In this meticulously researched and vividly written account, a prominent historian reclaims a forgotten incident of racial violence in the Jim Crow South.

The Rifle and the Plough reconstructs a little-known episode from the summer of 1910, when the Black farming settlement of Sandy Beulah in East-Central Texas came under attack. White mobs waged war on prosperous Black landowners; rumors became weapons; celebration became provocation. Historian Steven A. Reich shows how the massacre unfolded and why it happened: the growing accumulation of land by Black residents, heightened racial tensions following boxer Jack Johnson’s heavyweight title victory, and white resistance to Black autonomy and public festivity, including Juneteenth. The Rifle and the Plough recovers the rise and destruction of a thriving Black community and asks why this history still matters. By linking racial violence to struggles over historical memory, land theft, and accountability, Reich speaks directly to contemporary debates about how the nation confronts its past, what justice demands of the present, and what reparative futures might yet be imagined.

59 illustrations

Ten years after her E! reality TV show Rob & Chyna aired, the entrepreneur and actress formerly known as Blac Chyna is subverting expectations and sharing where her faith walk leads her.

For years, Angela White’s public persona and private life was that of the Kardashian-adjacent Blac Chyna, former stripper and reality television star. Born Angela Renée White on May 11, 1988, in Washington, DC, she first burst onto the scene in 2010 as Nicki Minaj’s stunt double in Kanye West’s Monster video. That same year, Drake’s shout-out in Miss Me put her name in the game, sparking buzz that landed her in national magazines. Her exotic look and hustle at Miami’s King of Diamonds strip club turned heads, but it was her high-profile relationships with rapper Tyga (father of her son, King Cairo) and Rob Kardashian (father of her daughter, Dream) that cemented her fame, along wih her unapologetic persona.

What many didn’t realize was that privately her notoriety was additionally complicated by an alcohol addiction that drew her away from the person she’d been raised to be. But four years ago, Angela made the decision to reclaim herself, which meant stepping out of the toxic limelight, removing a number of physical enhancements, and sobering up. Both for herself and for her children.

But Sober Mine is about more than fighting addiction. It’s about redemption, finding balance, and rebuilding one’s self from the inside out. Angela returned to her faith, was baptized in 2022, and she’s been sober for nearly four years and counting. She’s also pursuing a degree in divinity training and education.

In Sober Mine, Angela pulls back the curtain and shares the personal journey that led her to the world stage, giving insight into what you thought you thought you knew about her from those reality television days, and she does it all in her signature voice, direct with a side order of humor.

This book is about grabbing onto faith, discovering one’s strength, and learning you don’t have be perfect to live the life you deserve—you just gotta keep it real.

The forager, urban farmer, and NatGeo star shares a beautiful, practical field guide and primer to the ethics of caring for the land, meeting you wherever you are in your relationship with the natural world.

With this indispensable resource in the garden, in the field, and in the wild, learn the basics of foraging, as well as the “whys” of foraging and self-reliance. In a country with overflowing grocery store shelves, why should we learn to find, identify, grow, and harvest our own food?

With Indy’s wisdom and guidance, and journal space to record your own observations, learn:

* common foraging and farming identification terms
* how to measure and ID specimens
* recipes featuring the plants, mushrooms, and seaweeds introduced here
* culinary and medicinal applications
* the stories behind the plants; how they came to grow where they are
* sociocultural and economic considerations
* how to make her favorite foraged recipes, from Dandelion Fritters to Yarrow Beer
* plus resources for additional reading and exploration.

Rare Harvest is the field guide for an ethical meal, from forest to farm, from person to plate. Foraging and growing food is more than a hobby, a trend, or a pastime—it is the answer to the preservation of humankind.

Whether you live in a food desert, in the suburbs, on a rural farm, or in a high-rise in the heart of the city, your personal and genetic story is interwoven with the story of the foods you eat. By way of being human, you are already a farmer. To uncover your innate ability to grow and find food is one of the greatest gifts you can give yourself.

Rare Harvest includes a gorgeous, lush color insert featuring key plant allies.

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

In this Level Three I Can Read, join twins Jada and Jamal, and their best friends Carlita and Josh as they come up with a colorful springtime plan to spruce up their schoolyard. Everyone in the neighborhood is invited!

CHIRP! CHIRP! CHIRP! It’s springtime on Bradford Street. Jada and Jamal are searching for signs of spring. So are their best friends, Carlita Garcia and Josh Cornell. But the most surprising sign of spring awaits them at school tomorrow . . . a surprise that blossoms into a colorful plan to beautify the schoolyard just in time for Earth Day. Get set to dig in and join the neighborhood fun with the Bradford Street Buddies!

This Level 3 I Can Read title is written for independent readers and includes challenging words and more complex themes and stories.

Fathering yourself might be the most important work you do as a father.

