*Paperback Release Date -02/02/27*

A dedicated journalist unearths a generations-old family secret—and a connection to a string of missing girls that hits way too close to home—in this gripping debut novel.

In the wake of her grandmother's passing, Sydney Singleton finds a hidden photograph of a little girl who looks more like Sydney than her own sister or mother. She soon discovers the mystery girl in the photograph is her aunt, Carol, who was one of six North Carolina Black girls to go missing in the 1960s. For the last several decades, not a soul has talked about Carol or what really happened to her. But now, with her grandmother gone and Sydney looking to start a family of her own, she is determined to unravel the truth behind her long-lost aunt’s disappearance, and the sinister silence that surrounds her.

Unfortunately, this is familiar territory for Sydney: Years earlier, while she worked the crime beat as a journalist, her obsession with the case of another missing girl led to a psychotic break. And now, in the suffocating grip of fertility treatments and a marriage that's beginning to crumble, Sydney’s relentless pursuit for answers might just lead her down the same path of self-destruction. As she delves deeper into Carol's fate, her own troubled past reemerges, clawing its way to the surface with a vengeance. The web of secrets and lies entangling her family leaves Sydney questioning everything—her fixation on the missing girls, her future as a mom, and her trust in those she knows and loves.

Delving into family, community, secrets, and motherhood, We Don’t Talk About Carol is a gripping and deeply emotional story about overcoming the rot at the roots of our family trees—and what we’ll do for those we love.

The first book in a brand-new series, Hunt the Red Hood, from TikTok sensation B.B. Reid, a dark romantic retelling of Red Riding Hood.

"Guard your heart, foolish girl. The wolves will come to steal it."

In a quiet French town steeped in old folklore, Nyx has always believed in logic―not legends. So discovering she's descended from a line of Red Hood witches feels more like a mistake than destiny. But some stories refuse to stay buried.

The Volkovs have been cursed for generations, and time is running out. The only way to break it? A Red Hood witch must fall in love with one of them. Mikhail Volkov is desperate to save someone he loves―and ending the curse is his last hope. Getting close to Nyx was supposed to be a means to an end… until it becomes something far more dangerous.

Gray, the watchful hunter who seems to linger on the edges of every secret, is thrust into Nyx's life next. Protective, intense, and impossible to ignore, he draws Nyx deeper into a world she doesn't understand―and can't escape.

Caught between wolf and hunter, instinct and reason, Nyx must decide who to trust―and what she's willing to risk.

The art historian, poet, and novelist close-reads images, moving and still, canonical and lesser known, that have shaped her evolving identity as an American “Mulatta” lesbian born at the end of the Civil Rights Movement in this singular blend of life-writing and cultural studies.

The daughter of the WASP mother who raised her and a Black father she has never known, J. Vanessa Lyon delivers a candid memoir across thirteen uniquely structured chapters in conversation with enduring, often damaging, mis/representations of so-called race mixing in fine art and popular media. Reflecting on a lifetime of being “dis-read,” she examines insidious cultural tropes of White passing beginning with art from the era of transatlantic slavery—from Rembrandt and Rubens, Gentileschi and Stubbs, to Manet—before moving on to Br’er Rabbit, Louise Nevelson, 1950s melodrama, and Adrian Piper. Original analysis of a broad chronological range of visual art parallels the unfolding of Lyon’s sense of self as animated by the interiors and geographies—not to mention the challenging and remarkable women—that have figured in her life. Through her investigations, she comes to terms with long-withheld information and the seemingly unalterable reality of being an out lesbian who, legally Black, may never be viewed by Whites or other African Americans in the ways she experiences her own raced and gendered personhood.

By turns scholarly and intimate, Blackness Thirteen Ways reveals surprising connections between the art Lyon teaches and the woman she has become, challenging history to accommodate an unapologetic image of herself and other “impassably” Black women.

NATIONAL BESTSELLER • “The conscience of the AI revolution” (Fortune) explains how we’ve arrived at an era of AI harms and oppression, and what we can do to avoid its pitfalls.

“AI is not coming, it’s here. If we answer the beautiful call inside these pages, we can decide who we are going to be and how we’re going to use technology in service of what it means to be fully human.”—Brené Brown, #1 New York Times bestselling author of Dare to Lead

A LOS ANGELES TIMES BEST BOOK OF THE YEAR • Shortlisted for the Inc. Non-Obvious Book Award

To most of us, it seems like recent developments in artificial intelligence emerged out of nowhere to pose unprecedented threats to humankind. But to Dr. Joy Buolamwini, who has been at the forefront of AI research, this moment has been a long time in the making.

After tinkering with robotics as a high school student in Memphis and then developing mobile apps in Zambia as a Fulbright fellow, Buolamwini followed her lifelong passion for computer science, engineering, and art to MIT in 2015. As a graduate student at the “Future Factory,” she did groundbreaking research that exposed widespread racial and gender bias in AI services from tech giants across the world.

