A mythic love story set in Trinidad, Ayanna Lloyd Banwo’s radiant debut introduces two unforgettable outsiders brought together by their connection with the dead.

“Heartwarming and heartbreaking, fantastical and familiar, with characters that burrow their way into your heart and mind…  [When We Were Birds] is glorious.”—ROBERT JONES JR., New York Times bestselling author of THE PROPHETS

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.

Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and exuberant storytelling, When We Were Birds is a spellbinding and hopeful novel about inheritance, loss, and love’s seismic power to heal.

This book is also freely available online as an open-access digital edition:

https://manifold.ecds.emory.edu/projects/finding-god-in-all-the-black-places

(https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/01/28132142/9781978839809.pdf)

In Finding God in All the Black Places, Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.

The bestselling author of the Reese’s Book Club pick Honey and Spice returns with a sexy, hilarious, and heartfelt standalone novel starring Kiki Banjo, a young woman who hosts a podcast about modern love, even though her own love life is a hot mess. When her ex comes back into the picture, Kiki must decide whether she’s ready to risk it all—or let her heart burn again.

Twenty-eight-year-old Kiki Banjo hosts the popular podcast The HeartBeat, solving romantic conundrums and dishing out life advice. Behind the scenes, though, career setbacks and a devastating breakup have left her hanging on by a thread. As she’s preparing to be the Maid of Honor in her best friend’s wedding, everything starts to unravel, and Kiki is left wondering if she ever had the answers.

Then Kiki finds herself face-to-face with the Best Man, her ex-boyfriend, Malakai—the smooth-talking, absurdly handsome, annoyingly perceptive man who stole her heart and then shattered it. While Kiki’s approaching rock bottom, Malakai’s been on the rise as a filmmaker, and now they have no choice but to play nice until the wedding is over. Both are hell-bent on ignoring the smoldering chemistry between them, but as they navigate the chaos of wedding plans, career ambitions, and Kiki’s growing fears about the future, they can’t ignore the spark that’s only getting hotter.

They just have to get through the summer. So why does it feel like playing with fire?

A field-shaping account of how contemporary Black art revitalizes the Black radical tradition

In View of the Tradition argues that contemporary Black artists do not simply comment on politics. They help to generate it. Moving across sculpture, installation, photography, and film, Roderick A. Ferguson shows how Black art clarifies the stakes of capitalism, migration, war, settler colonialism, and ecological crisis while widening the tradition’s feminist, queer, and transnational horizons. The book asks what it means to relocate Black art in the annals of freedom rather than the balance sheets of the marketplace.

Reading work by John Akomfrah, Stephen Hayes, Hew Locke, Fabrice Monteiro, Wangechi Mutu, Noah Purifoy, Cauleen Smith, and Carrie Mae Weems, Ferguson restores the social character of art: how artworks imagine community, connect histories, and model ways of making and remaking the world. Street-level practices associated with Purifoy reframe official narratives of disorder into studies of collective making and civic imagination. Weems’s Hampton Project situates Black and Native lives within intertwined histories of racial governance and settler pedagogy, building an aesthetics of reckoning that links emancipation to captivity.

Across the Atlantic world, artists turn to the sea as both history and prophecy. In the flotillas and filmic ecologies of Locke, Akomfrah, and Monteiro, water becomes a sensor of racial capitalism and refugee flight, and it calls Black radicalism to account for migration’s precarity and the force of deregulated markets. Mutu’s hybrid anatomies trace militarism’s afterlives, from colonial counterinsurgency to Cold War entanglements, where bodies and ecologies register violence yet assemble unexpected kinships. The book closes with art as praxis through Cauleen Smith’s Human 3.0 Reading List, a hand-drawn syllabus that doubles as an engine room of creation. Ferguson names a method that is accessible and rigorous: look closely, connect widely, and link visual literacy to insurgent study and to áshe, the capacity to make things happen. Written with clarity for general readers and with depth for scholars and classrooms, In View of the Tradition shows how Black art and radical thought come together to represent the world and to sketch other possible ones.

The story of Marie Laveau, the character featured on American Horror Story: Coven.

New Orleans in the mid-nineteenth century: a potent mix of whites, Creoles, free blacks, and African slaves, a city pulsing with crowds, commerce, and an undercurrent of secret power. The source of this power is the voodoo religion, and its queen is Marie Laveau, the notorious voodooienne, worshipped and feared by blacks and whites alike.

Welcome to so-tiny-you'll-blink-and-miss-it town of Elaine for Christmas.

SUNDAY

Just days before Christmas, Sunday Conklin is on the brink of losing everything-her family's scenic farm-in the heart of her small Arkansas town. It's the legacy she's given up her life to protect. With the bank out of mercy and her options gone, her family's oldest enemy, the Adlers, will finally take the Conklin Fields for themselves. But a miracle arrives-one that could save Sunday, her neighbors, and the historic town of Elaine itself. There's just one problem: that miracle comes tangled up with the most infuriating man she's ever met... who belongs right back in Texas where he came from.

SEVEN

Seven Hardcastle can't believe his luck this Christmas, when he's assigned to a middle-of-nowhere Arkansas town. He's ready to return to his perfectly manicured life in Dallas with his wife and kids. All he needs is one signature-Sunday Conklin's. But when the town of Elaine strikes it big, Seven's fate is tied up with that of its most stubborn, maddening, and undeniably magnetic farm-owner. As the town's secrets unravel, and Sunday's fight becomes his own, Seven is handed a Christmas gift he never expected... one that forces him to question his past, his future, and where home truly is.

