH BOOK to reserve your seat and purchase a copy Black Women In Bloom, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Copies of Black Women in Bloom purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

Black Women in Bloom is a limited-edition coffee table book and global storytelling experience celebrating the becoming journeys of Black women across the diaspora.

Featuring over 30 essays by writers from around the world, alongside stunning photography and original illustrations, the book traces Black women’s stories through the many stages of growth.

Curated and edited by Carefree Magazine founder Anayo Awuzie, Black Women in Bloom is both a work of art and an intimate reading experience. Designed to live on your coffee table but meant to be slowly savored, the book captures the quiet, powerful transformations that too often go unseen: taking risks, choosing softness, seeking healing, and blooming into themselves—unapologetically and on their own terms.

ABOUT THE AUTHOR

Anayo is an editor, storyteller, and creative marketer exploring the in-between spaces of Black womanhood—where healing, identity, and everyday life unfold. She is the founder of Carefree Magazine, a slow storytelling platform sharing personal essays from Black women on life, love, and adventure, and the editor of Black Women in Bloom, a coffee table book featuring over 30 essays from Black women across the diaspora on their journeys of becoming. With a background spanning brand, experiential, and creator marketing, her work sits at the intersection of story and strategy—building worlds that feel as intentional as they are honest. She currently lives in Los Angeles, where she is constantly on the hunt for new restaurants and live shows.

ABOUT THE CONVERSATION PARTNER

Bria Lauren (b. 1993) is a transdisciplinary visual artist, community architect, and Third Ward, Houston native. Her practice bridges portraiture, storytelling, creative writing, and arts activism, centering Black women while building infrastructures of radical care and liberation around their livelihoods and futures.

Bria engages community building as a political and cultural practice of resistance. As a curatorial visionary, she centers ancestral memory, Black mother-daughter relationships, and the dimensions of Black women’s relationships with one another alongside community preservation, working across multimedia installation and community programming to honor the interior lives of Black femmehood without censorship.

In 2022, Bria founded Gold Was Made Fa’ Her (GWMFH), a 501(c)(3) arts and healing movement. It grew from a question she carried after her 2021 solo exhibition Gold Was Made Fa’ Her at Lawndale Art Center, a body of work dedicated to her mother and Black hood women on the Southside of Houston: What do Black women need more than being seen?

*Ships/ready for pick-up in 7-10 business days*

New York Times bestselling and award-winning author Jason Reynolds’s debut picture book is a snappy, joyous ode to Word King, literary genius, and glass-ceiling smasher Langston Hughes and the luminaries he inspired.

Back in the day, there was a heckuva party, a jam, for a word-making man. The King of Letters. Langston Hughes. His ABCs became drums, bumping jumping thumping like a heart the size of the whole country. They sent some people yelling and others, his word-children, to write their own glory.

Maya Angelou, Amiri Baraka, and more came be-bopping to recite poems at their hero’s feet at that heckuva party at the Schomberg Library, dancing boom da boom, stepping and stomping, all in praise and love for Langston, world-mending word man. Oh, yeah, there was hoopla in Harlem, for its Renaissance man. A party for Langston.

*Ships in 7-10 business days*

The new edition of an American masterpiece, this is the harrowing story of Ursa Corregidora, a blues singer in the early 20th century forced to confront the inherited trauma of slavery.

A literary classic that remains vital to our understanding of the past, Corregidora is Gayl Jones’s powerful debut novel, examining womanhood, sexuality, and the psychological residue of slavery. Jones masterfully tells the story of Ursa, a Kentucky blues singer, who, in the wake of a tragic loss, confronts her maternal history and the legacy of Corregidora, the Brazilian slave master who fathered both her mother and grandmother. Consumed and haunted by her hatred of the man who irrevocably shaped her life and the lives of her family, Ursa Corregidora must come to terms with a past that is never too distant from the present.

Selected, edited, and first edited by Toni Morrison, it is “the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women,” (James Baldwin) and “a tale as American as Mount Rushmore and as murky as the Florida swamps.” (Maya Angelou).

Merging waves of feminist thought from established and emerging Mexican women writers, Tsunami arrives with seismic, groundbreaking force.

Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today. Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.

Contributors include Marina Azahua, Yásnaya Elena Aguilar Gil, Dahlia de la Cerda, Lia García, Margo Glantz, Jimena González, Fernanda Latani M. Bravo, Valeria Luiselli, Ytzel Maya, Brenda Navarro, Jumko Ogata, Daniela Rea, Cristina Rivera Garza, Diana J. Torres, Sara Uribe, and the Zapatista Army for National Liberation.

Use discount code: SALE to receive 30% off. 

Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew).

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers’ drug addictions.

JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother’s illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria’s new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her.

Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry’s stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.