The theme park of your dreams is back in this action-packed sequel as Cam Walker and his friends take on creepy carnivals, insidious tech, and a nightmarish new enemy to save the world. An electrifying illustrated series for fans of Spider-Man: Miles Morales.

The most spectacular theme park in the world is headed to the Big Apple.

After Atlanta, Cam Walker and his family are ready to turn over a new leaf with Futureland. This is where dreams literally come true, and the Walkers are going to show the people of New York City that their park is back and better than ever.

But trouble isn’t done with the Walkers yet. Glitches keep happening with the park attractions. There's a creepy carnival in town that gives Cam goosebumps. Plus, he just can’t shake the feeling that his family is being watched. And it may be his imagination, but are the people around him acting . . . stranger than usual?

Can Cam get to the bottom of what’s going on before Futureland becomes a playground of terrors?

Immer mehr Künstler·innen aus der Mehrheitswelt jenseits des klassischen „Westens“ verhandeln Fragen nach der eigenen Geschichte und Herkunft anhand von Fotografien aus der Kolonialzeit. In ihren Werken verbinden sie persönliche Erlebnisse mit kollektiven Erfahrungen, verknüpfen Gedächtnisspuren mit künstlerischer Imagination. Durch textile, fotografische, filmische und skulpturale Collagen entstehen neue Erinnerungen, die nicht bei einer historischen Reflexion kolonialistischer Unterdrückung haltmachen, sondern in Bewegung bleiben, sich widersetzen und als lebendiges Fundament für die Zukunft dienen. Der Band Fast ein Paradies, der anlässlich der gleichnamigen Ausstellung im Museum Rietberg erscheint, ist die erste Gesamtschau dieses internationalen Phänomens. Texte zu den beteiligten Künstler·innen werden ergänzt durch kritische Beiträge zur Geschichte der kolonialzeitlichen ­ Fotografie. Kimberly Juanita Brown ist Direktorin des Institute for Black Intellectual and Cultural Life am Dartmouth College. Nanina Guyer ist Kuratorin für Fotografie am Museum Rietberg. Patricia Hayes ist Inhaberin des Lehrstuhls für Visual History & Theory an der University of the Western Cape. Deborah Willis leitet den Fachbereich Photography & Imaging an der New York University. Bindi Vora ist interdisziplinäre Künstlerin und leitende Kuratorin der Galerie Autograph, London.

EVENT DEETS:

When: Thursday, January 9 at 7 PM CST

Where: Hogan Brown Community (2310 Elgin Street, HTX, 77004)

How: RSVP WITH BOOK to support our programming and store or grab a free ticket. 

ABOUT THE BOOK:

ABOUT THE AUTHOR:

Irvin is a Brooklyn-based writer and professor from New Orleans. His writing has been featured in Esquire, The Atlantic, The Root, and elsewhere. He holds an MFA from The New School, an MA from Morgan State University, a BA from Morehouse College and has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.

ABOUT THE CONVERSATION PARTNERS

Texas native Anthony Suber is an interdisciplinary artist working and living in SouthEast Texas. He received a BFA from the University of Houston and completed his MFA at Houston Christian University. Throughout his career, Suber has exhibited work and produced multi-tiered activations both nationally and abroad. Suber is a professor of art with the Katherine G. McGovern College at University Houston’s School of Art and an artist-in-residence with Project Row Houses in Houston’s historic Third Ward community. He also serves as the Creative Director for the arts and mental health nonprofit, The Blackman Project. 

Suber’s work has been exhibited at the Museum of Contemporary Art in Thessaloniki, Greece, Project Row Houses, Houston, Tinney Contemporary in Nashville, University Museum at Texas Southern University, Houston, Art is Bond Gallery, Houston, John B. Coleman Gallery at Prairie View A&M University, Houston Museum of African American Culture, with solo exhibitions at Red Bud Arts Center in Houston, LRT Gallery, Houston and Cindy Lisica Gallery, Houston. His work has been featured in publications such as Arts and Culture Texas, Glass Tire, The Houston Chronicle, and Free Press Houston. Suber was the recipient of the Artadia Art Prize in 2022. 

Wale is a licensed mental health therapist and a passionate reader who uses her platform (@theehottgirlbooks) to dive deep into powerfully emotional stories written by BIPOC authors. Her love for reading and mental health fosters a passionate approach to her work both online and in the therapy room. When she is not immersed in the literary world, you can find her watching the real housewives or building an elaborate Lego set.

*ships in 7-10 business days*

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.

Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.

Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

*Ships in 7-10 Business Days*

In May 1967, internationally renowned activist Fannie Lou Hamer purchased forty acres of land in the Mississippi Delta, launching the Freedom Farms Cooperative (FFC). A community-based rural and economic development project, FFC would grow to over 600 acres, offering a means for local sharecroppers, tenant farmers, and domestic workers to pursue community wellness, self-reliance, and political resistance. Life on the cooperative farm presented an alternative to the second wave of northern migration by African Americans--an opportunity to stay in the South, live off the land, and create a healthy community based upon building an alternative food system as a cooperative and collective effort.

