From best-selling author B.B. Reid comes a sizzling romance set in shadows and glamour.

Ocean Kilpatrick has starred in many wet dreams.
As for best friends Hunter Parrish and Coby Perry, he's become their worst nightmare.
When Coby is sold to the mafia prince to settle her brother’s debt, Ocean vows to take what he's owed and then some.
Obviously, he's never heard that trouble comes in two because Hunter has made a vow of her own—to rescue her twin flame or die trying. She’ll burn down Ocean’s world and dance on the ashes before letting him take what’s hers.
But Ocean isn't just the heir to the Fola. He's a master manipulator.
Every move the friends make, he's two steps ahead, and the game won't end until he says so.

Say So is a standalone romance compiled from the original serial and revised to be enjoyed as a full-length novel.

Smack in the middle of a cascade of unfortunate events, Amelia finds Calvin (derogatory)- cocky, annoying, too-often shirtless, and right next door (bummer).
Sparked by an unfortunate habit of inside thoughts not staying that way (she’s working on it!), their petty back-and-forth banter easily— and a little too quickly — slides into something neither of them shake.
Something.
But not like… a thing.
Definitely.

A searing and compassionate new novel about a young Black nurse’s shocking discovery and burning quest for justice in post-segregation Alabama, from the New York Times bestselling author of Wench.

Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies.

But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them.

Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten.

Because history repeats what we don’t remember.

Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption.

Available for the first time since 1978, The Harlem Book of the Dead showcases James Van Der Zee's unflinching creative vision

Originally published in 1978, The Harlem Book of the Dead is a haunting and beautiful document of Black funerary traditions in Harlem, capturing the community's mourning rituals through the lens of one of the Harlem Renaissance's most celebrated photographers. The publication is the most complete record of Van Der Zee's funerary photographs, featuring over three dozen portraits by the artist, who meticulously composed the setting and the subjects before using his renowned darkroom and retouching skills to superimpose celestial figures, poetry, biblical scenes or portraits onto the images to compensate for lack of adornments, such as flowers, or to fulfill the requests of his subjects or their families.
These portraits are complemented and captioned by poems from Owen Dodson and a wide-ranging interview with Van Der Zee by the sculptor and filmmaker Camille Billops, who conceptualized and edited the publication. This facsimile edition reproduces the printing and specifications of the 1978 publication. The original foreword by Toni Morrison is included, and accompanied by a newly commissioned afterword by Karla FC Holloway, author of the canonical Passed On (2001).
James Van Der Zee (1886–1983) began working as a photographer in 1915, and by the following year had opened his photography studio on West 135th Street in Harlem. His images of Black New Yorkers, together with celebrities such as Langston Hughes, Joe Louis and Marcus Garvey, form an indelible corpus of images of the Harlem Renaissance.

“This series offers solid glimpses of faraway places, more poetry than a tour guide . . . evocative and inviting” – School Library Journal

Ekaro! Let's spend a day in Nigeria! Visit the market, greet the teacher in three languages, and taste sweet fried plantains. Even learn words in Yoruba, Igbo, and Hausa with pronunciation guides throughout the story.
 
* Part of the Barefoot Books Our World series with over 200k copies sold
* Written by Nigerian author, Bunmi Emenanjo and Nigerian illustrator, Diana Ejaita
* Endnotes provide more insights into life in Nigeria

Who needs a job when you just signed a new mortgage?

When Whitney Harris loses her dream job as an art broker, she drowns her sorrows in a few too many cocktails. But her night takes a turn for the bizarre when she accidentally hooks up with Domino, a drop-dead gorgeous vampire with a flair for the dramatic and a taste for trouble.

Now, instead of just worrying about her next paycheck, Whitney finds herself in a world where Domino's vampire affiliates have their sights set on her-because she's special. Duh!

As she navigates this unexpected romance, she discovers her friends have their own supernatural secrets: spells and daggers anyone?

With danger lurking in every shadow, Whitney must figure out how to survive this new chaotic reality. Can she embrace her wild side, save her heart (and neck), and turn the tables on fate before she becomes a vampire's main course?

Get ready for a laugh-out-loud adventure filled with love, friendship, and a whole lot of supernatural shenanigans!

LIMITED TIME DELUXE EDITION

Sleeping with the staff wasn't part of the plan.

Sensible, capable, and ruthlessly efficient, Hannah Kabbah is the perfect nanny… until a colossal mistake destroys her career and shatters her reputation. These days, no-one in town will hire her―except Nathaniel Davis, a brooding widower with a smile like sin and two kids he can't handle.

Prim and proper Hannah is supposed to make Nate's life easier, but the more time he spends around his live-in nanny, the more she makes things… hard. He can't take advantage of her vulnerable position, but he can't deny the truth, either: with every look, every smile, every midnight meeting, Nate's untouchable employee is stealing his heart.

The trouble is, she doesn't want to keep it. Forbidden love isn't high on Hannah's to-do list, and trust isn't one of her strengths. When dark secrets threaten to destroy their bond, Nate's forced to start playing dirty. Because this reformed bad boy will break every rule to finally claim his woman.

Please be aware: this book contains depictions of depression and anxiety that could trigger certain audiences.

*Use discount code: SALE at check out for 30% off*

If you knew the world was ending, who would you save? And would they let you?

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all.

But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering. At the touch of her finger, the box shows her a vision of death, chaos, and apocalypse, with her and rich kids Apollo and Cyrus Rathbun at the center.

Apollo knows their cousin is up to no good, and with the Rathbun family scattered to the wind, they know Cyrus is aiming to present himself as the new patriarch. Despite an initial attraction, Apollo is reluctant to believe Winnie. But soon it becomes clear that their family histories are intertwined, with the whispering, hungry box at the very center, and more than their lives are on the line. Together, they must discover the origins of the box and stop unforeseen forces from fulfilling the apocalyptic prophecy, or die trying.

From the author of I Feed Her to the Beast and the Beast is Me comes a speculative thriller about the ties that bind us to places and people, perfect for fans of Andrew Joseph White and Tochi Onyebuchi.

A fun middle-grade contemporary fantasy with an all-BIPOC cast, about a social-media-loving tween who gets sent to an ultra-private witch camp

Hasani’s post-seventh-grade summer to-do list is pretty simple: get a bigger following for her makeup YouTube channel and figure out how to get her parents back together. What she does NOT expect is that an emotional outburst will spark a latent magical ability in her. Or that the magic will be strong enough to attract the attention of witches. Or that before she can say #BlackGirlMagic, she’ll be shipped off on a scholarship to a fancy finishing school for talented young ladies.

Les Belles Demoiselles is a literal charm school. Here, generations of young ladies from old-money witch families have learned to harness their magic, and alumnae grow to become some of the most powerful women across industries, including politicians, philanthropists, CEOs, entrepreneurs—and yes, even social media influencers. Needless to say, admission to the school is highly coveted, very exclusive . . . and Hasani sticks out like a weed in a rose bouquet.

While the other girls have always known they were destined to be witches, Hasani is a Wildseed––a stray witch from a family of non-witches, with no background knowledge, no way to control her magic, and a lot to catch up on. "Wildseed" may be an insult that the other girls throw at her, but Wildseeds are more powerful than they know. And Hasani will learn that there are ways to use magic and thrive that can never be taught in a classroom.