Note: This novel has been released in both a steamy edition that includes graphic intimacy and a clean edition that fades to black and is appropriate for ages 16+. This book is the CLEAN edition.

Named a Most Anticipated Book of 2026 by The New York Times

From Senator Reverend Raphael G. Warnock, a sermon in the public square on the issues that plague us most

Senator Reverend Raphael G. Warnock is a transformational voice in Congress and the pastor of Martin Luther King, Jr.’s Ebenezer Baptist Church, and for the semiquincentennial of America, he exhorts us to reach for the highest and noblest aspects of our national character. Senator Warnock argues that we suffer not from a paucity of resources but from a poverty of moral imagination.

His sermon on the book of Isaiah draws from ideals resonant in his own faith and all the great faiths and other moral traditions, offering a bold vision of how to live and relate to one another in the land. A moral topography, he calls it, a geopolitics that centers love and justice, or as Dr. King would so often say, the beloved community. The Crooked Places Made Straight examines six crises at the center of American life: voting rights and voter suppression, gun violence, mass incarceration, the persistence of poverty, dark money in politics, and the climate emergency.

This is not a naive faith, either. As Senator Warnock writes: Isaiah is no stranger to frustration with institutional leadership. He knows well the perils of public corruption, sophisticated legalized bribery, and a political class more interested in preserving its own power than in serving the people. . . . He’s fed up with political leaders who are focused on their own gain at the expense of the people. “Your princes are rebels and companions of thieves,” he says.

For Senator Warnock, democracy is the political enactment of a spiritual idea. A vote is a kind of prayer. The Crooked Places Made Straight is his inspiring vision for a more just and equitable America where communities thrive with hope and possibility and every child has a chance.

An expansive lexicon of words, terms, concepts, and ideas that takes the multiplicity of Black life as its point of departure.

Thinking from Black: A Lexicon is an unusual reference book. Its contributors―the Practicing Refusal Collective―are visual artists, poets, dancers, historians, writers, architects, painters, theorists, activists, anthropologists, filmmakers, educators, and musicians. Each has engaged with the idea of a lexicon of Black living and taken up the invitation to think from Black in relation to their own medium.

Some terms are enunciated in a poetic register―such as Redaction, Seeing, and Song. Some are aspirational―such as Solidarity, Garden, and Care. Some entries, such as BlackSound, Fantasy, Mathematics, and Dispossession, work in a more theoretical idiom. Words such as Gesture and Syncopation are composed of both text and drawings, and summon the body in motion. The word Time, which is defined twice, carries with it musicality, duration, and refusal. Together, these definitions offer a sense of some of the many ways that Black people tend to each other and the world.

Read in relation to each other, the terms create a rich, startling lexicon that is eclectic, elliptical, cross-genre, historical, speculative, and literary―a set of words, phrases, concepts, and ideas that are part of the many languages constituting and animating Black life. Thinking from Black is a book to be read with others, as it was created. It is a book to live and think and act with, in the world.

*Paperback Release Date - 3/2/2027*

The first book in a new middle-grade mystery series by Kalynn Bayron.

Olive Oakes loves a good mystery. She keeps a notebook with her at all times, ready to jot down observations about anything that seems out of the ordinary. Along with her cousin Eli, Olive is always looking for her next chance to sleuth!

When Olive and her family visit a town called Whispering Woods, she uncovers a mystery linked to the traveling circus that comes through the area once a year. With rumors of missing kids and ghost sightings, it’s the perfect opportunity for Olive to investigate! But the people of Whispering Woods are very secretive, and Olive must tread carefully if she hopes to solve the mystery of the haunted carousel.

A USA Today bestseller
Edgar Award Winner for Best Original Paperback
Audie Award Winner for Mystery
Libby Award Winner for Best Mystery

A lonely shopkeeper takes it upon herself to solve a murder in the most peculiar way in this captivating mystery by Jesse Q. Sutanto, bestselling author of Dial A for Aunties.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to.

Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop. In his outstretched hand, a flash drive. Vera doesn’t know what comes over her, but after calling the cops like any good citizen would, she sort of . . . swipes the flash drive from the body and tucks it safely into the pocket of her apron. Why? Because Vera is sure she would do a better job than the police possibly could, because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands. Vera knows the killer will be back for the flash drive; all she has to do is watch the increasing number of customers at her shop and figure out which one among them is the killer.

What Vera does not expect is to form friendships with her customers and start to care for each and every one of them. As a protective mother hen, will she end up having to give one of her newfound chicks to the police?

From the best-selling author of the Jumbies series comes
another Afro-Caribbean–inspired story, about three cousins who are called on to use their moko (protector) magic when stolen art goes on the rampage.

Twelve-year-old Misty and her two cousins, Aidan and Brooke, are mokos—protector spirits—who recently combined their magic to save Brooklyn's carnival celebration. Now they're excited about Uncle Andrew's upcoming art exhibit at the Brooklyn Museum. He has chosen to create a piece centered around a Benin Bronze, one of several artworks that were looted from Nigeria in 1897, and the cousins are treated to a private tour of the Metropolitan Museum of Art in New York to help him choose it.

When Misty views the bronzes for the first time, she is transported into a long-ago memory of an oba (king) who was stern and angry. And that's just the beginning of the trouble. Once the selected bronze is delivered from the Met, the Brooklyn Museum is overrun with dust bunnies that attack people. A mysterious force controlling the dust begins to pull innocent victims into artworks and trap them inside. The cousins are going to need a lot of help—BIG help—to defeat this fearsome foe.

Tracey Baptiste, the author of the popular Jumbies series, has once again used her special brand of magic to concoct a wildly imaginative adventure as thought-provoking as it is thrilling.