Glen Henry never wanted to be a father. He grew up in a broken home and assumed that the role was worthless. Then he saw what a good father looked like and became passionate about not only being a good father himself but helping others see what fatherhood could be through his wildly popular YouTube channel, Beleaf in Fatherhood.

Maybe you weren’t given a handbook on fatherhood but that doesn’t mean you’re unprepared. In fact, you have what it takes to grow into the kind of father your children need. In Father Yourself First Glen offers hard-earned wisdom, honest storytelling, and six foundational principles that will help you

* father yourself to maintain a healthy inner voice,
* parent from a place of healing by addressing unresolved issues from your own past,
* connect with your children by embracing childishness and adventure,
* identify your children’s unique gifts early on and help fine-tune their skills into productive habits, and
* establish a community of fathers to exchange values and practices and regularly see examples of healthy fatherhood.

Whether you’re stepping into fatherhood for the first time or figuring it out as you go, this book will meet you right where you are—and walk with you as you become the father your family deserves.

There are so many things we once believed were true, good, and beautiful that we now no longer believe. Ideas we once defended with confidence now seem naive, misguided, or even harmful.

Every generation looks back at what their parents believed and rolls their eyes. Every generation thinks they stand on the right side of history, but history has a way of humbling our confidence. That only means future generations will look back and judge us to be wrong, false, and bad.

One day, we also will be on the wrong side of history. It's okay to be wrong about things that don't matter, like cultural trends, personal tastes, and leisure activities. But what if we're wrong about things that really matter, like faith, God, and eternal consequences? What if we've been believing all the wrong things? In How to Be on the Right Side of History, Sam Chan reveals how--when it comes to things of ultimate truth, goodness, beauty, and God--we can have confidence that our beliefs aren't just fads but are grounded in eternal reality.

A landmark study of twentieth-century Black picture magazines and their impact on Black American life

From the late 1930s through the early 1970s, national publications such as Our World, Sepia, Color, Elegant, Flash, Brown, and Ebony framed emerging definitions of success for Black middle-class audiences. These magazines featured dynamic photo essays, sometimes by photographers as renowned as Gordon Parks and Moneta Sleet Jr., that shaped perspectives on Black cultural life and influenced the way millions of Americans understood the world through photography.

This history of Black picture magazines and their contribution to American photography, journalism, and cultural production is the first to consider these publications through a visual and scholarly lens. It features more than 250 illustrations, essays by prominent curators and thinkers, and thematic contributions by celebrity experts, including

• Tina Beyoncé Knowles, businesswoman and House of Deréon fashion designer, on beauty culture
• Doug Glanville, sports journalist and former MLB player, on sports
• Carla J. Williams, photographer and 2025 Guggenheim fellow, on pulp pinups
• Jason Moran, jazz musician and MacArthur “genius” award-winner, on music
• TAYLOR ALXNDR, activist and performer, on drag and queer/trans representation

With a comprehensive list of Black picture magazines and the photographers whose work appeared in them, this volume will serve as both a foundational reference and a compelling visual history that reveals the profound role these publications played in defining and circulating images of Black life, achievement, and aspiration in the United States.

Published in association with the Museum of Fine Arts, Houston

Exhibition Schedule:

Museum of Fine Arts, Houston
(February 28 to May 31, 2027)

Portland Museum of Art, Maine
(October 8, 2027, to January 9, 2028)

New Orleans Museum of Art
(May 11 to August 6, 2028)

Originally published in 2005, former NBA star Etan Thomas’s first poetry collection defies the stereotype of the apolitical athlete; featuring brand-new poems by Thomas and his son―and University of Dayton basketball star―Malcolm Thomas

RETIRED NBA STAR, AUTHOR, AND OUTSPOKEN POLITICAL ACTIVIST, Etan Thomas is more than an athlete. In this, his first collection of poems―originally published in 2005 and reissued here with many new poems―the former center for the NBA’s Washington Wizards defies the stereotype of the apolitical athlete, and plants his roots in his budding literary career. With the conviction of a Bill Russell, and the poetic finesse of Muhammad Ali, Thomas takes on controversial topics such as the Death Penalty, the GOP, and racism. 

This fiery poet approaches his work fearlessly, writing in the strong, historical lineage of his literary elders Amiri Baraka and Sonia Sanchez, and in the tradition of more contemporary poets Ras Baraka, Tony Medina, and asha bandele. More Than an Athlete is not just a book of poetry; it’s a statement about new generations not being confined to a box, a definition, or a label. Some people play ball, and some people write poems. Etan Thomas has mastered the art of both.

The reimagined 2027 edition features brand-new poems by Thomas as well as his son Malcolm, who is following in his father’s footsteps on the court as a collegiate athlete, and on―and off―the page as a poet and activist.

An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations