From theatrical costumes to leather accessories and jewelry, Saar’s early wearable artworks are as transformative as her assemblages

Organized around Betye Saar’s early work in costume and jewelry design during the 1960s and 1970s, Let’s Get It On explores how this formative period profoundly shaped her pioneering work in assemblage and installation. Through original drawings, essays, archival materials and installation images, the book traces Saar’s evolution from designer to artist, revealing the enduring connections between her wearable creations and her broader visual language. It features newly commissioned scholarship alongside rare photographs, sketches, jewelry, garments and ephemera from Saar’s personal archives, offering fresh insight into the artist’s lifelong engagement with materials, memory and Black cultural expression. The book also includes a custom-designed sewing pattern by Betye Saar, inspired by her studio practice. This set features comprehensive instructions, precision-cut pattern pieces and an exclusive artist-designed iron-on: everything you need to spark your own creative journey. Let’s Get It On provides an invaluable resource for understanding the full scope of Saar’s creative practice and her influence across generations.
Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over seven decades, Saar’s work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saar’s work was prominently featured in We Wanted a Revolution: Black Radical Women, 1965–85 at the Brooklyn Museum and in Soul of a Nation: Art in the Age of Black Power at Tate Modern.

Hitch meets The Sun Is Also a Star in this witty and romantic teen novel about a self-professed teen love doctor with a popular radio segment who believes he can get a girl who hates all things romance to fall in love with him in only three dates.

Prince Jones is the guy with all the answers—or so it seems. After all, at seventeen, he has his own segment on Detroit’s popular hip-hop show, Love Radio, where he dishes out advice to the brokenhearted.

Prince has always dreamed of becoming a DJ and falling in love. But being the main caretaker for his mother, who has multiple sclerosis, and his little brother means his dreams will stay just that and the only romances in his life are the ones he hears about from his listeners.

Until he meets Dani Ford.

Dani isn’t checking for anybody. She’s focused on her plan: ace senior year, score a scholarship, and move to New York City to become a famous author. But her college essay keeps tripping her up and acknowledging what’s blocking her means dealing with what happened at that party a few months ago.

And that’s one thing Dani can’t do.

When the romantic DJ meets the ambitious writer, sparks fly. Prince is smitten, but Dani’s not looking to get derailed. She gives Prince just three dates to convince her that he’s worth falling for.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistance

Black students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.

Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.

School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.

Louise Lloyd’s time away in Paris is everything she was hoping it would be until a shocking murder turns her entire world upside down.

Louise Lloyd is finally living the quiet life she’d longed for, working in a parfumerie by day and spending time with her new friends every night at the Aquarius club in Paris. When a desperate mother asks for help locating her artist daughter, Louise initially refuses to keep her hard-won but fragile peace intact. But the woman comes with a letter of introduction from an old friend in Harlem, and Louise realizes she has no choice but to do what she can to find the missing young woman.

The woman’s daughter, Iris Wright, is part of an elite social circle. Louise soon finds herself drawn into a world of privilege and ice-cold ambition—a young group of artists who will do anything to get ahead—but would they murder one of their own? With the help of some friends from home, Louise must untangle a web of lies, jealousy, and betrayal to find out what really happened to Iris while fighting to keep her new life from crashing down around her.

*Ships in 7-10 Business Days*

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club, and asserts the truth that the cypher is a feminine form.

Poet and vocalist Jamila Woods was raised in Chicago, and graduated from Brown University, where she earned a BA in Africana Studies and Theatre & Performance Studies. Influenced by Lucille Clifton and Gwendolyn Brooks, much of her writing explores blackness, womanhood, and the city of Chicago.

Mahogany L. Browne is a Cave Canem and Poets House alumna and the author of several books including Smudge and Redbone. She directs the poetry program of the Nuyorican Poets Café.

Idrissa Simmonds is a fiction writer and poet. Her work has appeared in Black Renaissance Noire, The Caribbean Writer, Fourteen Hills Press, and elsewhere. She is the 2014 winner of the Crab Creek Review poetry contest, and a New York Foundation for the Arts and Commonwealth Short Story Award Finalist.

"Beautiful and heartbreaking." ― Walter Mosley

"An amazing read!" ― S.A. Cosby

"Lush and brutal, a poem hiding out as a novel." ― Rachel Howzell Hall

Redemption isn't given. It's fought for. 

After years of violence, Solomon leaves the brutal backdrop of New York and its underworld to find peace in California where he settles for the quiet life of a gardener defined by routine, restraint, and a fragile kind of peace that had alluded him. Having been a former child soldier, mercenary, and hit man, he is determined to put his past behind him. But as violence erupts on the grounds he tends, his hard-won tranquility shatters when he encounters a young boy named Gaby whose life is in danger.

Protecting the child pulls Solomon back into a world he swore he'd buried. As they set out on an unexpected journey, hunted by men who will stop at nothing to get what they want, Solomon must confront not only the threat closing in but the darkness he carries within.

Propulsive and deeply human,Laws of Solomon is a story of redemption, found family, and the cost of choosing compassion in a brutal world. In saving Gaby, Solomon may finally discover whether peace is something a man like him can earn―or something he must sacrifice everything to protect.

Eriq La Salle brings readers into the world of his acclaimed Martyr Maker series with this standalone novel―the perfect entry point for readers new to La Salle's writing.

*Ships in 7-10 Business Days*

Jacqueline Woodson's National Book Award and Newbery Honor winner, now available in paperback with 7 all-new poems.

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.

This pioneering and pathbreaking book brings together the rich spirituality of Black literary giants with the profound spirituality of the Buddhist tradition. Never before have we been informed and transformed with this unprecedented encounter—and our catastrophic times require it! —Dr. Cornel West

Black, queer, feminist, Buddhist: The Fire Inside casts a fresh new light on the radical literary legacies of James Baldwin and Audre Lorde

Includes meditation exercises

The Fire Inside explores the writings of Audre Lord and James Baldwin through a Dharmic lens, revealing for the first time how two of America’s greatest literary voices reflect—and expand—Buddhism’s most timeless truths toward justice and liberation.

Dr. Rima Vesely-Flad dives deeply into a dharma of liberation as lived by Baldwin and Lorde, offering timely lessons to help us each meet this moment. She explores the writers’ enduring legacies to show that liberation depends not only on organizing and mass movements, but the generative power of inner well-being, authenticity, art, and embodiment. Each chapter shares how looking inward is the way forward, examining Baldwin and Lorde through key Buddhist principles:

* Suffering as a teacher: how Baldwin and Lorde investigated suffering in their own lives—and how expanded and disrupted interpretations of the Dharma
* Denial, impermanence, and death: on Baldwin’s exploration of white supremacy and fear of death and Lorde’s understanding of illness and inevitable change
* Ultimate and relative reality: how honoring race, gender, sexuality, and difference lies at the heart of Buddhist liberation
* Karma and not-self: how the doctrine of karma can be reclaimed to cultivate inner liberation and support activists working to dismantle oppression
* Anger and compassion: how we metabolize internalized rage, reject hatred, and embrace compassion toward transformation
* Erotic paths to enlightenment: on the power of sensuality and erotic energy; rejecting dominant heteronormativity; and attaining enlightenment through sexual union

This book offers space for emerging conversations within spiritual communities—ones that don’t shy away from difficult or uncomfortable truths; that center—and celebrate—Black, queer, radical thought; and that embrace the ways our inner lives, creative fire, sensuality, and expressions of love can ignite and sustain revolutionary liberation.