Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans. Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.

Combining the passionate politics of W.E.B. DuBois with fresh, contemporary insights, hooks brilliantly offers new visions that will heal our nation’s wounds from a culture of lovelessness. Her writings on love and its impact on race, class, family, history, and popular culture raise all the relevant issues. This is work that helps us heal. Salvation shows us how to create beloved American communities.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

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Discover everything you ever wanted to know about how the government really works with this accessible, highly designed and illustrated handbook from Marjory Stoneman Douglas AP government teacher Jeff Foster.

Now more than ever, it's so important for everyone to understand our government: where it came from, how it works, and how we can bring about change. And, after all, in the words of author and government teacher Jeff Foster, "If you don't participate, you can't complain."This book is a comprehensive and entertaining guide that answers questions like: What is the Constitution? What are the branches of the government? What is the Electoral College? What are the political parties? What are the different responsibilities of the city, state, and federal governments?Plus, discover the complete backstory on some of our government's most important moments, like why we wrote the Declaration of Independence, and how people since then have worked with―and protested against―the government to improve the lives of all Americans.Each spread features a mix of black-and-white and full-color art, including infographics, charts, maps, political caricatures, and other engaging visual elements that will be fun and easy for kids to understand.Includes a foreword from Yolanda Renee King, an activist and the granddaughter of Martin Luther King, Jr. and Coretta Scott King, plus lots of amazing back matter about how kids can participate and get involved.

Book Club Meeting DEETS

When: Tuesday, November 19 @ 7PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend or RSVP WITH BOOK to support Non Fiction Book Club and our other programming. 

About We Refuse 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

It’s the early 1960s, and as the Civil Rights movement begins to reach segregated Tallahassee, the young, deeply principled Elwood Curtis takes the words of Dr. Martin Luther King, Jr. to heart: he is “as good as anyone.”

He is about to enroll in the local black college, but for a black boy in the Jim Crow South, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials steal food and supplies, and any boy who resists is likely to disappear “out back.” Stunned to find himself in such a vicious environment, Elwood tries to hold on to Dr. King’s ringing assertion: “Throw us in jail and we will still love you.” His friend Turner thinks Elwood is worse than naive—that the world is crooked and the only way to survive is to scheme and avoid trouble. The tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades.

Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.

Jazz is an essential volume of rare and previously unseen photos by Steve Schapiro, featuring the biggest 1960s jazz legends.

One of the leading social documentary photographers of the 1960s, Steve Schapiro’s images stand among the most important of the 20th century, covering Muhammad Ali, Martin Luther King, Jr., James Baldwin and many others. These largely unknown jazz photos – shot just before his career breakthrough – showcase his early mastery and his empathy for his subjects, making Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions an essential archive.

In the early ’60s, when Schapiro arrived on the scene, New York jazz was enjoying a golden age. A young freelance photographer who had grown up in the Bronx and somehow snagged a gig with Riverside Records, he began voraciously documenting shows, players, venues, recording sessions and gatherings both in his native New York and later in Chicago. Whether it’s Sonny Rollins lifting weights backstage, or Bobby Timmons lost in an instant of discovery at the piano, Schapiro was on their wavelength.

Written by US jazz journalist Richard Scheinin Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions features dozens of never-before-seen photos of jazz legends like Cannonball Adderley, Melba Liston, Bill Evans, Wayne Shorter, Freddie Hubbard, Sonny Rollins, Count Basie and more.

There is a current revival of Black Consciousness, as political and student movements around the world – as well as academics and campaigners working in decolonization – reconfigure the continued struggle for socio-economic revolution. Yet the roots of Black Consciousness and its relation to other movements such as Black Lives Matter have only begun to be explored.

Black Consciousness has deep connections to the struggle against apartheid. The Black Consciousness Reader is an essential collection of history, culture, philosophy and meaning of Black Consciousness by some of the thinkers, artists and activists who developed it in order to finally bring revolution to South Africa. A contribution to the world’s Black cultural archive, it examines how the proper acknowledgement of Blackness brings a greater love, a broader sweep of heroes and a wider understanding of intellectual and political influences.

Although the legendary murdered activist Steve Biko is a strong figure within this history, the book documents many other significant international Black Consciousness personalities and focuses a predominantly African eye on Black Consciousness in politics, land, women, power, art, music and religion. Onkgopotse Tiro, Vuyelwa Mashalaba, Winnie Madikizela-Mandela, Assata Shakur, Marcus Garvey, Neville Alexander, Thomas Sankara, Malcolm X, Don Mattera, Keorapetse Kgositsile, W.E.B. DuBois, Walter Rodney, Mongane Wally Serote, Ready D and Zola are among the many bold minds included in this amalgam of facts, ideas and images.

