This poetry book is a raw and unfiltered memoir about love and heartbreak-the kind that shapes you and shatters you. It's about first loves and lost loves, about the way girls are taught to shrink themselves for affection and the journey of unlearning that. It delves into grief, the loss of a sibling and the quiet ways absence rewrites you. It is about a childhood marked by hardship, by domestic violence, by wounds that take years to name. And yet, at its core, this book is about survival. It is about finding the strength to keep loving, to keep hoping, and to turn even the deepest sadness into something resembling joy.

Winner of the Lee Smith Novel Prize,Behind the Waterline takes readers to the home of a teenager and his grandmother in a New Orleans neighborhood on the eve of Katrina, where there are few resources and little warning of what is about to happen, in this novel that mixes magical realism with reality.

When Hurricane Katrina approaches New Orleans, teenaged Eric and his grandmother and many of their neighbors decide to ride out the storm. Kionna Walker LeMalle's masterful debut novel brings her readers, like the rising water, onto Eric's street in the Third Ward, where stranded dogs bark for a time, where neighbors are floating on doors, and where Eric and his grandmother must take refuge in his second floor bedroom. After days of heat, dwindling supplies, and relentless rising water, neighbors begin to disappear and Eric's grandmother, already known as an eccentric, begins to falter. It is then that Eric-in a dream, a hallucination, or something else-discovers a room beyond his closet wall, a place he has never seen. What he discovers inside will send him on a path to discover secrets to survival, bitter progress, and, ultimately, the history of his own people-those he sorely misses and those he never even knew.

The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones—of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years—the fastidious butler, Sydney, and his strong yet remote wife—who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them—a beautiful young black woman, Jadine, who is not only the servant’s dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian’s expense and is home now for a respite from her Paris world of fashion, film and art.

Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian’s perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret’s delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him—he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward—to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them—she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him—all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

Once again, Toni Morrison has given us a novel of daring, fascination, and power.

"EAT. THEY TWISTED IN DEEPER. EAT. STILL SO SIMPLE. AN IMPULSE. REPEATED AGAIN AND AGAIN. EAT..."

"ACID-BATH CLASS STRUGGLE INTERMINGLES WITH PARASITIC TERROR IN BRIANA N. COX'S SLIPPERY, SLITHERING, SYMBIOTICALLY SUFFOCATING DEBUT." - CLAY MCLEOD CHAPMAN, WAKE UP AND OPEN YOUR EYES

"This damning portrayal of U.S. health care doubles as a potent, unforgettable creepfest." - Kirkus Reviews

LEIGH PIERCE ESTATES is home to a diverse array of tenants: families, immigrants, students, the forgotten elderly. All working poor, and all in danger.

Because the tenants of Leigh Pierce are disappearing.

Live-in handyman Xavier seems to be the only one who notices. Or cares. After a chance encounter with the culprit leaves him infected with something horrifying, Xavier is thrust into a surreal nightmare of starvation and consumption all too familiar to his gentrifying Atlanta neighborhood.

Succumbing to his infection, Xavier is drawn into the cobbled-together family squatting in Leigh Pierce's basement. People who, through a myriad of doomed roads, fell into the same self-destructive cycle of indigency, harboring dark secrets... and darker appetites. Trapped in a dynamic of codependency and complicity, Xavier and his family- new and old- are forced to confront the cost of survival in a world that has disregarded them.

Use discount code SALE for 30% off at checkout

Whether infused by movement or stillness, Mlengeya's black-and-white portrait paintings radiate both power and peace

Born in 1991 in Dar es Salaam, Sungi Mlengeya captures the essence of Black womanhood in her haunting monochromatic acrylic portraits. The meticulously painted figures are set against a minimalist white background, creating a striking contrast that emphasizes skin texture and form. Her portraits, whether infused by movement or stillness, radiate both power and peace, offering the viewer intimate moments of strength and serenity. In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.

Married For Money

Raimond Le Veq needed to marry to gain his inheritance and restore the fortunes of the House of Le Veq, the proud Black New Orleans family whose wealth had been ravaged by the War Between the States. Still wounded by the double-cross of the only woman he ever came close to loving, he gave the choice of bride to his mother. But he never be expected that she would pick Sable Fontaine--the beautiful former slave he could not allow himself to trust again.

Freed By Passion

Betrayed and sold to a cruel neighbor, Sable did whatever it took escape. With the spirits of her royal African ancestors guiding her, she made a bold bid for freedom, and won. But along the way she had to hurt the charming Union Major Le Veq, who had romanced her and championed her. Now fate has brought them back together in a marriage of convenience. Can she convince Raimond she was never a Rebel spy, and that this time, she'd choose him above all else?

Oh say, can’t you see,

by the dawn’s early light,

what strange fruit and fear

this land has sown?

In this psychologically haunting YA fiction anthology, ten talented writers explore the terror and anxiety that bleed into the Black psyche in America.

From black market medical experiments to shapeshifting monsters, to doomsday cults and body snatchers each story casts an unnerving and thought-provoking light on the real-world horrors of our society that can disrupt a life—or end it.

Ranging from speculative to contemporary, this collection of terror and resistance asks if we can finally see the thing that goes bump in the night, and how it walks freely in the light of day, too.

Sequel to the New York Times bestseller Amari and the Night Brothers!

Artemis Fowl meets Men in Black in this magical second book in the New York Times and Indie bestselling Supernatural Investigations trilogy—perfect for fans of Tristan Strong Punches a Hole in the Sky, the Percy Jackson series, and Nevermoor.

