Light Break presents the first survey since 1996 of photographer Roy DeCarava, an essential figure of American art and culture, whose “poetry of vision” re-forms urban life, labor, love, and jazz into the discovery of “an intimate, emotional arc of transformation.”

Though DeCarava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility—his traditional training in painting and printmaking as well as his philosophical undertakings. It brings the viewer to a consideration of contradictory precepts in DeCarava’s work that seeks resolution through tonal and structural elements within the image.

Light Break presents a wide-ranging selection of DeCarava’s photographs accompanied by a preface by Zoé Whitley, an American curator based in London, and features an introduction and essay by curator and art historian Sherry Turner DeCarava. Titled “Celebration,” Turner DeCarava’s essay considers the artist’s singular poetic vision, his timeless portrayals of individuals and places, and his mastery of composition and photographic printmaking.

“In making photographs, as in life, DeCarava was patient. Possessing both a peerless self-awareness and acute observational skills, he knew intuitively when to wait and when to open the camera’s shutter. In the dark room, he availed himself of these same attributes, moving with steady assurance to develop his prints so as to allow the full range of what he called his “infinite scale of grey tones”—often realized at the deepest end of the spectrum—to emerge slowly and fully.”

This exquisite volume showcases a dynamic range of images that underscore DeCarava’s subtle mastery of tonal and spatial elements across a wide, fascinating array of subject matter: from the figural implications of smoke and debris to the “shimmering mirror beneath a mother as she walks with her children in the morning light.” These photographs express a strength of imagery—an intent to synchronize and honor the pulse of art as an emergent signal for creative and revelatory freedom.

With a new introduction by Calvin Bedient

Claudia Rankine’s second poetry collection, The End of the Alphabet, is an inquiry into despair and recovery, selfhood and alienation. Centered on a heroine named Jane, these poems—obsessive, intrepid, erotic—speak in the aftermath of a life-altering tragedy, attempting to make peace with loss and find redemption through mourning. Rankine writes with unflinching attention to exterior detail and emotional nuance, as well as with linguistic and formal innovation, crafting an extraordinarily powerful, utterly unique portrait of sorrow and strength.

Drawing on voices from Jane Eyre to Lady MacBeth, Rankine welds the cerebral and the spiritual, the sensual and the grotesque, courting paradox into the center of her voice. Whether writing about intimacy or alienation, what remains long after, in searing echo, is this voice—its beguiling cadence and vivid physicality. There is an unprotected quality to this writing, as if each word has been pushed out along the precipice, daring us to go with it. Rankine’s power lies in the intoxicating pull of that dare.

Beyond all else, these poems will leave the reader changed, for The End of the Alphabet is the work of one of the most intriguing voices in contemporary poetry.

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

When a new student arrives at an elite Black boarding school, bearing a striking resemblance to its previous Queen Bee—a girl who mysteriously died last year—she’s thrown into a deadly cat and mouse game of lies, wealth, and murder in this juicy thriller for fans of Gossip Girl.

Kennedy Churchwell has decided that her senior year at Prentiss Everton Academy is going to be her best. After the accidental death of her classmate and former best friend Whitney Templeton last semester, she’s finally taken her rightful place at the top of her school’s social pyramid. Whitney and Kennedy used to be close. Now, Kennedy has her boyfriend, her friends…and a few of her secrets, too.

But when new student Tessa shows up on move-in day, bearing a striking resemblance to Whitney herself, all of Kennedy’s best-laid plans go out the window.

Kennedy doesn’t trust Tessa. What she doesn’t yet know? She’s right to be suspicious of the new girl.

Tessa isn't who she's pretending to be. And she’s come to Prentiss Everton for one reason only.

To find out who killed Whitney Templeton.

Oh Sis, You’re Pregnant! is the go-to guide for modern pregnant Black women. In this newly updated edition in a lovely giftable package, mothers-to-be will find the sister-to-sister guidance and expert insight on pregnancy, labor, and motherhood that readers have praised, cherished, and lived by for years.

This book is the essential “what to expect when you're expecting” guide to understanding pregnancy from a millennial Black mom’s point of view. Written by Black Moms Blog founder Shanicia Boswell Jones, this book tackles hard topics in a way that truly resonates with today’s Black moms-to-be.

