An ambitious teen enrolls at an elite science institute in Morbid Curiosities, a young adult thriller from author S. Hati.

When the Institute’s invitation arrived at my doorstep, it felt like it had been inked in my blood, sweat, and tears.

Aarya’s life plan has been set for as long as she can remember: finish high school with a bang, attend the best college she can get into, then land a prestigious biology research job. Her ticket to this dream is a one-year program at the Elizabethan Institute, the preeminent organization for life sciences in the United States, currently on the cusp of revealing a major project that could transform the worlds of biology and medicine.

But as Aarya tries to settle in to a school with sky-high academic expectations and research cloaked in mystery, it becomes clear that someone doesn’t want her there. As the scholarship student surrounded by rich, cutthroat peers who seem all too willing to torment her, she never expected to make friends, but the notes warning her to run rattle her to her core. She finds an ally in Sofia, a mysterious girl who claims to be the subject of closed-door Institute experiments and begs for Aarya’s help in discovering the Institute's true goal.

As rumors of mutated flora and fauna in the nearby city circulate and a murder investigation rocks the Institute, Aarya must navigate Sofia’s growing paranoia and her own increasingly unreliable memory to determine which classmates she can trust―and which would rather see her dead.

"A sharply intelligent, darkly fascinating academic thriller about unraveling the hard truths of who you are and who you want to be - and the final twist made me gasp out loud." ―Andrew Joseph White, New York Times-bestselling and award-winning author of Compound Fracture

Award-winning author Kai Ashante Wilson returns with a bold new vision of fantasy. The Fall of Elvenesse transforms the genre of Tolkien in the image of N. K. Jemisin, Marlon James, and Simon Jimenez.

Elves have ruined the world.

From their high mountain, the cruel knights of Elvenesse range out to conquer. They pillage, they enslave, they wreak genocide. Always the Elves have taken, never considered when the bill for their crimes will come due.

That time has come. The fury of the world has awoken. The victims will have their vengeance.

A divine scourge of fire sweeps across the land toward Elvenesse, and the last free people of the Nations flee before it. As the mountains char, rivers boil, and savannas burn, the Free Nations rely on the muscle and magic of their strong and runt freaks. But as their one remaining Saint assumes his power, he receives a prophecy: the Nations' only path to survival runs through Elvenesse. Only by navigating the Elven labyrinth can he win his people's lives.

Winner of the Bancroft Prize
Winner of the David J. Langum Prize
Winner of the Merle Curti Social History Award
Finalist for the Cundill History Prize 2026

A revelatory history of the laws that conditioned the everyday lives of Chinese people in the American West―and of those who negotiated, circumvented, and resisted discrimination.

Legal discrimination against Chinese people in the United States began in 1852, with a California tax on foreign gold miners that was explicitly designed to exploit Chinese labor. In the ensuing decades, California, Oregon, Washington, and other western states instituted more than five thousand laws that marginalized and controlled Chinese residents. Long before the Chinese Exclusion Act banned Chinese immigration, these laws constrained the activities and opportunities of Chinese people already living in the United States.

In this eye-opening account, Beth Lew-Williams describes a legal architecture redolent of Jim Crow but tailored to the people whom official records often referred to only as “John Doe Chinaman” and “Mary Chinaman.” Enforced by police, tax collectors, schoolteachers, missionaries, and neighbors, these laws severely limited Chinese access to American society. Cementing stereotypes of Chinese as criminals, invaders, and predators, states regulated everything from healthcare and property ownership to business formation and kinship customs. Yet Chinese communities reacted resourcefully. Many fought, evaded, and manipulated racist laws, finding ways to maintain prohibited traditions, resist unfair treatment in court, and insist on their political rights.

Revealing the depth of anti-Chinese discrimination beyond federal exclusion, John Doe Chinaman tells the stories of those who refused to accept a conditional place in American life.

From National Book Award Longlist K. Ancrum comes a striking YA novel about the unexpected bond between a troubled girl and an otherworldly creature, for fans of Kacen Callender and Ari Tison.

Ellie is counting down the days until high school is over. Between her negligent guardian, abusive stepparents, and impoverished small town, every day is worse than the last. One night, Ellie’s reality explodes when she collides with an ancient shape shifter trapped in human form, who she finds stealing food at a gas station.

This beautiful angry creature reveals that he’s on the run from his captors after years of bondage. Seeing the same desperation in Ellie, he offers her the tools she needs to free herself, as well. As the two share their tales of subjugation, violence, and triumph, they begin to seize the life of peace they both deserve.

K. Ancrum's breathtaking new YA novel is magical, visceral, and memorable -- a must have for fans of deeply emotional reads like EVERY DAY and COMPOUND FRACTURE.

In this meticulously researched and vividly written account, a prominent historian reclaims a forgotten incident of racial violence in the Jim Crow South.

The Rifle and the Plough reconstructs a little-known episode from the summer of 1910, when the Black farming settlement of Sandy Beulah in East-Central Texas came under attack. White mobs waged war on prosperous Black landowners; rumors became weapons; celebration became provocation. Historian Steven A. Reich shows how the massacre unfolded and why it happened: the growing accumulation of land by Black residents, heightened racial tensions following boxer Jack Johnson’s heavyweight title victory, and white resistance to Black autonomy and public festivity, including Juneteenth. The Rifle and the Plough recovers the rise and destruction of a thriving Black community and asks why this history still matters. By linking racial violence to struggles over historical memory, land theft, and accountability, Reich speaks directly to contemporary debates about how the nation confronts its past, what justice demands of the present, and what reparative futures might yet be imagined.

59 illustrations

“Engrossing and informative.” ―Zaakir Tameez, New York Times Book Review

From one of the most acclaimed and influential historians of the United States, an insightful guide to our history and why it matters.

Eric Foner has done more to shape the public and professional understanding of American history than any other scholar. The preeminent historian of the Civil War era, Foner’s keynote has been American freedom and the recurring battles over its meanings and boundaries. His award-winning works show that freedom has been a birthright for some and a struggle for others, that rights gained can also be lost, and that they must always be tended with knowledge and vigilance. The present political moment makes the importance of these themes abundantly clear.

This collection of Foner’s recent reviews and commentaries demonstrates the range of his interests and expertise, running from slavery and antislavery, through the disunion and remaking of the United States in the nineteenth century, Jim Crow and the civil rights movement, and into our current politics. Each piece shows a master at work, melding historical knowledge and balanced judgment with crystalline prose. Foner takes up towering figures from Washington to Lincoln, Douglass, and Rosa Parks, pivotal events such as the Fugitive Slave Act and the Tulsa Race Massacre, and the fragility of constitutional guarantees to civil liberties, due process, and birthright citizenship, whether in times of war or peace. He also explores recent controversies over how to commemorate, and how to teach, our history.

Acclaimed author Richard Ho and artist Xuân Lan take readers on a tour of Asian homes around the world—just please remember to leave your shoes at the door! A rich exploration of cultures, families, and traditions for fans of A Big Mooncake for Little Star and Eyes that Kiss in the Corners.

Welcome. You are about to step into an Asian home. But before you do. . . please remove your shoes.

Slippers are allowed. Socks and bare feet, too. You may have always taken off your shoes before stepping into a home, or it may be new to you. But have you ever stopped to wonder why it is a common practice to take off your shoes in Asian households?

Richard Ho explains the custom, which spans across cultures and generations, in his thoughtful, richly layered text that is excellent for reading aloud. Xuân Lan's playful artwork showcases a variety of Asian cultures and introduces a young cat to lead readers on a journey through time and place.

Along with the curious cat, readers will:

* Visit an ancient Chinese village, an historic Korean classroom, a modern Japanese dining room, and many more places.
* Honor the cultures and traditions of the Asian diaspora.
* Celebrate our feet, which work so hard every day.
* Learn more from the author's note and visual glossary providing further details about each culture's customs.

Join us for the official launch event of Black Chameleon: Memory, Womanhood & Myth with author, Deborah D.E.E.P Mouton and artist, Delita Martin. 

Event DEETS

When: March 7, 2023 at 7PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX 77004)

How: Please RSVP reserve your spot. Checkout for RSVP with Book to support our store and the author/artists. 

About Black Chameleon

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

About Deborah DEEP Mouton

Deborah D.E.E.P. Mouton is an internationally known writer, educator, activist, and performer and the first Black poet laureate of Houston, Texas. She was formerly ranked the #2 Best Female Performance Poet in the World (PSI). Her recent poetry collection, Newsworthy, garnered her a Pushcart nomination, was named a finalist for the 2019 Writers’ League of Texas Book Award, and received an honorable mention for the Summerlee Book Prize. Its German translation, under the title Berichtenswert, was released in Summer 2021 by Elif Verlag. The opera Marian’s Song, for which she wrote the libretto, debuted in 2020. 

About Delita Martin

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the fine arts faculty at UA Little Rock in Arkansas, Martin currently works as a full-time artist in her studio, Black Box Press. Martin’s work has been exhibited both nationally and internationally. Most recently Martin’s work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. Her work is in numerous portfolios and collections.

Let's celebrate a few of the new-ish Black women mystery writers! 

EVENT DEETS

When: Monday, August 11, 2025 @ 6:30 PM CT

Where: Virtual! Sign up and we'll send you the link to the Zoom. 

How: RSVP ONLY to get the link to the Zoom! RSVP WITH BUNDLE to get a copy of each of the authors' book and support the bookstore!

ABOUT THE AUTHORS

Zoe B. Wallbrook is a recently tenured professor whose academic research has appeared in outlets such as the New York Times and The New Yorker. She was selected for mentorship by LA Times bestseller Elizabeth Little, and History Lessons, her first novel, was a runner-up for the Eleanor Taylor Bland Award. Zoe’s hobbies include beginning all emails with, “My sincerest apologies for my slow reply,” pretending to understand how astrological signs work, and crying at the end of every Call the Midwife episode. She and her husband live with their stalker, a black lab/pittie mix named Sophie.

SANDRA JACKSON-OPOKU is the author of Hot Johnny and the Women Who Loved Him and the award-winning novel The River Where Blood is Born. She also coedited the anthology Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks. Her fiction, nonfiction, and dramatic works have been published and produced in Adi Magazine, Midnight & Indigo, Aunt Chloe, Africa Risen: A New Era of Speculative Fiction, New Daughters of Africa, Obsidian, storySouth, the Chicago Humanities Festival, and others.

Elise Bryant is the NAACP Image Award-nominated author of Happily Ever Afters, One True Loves, Reggie and Delilah’s Year of Falling, and It’s Elementary. For many years, Elise had the joy of working as a special education teacher, and now she spends her days reading, writing, and eating dessert. She lives with her husband and two daughters in Long Beach, California. You can visit her online at www.elisebryant.com.

Through his work across many media, Houston and Los Angeles-based artist Vincent Valdez bears witness to the world around him, chronicling an America at the margins. Vincent Valdez: Just a Dream… features work from over twenty years and writings addressing Valdez's work through the lens of politics, history and humanity. Valdez's approach to imaging his country, its people, politics, pride, and foibles includes boxing, lynchings of Mexican Americans, border walls, politics, greed, the Ku Klux Klan, and the failings and triumphs of American society. Vincent Valdez: Just a Dream… accompanies survey exhibitions of his work by the same name at the Contemporary Art Museum of Houston (CAMH) in 2024-5 and MASS MoCA in 2025-6. The bilingual (English/Spanish) publication features both full-color works and a gatefold for The Strangest Fruit as well as a sewn-in booklet of behind-the-scenes studio images. Texts include a reprint of Joyce Carol Oates' On Boxing, essays by exhibition co-curators Denise Markonish and Patricia Restrepo; and a text by Evan Garza on the artist's relationship to Texas.

EVENT DEETS

When: Sunday, April 23, 2023 at 5PM CST

Where: Hogan Brown Gallery (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY for TICKET or RSVP WITH BOOK to get your copy of THE HOUSE OF EVE!

ABOUT THE BOOK

ABOUT THE AUTHOR

Sadeqa Johnson is the award-winning author of four novels, including Yellow Wife. Her accolades include the National Book Club Award, the Phillis Wheatley Book Award, and the USA Best Book Award for Best Fiction. She is a Kimbilio Fellow, former board member of the James River Writers, and a Tall Poppy Writer. Originally from Philadelphia, she currently lives near Richmond, Virginia, with her husband and three children. To learn more, visit SadeqaJohnson.net.