After finding her brother and saving the entire supernatural world, Amari Peters is convinced her first full summer as a Junior Agent will be a breeze.

But between the fearsome new Head Minister’s strict anti-magician agenda, fierce Junior Agent rivalries, and her brother Quinton’s curse steadily worsening, Amari’s plate is full. So when the secretive League of Magicians offers her a chance to stand up for magiciankind as its new leader, she declines. She’s got enough to worry about!

But her refusal allows someone else to step forward, a magician with dangerous plans for the League. This challenge sparks the start of the Great Game, a competition to decide who will become the Night Brothers’ successor and determine the future of magiciankind.

The Great Game is both mysterious and deadly, but among the winner’s magical rewards is Quinton’s last hope—so how can Amari refuse?

A revival of the iconic anthology of best Southern short stories featuring eminent and emerging voices.

This anthology marks the much-anticipated return of the annual story collection, New Stories from the South, gathering outstanding short stories written by Southern writers or about the American South. Stories were nominated by editors of literary journals and magazines, publishers of short story collections, and by prominent Southern writers who served as contributing editors for this volume.

The 2026 edition contains an exciting lineup of both well-known Southern writers and talented newcomers: 

* Ron Rash
* Deesha Philyaw
* Mesha Maren
* Emily Nemens
* Ashleigh Bryant Phillips
* Tony Earley
* Exodus Oktavia Brownlow
* A. J. Bermudez
* Heather Swain
* Chelyen Davis
* Joanna Pearson
* Jody Hobbs Hesler
* Catherine Niolet
* Dean Marshall Tuck
* Emily Harper Ellis
* Farheen Raparthi
* Randy F. Nelson
* Lisa Wartenberg Vélez
* Pritha Bhattacharyya

This year’s volume has an introduction by Appalachian writer Silas House, New York Times bestselling author of seven novels, and the poetry collection All These Ghosts (Blair, 2025) and is edited by Blair’s Editorial Director, Robin Miura, who assumes this mantle from Shannon Ravenel, the Algonquin editor who launched the series and edited the volumes through 2006.

In keeping with Blair’s mission, this anthology contains a wide range of voices reflecting the rich diversity of the South. The following talented writers served as contributing editors who helped select stories for this volume: Jason Mott, LaTanya McQueen, Daniel Wallace, Monique Truong, Chantel Acevedo, and Susan Gregg Gilmore.

A celebration of the many ways we make art, spanning mediums, geography, and resources from author-artist Diana Ejaita.

Art is for everyone! From found objects to sidewalk chalk, from homemade instruments to breakdancing, from building with blocks to molding clay, art is natural and healing. Readers will be encouraged by the invitation to create anything, anywhere, with any materials. Inclusive and expansive, Ejaita portrays a wide cast of characters exploring their own feelings and ideas, accompanied by a poignant, yet easily understood, text. This deceptively simple and stunningly composed picture book offers children a sense of what art can be, and the ways in which it adds beauty to our lives.

Two former high school sweethearts get a second chance in this marriage of convenience romance by Kristina Forest, author of The Neighbor Favor. To Violet Greene, fashion is everything. As a successful celebrity stylist, she travels all over the world, living out her dreams. Professionally, she’s thriving, but her personal life is in shambles. After surviving a very public breakup with her ex-fiancé six months ago, Violet is now determined to focus on her career. But life hands her something—or rather, someone—that might derail everything… Xavier Wright did not expect to run into his high school girlfriend Violet—the girl he once thought he’d marry—on a birthday trip to Vegas. As a high school teacher and basketball coach, he rarely leaves his New Jersey hometown, so what were the chances? But when the initial shock wears off, they decide to celebrate together. They feel young and reckless as they party the night away—and reckless they clearly were when the following morning, they wake up beside each other with rings on their fingers. Their impulsive nuptials might be a blessing in disguise, though, when they realize that both of their careers could benefit from the marriage. So they play the part of a blissfully wedded couple. Yet when their passion comes hurling back, they realize their feelings are just as real as they were back when they were teens. But are their lives too different to stick it through or will they finally get a happy ending?

*Ships in 7-10 Business Days*

With African artists attracting sizable audience numbers to museums, setting sky-high auction records, and appearing in mainstream press, it has become impossible to overlook the cultural significance of contemporary African art today. Author and curator Osei Bonsu's engaging profiles of leading African artists—along with gorgeous full-color reproductions of their work—introduce readers to a generation of movers and shakers whose innovative artwork reflects on Africa as both an idea and an experience. Using diverse forms, languages, and expressions to articulate what it means to be a part of the world, these artists generate alternate histories and imaginative futures—work that is both personal and political, universal and incredibly specific. Their work helps define contemporary African art as a vast artistic and cultural movement.

STELLAR ROSTER OF ARTISTS: Amoako Boafo, Njideka Akunyili Crosby, Tunji Adeniyi-Jones, Bronwyn Katz—from household names to up-and-coming artists, African Art Now features some of the most exciting artists working today.
IMPORTANT AND TIMELY: Over the past two decades, contemporary African art has become part of the global mainstream, inspiring countless exhibitions, fairs, and auctions around the world. And yet, African art remains overlooked as an area of dedicated study due to continued academic and cultural bias. This book shines a spotlight on the artists whose wide-ranging accomplishments represent the shifting dynamics and boundless possibilities of African art today.

Perfect for:

• Artists, art collectors, art lovers, and museumgoers
• Educators and students
• Anyone interested in learning about contemporary African art