Unmasking AI goes beyond the headlines about existential risks produced by Big Tech. It is the remarkable story of how Buolamwini uncovered what she calls “the coded gaze”—the evidence of encoded discrimination and exclusion in tech products—and how she galvanized the movement to prevent AI harms by founding the Algorithmic Justice League. Applying an intersectional lens to both the tech industry and the research sector, she shows how racism, sexism, colorism, and ableism can overlap and render broad swaths of humanity “excoded” and therefore vulnerable in a world rapidly adopting AI tools. Computers, she reminds us, are reflections of both the aspirations and the limitations of the people who create them.

Encouraging experts and non-experts alike to join this fight, Buolamwini writes, “The rising frontier for civil rights will require algorithmic justice. AI should be for the people and by the people, not just the privileged few.”

Paperback Release Date - 11/3/2026

Spanning four decades and three continents, Bitter Honey is a story about a mother and daughter divided by long buried secrets, struggling to understand each other as they forge their own paths, from the internationally bestselling author of In Every Mirror She’s Black.

1978: A scholarship draws Nancy from Gambia’s warmth into Stockholm’s frigid winter. When her friendship with charismatic scholar Lars blossoms into something more, she thinks she may have finally found her place. But there’s more to Lars than his charming persona, and Nancy is about to discover the danger of being drawn into his world… 

2006: Tina has had her taste of fame as Sweden’s sweetheart pop princess, representing her country at Eurovision. But beneath her glittery façade, she’s uncertain who she really is. Her mother, Nancy, seems desperate to keep the past under wraps, but will the unexpected appearance of Tina’s father—a man she has long thought dead—help open the door to self-discovery?

Nancy just wants to protect her daughter from making the same mistakes she did, but Tina longs for the freedom to mess up, knowing her mother will always be there to support her. The two women love each other unconditionally, but can they learn to trust each other as well?

This poignant novel delves deep into the complicated relationships between mothers and daughters and delivers a warm, heartfelt story of love, forgiveness, and women finding their voices.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

In this steamy and sweet sapphic romance, set in the world of women's basketball, an uptight athletic trainer has one taboo night with a hot team member determined to play for her heart – and win.

In this steamy and sweet sapphic romance, an uptight athletic trainer has one taboo night with a hot basketball player, but are they ready to play for what they really want?

Scoring was the easy part…

Hard work has Khadijah Upton starting her dream job as an athletic trainer for the Atlanta Cannons. Then an evening of celebratory letting loose turns into a one-night stand with a beautiful stranger. It’s a reckless, wildly sexy encounter that Khadijah intends to forget…until her first day on the job lands her face-to-face with basketball star Shae Harris again.

Shae is a major player in every sense of the word, and Khadijah doesn’t plan to be the latest in a long line of “Harris Honeys.” Personal and professional just don’t mix. But Shae, who’s all about living life to the fullest, keeps tempting Khadijah to blur the boundaries. And the more Shae reveals about herself, the harder it is for Khadijah to resist her.

In the bedroom, their tension sizzles. On the court, it’s a liability. But unless Khadijah’s willing to really let Shae in, it won’t be just the team championship on the line, but a body-and-soul connection that rewrites all the rules.

An oral history with the women of Parliament-Funkadelic, from forming the band to landing the mothership.

Parliament-Funkadelic is perhaps the greatest funk band ever assembled. Yet at the time of the group’s induction into the Rock & Roll Hall of Fame, none of the women who helped create the sound and performed in P-Funk were invited to the ceremony and their contributions have been largely overlooked.

Mothership Connected tells the story of Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden, all of whom were instrumental in making Parliament-Funkadelic, as well as the spin-off groups Parlet and the Brides of Funkenstein, into the legends they are today. Assembled by Seth Neblett, son of the “Queen of Funk” Mallia Franklin, and filled with the voices of funk icons like George Clinton, Sly Stone, Bootsy Collins, and the women themselves, this oral history makes clear why these “architects” at the “core” of P-Funk were both essential—and erased. From Franklin introducing Bootsy Collins to Clinton, to the Brides’ top-10 hit “Disco to Go,” to the drugs that helped destroy the group, this book reveals the hidden lives and uncomfortable truths of life in P-Funk. More than sex, drugs, and rock and roll, Mothership Connected is about Black women navigating a tumultuous era and industry to become musical pioneers. Now, after decades in the shadows, these genre-defining women are finally telling their story.

An exploration of sisterhood, creativity, and community inspired by the artist Alma Thomas’s life and work, from the award-winning poet Alexis Pauline Gumbs
 
Alma Thomas (1891–1978) was an influential figure in twentieth-century modern art, best known for her bright, mosaiclike abstract paintings. Although some critics have seen Thomas’s emphasis on beauty, color, and abstract art as a way to divorce her work from her life as a Black woman, Alexis Pauline Gumbs reveals how Thomas’s art was, in fact, deeply rooted in the Black community in which she lived. Black, in other words, was one of Thomas’s primary colors.
 
Gumbs sheds light on Thomas’s experience as a junior high school teacher in the still-segregated schools of Washington, D.C., where Thomas—as educator, mentor, and advocate—established community art programs for Black schoolchildren and galleries to showcase Black artists’ work. In this volume of poems and prose, Gumbs becomes a student of Thomas, allowing the wonder in Thomas’s work to open her to wonder about her own creativity, sistering, daughtering, and practice of communal transformation.