Acclaimed historian Mary Frances Berry resurrects the remarkable story of ex-slave Callie House who, seventy years before the civil-rights movement, demanded reparations for ex-slaves. A widowed Nashville washerwoman and mother of five, House (1861-1928) went on to fight for African American pensions based on those offered to Union soldiers, brilliantly targeting $68 million in taxes on seized rebel cotton and demanding it as repayment for centuries of unpaid labor. Here is the fascinating story of a forgotten civil rights crusader: a woman who emerges as a courageous pioneering activist, a forerunner of Malcolm X and Martin Luther King, Jr.

This book will be a first-of-its-kind resource in the market, engaging cults and alternative religious groups specific to the African American community.

Urban Apologetics examines the legitimate issues that Black communities have with Western Christianity and shows how the gospel of Jesus Christ—rather than popular, socioreligious alternatives—restores our identity.

African Americans have long confronted the challenge of dignity destruction caused by white supremacy. While many have found meaning and restoration of dignity in the black church, others have found it in ethnocentric socioreligious groups and philosophies.

These ideologies have grown and developed deep traction in the black community and beyond. Revisionist history, conspiracy theories, and misinformation about Jesus and Christianity are the order of the day. Many young African Americans are disinterested in Christianity and others are leaving the church in search of what these false religious ideas appear to offer, a spirituality more indigenous to their history and ethnicity.

Edited by Dr. Eric Mason and featuring a top-notch lineup of contributors, Urban Apologetics is the first book focused entirely on cults, religious groups, and ethnocentric ideologies prevalent in the black community. The book is divided into three main parts:

• Discussions on the unique context for urban apologetics so that you can better understand the cultural arguments against Christianity among the Black community.
• Detailed information on cults, religious groups, and ethnic identity groups that many urban evangelists encounter—such as the Nation of Islam, Kemetic spirituality, African mysticism, Hebrew Israelites, Black nationalism, and atheism.
• Specific tools for urban apologetics and community outreach.

Ultimately, Urban Apologetics applies the gospel to black identity to show that Jesus is the only one who can restore it. This is an essential resource to equip those doing the work of ministry and apology in urban communities with the best available information.

Registration is closed via our website, but please register directly via Crowdcast

ORDER South to America here for an exclusive signed copy!

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In SOUTH TO AMERICA: A Journey Below the Mason-Dixon to Understand the Soul of a Nation, one of our most important thinkers and critics, acclaimed author Imani Perry tackles her most ambitious project yet, moving across the color line to grapple with the mix of intimacy and racial violence in Southern and American history, showing that what it means to be American is inextricably linked with the South.  

Imani Perry will be in conversation with Dr. Melanye Price of Prairie View University

Event Details

When: Tuesday, February 1 @ 6:30 PM CST

Where: Virtual via Crowdcast

How:  Register here or on Crowdcast.  Although the event is free, we encourage you to support our store and future programming by purchasing the book here.

About the Author: 

Imani Perry is the Hughes-Rogers Professor of African American Studies at Princeton University where she also teaches in Gender and Sexuality Studies, Law and Public Affairs and Jazz Studies. She has a J.D. from Harvard Law School and a Ph.D in the history of American civilization from Harvard University. Perry is the author of Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, winner of the Bograd-Weld Biography Prize of 2019 from the Pen America Foundation. She is also the author of Breathe: A Letter to My Sons, Vexy Thing: On Gender and Liberation, and May We Forever Stand: A History of the Black National Anthem, which was a finalist for the NAACP Image Award for Outstanding Literary Nonfiction. Perry, a native of Birmingham, Alabama, who grew up in Cambridge, Massachusetts, and Chicago, lives outside of Philadelphia with her two sons.

About the Moderator:

Dr. Melanye Price is Endowed Professor of Political Science at Prairie View A&M University and principle investigator for their African American Studies Initiative, which is funded by grants and gifts from the Mellon Foundation. Her research/teaching interests include black politics, public opinion, political rhetoric, and social movements. Her most recent book, The Race Whisperer: Barack Obama and the Political Uses of Race (NYU, 2016) examines the multiple and strategic ways that President Obama uses race to deflect negative racial attitudes and engage with a large cross-section of voters. Her first book, Dreaming Blackness: Black Nationalism and African American Public Opinion (NYU, 2009) examined contemporary support for Black Nationalism. Her new project is called “Mountaintop Removal: Martin Luther King, Trump and the Racial Mountain,” which uses MLK’s “Mountaintop Speech” as a lens for understanding the rise of Trump and the 2016 election.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.