Freedom Farmers expands the historical narrative of the black freedom struggle to embrace the work, roles, and contributions of southern Black farmers and the organizations they formed. Whereas existing scholarship generally views agriculture as a site of oppression and exploitation of black people, this book reveals agriculture as a site of resistance and provides a historical foundation that adds meaning and context to current conversations around the resurgence of food justice/sovereignty movements in urban spaces like Detroit, Chicago, Milwaukee, New York City, and New Orleans.

Ships in 7-10 business days.

A wildly original, incendiary story about race, redemption, the dangerous imbalances that continue to destabilize society, and speaking out for what’s right.

One could argue the story begins the night Allegra Douglass is awarded Distinguished Chair in Philosophy at her top-tier university in New York—the same night her grandmother dies—or before that: the day Allie left Birmingham and never looked back. Or even before that: the day her mother disappeared. But for our purposes Allie’s story begins at the end, when she is finally ready to tell her version of what happened with a white supremacist named Matthew Strong.
        From the beginning, Allie had the clues: in a spate of possibly connected disappearances of other young Black women; in a series of recently restored plantation homes; in letters outlining an uprising; in maps of slave trade routes and old estates; in hidden caves and buried tunnels; and finally, in a confessional that should never have existed. They just have to make a case strong enough for the FBI and police to listen. This is when Allie herself disappears.
        Allie is a survivor. She survived the newly post-Jim Crow south, she survived cancer, and she will survive being stalked and kidnapped by Matthew Strong, who seeks to ignite a revolution. The surprise in this doesn’t lie in the question of will she be taken; it lies in how she and her community outsmart a tactical madman.

A message from Chanecka Williams:

"Alice Walker has been a force in the world for over forty years. As a writer, poet and activist, she is relentless in her pursuit of a free(er) world for all. In this social, political, time-space reality, Walker’s work feels essential to be explored with new eyes. Join us as we read her novels, short story collections, and a few of her nonfiction works. It would be remiss to not mention that this journey is as spiritual as literary being that Alice Walker has always given credit to the spirits that accompany her. "

A lyrical picture book from the award-winning author of Heavy, about three Black boys who form a deep connection during a transformative summer trip down South to visit family.

On the ground of that garden, covered in vegetables and dirt, coated in laughter, I want to say that the Mississippi and New York in our Black boy bodies were indistinguishable.

Three Black boys spend one special summer exploring the Mississippi woods and woulds and coulds of sharing the kind of freeing friendship that is love.

Watched over and given space to discover by Grandmama and Mama Lara, New York, Country, and little C find camaraderie in their contrasts and all the unspoken things between them while playing games of marco polo in the thick garden and sledding on cardboard by the underpass.

With text brimming with love by award-winning author Kiese Laymon and deeply evocative illustrations by Ashley Franklin, City Summer, Country Summer illuminates the tenuous and tender bonds of friendship Black boys forge with one another.

Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? Discover a haunting new vision of the American West from the award-winning author of The Changeling.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear...

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents, and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the "lone women" taking advantage of the government's offer of free land for those who can cultivate it—except that Adelaide isn't alone. And the secret she's tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle's signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America like you've never seen.

What would you do with a second chance at your first time? Following a bad breakup, Willow Lewis tackles a re-do list with the help of her brother’s best friend in this sweet and sexy new romance from USA Today bestselling author Denise Williams.

Willow experienced all her big firsts with her high school sweetheart. Now, reeling from their very public breakup, she wants to get a re-do on those important moments. While dog-sitting for her brother during his deployment, she has a chance to start over and spending time with his best friend gives her the confidence to start checking items off her “Re-Do list.”

Deacon promised his best friend two things when Cruz left for a deployment: that he’d look out for Willow, and that he’d keep his hands off Cruz’s baby sister. “Operation Re-Do” is innocent enough at first: Deacon likes Willow and he’s willing to help her out any way he can. But when the list of firsts turns from a first dance to first kisses and more, Deacon can’t deny the connection he feels to Willow.

As Deacon’s and Willow’s firsts turn to seconds, thirds, and fourths, this pair can’t get enough of each other—and they support each other through new challenges. But they are both aware there’s an end date to Willow’s time in town… and even if she were to stay, Deacon doesn’t know how to choose between his loyalty to his closest friend and the woman he’s fallen in love with. With no more romantic moments on her list for them to re-do, can these two still find a way to stay together?

The re-issue of a remarkable first novel by a young, gay, black author who fashioned a deeply moving and compelling coming of age story out of the highly controversial issues of bisexuality and AIDS.

Law school, girlfriends, and career choices were all part of Raymond Tyler's life, but there were other, more terrifying issues for him to confront. Being black was tough enough, but Raymond was becoming more and more conscious of sexual feelings that he knew weren't "right." He was completely committed to Sela, his longtime girlfriend, but his attraction to Kelvin, whom he had met during his last year in law school, had become more than just a friendship.

Fleeing to New York to escape both Sela and Kelvin, Raymond finds himself more confused than ever before. New relationships--both male and female--give him enormous pleasure but keep him from finding the inner peace and lasting love he so desperately desires. The horrible illness and death of a friend eventually force Raymond, at last, to face the truth.