You’ll find answers to questions on how to financially plan for birth, how to maintain relationships and friendships during motherhood, and how to self-advocate for your rights as a pregnant Black person. With stories and lessons learned from the author's own experiences through pregnancy, labor, and motherhood, Oh Sis, You’re Pregnant! also includes interviews with professionals like OBGYNs, midwives, nutritionists, and lactation consultants. It focuses on the common knowledge Black pregnant mothers should consider when having their first baby, while also sharing topics beneficial to pregnant Black women on their second, third, or fourth-born.

If you’re looking for a pregnancy guide that speaks to your experience, Oh Sis, You’re Pregnant is the book for you!

In a country divided between humans and witchers, Venus Stoneheart hustles as a brewer making illegal love potions to support her family.

Love potions is a dangerous business. Brewing has painful, debilitating side effects, and getting caught means death or a prison sentence. But what Venus is most afraid of is the dark, sentient magic within her.

Then an enemy's iron bullet kills her mother, Venus's life implodes. Keeping her reckless little sister Janus safe is now her responsibility. When the powerful Grand Witcher, the ruthless head of her coven, offers Venus the chance to punish her mother's killer, she has to pay a steep price for revenge. The cost? Brew poisonous potions to enslave D.C.'s most influential politicians.

As Venus crawls deeper into the corrupt underbelly of her city, the line between magic and power blurs, and it's hard to tell who to trust…Herself included.

The Poisons We Drink is a potent YA debut about a world where love potions are weaponized against hate and prejudice, sisterhood is unbreakable, and self-love is life and death.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

In a brilliant departure from the novels that made Jesse Q. Sutanto a USA Today bestselling author—including Dial A for Aunties—comes the first book in a debut dark fantasy duology, following an assassin, a scholar, a con man, and a guard in a race to rediscover powerful lost magic and save their world...

Mara has no memory of life before her assassin training behind the fortress-like walls of Tchu-Morrokhai, which has been her world since she was five. Practicing discipline and strategy, sacrifice and solitude, she has dedicated herself to resisting the Divine Empress’s plans of eradicating the all-but-forgotten magic. She longs for a world once again filled with magic—and freedom and love. And she’ll do whatever it takes to find those things.

In the faraway city of Velingard, Livya is the privileged daughter of the revered scientist whose invention of an indestructible new metal was the catalyst for a great revolution. Yet Livya’s bored of suitors and balls, more interested in philosophical debates. But when an invite to a secret salon leads to a kidnapping attempt, Livya is suddenly on the run—with the unlikely aid of charming con man Kaian, a once dear childhood friend inexplicably turned frosty stranger.

Captain Fonde has served Velingard faithfully in the twenty years since the revolution, and all has been peaceful... until now, when he’s informed that their “indestructible” metal is inexplicably starting to crumble. Ships, bridges, buildings, statues—their entire post-revolution world is literally about to come apart. Could it be that the metal—and therefore the revolution—was flawed all along? Or is there something darker—evil, ancient, inhuman—at play?

With stunning world-building, Jesse Q. Sutanto weaves an epic tale of characters whose lives irrevocably intertwine—and unravel—as paths collide across continents, racing toward an explosive twist that will forever change all of their fates...

In this groundbreaking work, the Nobel Peace Prize-winner and founder of the Green Belt Movement offers a new perspective on the troubles facing Africa today. Too often these challenges are portrayed by the media in extreme terms connoting poverty, dependence, and desperation. Wangari Maathai, the author of Unbowed, sees things differently, and here she argues for a moral revolution among Africans themselves. Illuminating the complex and dynamic nature of the continent, Maathai offers “hardheaded hope” and “realistic options” for change and improvement. She deftly describes what Africans can and need to do for themselves, stressing all the while responsibility and accountability. Impassioned and empathetic, The Challenge for Africa is a book of immense importance.

Newsworthy wrestles with living in a culture infected by white supremacy where current media is distrusted, cursory, and impossible to escape. And yet, we yearn to know. We crave a thoughtfulness--apart from soundbites and viral videos--that plumbs deeper, one that reawakens our shared humanity by reminding us that under headlines beat all of our "pierced hearts."

