In the first book of a heart-pounding new YA fantasy series, an orphaned teen is thrust into a divine war—and must decide whether awakening his true powers is worth risking his soul.

For sixteen-year-old Marcus Azure, the unusual blemishes on his skin have always made him feel insecure and unwanted. Orphaned at a young age, stares and whispers incite rumors of him being cursed. But all Marcus wants is to gain respect as a worthy soldier and a protector for his land.

Hoping to gain acceptance and silence the rumors, Marcus competes for a coveted spot in the Land of Aypha’s elite military. Before Marcus can earn his place, a mysterious group of assassins incinerate his village, destroying all he knew. On his own once again, Marcus’s quest for answers takes him on a journey across new lands where he discovers his world is ruled by Divines—powerful warriors with abilities to manipulate metals, harness the wind, and control the shape of water. As Marcus plunges deeper into the Divine world, he encounters the former Queen of the Aminas, Sinclair Bonet. She reveals the attack on his land is tied to something far worse. A war across the eight Divine Lands of Pyris is coming. If Marcus and others are to survive, he’ll need to awaken a secret yet volatile power within him.

As the battle rages closer and secrets unravel, Marcus must confront the truth of whether the blemishes he was shunned for are truly a curse or a sign of something greater.

Finalist, Los Angeles Times Book Prize for Poetry

Love Child’s Hotbed of Occasional Poetry is a twenty-first-century paean to the sterling love songs humming throughout four hundred years of black American life. National Book Award winner Nikky Finney’s fifth collection contains lighthouse poems, narrative hotbeds, and treasured artifacts—copper coins struck from a new matrix for poetry, one that testifies from the witness stand and punctuates the occasional lyric within a new language of “docu-poetry.”
 
The ancestors arise and fly, and the black female body is the “insurgent sensualist,” hunted but fighting to live and love in the ways it wants and knows best: “I loved being / a black girl but had not yet learned / to play dead . . .”
 
The tenderness of a father’s handwritten notes shadows the collection like a ghost, while the treasured, not-for-sale interiority of a black girl’s fountainhead takes over every page. “One yellaw gal with an all-black tongue has gone missing.” Finney has composed a new black spiritual, and one of the great voices of our time again stamps her singular sound into the new day.

In this poignant retelling of The Great Gatsby, set amongst L.A.’s Black elite, a young veteran finds his way post-war, pulled into a new world of tantalizing possibilities—and explosive tensions.

In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite’s invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.’s newly rechristened “Sugar Hill.”

Settling in at a local actress’s energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.
 
Reaper’s extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie’s unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community’s well-being with promises of retribution.

Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America.

“We who have been colonized can never forget”

Andrée Blouin—once called the most dangerous woman in Africa—played a leading role in the struggles for decolonization that shook the continent in the 1950s and ’60s, advising the postcolonial leaders of Algeria, both Congos, Ivory Coast, Mali, Guinea, and Ghana.

In this autobiography, Blouin retraces her remarkable journey as an African revolutionary. Born in French Equatorial Africa and abandoned at the age of three, she endured years of neglect and abuse in a colonial orphanage, which she escaped after being forced by nuns into an arranged marriage at fifteen. She later became radicalized by the death of her two-year-old son, who was denied malaria medication by French officials because he was one-quarter African.

In Guinea, where Blouin was active in Sékou Touré’s campaign for independence, she came into contact with leaders of the liberation movement in the Belgian Congo. Blouin witnessed the Congolese tragedy up close as an adviser to Patrice Lumumba, whose arrest and assassination she narrates in unforgettable detail.

Blouin offers a sweeping survey of pan-African nationalism, capturing the intricacies of revolutionary diplomacy, comradeship, and betrayal. Alongside intimate portraits of the movement’s leaders, Blouin provides insights into the often-overlooked contribution of African women in the struggle for independence.

From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

Why do some fights for justice hit a wall while others succeed? What does it take to win social change, especially now? It comes down to understanding one thing: the difference between presence and power.

Failing to do so is one way we got into this mess, but understanding how power really works is a big part of how we get out of it.

Rashad Robinson would know. A social change strategist, he’s spent more than twenty years at the highest levels of leadership in two of the most significant social movements of our time: the fight for LGBTQ rights and the fight for racial justice. He’s taken on tech giants and the criminal justice system, politicians in Washington and corporate executives in Hollywood. He’s been on the front lines of protest and in the back rooms of negotiation.

Robinson argues that achieving presence—the visibility of marches, media fads, and making issues popular—is not the same as gaining the leverage required to change the rules for how society works or change the decisions that politicians, corporate executives, and other people in authority make.