A leading light in the new poetic guard, Deborah D.E.E.P. Mouton's collection is a poetic reimagining of the newspaper, collecting cutouts from the editing floor to resurrect those who would otherwise be forgotten. Not content to further sensationalize the horrors perpetrated on Black Americans by a broken justice system, Mouton boldly relays stories of police brutality by reinventing poetic form and function, reminding us that wisdom, context, and every angle of truth is what infuses information with elucidation.

Akin to An American Marriage, Newsworthy grounds the fragility and danger inherent in contemporary Black experience in an "ordinary" family: mother, father, brother (Josh), and sister (Amandla), following their near and lived tragedies against the backdrop of murdered black Americans. Amandla serves as a surrogate for all of us, regardless of skin color, morphing from naive bystander to headline herself. Alongside her, we witness the exponential compilation of threat. We learn to conceive of dread, anger, compassion, suffering, and love as survival tactics. And we uncover what we should have seen all along: that to be human in the world is to rectify its injustices. With Newsworthy, Mouton brings us news of the heart.

The acclaimed actor’s shockingly prescient novel of speculative fiction “presents a near-future United States torn apart by civil war and deep racial strife” (Tampa Bay Times).
 
America today is teetering on the edge of the alarming vision presented in LeVar Burton’s debut novel, written more than two decades ago . . .
 
In 2012, the first African American president is assassinated by a white extremist—just four days after he is elected. The horrific tragedy leads to riots, financial collapse, and ultimately, a full-on civil war. In its aftermath, millions are left homeless as famine and disease spread throughout the country.
 
But from Chicago, a mysterious voice cries out . . .
 
To Leon Crane, a former NASA scientist now struggling to survive on the streets, the pleas he hears remind him of the wife he could not save—and offer him a chance at redemption.
To Jacob Fire Cloud, a revered Lakota medicine man, the voice is a sign that the White Buffalo Woman has returned to unite all the races in peace and prosperity.
And to little Amy Ladue, the cries are those of her mother, who disappeared during the devastating St. Louis earthquake—and who must still be alive.

These three strangers will be drawn together to rescue someone they have never met, a woman who holds the key to a new future for humanity—one remarkably brimming with hope.
 
“LeVar Burton brings a strong new voice to science fiction with this powerful, even disturbing, novel.” —Ben Bova, New York Times–bestselling author
 
“An amazingly good first novel.” —Rocky Mountain News
 
“I highly recommend this book!” —Whoopi Goldberg

A trillion-dollar industry, the US non-profit sector is one of the world's largest economies. From art museums and university hospitals to think tanks and church charities, over 1.5 million organizations of staggering diversity share the tax-exempt 501(c)(3) designation, if little else. Many social justice organizations have joined this world, often blunting political goals to satisfy government and foundation mandates. But even as funding shrinks, many activists often find it difficult to imagine movement-building outside the non-profit model. The Revolution Will Not Be Funded gathers essays by radical activists, educators, and non-profit staff from around the globe who critically rethink the long-term consequences of what they call the "non-profit industrial complex." Drawing on their own experiences, the contributors track the history of non-profits and provide strategies to transform and work outside them. Urgent and visionary, The Revolution Will Not Be Funded presents a biting critique of the quietly devastating role the non-profit industrial complex plays in managing dissent.

Contributors. Christine E. Ahn, Robert L. Allen, Alisa Bierria, Nicole Burrowes, Communities Against Rape and Abuse (CARA), William Cordery, Morgan Cousins, Ruth Wilson Gilmore, Stephanie Guilloud, Adjoa Florência Jones de Almeida, Tiffany Lethabo King, Paul Kivel, Soniya Munshi, Ewuare Osayande, Amara H. Pérez, Project South: Institute for the Elimination of Poverty and Genocide, Dylan Rodríguez, Paula X. Rojas, Ana Clarissa Rojas Durazo, Sisters in Action for Power, Andrea Smith, Eric Tang, Madonna Thunder Hawk, Ije Ude, Craig Willse