This book offers a set of essential lessons about power for anyone who wants to understand it, gain it, and use it to win the progress we all deserve—and to defeat the forces trying to take our freedoms away. Robinson provides the tools needed to help everyday people build real leverage in systems designed to prevent them from doing so.

As someone who helped shape the resistance after the 2016 election, and continues to help leaders at every level find innovative ways to fight back and win progress today, Robinson offers a hopeful, practical guide to achieving positive impact in the most challenging times.

Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive—the second book in a planned experimental triptych—is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story “Evidence,” M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics.

*Paperback Release Date - 1/25/2028*

The award-winning co-anchor of PBS NewsHour presents a sweeping and insightful retrospective on the history of Black comedy in America.

Black comedians have long played a pivotal role in shaping the American sense of humor. The 1990s showcased a golden era for Black comedy, highlighted by the surge of iconic sitcoms that redefined television and left a lasting cultural imprint. Shows like In Living Color, The Fresh Prince of Bel-Air, Living Single, Martin, and A Different World stood on the shoulders of decades of groundbreaking work by Black comedians, both on-screen and on-stage, to deliver nuanced portrayals of life, family, and culture. Yet, just decades earlier, the idea of Black artists dominating American airwaves with characters that were both hilarious and heartfelt would have been unimaginable. How did it come to be?

The journey begins with 19th-century minstrel shows – offensive by today’s standards but the first stage for Black performers to reach mainstream audiences. Over time, comedians challenged racial stereotypes, exploring race and identity through humor. Icons like Jackie “Moms” Mabley, Redd Foxx, Dick Gregory, Flip Wilson, Richard Pryor, Whoopi Goldberg, and Eddie Murphy shifted perceptions and changed how the nation understood itself. In this incisive history, Geoff Bennett tells the story of how they did it.

In Black Out Loud, Bennett chronicles the transformative history of Black comedy in America, drawing on research and interviews with the actors and executives behind some of the most impactful shows. This brilliant exploration traces the evolution of Black comics and provocateurs who reshaped the culture and ultimately became powerful agents of social change -- transforming the way America laughed along the way.

Includes interviews and insights from: Martin Lawrence, Robert Townsend, Debbie Allen, Tisha Campbell, Keenan Ivory Wayans, Marlon Wayans, Quinta Brunson, Arsenio Hall, and many more!

From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret

“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com

The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, known as Big Ammachi—will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

“[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It’s a stunner.” —Publishers Weekly (starred review)

“[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead” —Los Angeles Times

Winner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.

In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.

Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.

Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.

Translated from the Spanish by Elizabeth Bryer

Lennox ‘Oz’ Anderson met what would become his obsession the night Shandea ‘Dea’ Saunders sat down to play a game of poker. Now that he had his obsession in his possession, he had to ensure that he could keep her. Oz never expected his own flesh and blood to betray him. And he definitely wasn’t going to let his twin go as far as kidnapping Dea for his own twisted pleasure, a right that was only Oz’s, without having to pay for it... with his life. Dea belonged to him and him alone. Family or not, Lennox planned to ensure that everyone, including Shandea, understood that he would do anything to protect what was his.
Will Oz find Dea in time, or will he be too late to stop his brother?
Shandea ‘Dea’ Saunders had always known how crazy Lennox was, but she never thought the craziness in his life would get so close to her. Dea didn’t know if she could look into Lennox’s face without seeing his twin... if she even made it out alive.
How will Dea ever be able to face the love of her life when he has the face of her kidnapper?

Hendrix ‘Henny’ Pharma knew things would have to change once he had another taste of his addiction. Henny refused to make the same mistake twice, but life always interfered with his desires. This time, Hendrix planned to have it all with Tali by his side and avenge the death of his brother.
Can Hendrix manage to keep his addiction and both his legal and illegal empires? Or will the ghosts of his past take it all?
Tali Saunders had one goal: to leave Union City and never look back. She successfully stuck to that commitment until her mother fell ill, and she had to return home. She never imagined her last night in Union City would be one she would never forget. Six years later, Henny was still on her mind. Tali never expected to run into the very man she’d compared every encounter she’d had to that one night with him. Now Tali had entered into a deal with the very man she couldn’t keep off her mind. Tali believed she could walk away from Henny when it was all said and done. But Henny has other ideas, like keeping Tali exactly where she belonged…in his bed.
Will Tali walk away again? Or will she stay?

Soul ties were created in one night, bonding two couples in ways they’d never planned or imagined. Now that betrayal, jealousy, and death have appeared, will it make them second guess their connections being destiny, or will it rip them apart?

***This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults.***